Tag Archives: Rock

Times Of Yore: The Bloodhound Gang – Use Your Fingers

So during this edition of Times Of Yore I wanted to talk about a band that is still around and is still putting out CDs.  The band is without a doubt a mainstream act and many know them quite well.  The band I speak of is Pennsylvania’s Bloodhound Gang (BHG).  The comedic rap and rock mixing band has been a favorite of mine since the mid-nineties.

Sure everyone who knows the BHG is familiar with their hit tracks “Fire Water Burn” and “The Bad Touch”.  Both tracks were hits all over the radio and basically helped the band achieve attention (well before Bam Margera included them in his fun).  Where I am a fan of the albums that both songs appear on I actually would have to say that their debut full length album Use Your Fingers is my favorite.

Here is the part where I talk about that CD…

I found Use Your Fingers by pure accident.  I was at a Half Price Books with my pal Mike one day just looking for stuff to buy.  I remember I picked up a copy of the CD and just looked at it.  There was a hot looking lady on the cover in small clothing eating a chicken leg that grabbed most of my attention.  I looked at the rest of the CD and could not help but wonder to myself what in the hell I had in my hands. It looked like a punk rock CD of sorts and I decided it would be best to buy it before someone else did.

Without hesitation I purchased the CD but had to wait until I got home to listen to it seeing my car at the time lacked a CD player.  I remember though the moment I hit the play button on my trusty Sony Walkman (that I still have to this day) that I became an instant fan.  I had honestly not heard anything quite like it before.  It was hip hop but punk rock with lyrics out of this world not to mention comedian Rip Taylor provided the introduction.  Jimmy Pop, Evil Jared, Lupus, and Daddy Long Legs became heroes to my young ears.

I listened to the CD over and over and proclaimed them one of my favorite bands.  I would sing along daily to songs like “Legend In My Spare Time” and the “Pretty When I’m Drunk” as well as their cover of “Kids In America” which I still prefer over any version to this day.  I just loved the raunchiness of everything the band did from the clever lyrics and samples to the beats surrounding them.  Within weeks I had a copy of their debut release Dingleberry Haze EP in my hands.  I was a BHG fanatic.

Months later I saw a tiny add in Scene Magazine stating that the BHG was playing in town.  I was convinced it was going to sell out so I went out and bought two tickets, one for me and the other for Mike.  Boy was I in for a surprise…

I will never forget the night the Bloodhound Gang played the Grog Shop their first time.  We got there early so the place was not that full but after time passed we started to notice that not a lot of people showed up to the show.  Seriously there was like 8 people there including Mike and I…

The BHG took the stage and played like there was a full house.  Mind you that show was years ago so I could not tell you the set at all but I do remember Jimmy Pop singing on the bar at one time.  My other memory was when the band asked for volunteers to come up on stage for a contest.  For whatever reason I kept my hand down but Mike raised his and they asked the kid with the mohawk (Mike) to come on stage.  The game they played that night was a game of darts…on Evil Jared’s back.  There were like 3 or 4 other people playing along and one by one they would throw a dart into the human dart board.  Mike hit a bulls-eye.

I do not think the band was ready for that as the bulls-eye was drawn rather small on Evil Jared’s back but they still gave Mike a prize, a studded bracelet.  I was jealous and honestly I still am.  After the show the few of us who hung out got to talk to the band and joke around with them.  They were super cool and even gave us some stickers and temporary tattoos.

That night was one I will never fully forget.  Even if the outcome was horrible the BHG could care less and not even two years later they returned to the Grog Shop to a sold out crowd with Nerf Herder opening for them.  I remember that night too especially when the band pulled me on stage to sing a couple verses from “Fire Water Burn”.

Almost 15 years later I still listen to Use Your Fingers and sing along as I did when I was just discovered them.  I can not wait to see what they come up with next and even if they sell out the next venue they play in Cleveland I will always think back to the day when BHG played what seemed like more of a private show for me and my pal.

Blakroc – Blakroc – CD Review

It’s the day after Thanksgiving and I am still full from an amazing array of good eats and excited.  Of course we all know that today is supposed to be the busiest shopping day of the year and there is not one part of me that wishes to engage in that stupid retail disaster.  I have no interest in waking up early and saving $20 on a junk TV or getting DVDs for $2.  I don’t wish to wait outside in the cold for the chance at getting a deal.  I’ll just surf the internet for my shopping needs when the Jesus Day comes a little close.

Black Friday can kiss my ass.

So if I am so bitter at this tragedy of a day what am I so excited about you ask?  That’s easy, Blakroc‘s debut self-titled album was released today.  What?  You have no idea what I am talking about?  Well of course I am going to explain a little more about this album that I have been anticipating for quite some time.

Blakroc is a project featuring Akron, Ohio’s blues/rock heroes The Black Keys plus hip-hop artists including Ludacris, Mos Def, the late-great Ol’ Dirty Bastard and other well known artists.  The combination of the music of Dan Auerbach and  Patrick Carney’s provided beats layered with the rap lyrics is just unbelievable.  To add to the exhilaration, The Black Key’s frontman Auerbach provides some of his own signing on a couple of tracks making for a truly matchless sound. 

So how exactly did The Black Keys get mixed up with hip hop?  Well apparently Damon Dash, co-founder of Roc-A-Fella Records is a huge fan of the Keys and wanted to do something involving the duo and Jim Jones.  During that initial session Mos Def interrupted and wound up recording as well and Blakroc was formulated (Black Keys + Roc-A-Fella = Blakroc).  In eleven days there were eleven tracks recorded thus creating an album that could be compared to a Gorillaz-like jam sans the electronics and cartoon fantasyland idea.

Finally after hearing about this project for months it the hit shelves today (CD & LP) and I could not resist but grabbing a copy for myself.  After all I am a huge fan of The Black Keys and everything they do as well as have a high appreciation for hip hop so it’s easy to say I was excited.  Once I put that album on though I was in my own little glory just like the first time I heart the Judgment Night soundtrack.  It was something new and something unmarked in it’s own kind.  Blues/rock and rap?  Nice.
 
The first track “Coochie” floored me not just because it sounded so great but because my number one favorite rap artist Ol’ Dirty Bastard was rapping in his glory (still can’t believe it’s been five years since his passing).  Thanks to ODB being affiliated with Roc-A-Fella Records prior to his death there was some of his work readily available for Damon Dash and he put it to good use.  Featuring the ever easy to listen to Ludacris and ODB slinging out rhymes about one of their loves in life, this song set the bar high for my expectations for the rest of the album.

“On The Vista” followed with the same knockout as the first track thanks to the smooth flow of Mos Def and Auerbach’s amazing guitar playing.  NOE dominated on “Hard Times” with some nice R&B like back-up singing as well as the Keys doing their thing.  “Why Can’t I Forget” was a nice somber R&B turn featuring Nicole Wray.

As soon as Mos Def and Auerbach shared the mic on “Ain’t Nothing Like You (Hoochie Coo)” I was just astounded.  It was my favorite track on the album thanks to the high appeal of hearing Auerbach’s distinguished singing followed by sick flows from Mos Def as well as a few lines by Jim Jones.

“Hope Your Happy” was another highlight on the album to me with Nicole Wray providing more soul signing beside the infamous Q-Tip and Billy Danze.  Nicole Wray returns once again with NOE, almost sounding like Jay-Z, on the final track titled “Done Did It”.  I am really glad the album included her as she made some of the songs that much better to listen to.

My only complaint with this album was the lack of Mr. Roc-A-Fella himself – Jay-Z.  It’s not like he’s never done something like this before (anyone remember Linkin Park/Jay-Z).  Based upon what I heard on this album though I would not be shocked in the least bit if another album was already in the works.

You will like this album if you like things done different from the norm but with substance.  It’s a fresh new sound that was brought together with near perfection.  If you are a fan of hip-hop you will dig this album as well, but I can honestly say if you are only about the music The Black Keys push out on average this may not be your cup of tea.  It’s a blues rock experimental album in a sense but more so a hip-hop heavy project that completely did wonders to my ears.

Snacktruck – Spacial Findings 1 – 7 – CD Review

When I see the words “snack” and “truck” the fat kid inside me usually gets excited and is ready to mow down some mobile junk food.  This time around though the words have different meaning and refer to a band’s name and not the no-so-good-for-you cuisine.   Snacktruck is a truly unique threesome from Richmond, VA consisting of a guitarist/keyboardist and two drummers.  Yes, two drummers.  (I do believe there is a guest bassist too but can not confirm that)

The band recently released Spacial Findings 1 – 7, an album that is more of a masterpiece of specifically layered sounds resulting in quite an impressive instrumental release.  With no pinned down genre the album glides through styles such as progressive, jam, thrash, and even pure rock with no hesitation what so ever in between.  The album was dropped on Rorschach Records.

If you asked me what Spacial Findings 1 – 7 sounded like I would first just say “awesome”.  Why?  Because the moment I put the CD in for a listen I was just fixed on what was hitting my ears and listened to it from start to finish with no interruptions.  The moment the CD ended I put it on for a second listen.  No joke.

When listening to “Presence Charm” I actually looked at the CD booklet to make sure that only three people formulated this song.  Heavily progressive but inclusive throughout there was no wonder why this caught my attention…it was good.

“Blooms (Horrible)” continued on with an experimental interesting piece that hooked around momentarily and ended far too soon.  I was digging the almost sci-fi soundtrack and was a little bummed when it smothered out.  “Blooms (Sweet)” stifled out just like the previous track right during a sweet guitar manipulation and that is when it hit me…  The band very well may take their songs completely into new territory when playing live so why ruin it on a studio release?  Now I want to see this band live more than ever.  I can only imagine the intensity of a live experience.

“Life Prism” was perhaps the highlight of the album for me until the following song “Blake Jones In Space” intensified the feeling.  Imagine insanity compiled into a two and a half minute song with sick drumming and technical goodness.  All I could think of is a mutant Mike Patton taking hits of 90’s grunge music heavy acid and painting a picture of the future through music.  Yes, I just said that.

“Gravi-Thorn”, the longest song on the disc, starts out ever so soft and gentle and suddenly transforms into a crazy collection of guitar and feedback with faultless drumming.  Did I mention the band has two drummers? 

Snacktruck surpassed my musical range in every way possible (that is a good thing) but I could not help but reach out and grab their insanity note for note and beat to beat because it was so alluring.  It’s without a doubt something that needs to be heard without being too much to take.  Technical music lovers and experimental intellectuals are going to love this trio of musicians.  Hell, music lovers need to give this band a chance, it’s that good.

Sound interesting?  Head over to Rorschach Record’s website to grab a copy for yourself!

Good Times: Greg Ginn & The Texas Corrugators @ Blue Arrow Records – 09/15/09 – Cleveland, OH

I would like to announce that the Greg Ginn in-store performance presented by Addicted To Vinyl & yours truly, Broken Headphones, was a success.

Thanks to Pete at Blue Arrow Records, a previously loved vinyl store, music fans were able to catch a free show by Greg Ginn & The Texas Corrugators.  The band played for just under an hour two extended versions of their instrumental songs.

Here is a quick video I took with my iPhone 3GS:

Greg Ginn and his band were super friendly and really put on a great show.  I have to admit with this being the first time I have coordinated something like this, an in-store that is, I was a little nervous what to expect but it panned out perfectly.

Major thanks to Pete for hosting the event and special thanks to Matt for helping me make this happen.

FYI, Greg Gunn mentioned to me that all his music is available for download free of change.  Visit http://www.txcorrugators.com/ and follow the links.  If you like what you hear Greg Ginn just asks that you just make a donation to a animal rescue organization of his choosing.  That is a deal right there friends…

Here are a couple photos I managed to take with my no-so-good camera.

Here is video I took with my digital camera to give you even more of a taste of the great little session they had: