This is a promise that this time next year I will be in Austin, TX engaging in some 2010 SXSW action. I will skip all other festivals next year to ensure this happens.
I am missing out on so many good shows this week it makes me want to cry. Punk rock, hip hop, metal, country…
Just check out the SXSW schedule. There is enough live music to last me for the whole year.
Aside from the live music there will be film and other interactive entertainment not to mention a handful of awesome friends who live there. For more info check out the SXSW official website.
So yes, 2010 will be a SXSW year. Who is joining me? Anyone going this year? I’d love to hear about your experiences.
To all the awesome record labels and marketing companies I deal with thank you so much for the many invites. I promise you I will take you up on those offers next year.
I just received word that Akron, OH’s DEVO has announced that they will be working on a studio album for a Fall 2009 release!
Direct from the email I received:
What the iconic new wave, art punk pioneers cautioned us about almost 30 years ago is no longer a humorous theory. It’s pretty much fact–we now live in a devolved world that’s getting wackier each and every day.
The fall of 2009 will bring a new DEVO studio album, their first one since 1990’s Smooth Noodle Maps. It’ll mark their first new music since the strong fan reaction that greeted the 2007 single “Watch Us Work It,” their first new song in 18 years and one that was produced by Sweden’s TeddyBears (Robyn). They’re now in the studio putting the finishing touches on their new album (title TBA).
The five-piece–featuring co-founders and songwriters MARK MOTHERSBAUGH (lead vocals, synthesizer innovations) and GERALD CASALE (lead vocal, bass) and rounded out by BOB CASALE (guitarist), BOB MOTHERSBAUGH (guitars/vocals) and JOSH FREESE (drums)–are set make a special U.S. appearance at SXSW this year including a press conference (4:00pm) and keynote panel (5:00pm)–moderated by radio veteran Nic Harcourt–set for Thursday, March 19 at the Austin Convention Center (500 East Cesar Chavez St.). They’ll follow that up with a Friday, March 20 one-night-only SXSW concert at the Austin Music Hall (208 Nueces St.). Pre SXSW, DEVO fans in Dallas can catch a special one-off show on Wednesday, March 18 at the Palladium Ballroom.
In May, DEVO will head to the United Kingdom for a series of dates. On Wednesday, May 6, DEVO will perform their debut album, the seminal Q: Are We Not Men, We Are Devo! in its entirety from beginning to end at London’s Kentish Town Forum. Released in 1978, the seminal album produced by Brian Eno and recorded in Germany features such notable tracks such as the band’s cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction,” “Mongoloid” and “Jocko Homo.” Next up on Friday, May 8, they’ll headline the All Tomorrow’s Parties festival in Somerset at the Butlins Holiday Centre.
Formed in 1972 in Akron, OH, DEVO–short for “de-evolution”–began as an art project cautioning that humans were devolving and regressing into a herd mentality of American society, not evolving. A conceptual band from the beginning, DEVO were ahead of their time, incorporating elaborate aesthetics into their live shows and seamlessly combining their music with visuals years before MTV or any music-video culture existed. Indeed, the group’s first appearance at Kent State University in 1973 was recorded with a black and white portable video system. Societal satirists, DEVO’s lyrical mix of comedy and quirky wit, warned of the dangers of rampant capitalism in “Whip It” and “Freedom of Choice”, and the devolution of society in “Jocko Homo” and ”Beautiful World.“ Onstage in their early incarnation, the group began with a mixture of synthesizers and rock instruments; as they developed in the late seventies and early eighties, DEVO became one of the first American acts to perform using only synthesizers. DEVO have now returned with an evolved look, ready to impact the vastly devolved world we now find ourselves trying to navigate.
It was an entertaining evening Thursday night fueled by heavy doses of country twang and serious rock n roll thanks to the bands that performed at one of Cleveland’s best little venues, the Beachland Ballroom. The line-up was enough to call for that simple dreadful sign stating that tickets were sold out. All who were lucky enough to obtain admittance to last night’s performance certainly are still talking about the show that Those Darlins, Hacienda, and Dan Auerbach who is known as the lead signer of The Black Keys all put on.
Having heard about the show last week I decided that it was a show not to be missed and make plans to attend. Accompanied with a couple of friends who have love for the country and the rock I was sure they would have a great time checking out all the bands. We arrived to the Waterloo Rd. venue a little early as I was not certain how long it would take to make the trek there. The Beachland Ballroom is not located exactly downtown Cleveland but just a short drive away on a sketchy yet hip part of town. We arrived with no problems and finally made way into the ballroom. One of the things I like about the Beachland Ballroom is how quaint it is. It reminds me of a gymnasium from a middle school of my past with a stage and no real distractions in the main gathering area itself.
Calling them darlings is an understatement...
Once we finally got in we made a pit stop at the merch tables and I dropped five dollars on Those Darlin’s Wild One EP. For three songs the five bucks was totally worth it. The main reason I even planned on attending the concert was because of the trio of ladies otherwise known as Those Darlins. I just had received a taste of their sound last week and promptly posted a blog about it. What I heard not only made my day but also made me what to see them perform live.
Normally people get excited for the main act at a concert and the openers are almost like icebreakers for the evening. For the first time in a long time this was not the case for me. I dig the Black Keys and I have seen them live before. I actually had not heard the solo release yet on Dan Auerbach yet and to be honest I was more interested in seeing the opener over the other two bands.
Nashville’s neighboring sweethearts Those Darlins took the stage to a decent sized crowd and opened with “Wild One“. I think it is safe to say that they impressed the crowd right away physically and musically with their mix of country, folk, bluegrass, and sass. Dressed to impress, the three fine-looking girls and their mustache clad drummer had an amazing stage presence and were all smiles through their set. Sipping on strong drinks in between songs the girls shared singing duties and entertained all. “I love you” was shouted more than one time, and although I admit a major crush on the three darlings, I assure you it was not me.
They played the two other tracks on their Wild One EP including the humorous “Whole Damn Thing” as well as a healthy bout of tunes to be hopefully released on their debut CD in June. At times they sounded like The Carter Family and other times reminded me of a female version of Hank Williams III but much better looking. Seeing them live on stage having such a good time really added to the attraction. I was not ready for them to finish when they did and really could have listened to them play all night with their unique sound. I can only hope for a return by the sassy ladies once their debut CD is released.
Dan Auerbach
Many people were excited to see the San Antonio rock jam band Hacienda take stage. I wish I could say I was too, but honestly the only thing I knew about this band is that they were backing up Dan Auerbach during his set and that their latest album, Loud Is The Night, was recorded at Dan Auerbach’s Akron Analog . I checked out some of the set and at times was shaking my head along to the beat. It was good music, but just not what I was looking to hear at the time.
Dan Auerbach with Hacienda and friends took stage after a short break. It was at this moment that I realized how sold out the show really was as I could barely move through the crowd to find a good place to watch the headliner. With only hearing a track or two off of Dan Auerbach’s Keep It Hid I knew it was not anything Black Keys but still was not completely sure what was going to happen.
The sounds Dan Auerbach and crew put forth reminded me of early rock at it’s finest with a jam feel at times. Each member on the stage had their own specialty to make the live performance even more interesting. Guitar solos, dual vocals, and smiles ear to ear by the performers just added to the good time being had by all. I got a huge kick out of the duel drumming and especially seeing Patrick Hallahan from My Morning Jacket do his thing moving from drum set to congo and maraca and even beating upon a giant triangle. Rocking out until after midnight the band continued to electrify. I can not tell you what songs they played as I still have yet to pick up the CD but I can tell you Keep It Hid is on my “to buy” list.
It was an excellent night for new music to hit my ears thanks to all three acts playing on stage. I became a bigger fan of Those Darlins as well as gotten a good taste of what Dan Auerbach’s solo material sounds like backed with a full band. Spite the sold out crowd it was a great evening and I know I was not the only one who enjoyed it. If these three acts happen to come your way and you are looking for a night of fun and music do yourself a favor and grab a ticket before it sells out.
The tour continues for just a few more dates. Catch them if you can!
March 5 – Cleveland, OH @ Beachland Ballroom
March 6 – Chicago, IL @ Metro
March 7 – Minneapolis, MN @ First Avenue
March 10 – Seattle, WA @ The Showbox
March 11 – Portland, OR @ Wonder Ballroom
March 13 – San Francisco, CA @ Bimbo’s
March 14 – Los Angeles, CA @ El Rey Theatre
This blog belongs in the WTF catagory for sure… I just learned today of a super group of sorts forming featuring members of bands you would never suspect.
What band members do I speak of? How about former Smashing Pumpkin guitarist James Iha, Cheap Trick drummer Bun E. Carlos, singer/Hanson brother Taylor, and Fountains of Wayne bassist Adam Schlesinger. Supergroup indeed. The band is called Tinted Windows and they should be releasing an album on April 21st, 2009.
WTF: Members of Smashing Pumpkins, Hanson, Cheap Trick, and Fountains of Wayne Form Band
According to Billboard.com, there’s a new band that exists on earth called Tinted Windows featuring former Smashing Pumpkin James Iha, Cheap Trick drummer Bun E. Carlos, handsome Hanson brother Taylor, and Fountains of Wayne bassist Adam Schlesinger.
I am looking at my calendar right now. It is not April 1.
A couple things while my mind is still barely stuck together: You put together one of the most random something-groups ever and the best name you can come up with is Tinted Windows?! Is that a play on the secretive nature of the group? Do they all wear Men in Black shades on stage? Is this a Blues Brothers revival act? But, really, if you’re going to go “Tinted” why not go all the way, like Blacked Out. Or Smashed Windows. Well, maybe not “Smashed.” Hm. At least a moniker with some confidence, some commitment. As of now, this band is like the transition lenses of something-groups.
The union sort of makes sense considering Iha and Schlesinger co-own a studio and Taylor Hanson seems like an all-around good guy…but still.
Apparently, the band have already recorded their debut album in New York and are set to make their big time live splash at Billboard’s SXSW showcase March 20 in Austin.
If this is Billboard’s idea of a gag, I have to hand it to them– it could be an incredible gag.
UPDATE: It’s not a gag. Tinted Windows is very real, their publicist assures us. And their album is coming out April 21.
WTF indeed… I will be researching this in the upcomming weeks and hope to find out a little more about this including WHY.
Rock band Clutch collectively released a new CD from their side project band, which some claim is an alter ego of sorts called The Bakerton Group. Focusing mostly on instrumental music, the four-some recently, with help from Per Wibeg of Opeth, released El Rojo. The outcome of this CD strays slightly from the stoner rock but travels more so down the jam band style of music with elements of jazz and blues.
The Maryland rock act Clutch has been rocking out since 1990 and although they never reached the mainstream level, they have a huge fan base and have sold tons of albums as well as toured the world. Their hard work over the years got them where they are today including a following of fans, more of a cult following as Clutch does not get played on the radio much nor do they have countless music videos for their material. The band, which barely slows down, tours constantly and has eight albums under their belts.
The Bakerton Group was formed around 1999 by the members of Clutch perhaps to just try something different and expand their musical creativity. Their first EP titled Space Guitars was released in 2000 and is still available for free download on the band’s website. It was not until 2007 when a full length self titled album was released on River Road Records. El Rojo marks the second release by the band and this time has been released on Clutch’s very own label Weathermaker Music.
The Bakerton Group is more of a rock jam session that will appeal to more than just one type of fan. It’s easy to compare the sound to Clutch as all four members contribute. I admit that while listening to some tracks I was waiting for Clutch lead singer Neil Fallon to bellow out over the music. While listening though I had to keep reminding myself El Rojo is an instrumental project full of a surplus of music types.
With El Rojo being my first taste of the Bakerton Group, I did not know quite what to expect other than instrumental songs. Starting off the CD was “Time Horizon”. All I could think of was how Clutch sounding the track was. Being as big of a Clutch fan as I am, I was glad to hear the music, and it rocked, but my first taste of this side project was nothing out of the ordinary to me.
The CD really didn’t hit me until “Bien Clasico” played with intermittent crazy saxophone playing that even John Zorn would smile at. The song had sort of a Disco Biscuits feel at times sans the electronics blips and bleeps. The potent organ solo on “Life On Lars” was something worth listening over and over again. “M.(F).H.S.” became predictable sounding at times but turned out to be one of my favorite jams on the entire album.
I could not help but smile while listening to “Work Em” as perhaps Neil could not control himself as he just screamed out in the middle of the song finally giving me that total Clutch fix I was yearning for. Whispering robot sounds added to the fun of this track not to mention the length of the song. If there is any song on the album you want to preview to get a taste of what the Bakerton Group sounds like, this is a perfect song to start with.
For those of you who think the songs on El Rojo might be Clutch songs that never made it to one of their CDs, you are to a degree correct. El Rojo to me was more intimate Clutch music that usually only can be heard behind closed doors when the band just feels like rocking out and not going to plan. This is the music you only wish you could have heard before perhaps as a b-side or as filler at a live show. The music is solid, composed, and extensive at times making for a great CD to just sit back and listen to.
The Bakerton Group will be touring with Clutch in support of El Rojo. Technically speaking Clutch will be touring as The Bakerton Group opening for Clutch. Does that make sense? Who cares. If you are a fan of Clutch you will love the Bakerton Group and should not pass up the opportunity of a full forced night of music when they hit your city. If you are not a fan of Clutch but appreciate good musicianship, you too should at least sample the CD, you might just like it.
-For more info on Clutch and The Bakerton Group check out www.pro-rock.com
-Head over to The Bakerton Group’s website and download the Space Guitars EP for free.
-For some extra content plus info on The Bakerton Group plus other Clutch projects check out Brooklyn Vegan.
-Here are some videos of The Bakerton Group from past shows:
