Tag Archives: Rock

Concert Review: The Avett Brothers – House Of Blues – Cleveland, OH – 02/27/2010

It’s really not a secret anymore, The Avett Brothers are kind of a big deal these days.  Not even a year ago brothers Scott and Seth Avett along with bassist Bob Crawford and cellist Joe Kwon brought their folk act to the Akron Civic theater to a decent sized crowd.

That show was just months before the release of the Rick Rubin produced I and Love and You, an album that would change their status as a band forever putting them in the spotlight they so deserve.

Last Saturday night the North Carolinian foursome returned to Ohio and played to a sold out crowd at the House Of Blues in Cleveland.  With tickets being sold out months prior, it was pretty apparent that this was a show many folk were looking forward to be it new fans or long time followers. Looking around the venue as I arrived it was clear that the attendees of the night were a fine mix old and young.  There were frat boys pounding Miller Lite’s as well as a dread-locked couple hanging back against a wall and even a couple punk rockers loitering by the bar.  It would almost seem as if the night was all about bringing people together at the expense of music.

Folk act The Low Anthem from Providence, Rhode Island had the pleasure of being the opening act.  Starting off with a couple slow folk songs off their latest release Oh My God Charlie Darwin it was clear that most of the crowd was not interested in them at all.  Lead singer Ben Knox Miller did not let that bother him one bit though and continued playing songs to the packed house along with Jeff Prystowsky primarily on the stand-up bass.  Joining them as well was Jocie Adams who took care of most of the percussion duties, and Mat Davidson.  The band all played multiple instruments throughout their set showcasing their talent.

Just about half way into the set they switched gears and started rocking out heavily with Miller and Adams belting out vocals and Prystowsky beating the crap out of his stand up bass ever so passionately.  Adams really caused some jaws to drop when she sang in full force as she was just a small framed thing.  Many of the crowd soon quieted down and gave them the respect they deserved and by the set’s end the whole place was cheering for them.

It was clear that The Avett Brothers have reached that “rock star” level once the curtains were drawn introducing the Avett brothers, Bob Crawford, Joe Kwon, and a new touring drummer Jacob Edwards (of Samantha Crain and the Midnight Shivers) to the crowd that night.  The entire place cheered and sang along as they opened up with the ever appropriate “Salina”.  When the lyrics “Cleveland, I ain’t never felt nothing so strong” were recited the entire crowd went crazy and that would not be the last time that happened.  In fact the boys kept the momentum going following the opening song by playing “Slight Figure of Speech”.

Continuing for the hour and a half set the band played a few songs off their latest release but also dug deep into their catalog as well as even hammered out “Where Have All The Average People Gone”, a Roger Miller cover.   Not surprisingly the touring drummer entered and exited the stage when the time came for Scott Avett to get behind the drums.  It was also nice to see a very energetic Joe Kwon stay on the stage for the entire show.  The last time I had the please of seeing the Avett’s the celloist walked on and off the stage throughout the night but this time he stood his ground and played his heart out.

There was no “Kick Drum Heart” or “I and Love and You” played during their as many might have wanted to hear but “January Wedding” as well as “And It Spread” was suffice to all as everyone sang along when each was played.  I myself was most thrilled to hear “Murder In The City” as I just had listened to the song the other day on my record player.  Still fresh in my mind I sang along with everyone around me just enjoying every second of it.

“Go To Sleep” was perhaps one of my favorite tracks to hear during the evening.  Joe Kwon took his cello and played the beginning of the song and in no time the entire crowd decided to help by screaming “La La, La La La La” throughout as the rest of the band sang and played the boot stomping jam.  Sure the song is not about the happiest of times but the energy exhumed out of the song from all was just incredible.  As the song came to an end the boys left the stage to an over-adoring crowd.

All I could think of in my head was “they get it”.  When I say “they” I meant the crowd, and “it” of course was the music.  Sure the place was sold out, packed, and full of people who had one too many but they all were there for a good time with good people thanks to good music.  Better yet I was overly pleased with the set list of the night as the Avett’s took and played songs from a whole slew of their albums and tried not to just focus on the new stuff and most of the fans around me sang along to every single song.

As the crowd continued to sing “La La, La La La La” in a rather collected harmony the boys returned to the stage and started their encore with a slowed down version of “Traveling Song”.  Ending the night with “If It’s The Beaches” off of The Gleam, the crowd was not ready to let the Avett Brothers call it a night but sadly they exited the stage and the lights were turned back on.  As those lights became brighter I could start to see more people’s faces with smiles reaching ear to ear.  It was proof of how amazing the night was and just how great of a time was had in the venue on a Saturday night in Cleveland.

Set List:
Salina
Slight Figure Of Speech
Where Have All The Average People Gone? (Roger Miller Cover)
Please Pardon Yourself
Distraction #74
Perfect Space
Murder In The City
Tear Down The House
At The Beach
Laundry Room
And It spread
Head Full Of Doubt
I Would Be Sad
January Wedding
Famous Flower of Manhattan
Colorshow
Go To sleep

Encore:
Traveling Song
If It’s The Beaches

Tim Barry – 28th & Stonewall – CD Review

Tim Barry, most commonly known for being the lead of punk rock outfit Avail, has done it again his way with his most recent release 28th & Stonewall. Once again he has created an honest solid album heavy on the folk with no bells or whistles that any hardworking music loving American can appreciate. The release is a personable attempt and can relate to any hard working person out there who knows all too well what the American dream really is all about.  This is his fourth release on Suburban Home Records.

Still putting time in a 9 to 5 job when not touring, Tim Barry is just like everyone else.  The guy is a true American at heart and is not thrilled about emails and technology.  He is happiest at home with a beer and might just be one of the friendliest guys out there.  Just don’t piss him off as he still has some of that punk rock angst left in him.  Recently some drunk idiot found that out while heckling Barry on stage at a show during a more personal song.  The result was a fight that should never have happened but proved a point – don’t mess with passion.

Granted he used to front a punk rock band, these days the friendly fellow finds himself more of a folk artist.  When time allows he gets together with friends and family in his hometown of Richmond, VA and records songs just for the pure joy of it.  Recording most of the songs in a three week period while home on break from seemingly increasing tours the material turned into 28th & Stonewall and really may be his best work yet.

The boot stomping “Thing Of The Past” started off the album with a very direct sincere track about everyday life of not only the singer but many other folk in this world talking about lack of money and living life. With lyrics like “I want nothing and that’s still all I have” as well as “it’s not what you make or do, it’s how you’re living” how could someone not appreciate his lyricism?

“Prosser’s Gabriel” stuck out over all other tracks on the album as Tim Barry told the story of an attempted slavery uprising Virginia by a former slave who was never added to the history books. I was glued to the story throughout the song featuring Tim Barry and his guitar. The song was not something I would have expected Barry to write but it was done so well. Not only did the song stick in my head days later but also intrigued me to learn more about this unknown hero.

One of the most enjoyable songs on the album was “Will Travel” featuring the No BS Band who supplied some heavy New Orleans style horn playing. “Moving On Blue” was a gloomier track pertaining to a relationship laid to rest featuring Daniel Clark (who has helped out Ryan Adams on more than one occasion) on piano.

“Downtown VCU” tells the story of a girl who was “one part country one part urban thug” (love it!) that passed on a newly enrolled college student. The song is a story of humor that really reminded me of Johnny Cash’s “A Boy Named Sue”. It had a point to it but was also surrounded by all sorts of witty calamity resulting in a fun track.

“Bus Driver” really put an end to the CD in the right way. Tim Barry sang on how he is tired of touring and singing and just wanted to go home. Thanking his booking agent and bashing his tour manager he asks that people let everyone know that he “long gone” and for everyone to “go on” without him. He even requested fans to tip his merch girl because she was not making enough. Not to be taken literally the song is more of a thank you to all the people that surrounded him as he toured.

While listening to the CD on the way to work a couple weeks back my mood changed and I really just wanted to turn around, grab a 12 pack, and just drink myself into a comfortable state while continuing to listen to the CD.  No, I am not a closet drunk or anything but this CD just had that effect. Full of storytelling songs I could just hang out on a porch with friends and listen to on repeat all day long.

Tim Barry really outdid himself on this album and proved the point of being a working man by stating that he “could stay home and make a lot more money working at the Richmond Ballet” but confesses that he “wouldn’t feel fulfilled”.  Thanks for continuing to do what you fo Tim, it is well appreciated.  Look for Tim Barry to tour in a town near you this Spring.  (Tour dates listed below)

Tim Barry 2010 Tour:
3/2/2010 Virginia Beach, VA @ Jewish Mother
3/3/2010 Chapel Hill, NC @ Local 506 w/ Ninja Gun
3/4/2010 Columbia, SC @ New Brookland Tavern w/ Ninja Gun
3/5/2010 Atlanta, GA @ Purgatory at the Masquerade w/ Ninja Gun
3/6/2010 New Orleans, LA @ Zeitgeist w/ Ninja Gun
3/7/2010 Houston, TX @ Walter’s on Washington w/ Ninja Gun
3/8/2010 Austin, TX @ Emo’s w/ Ninja Gun
3/9/2010 Dallas, TX @ the Prophet Bar
3/11/2010 Tempe, AZ @ Yucca Tap Room
3/12/2010 San Diego, CA @ Soda Bar w/ Possessed By Paul James
3/13/2010 Long Beach, CA @ Alex’s Bar w/ Possessed By Paul James
3/14/2010 Los Angeles, CA @Jaunita’s w/ Brian Hanover
3/15/2010 Santa Barbara, CA @ Velvet Jones
3/16/2010 Santa Cruz, CA @ Blue Lagoon
3/17/2010 Sacramento, CA @ Blue Lamp
3/19/2010 Oakland, CA @ The Stork Club
3/20/2010 San Francisco, CA @ Thee Parkside
3/22/2010 Portland, OR @ Hawthorne Theatre Lounge w/ Michael Dean Damron
3/23/2010 Seattle, WA @ El Corazon w/ Lizzie Huffman
3/25,2010 Salt Lake City,UT @ Burt’s Tiki Lounge
3/26/2010 Denver, CO @ Three Kings Lounge
3/27/2010 Lawrence, KS @ Replay Lounge
3/29/2010 Louisville, KY @ Skull Alley w/ Red Clay River
3/30/2010 Indianapolis, IN @ the Vollrath Tavern w/ Red Clay River
3/31/2010 Chicago, IL @ Reggies Rock Club w/ Red Clay River
4/1/2010 Detroit, MI @ Smalls w/ Red Clay River
4/2/2010 Cleveland, OH @ Beachland Tavern w/ Red Clay River
4/3/2010 Harrisonburg, VA @Court Square Theatre (MacRock) w/ Red Clay River
4/5/2010 Washington, DC @ Black Cat Backstage w/ Red Clay River
4/6/2010 Philadelphia, PA @ Johnny Brenda’s w/ The Menzingers, Red Clay River
4/7/2010 Cambridge, MA @ Middle East Upstairs w/ Red Clay River
4/8/2010 Brooklyn, NY @ Knitting Factory w/ Red Clay River, Jonny Corndawg
4/9/2010 Asbury, NJ @ Asbury Lanes w/ Red Clay River
4/10/2010 Richmond, VA @ The Camel w/ Red Clay River
4/22/2010 The Zoo, Brisbane w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/23/2010 Sydney, Australia @ Annandale Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/25/2010 Newcastle, Australia @ Cambridge Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/28/2010 Perth, Australia @ Rosemount w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/29/2010 Adelaide, Australia @ Enigma w/ Chuck Ragan, Frank Turner, and Ben Nichols
4/30/2010 Melbourne, Australia @ Corner w/ Chuck Ragan, Frank Turner, and Ben Nichols
5/1/2010 Hobart, Australia @ Brisbane Hotel w/ Chuck Ragan, Frank Turner, and Ben Nichols

Interview: Ray From Teenage Bottlerocket

There is nothing like a good ol’ fun punk rock song that keeps me going. Sometimes I like a simple, to the point, quick song that’s perfect for singing along to.  I don’t need anything fancy or over produced all the time to keep me entertained and in fact it’s those short humorous tracks I find myself returning to over and over.

Teenage Bottlerocket (TBR) is one of those bands out there that keeps the fun and the punk flowing at a great level. Hailing from all the way up in Wyoming the foursome has started to make their name in the punk community with their Ramones infused power punk jams.  Recently signing to Fat Wreck Chords the band dropped their fourth release on the independent punk label.  I had a chance to talk with Ray one of the guitarist / vocalists of the band just before they headed out on tour in support of the release.

Shall we begin???


BHP – Thanks for taking a moment to chat. How are you doing today?

Ray – Doing ok, I drank to much last night and had to work for 12 hours today. Life rules though.

Ha ha, before I even continue can you just take a moment and introduce yourself to everyone?

I’m Ray and I sing and play guitar in TBR.

Does the band name Teenage Bottlerocket have anything to do with a certain Wes Anderson movie?

No it doesn’t, but after we came up with the name we watched the movie and really enjoyed it.  Fantastic Mr. Fox was cool too.

You boys are from the mean streets of Wisconsin right?

We are not from Wisconsin but don’t feel bad, we get that all the time. We are from Wyoming.

Oops, I knew that. So anyways how was it growing up in Wyoming?

It’s really cold there, the weather and the people.

How was the punk scene in Laramie, the city you grew up in? Is it any different from cities you have toured in?

It’s a lot different. We have a bit of a home town following but the venue situation is a little weird. We use our practice PA for the shows and it just doesn’t really pack the punch that a regular PA would at a venue in a big city. The kids go off though, and we always have fun playing in Laramie.

What else did you do for fun growing up other than music?

Brandon, TBR drummer and my twin brother, and I have older brothers that got us into skateboarding at a young age. We grew up skating and always looked up to Matt Hensley and other skaters on the H Street Team.

I kind of figured you skated back in the day after hearing a couple of your songs.  So who is the skateboarder in the “Skate or Die” video and where was that shot at?

The skater’s name is Otto Phlanz. He is from Denver, Colorado and skates for Conspiracy. The video was shot at the Laramie skate park.

Rumor has it that not only does the band consist of you and your twin brother but also 2 engineers. Is this true?

This is true. The 2 engineers are Brandon and I. We are in Bakersfield, California right now doing work on an oil well. Technically we are chemical engineers, because of the work we perform, but I graduated with my business degree and Brandon graduated with his Geology degree. We both went to the University of Wyoming. Miguel, our bass player, just graduated from UW with his business degree.

Dumb question, but what do you prefer more, working the oil wells or rocking out the clubs?

Playing music is my real passion. If we were all able to do nothing but play in the band, that would rule. Punk rock saved my life, but my job pays my bills.

I could not agree more. So how hard is it to split up the two career paths?

It’s difficult, but we’ve managed to do alright so far.

Teenage Bottlerocket material clearly shows love for classic punkers like The Ramones, Screeching Weasel, and even the Queers. Who are some of your other influences?

We listen to a lot of crust stuff. We really like Conflict as of lately. I wouldn’t say they are one of our influences but we’ve been listening to them a lot. We really like Cobra Skulls and Randy.

When I think of fun and punk rock in the same sentence I think of Teenage Bottlerocket. You guys are an energetic punk rock act with quick and to the point songs. Was this how Teenage Bottlerocket always was from the get go?

Well shucks dude, that’s cool. We just write tunes that we like and it seems to work.

Do people even use “get go” in sentences anymore?

Yes, they do.

How does it feel to be a part of the Fat Wreck Chords family?

It feels great. It’s exciting. We were always happy on Red Scare and it stokes us that Toby has been so cool with our decision to move to another label.

Who is your favorite band so far that you toured with?

Cobra Skulls.

Is there a certain band you wish you could tour with?

NOFX.

Wait, aren’t you going to tour with NOFX soon? How stoked are you?

We are really excited. We’ve been working on the set list and rehearsing as much as possible. We cant wait to play the Aggie in Ft. Collins. The whole tour is going to be a lot of fun.

“Bigger Than Kiss” was one of my favorite tracks off the new album as well as has a hilarious video for it. Any song that praises Slayer over Kiss is ok with me. Where did the song come from? Would you really “beat the piss out of Peter Criss”?

Kody has a friend named Charlie in Newcastle that said to him, “you know, Gene Simmons is pretty cool, but Paul Stanley is a total d-bag”. I’m not sure if that is exactly what went down, but it was something along those lines. Kody cracked up and got inspired to write the tune. It is my favorite lyrics Kody has ever written. I don’t think I would beat the piss out of Peter Criss, I heard he was in a wheelchair.

What seems to be the favorite foods throughout the band?

I like sushi, Brandon likes this pizza place in Ft. Collins called La Collina, Kody likes everything but seafood, and Miguel likes anything that is hotter than hell.

Best city you have played so far?

That’s a tough one. There’s a bunch: Chicago, Toronto, St. Louis, Orlando, San Diego, and Sheridan Wyoming.

How about the worst?

I’d have to say Las Cruces, New Mexico.

Why?

Probably because it was a Tuesday night and no one in the city of Las Cruces, with the exception of 20 people, knows who we are.

One of my best friend’s kid’s who is 6 adores you guys and listens to you every night before he goes to sleep. Care to say anything to him or give him some advice?

Tell him to play soccer.


I hope Brennan takes Ray’s advice…

Here are some TBR videos for you to all enjoy!

Teenage Bottlerocket will be touring soon. Don’t be a fool – check them out when they hit your town…
03/20/10 Austin, TX – SXSW Music Festival
04/21/10 Eugene, OR – McDonald Theatre
04/22/10 Spokane, WA – Knitting Factory
04/23/10 Billings, MT – Shrine Auditorium
04/25/10 Saskatoon, SK Canada – Odeon Events Center
04/26/10 Winnipeg, MB Canada – Burton Cummings Theater
04/27/10 Fargo, ND – The Venue
04/28/10 Minneapolis, MN – Triple Rock Social Club
04/29/10 Milwaukee, WI – The Riverside Theater
04/30/10 Covington, KY – Madison Theater
05/01/10 Sauget, IL – Pop’s
05/02/10 Kansas City, MO – The Beaumont
05/04/10 Fort Collins, CO – The Aggie
05/05/10 Albuquerque, NM – The Sunshine Theater
05/06/10 Tucson, AZ – Rialto Theatre
05/07/10 Las Vegas, NV – Sunset Station Amphitheatre

Alkaline Trio To Drop This Addiction On Feb.23rd

Hey Alkaline Trio (AK3) fans!  In just one week This Addiction will drop on store shelves for you all to love and cherish.  This will be the bands first release on their very own independent label properly called Heart & Skull with a little help from Epitaph Records.

This will be the band’s seventh studio release and will be available in a regular format as well as a limited deluxe CD/DVD edition and even will drop on LP.  AK3 is currently on tour in support of the release and will be hitting House Of Blues Cleveland on March 4th with very special guests Cursive.

Look for a review by yours truly in the next couple days or so.  I can tell you it is pretty awesome.  Until then check out the band’s title track music video that just was released on the internet (and is very Braveheart inspired):

Story Of The Year – The Constant – CD Review

St. Louis’ pop/post-hardcore ballad rockers Story Of The Year (SOTY) are back with an all new album entitled The Constant.  Matching the likes of their previous material the CD is heavy on the ballads that so many fans have been accustomed to over the years as well as carries a couple of tracks that are destined for mainstream play.  This is the band’s fourth studio album and has been released on Epitaph Records.

I’ll admit I was not a STOY fan after hearing their first album Page Ave.  The song “Until The Day I Die” was the first and only song I heard by the band  That was just too much for me and of course it was plastered all over the radio and TV so I never checked out the CD.  It was not until the band’s follow-up release that I finally gave them a chance.  In The Wake Of Determination really changed the way I felt about them with their likable post-hardcore tracks.  When I saw them play at the Vans Warped Tour a couple years later I deemed myself a fan.  They were not what I originally pictured them as, they were actually musicians that happened to dish out an instant hit and rocked out especially well live.

The Constant keeps inline with their previous albums with likable tracks as heard in the opening track “The Children Sing”.  The children in the background singing “don’t take this world away from me” instantly reminded me of The Lost Boys but the song itself is catchy as hell and just sounds well written.  “The Ghost Of You And I” follows with heavy intensity and, dare I say, reminded me of something Linkin Park might have done until the chorus fills in.

“I’m Alive” was once of the cuts on the CD that I liked over the others.  It’s a to the point rock ballad, nothing less, nothing more and hints back to the days when those heavy metal hair-bands showed a softer side to life.  “To The Burial” was without a doubt my favorite track on the entire CD with enough energy to incite a circle pit in portions of the song. The guitar solos, the singing, and the drumming on this track all amount to reasons why I am a SOTY fan.

Changing things up was more-so post-hardcore song “The Dream Is Over” but then came “Holding On To You” a track once again showing a softer approach of the quintet. It’s not all rock ballads though as “Won Threw Ate” proved.  This screaming vocal track was perhaps the heaviest on the album and kindly welcomed to my ears.  “Time Goes One” brought a little punk element to the CD as well as some group vocals that I am sure the fans will be singing along to at their live shows.  Ending the CD was another choice track of mine titled “Eye For An Eye”.  I loved the energy of the track throughout with heavier guitar playing and just brutal drumming.

I was honestly hoping for more of a heavier approach though the entire album but still SOTY put out a solid album.  Where as the ballads are welcomed I much prefer SOTY at their angriest and heaviest even though I know they are labeled “post-hardcore”.  As I previously mentioned former fans of this band will enjoy the CD and I am sure once a couple of tracks from The Constant hit the mainstream there will be a slew of new fans.

The band is getting ready to tour in support of The Constant.  If you are looking for a great live show you best check these boys out.  If you need reason why just pier below at some of the videos.

Tour Dates:
Feb 26 – Chicago, IL – Cubby Bear
Mar 25 – Denver, CO – The Marquis Theatre
Mar 26 – Salt Lake City, UT – Murray Theater
Mar 27 – Las Vegas, NV – Desert Breeze Skate Park
Mar 28 – Anaheim, CA – Bamboozle West
Mar 30 – San Francisco, CA – Slim’s
Mar 31 – Orangevale, CA – Boardwalk
Apr 2 – Phoenix, AZ – Clubhouse
Apr 3 – Tucson, AZ – The Rock
Apr 5 – Dallas, TX – The Door/Prophet Bar
Apr 6 – San Antonio, TX – White Rabbit
Apr 7 – Houston, TX – Channel
Apr 9 – St. Petersburg, FL – State Theatre
Apr 10 – Atlanta, GA – Masquerade