Tag Archives: Rock

The Gaslight Anthem Stream New Song

NJ’s very own Gaslight Anthem is currently streaming the title track off their upcoming album entitled American Slang.

Click here to hear “American Slang”

The band will be releasing their 3rd full length release June 15th on Side One Dummy Records.  Expect a tour to follow in support of this highly anticipated release.

Track Listing:

1. American Slang
2. Stay Lucky
3. Bring It On
4. The Diamond Church Street Choir
5. The Queen of Lower Chelsea
6. Orphans
7. Boxer
8. Old Haunts
9. The Spirit Of Jazz
10. We Did It When We Were Young

Check out the Gaslight Anthem on MySpace or Facebook.

The Weakerthans – Live At The Burton Cummings Theatre – DVD/CD Review

Many fans of indie rock know who The Weakerthans are and what exactly they do.  For years now the Canadian four (and sometimes up to six) some have been creating amazing albums that are heavy on the indie but also incorporate folk and twang into their material.  They are a band that I label as an “accident band”.  What I mean by that is I became a fan of them by accident.

Back in the days of slinging coffees at the café at the Borders Books & Music I worked at I came across a Weakerthans’ album at a listening station one day while on break.  This was at a time and age when the internet was still ruled by AOL and MySpace was just an idea waiting to be hatched out.  I remember clearly putting the headphones on at the listening station and checking out a couple tracks from Left and Leaving.  Liking what I heard, I recall reading a bio about the band while listening to more tracks and taking a double look at the card when it mentioned one time Propagandhi member John Samson.  Seriously, my mouth dropped open.

I was maybe 23 at the time and was slowly opening my musical tastes more.  Being a punk rocker at heart I was in awe that the bassist of one of my favorite punk rock bands was fronting such a melodic and low-key band.  I heard enough, grabbed the CD, and took it to the register for purchase.  Needless to say my musical appreciation was given a boost thanks to the Weakerthans and to this day I am still an avid fan though I have yet to see them live.

Having missed them the couple times they did roll though Cleveland one could say I was excited to see that they had released  a live DVD/CD titled Live At The Burton Cummings Theatre on Epitaph Records/ANTI- Records.  Performed in their hometown of Winnipeg, Canada in April of 2009, the band recorded the performance at the Burton Cumming’s Theatre (yes, the sweet mustached Burton Cummings of The Guess Who).   Just to clarify I believe the theatre was named after the classic rock musician and that he has nothing to do with it.

The DVD/CD captures the perfect evening of a show with the talented indie rockers as well as their dedicated fans who filled the venue up the night it was recorded.  With no fancy light shows or theatrics the band hit the stage and played a very fun and great sounding show.   Their sound, I should add, almost sounds studio and one could be fooled until the fans started hooting and hollering after every song.

Playing songs old and new the band just sounded amazing and looked ever so comfortable on the stage.  Hearing them open with “Everything Must Go” really reminded me why I have been a fan for so long but seeing how happy they were performing the song brought a whole new appreciation from me for them.  With the crowd cheering and the band just having fun it was apparent that this show was going to be a good one.  Speeding things up they broke into “Tournament Of Hearts” immediately after.  With five members on stage it appeared as if Samson’s wife Christine Fellows was hiding in the shadows offering vocals as well.

The band’s (and the crowd’s) friend Julie played on some songs as well including “Night Windows” where she offered some violin. Keeping the show rolling the band broke into “Reconstruction Site” a twangy delight of a song to listen to as well.  The band completely rocked out during “Aside” all while Samson smiled big while singing.  “Bigfoot” was another track I really got a kick out of with all the instrument playing.

Hearing perhaps my favorite Weakerthans song of all time, “Plea From A Cat Named Virtue”, put the biggest smile on my face even if I was watching a recording of the show.  The song revolving around a wise feline carried on perfectly, even the trumpet playing at the close of the song.  Samson also offered a simple impromptu guitar solo that was cut short on the CD but the DVD shows the humorous moment.

During “Wellington’s Wednesdays” Samson pulled up a fan on stage named Ernesto who had the pleasure of filling in a guitar solo in the key of E.  I must say after a nervous start Ernesto started jamming hard with the rest of the band as Samson took the honorary member’s place in the crowd for a short moment.  The band then followed up “The Reasons” as well as “Sun In An Empty Room”.  I swear if it were not for the fans cheering at times my mind tried to argue with me that I was not listening to a live album.

Overall the show was a fun time full of a great set by an outstanding band.  The DVD featured shots of the band throughout the 75 plus minute performance with good angles as well as occasionally would focus in on a true fan singing along.  Capturing The Weakerthans in their hometown was one hell of an idea and even if I have not seen them live in the flesh, I am glad I had the opportunity to have this performance in my possession.

The DVD/CD ranks high with my all time favorite live albums and I have listened to it multiple times now and I am not just saying that.  Great music by a bunch guys made even more entertaining by the simple fact that they were having a blast while doing their job.  If you are a fan of indie rock or just want to spend the evening with some great music do yourself a favor and grab a copy of Live At The Burton Cummings Theatre.

Track Listing (DVD/CD):
01. Everything Must Go
02. Tournament of Hearts
03. Our Retired Explorer (Dines with Michel Foucault in Paris in 1969)
04. Night Windows
05. Reconstruction Site
06. Aside
07. Civil Twilight
08. Bigfoot
09. Plea From A Cat Named Virtute
10. The Reasons
11. Sun In An Empty Room
12. Left and Leaving
13. Wellington’s Wednesdays
14. Benediction
15. Manifest
16. One Great City!
17. This Is A Fire Door Never Leave Open
18. Virtute the Cat Explains Her Departure

Tony Sly – 12 Song Program – CD Review

After 20 years of fronting well known punk rock act No Use For A Name (NUFAN), Tony Sly continues his passion for music with a different approach by releasing his first full-length solo album.  Last month 12 Song Program dropped thanks to Fat Wreck Chords who have been associated with Sly for most of his career.

Having teamed up with Joey Cape on the 2004 split release Acoustic this is not a new territory for the seasoned punk rocker but is something that he has wanted to do for a couple of years now.  Writing songs in the past that did not fit the NUFAN slot, Sly took recent down time from his band and started recording original material that ranges from folk to pop all with help from his trusty acoustic guitar.

Not going at it all alone on the album Sly received some help from other Fat Wreck musicians/friends including Fat Wreck owner himself Fat Mike as well as Dance Hall Crashers’ Karina Denike who lent her vocals to many of the tracks.  The more mature approach was stripped down and not over produced full of many songs that would be perfect for an unplugged show at a local bar.  With sing along qualities and in depth lyricism this album has a repeat playability written all over it.

Opening track “Capo, 4th Fret” brought back memories of my obsession I had when I first heard the split album with Sly on his acoustic guitar.  The track emulates that of a NUFAN song but of course slowed down and more personable with Sly almost giving reason why he is doing what he does.  “I would live for the sake of others so they could do the same” finished the very lonesome track.

The more upbeat “Via Munich” carried along happy tune about feel good  relationship while away.  Quick and to the point, the track featured Swingin’ Utters‘ Darius Koski on violin.  “The Shortest Pier” jumped back to a miserable feeling of hopelessness.  “AM”, featuring Fat Mike, was one of the songs that stuck in my mind after hearing it.  The song strayed away from sounding like the other tracks on the album with Sly singing at perhaps his most sincere.

“Expired” was an acoustic plucking jam that easily could aid in a drinking problem.  Denike’s beautiful voice matched up with Sly’s towards the end followed by a sample taking from Taking Arizona all surrounded with piano.  This was one of those tracks that deserved another listen immediately.

“Keira” was a likable whisper of a lullaby written by Sly for his daughter.  “Toaster In The Bathtub” was full of witty comparisons to assist in cheering up a certain someone.  This is one of those songs that is best sung with friends loudly whether Sly himself plays it or if it pops up on the jukebox.

“Love, Sick Love” was another choice track of mine on the album even if it was about going different ways.  I could not tell if it was a flute or an organ but whatever instrument was used in the background just kept a certain chill throughout the song with Sly and Denike’s singing.  The lyric in the song “putting out a fire with a flamethrower is strange” might be one analogy I should reference to more often.

Joey Cape helps Sly with vocals on “Amends” and as good as it sounded I was so disappointed with how quick the track was.  At just over 2 minutes I was kind of hoping for a more extended cut of this track as I love hearing the two sing together.  Honestly thinking about it, that would be my only complaint with the entire album; it was too short.

Closing song “Fireball” showcased Sly singing his loudest and perhaps most heartfelt over the other tracks.  The sad song reflected hardship on someone who clearing was without home and had a void in their heart.  The singing matched with the heavy strummed acoustic guitar playing made for one powerful song.  If only there were more tracks on the album to keep that momentum going.

If you were a fan of the Sly/Cape split Acoustic, you will be a fan of 12 Song Program but if you are looking for an extension of NUFAN chances are you will not appreciate this album one bit. It is a punk rocker making music but to a different caliber.

Sometimes punk rockers who grow up trade in their beat up electric guitars and mellow out for a good reason.  It’s not because they are giving up, it’s because they refuse to quit on all the talent they are capable of even if it means slowing down a bit.  Case and point with Tony Sly who dropped a really great release start to finish.  One needs to remind themselves that this is a personal Sly project full of his likable melodies and will rub off a little more unique than when he is with his band that finds a name not that important.

Download This! Tony Sly ‘Via Munich”
Download This!Tony Sly “The Shortest Pier”

Look for Tony Sly to be touring throughout the spring with other Fat Wreck Chords alumni including Teenage Bottlerocket and NOFX.

03/20/10 Austin, TX – SXSW Music Festival w/ Riverboat Gamblers, Teenage Bottlerocket, Cokie The Clown, Dead To Me, Smoke Or Fire, Banner Pilot, Cobra Skulls
04/21/10 Eugene, OR – McDonald Theater w/ NOFX, Teenage Bottlerocket
04/22/10 Spokane, WA – Knitting Factory w/ NOFX, Teenage Bottlerocket
04/23/10 Billings, MT – Shrine Auditorium w/ NOFX, Teenage Bottlerocket
04/25/10 Saskatoon, SK Canada – Odeon Events Center w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/26/10 Winnipeg, MB Canada – Burton Cummings Theater w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/27/10 Fargo, ND – The Venue w/ NOFX, Teenage Bottlerocket
04/29/10 Milwaukee, WI – The Riverside Theater w/ NOFX, Teenage Bottlerocket
04/30/10 Covington, KY – Madison Theater w/ NOFX, Teenage Bottlerocket
05/01/10 Sauget , IL – Pop’s w/ NOFX, Teenage Bottlerocket
05/02/10 Kansas City, MO – The Beaumont w/ NOFX, Teenage Bottlerocket
05/04/10 Fort Collins, CO – The Aggie w/ NOFX, Teenage Bottlerocket
05/05/10 Albuquerque, NM – The Sunshine Theater w/ NOFX, Teenage Bottlerocket
05/06/10 Tucson, AZ – Rialto Theatre w/ NOFX, Teenage Bottlerocket
05/07/10 Las Vegas, NV – Sunset Station Amphitheatre – PUNK ROCK BOWLING w/ NOFX Teenage Bottlerocket, Fucked Up, Youth Brigade, Guilty By Association
05/19/10 Perth, Australia – Amplifier w/ Joey Cape
05/20/10 Adelaide, Australia – Fowlers Live w/ Joey Cape
05/21/10 Hobart, Australia – The Brisbane Hotel w/ Joey Cape
05/22/10 Melbourne, Australia – Corner Hotel w/ Joey Cape
05/23/10 Wollongong, Australia – Uni Bar w/ Joey Cape
05/26/10 Sydney, Australia – Annandale Hotel w/ Joey Cape
05/27/10 New Castle, Australia – Cambridge Hotel w/ Joey Cape
05/28/10 Caloundra, Australia – Kings Beach Tavern w/ Joey Cape
05/29/10 Brisbane, Australia – The Zoo w/ Joey Cape
06/02/10 Wellington, New Zealand – Bar Bodega w/ Joey Cape
06/03/10 Auckland, New Zealand – Thirsty Dog w/ Joey Cape

New Foxy Shazam Video For Your Viewing Pleasure

So one of the bands who I am most excited about releasing new material this year is Cincinatti’s Foxy Shazam.  I might have mentioned something about them before…

Today Foxy Shazam released a new video today that pretty music takes Peter Pan, The Darkness, and hot chicks wearing knee high tube socks making for a fun time all in a black & white format. The lead singer who looks like V from V Is For Vendetta guy is hyper awesome and I just see good things happening with this arena rock band.

Check out the new video for “Oh Lord”:

Front man Eric Nally had this to say about himself and what Foxy Shazam is:

I grew up in Cincinnati, Ohio, and was one of two white boys in an all-black high school. The band name Foxy Shazam came from a saying in my school meaning, “cool shoes.” If you had cool shoes kids would say those are “foxy shazam.” Because of this we have a lot of soul, and try to let it bleed through our music as much as possible. Mom and Dad were pretty poor as I was growing up but always supported my musical interests nonetheless. In the early years they bought my band cheap guitars and amps and drove us to shows in the family Thunderbird. I owe them big time and will someday repay them.

When I listen to a Foxy Shazam record I think of Evel Knievel, Bruce Springsteen, my childhood, Van Morrison, my old friends from high school I don’t talk to anymore, Elton John, the ’50s, ’60s, ’70s, ’80s, ’90s and beyond, Iggy Pop and my first kiss. One of my favorite things to do when listening to my music is to close my eyes and picture a crowd of six million people all chanting “Foxy! Foxy! Foxy!” The lights go out and my band walks on stage. It gives me goose bumps. It all makes sense to me. When you listen to our record, think of your favorite things and it’ll make sense to you as well.

Foxy Shazam is not concerned with what category it falls into. We want to stand for our generation.

We want to be the biggest band in the world.

We are the Michael Jordan of Rock N’ Roll.

I have the feeling Eric will be repaying his folks in no time.  He has such a positive and energetic attitude about what he is in and loves to do.  This band is going to be getting a lot of attention in 2010, or so I think.

The “Socalled” Movie

There are a ton of movies coming out in 2010 that I know I want to see.  Many of them will be blockbusters and will be the cause of my wallet feeling a little thin but it is always worth it.  I love being visually entertained almost as much as I love listening to music.

I recently was given a heads up about a movie, rather a documentary, about a guy who goes by the name of Socalled.

Socalled?  Yes.  I even have a picture of him…

So who is Socalled?  Well looking at him he looks just like a normal Joe (ok, maybe not completely) but if you read the below synopsis you will find out he is far from just a regular guy.

Meet Socalled. He’s unstoppable. A pianist, singer, arranger, rapper, producer and composer (and also a magician, filmmaker, and visual artist), he’s blasting through the boundaries that separate music from different cultures, eras, and generations.

Socalled is a musical alchemist, always looking for the next old thing to make new again. The “socalled” Movie shows him introducing funk trombone legend Fred Wesley (of James Brown fame) to klezmer music, while wowing Wesley with his knowledge of funk. When Dolgin comes across LP’s from the 1950’s by lounge pianist Irving Fields, he looks up 94-year-old Fields and inspires him to pen a new hit song.

Shot in Socalled’s Montreal neighbourhood where Hasidic Jews and hipsters crowd the sidewalks, and in New York, France and the Ukraine, The “Socalled” Movie is a cinematic multi-faceted depiction of inspiration, collaboration and transformation.

Socalled defies category and refuses limitations. The “Socalled” Movie examines his energy from all angles and transmits the urgent creative spark to everyone watching: now’s your chance – go out there and make something!

Here is a trailer for the video that will be available for rent (??? rent ???) on YouTube thanks to the National Film Board of Canada:

Some of the guest musicians this guy has gotten to play with him is just insane!  I can not wait to see the whole documentary.

For more info check out:

http://www.nfb.ca/socalled
http://www.youtube.com/socalledmovie
http://www.myspace.com/socalled