Tag Archives: Rock

Album Review: Dirty Tactics – It Is What It Is

Philadelphia punkers Dirty Tactics are officially the band I overlooked last year.  In a day and age where punk rock music is taking all sorts of diversions into different genres, sometimes I am just hesitant of checking out newer acts.

Maybe it’s the old man in me telling me to hold back as I sadly think I have heard it all or perhaps I’ve just grown tired of band after band sounding alike.  Whatever the reason is, I am glad I took a moment to pop in It Is What It Is, the bands sophomore album on Say-10 Records.

From the very start of the CD I was into it.  It was not because the band exploded into a infectious jam (that was later), it was because of a certain dated excerpt of an interview that opened the album.  Where as I can not pinpoint who the actual band is that is being interviewed, someone who sounds an awful like Mick Jones of the Clash says “it’s just like, there just has to be new groups and that’s just what you got,” when asked where punk rock started.  Without time to agree with that statement, Dirty Tactics jumped into “When You Wake Up” a dirty DIY sounding catchy-ass song.

“Baltimore” followed the opening track continuing with an infectious pop-punky (see, I told you that happened later) song that won me over mostly thanks to the use of the organ throughout.  Begging to be sung along to was “The Process”, a pop-punk heavy track wit a dab of clapping to keep that good feeling going.

“Secret Lives” had an interesting prelude to an amazing track.  “Train Song” proved it is ok to play organ in a punk rock song and have fun doing so.  All I could think to myself is how amazingly talented these guys were and I was only halfway thought the album.

“Arkansas” was unlike any other song previously heard and perhaps my favorite.  Upright piano, almost whispering gruff singing, and distant percussion brought together this quick gem of a track that begged to be listened to over and over again.

The shift in sound also applied to the final track “Blind Man”, a trippy track that sounded almost as if Jeffrey Lewis wrote it.  Even if it was out of the norm I loved it and especially appreciated the repeat of “it’s what you got” taken from the opening sample at the songs end.

Dirty Tactics are group of talented and hardworking musicians that make punk, well…punk.  They recorded the It Is What It Is themselves, work their day jobs when home, and tour when the time is right.  I only hope to catch this band live one day.

It Is What It Is just isn’t just an album that I’ll be listening to a couple of times and forget about…and yes I mean that.  I am pretty sure they will remain in regular rotation for me for quite some time.  If you have not heard of Dirty Tactics yet make sure you put that on your to do list.


They Are Called Fort Wilson Riot

Earlier this year I had one of those evenings that made me remember why I do what I do.  Before you start thinking dirty thoughts, I am talking about my love for music and sharing it with all of you wonderful readers out there via this high tech blog.  I don’t get paid for this (yet), but I can tell you what, I will do this for as long as I can just because I love doing it…

Great, now where was I?

Oh yes, that one evening earlier this year when I remembered why I love music and my blog and blah blah blah…  Flashback time.

It was a warm summer evening and my favorite Columbus folk-duo The Electric Grandmother were playing a show at Annabell’s in Highland Square (a hipster rich area in Akron).  We arrived just before the show was to start and I remember helping them move their gear into a side room of the bar as there was another act scheduled before them.

Mary Alice & Pete (aka The Electric Grandmother) offered me a delicious tall PBR as a thank you for helping them get situation (who later in the night dedicated a song to me – how thoughtful).

As I sat there and enjoyed that 24oz. of goodness, there was a male/female duo getting set up.  I remember specifically stopping everything I was doing the second they started their soundcheck.  All I could think of was “who in the hell is this?”  Mind you I was dead serious and not sarcastic…

The band was called Fort Wilson Riot and they just so happened to fill in a last minute slot at Annabell’s as some unnamed venue in Cleveland cancelled on them.  They were not looking rushed but you could tell they were moving as fast as they could to get set up.  It was then and there they started that song that my attention was captured.

The song they played was called “Snakes & Scorpions” and featured the duo singing in a perfect harmony backed by an electric guitar and electric keyboard as well as a drum machine providing the beat.

It was a simple set up but the sound was not what I expected at all.  The duo consisting of Jacob Mullis and Amy Hager reminded me of everything I liked about acts like Dresden Dolls, Mates Of State, Matt & Kim, and even The White Stripes.  Why?  Because they complimented one another perfectly.  It’s like the ying and yang of music.

I liked what I heard and apparently so did everyone else in the bar that night as the entire basement of Annabell’s filled up after a couple songs in by Fort Wilson Riot.  They were indie rock, they were pop rock cabaret-style…they were…good.

No one was expecting to hear that kind of music that night.  I know I wasn’t.

I remember looking at Pete & Mary Alice and then looking around at all the people who gathered to see this mysterious band play.  It was one of those acts where we could see people mouthing the words “who are these guys” followed by “they are really good.”

When I see people do that while watching a band I can not help myself but smile.  That is why I love music and that is why I like to share it.  Chances are I am not the only one who decided to tell someone about Fort Wilson Riot.  I know I have multiple times, and here I am telling you all.

After their set I greeted them and throughout the night we chatted.  I found out that they were from Minnesota and once were considered an “indie-rock opera” before slimming down to the duo.  They were touring in a van on their own and had been touring with Ice Palace before making the stop in Cleveland.

Amy and Jacob hung out with us for the rest of the night and by the end of the evening they hooked me up with a copy of their latest album Predator Prey, a self-made album that once I listened to, turned me into even a bigger fan.

Not only is it the duo on the CD but they also enlisted a bunch of their talented friends to put together one great listen.  I highly recommend checking out “Forgotten Language”, “All My Friends”, “Snakes & Scorpions” and cabaret-heavy “Diamond Blues”.

Have you found yourself interested in this band Fort Wilson Riot I speak of?  Fear not you can check them out by heading over to their Bandcamp page.  The album is only $8.  What are you waiting for?

Fort Wilson Riot “Snakes and Scorpions” from Fort Wilson Riot on Vimeo.

Fort Wilson Riot “All My Friends” from Fort Wilson Riot on Vimeo.

Album Review: J. Roddy Walston & The Business – J. Roddy Walston & The Business

Just when you think you have heard it all, along comes something new, something that I just have to talk about.  Every once in a while, a band drops an album good and so different that once it hits my ears, all I can do is play it over and over.  Recently, rather this past summer, I was introduced to a band that had me going crazy for more.  The band I speak of is J. Roddy Walston & The Business.  If you have not heard of this band already you are missing out (I may say that a lot, but in this one instance I mean it).

So who do they sound like?  Imagine the Beatles, the Kinks, Queen, Cheap Trick, Led Zeppelin, and throw in some Jerry Lee Lewis.  There are far more comparisons to be used, but the previously mentioned bands were first to come to my mind.  From beginning to end the band’s self-titled sophomore album on Vagrant Records, J. Roddy Walston & The Business does not let up.  It’s a bare-boned non-overproduced album that leaves any listener hungry for more.

J. Roddy Walston?  More like J. Roddy Awesome…

The moment the piano started on “Don’t Break The Needle”, I knew I was in for something good. The hoot-hollering track full of dark references of addiction carries on with laughter in the singing, pounding piano playing, and guitar playing that’ll easily peer pressure the listener into wanting more.

“Used To Did” simply rocks.  With lyrics like “I got this gun girl, it don’t miss, it makes babies,” how could you not agree?  From J. Roddy’s broken-record lyricism to the heavy shedding guitar playing, this track is all about not caring and Rock ‘n Roll.  Just watch out for that gun.

My favorite track on the album hands down was “Brave Man’s Death”.  Happy as it may seem while listening to, the song itself tells of a selfish dysfunctional life lesson no one should ever be subject to.  Still, I have found myself on more than one occasion screaming the chorus at the top of my lungs alone and with friends.  It is a refreshing song when the moral of the story catches up with you, but until you get there you will be lost.

Easily an instant classic, “I Don’t Wanna Hear It” has everything included in a track to be liked by anyone who fathoms themselves a music lover – a southern rock jam, group vocals, and a bad ass attitude.  Continuing with that feeling was the closing track “Use Your Language” a twangy track that made me want to clap my hands, stomp my foot, and sing along.

I really should have had this review done months and months ago, but all excuses aside, this Baltimore foursome (originally hailing from Cleveland, TN) has been in regular daily rotation since the day the album hit my hands over the summer.  J. Roddy Walston & The Business has become an instant Rock ‘n Roll album that I will spin for years to come.

Having only caught one live song by them this past Fall when they opened for Shooter Jennings (I literally arrived just as the band played their set-ending song) I can tell you this: The band rocks on so many levels.  The excitement that that foursome bled onto the crowd made me smile.  I am sure that hardly any of the crowd knew who J. Roddy Walston & The Business was when they entered the Beachland Ballroom that rainy October night, but I know they left with something that tasted ever so good to their ears. I was there, I know they liked it…

J Roddy Walston and The Business – Don’t Break The Needle from Vagrant Records on Vimeo.

You Know What Today Is… Right?

Today is a lot of things really. History happened, history might be made, and people will be talking about things based upon events from today for years to come.

I know, deep…

I will be ignoring everything today except for the fact that Mr. Frank Turner released an EP today entitled Rock & Roll.  The 5 song EP dropped today on iTunes and is available in limited quantities on CD (here’s hoping for a 7″).  It’s a sample of what Frank Turner is working on for his 2011 release and I have to say that I love it.

What’s that you say?

Of course I love it you say?

What’s that?

I am Frank Turner obsessed?

Yes I am and I fully admit it.

Turner is a kick ass musician and there is no reason for a music lover like myself to not adore his music.  This EP is great start to finish, especially the highly likable anthem “I Still Believe”, a track I was introduced to in October when I got to see Turner open for Social Distortion.  Even if it was a new song, it was so infections that by song’s end, everyone was singing along.

See for yourself:

Fun note: The gang vocals on the track were actually taken from the crowds at various live shows.

With non-stop touring all year, Frank Turner may be one of the busiest musicians out there.  Somehow between playing cross-country tours as well as festivals the guy found some free time to record new material and I could not be happier with the results on the EP.

Here’s to the full length release in 2011.

Proof I like Frank Turner and all he does…

A review I did of Poetry Of The Deed
An interview I did with Frank Turner

A review I did of Frank Turner opening for Flogging Molly
Another review I did of Frank Turner when he opened for Social Distortion