Massachusetts threesome The Fake Boys have somehow taken 90s indie rock and mashed it up with a little DIY pop punk as well as post-hardcore in a good good way on their debut album Pig Factory.
Released by Animal Style Records, Pig Factory was recorded by the great Jay Maas (Title Fight, Transit, Polar Bear Club) and pretty much kicked ass from start to finish. I will admit, I was super hesitant before listening to this album, but am stoked I checked it out.
“This Is Our Band” opened up the album with the lead vocalist having a very Billy Corrigan singing style (as well as a Ravishing Ride Rude resemblance), but not that “despite of my rage I’m still just a rat in my cage” annoyance. “This Is Our Sound” followed making this listener think back to the alternative / grunge days, especially with that J. Mascus-like guitar playing.
The sound kept consistent through and didn’t get old at all. “Don’t Live” might have had some deep lyrics that I could not crack, but the song was great. “You’re A Loser” followed with a perfect grunge to post-hardcore ratio making for an impressive listen.
“Best Post” had this Five Man Electrical Band sound at first that was completely off from the rest of the tracks. Don’t get me wrong, it was a good listen with acoustic guitars and such, but that only lasted a moment as the rest of the band kicked in making for a good ol’ 90s alt-rock listen. I found myself really digging that track a lot.
I really enjoyed the 90s alt-rock-heavy “Hi Friend”. There’s nothing quite like a fun, friendly song that just makes you gently rock your head. Hands down, this was my favorite cut off the release, well at least I thought it was until the next track came on… Just wait till that distorted bass kicks in, and you will most likely agree with me – “Realist World” ruled. Lots of emo and post-hardcore going on the track. I’m sold.
The Fake Boys sounded like a punk rock Smashing Pumpkins with a gracious nod to 90s rock. I caught hints of Jawbreaker, Briad, and even Texas Is The Reason as well as Dinosaur Jr. Spite what I think they sound like, the truth is, this band knows how to deliver their own style and the result is a pretty solid listen. There’s nothing fake about these guys at all and I am sure they are fully aware of that. Do you like 90s rock? Yes? Go listen to The Fake Boys now.
Growing up, one of my best friend’s little sister was diagnosed with Leukemia. I don’t need to get into exact detail, but I will say she recovered and is living a good life. She was young when she had to go through all the horror of finding out what she had and kept strong while going through treatment. It was an event I will never forget for as long as I live.
St. Louis act Greek Fire is pretty much experiencing the same thing I did years ago. Their drummer, Johnny Venus, was diagnosed with Leukemia. At this moment, he is still fighting to overcome it.
Greek Fire was formed in 2008 by members from Story of the Year and Maybe Today. If I had to describe their sound, I would have to say they resemble Muse and Thirty Seconds to Mars.
Once the band found out their drummer was diagnosed, they stepped up as any family would and devised a way to help pay for the treatment. Recently, the band made a video for their song “If This is the End (The Sound of Belief)” with all proceeds from the track going directly to Johnny’s medical bills. The song is full of hope and not only was created to help fund treatment, but to raise awareness to all who view it.
Over the past four years, Greek Fire has built a wide fan base through word of mouth that has been spreading rapidly in the past few months. The band recently kicked off a tour, with Story of the Year singer Dan Marsala filling in drums for Johnny, to support their album Deus Ex Machina.
From Greek Fire (as found on Johnny’s Tumblr page):
In February 2012, shortly after an amazing tour of Japan, GREEK FIRE drummer and longtime STORY OF THE YEAR drum tech Johnny Venus was diagnosed with Leukemia. As anyone can imagine, this devastating news came as a complete shock and rocked the entire camp to the core. Johnny is fighting the battle of his life, and even in these darkest of times his incredible courage and strength inspired Johnny’s fellow band mates to write a song about this profoundly difficult and emotional journey.
The song, “If this is the End (The Sound of Belief) was utilized for a video GREEK FIRE released via YouTube on May 15th, 2012. The video was made for zero dollars by a group of amazing and selfless individuals that donated their time and talents with no thought of reward or payment, and the result is a heartfelt and emotional offering of hope and support for anyone, anywhere who has experience with cancer. Greek Fire is releasing this video in hopes that it can help people find the courage and strength to fight with all of their heart, and that there are people everywhere in the world fighting with them. That is the mission: HOPE. Please share this video with as many people as you can. Nothing will make Johnny Venus and the band more proud than if it can help someone, somewhere, in some way.
Take a moment to watch the video about the song that surrounds the idea of believing. The ending is sad as hell, but is so real. Trust me on that. Share it too if you so desire.
If you would like to follow Johnny’s progress or end find out how to help, head over to his Tumblr page.
I hope Johnny’s is able to kick this illness and get back behind the drums to continue his dreams.
Once upon a time some guy named Frank Turner met songwriter Emily Barker. They just so happened to share a stage in 2006 and soon became great friends. The two musicians soon toured together in the UK after Turner asked Barker to join him. On that tour, Turner and Barker first performed the amazing duet “Fields Of June.” I know I was not there to see it and honestly, I never knew who Emily Barker was until today when I heard “Fields Of June” for the first time and fell in love with it.
I am thrilled they decided to do this. This was the surprise song of the day for this music lover.
I am not sure I have heard such a great duet since I was a little kid. Turner and Barker both take on strong roles on the song that really is a heart-breaker to absorb. Seriously, this is no love song.
As an added bonus, a silent movie inspired music video was made for the song. Check it out:
Emily Barker & The Red Clay Halo are an amazing act to listen to and I am shocked I have been left in the dark about them for so long. I will be looking to check them out in serious detail. This song is available for download and on a 7″ through Xtra Mile Recordings. I am so tempted to order this vinyl as I know it will not be available for much longer.
Since 2006, Fun Fun Fun Fest has been nothing short of fun x 3. Every year, the music/art/food festival seems to turn it up a notch, so much, that last year I actually decided enough is enough and headed to Austin, TX, to check it out. The result, minus Danzig acting like a little bitch, was a killer weekend with friends fueled by amazing bands. In other words, I had fun. A ton of fun.
The festival was well organized, and all three days of music was well worth the $200 or so bucks I dropped on a wristband. By the want of the fest last year, I told myself and my friends I wanted to return the following year.
This year, the good people at FFF Fest have outdone themselves. Not only did they get RUN-DMC to reform, but they also had put together almost a dream lineup for this music lover. Refused, De La Soul, Seaweed, The Promise Ring, Bob Mould, Lucero, Lagwagon, Braid, OFF!, Against Me!, F’d Up, Superchunk, Minus The Bear…I can keep going…P.I.L., Explosions In The Sky, X, Turbonegro…
Seriously, check out all who will be playing this year:
This does not even include the FFFEST Nites, the nightly free (with wristband) concerts around the city.
I am planning on returning to Auditorium Shores in November to take in this festival. Since I have moved, I have not seen one live band due to a lack of venues, but this festival will make up for it. Not to mention Austin is one of my favorite cities and I am now only a 6 hour drive away…
Has it really been been 8 years since Tony Sly and Joey Cape released their first solo album collectively? I can remember the day I heard cuts off that release and bragged to my close friends about it. Soon they were just as hooked as I was with the acoustic renditions of Lagwagon and No Use For a Name (NUFAN) songs.
Hearing those punk rock songs acoustically was just something so new and exciting for this listener. Keep in mind, this was before many of the punk musicians started their acoustic projects. It was a new method of sorts and would pave a side road for punk rock music forever. It’s save to say the revival was made possible by Cape and Sly.
Cape and Sly would continued with their solo careers separately after the release and both dropped some remarkable albums, but nothing was as memorable as their first attempt. Over the past 8 years, Cape and Sly really built their reputation as solo artists and decided it was time again to take some of their classic songs and create acoustic renditions of them for all to head. Needless to say when I found out via Fat Wreck Chords that Cape and Sly were releasing Acoustic Volume 2, I got a tad excited.
Once again the duo took 5 songs each from their back catalogs and turned them into acoustic masterpieces. To keep with the idea of their original attempt, they both wrote and recorded brand new tracks to add to the mix. The result is a sequel to an amazing release that follows the same path of awesomeness.
Cape took the first half of the album and started it with “I Must Be Hateful” taken from2003’s Blaze. The already amazing song sounded more powerful than ever when broke down into acoustic form. Cape loses the rasp in his voice and gently sings with assistance from soft piano.
“Know It All” was one of my favorite tracks off of 1994’s Trashed, and 18 years later it continued to impress me on a different caliber. “Alison’s Disease”, originally found on Live Fat, Die Young, was a tearjerker to listen to. I remember the original on the Fat Wreck compilation, but this round was almost as hard to listen to as Fat Mike’s acoustic version of “My Orphan Year”. Amazing on how slowing down a song can unleash so much emotion.
I was so happy to hear “Resolve” on this release. Listening to Cape play a more folky version brought a smile to my face even though the track pays homage to their drummer Derrick Piourde who passed in 2005. “Broken Record”, Cape’s all new track, followed the same path as previous tracks with a mellow mood. The song perked up half way through but ended just as soon as it started.
Sly took over the remainder of the album with a powerful version of “Black Box”. Maybe it was the accordion in the background with piano and a strings section, but the new and improved version taken off the 2005 NUFAN release Keep Them Confused sounded better than ever.
“Soulmate” was my choice track off this release. The track was already one of my favorites in the 90s on Leche con Carne! and hearing it all over again in a different way was just refreshing. A new take on an old classic was just what I was looking to hear. I could not help but feel the same way I did when I heard “Justified Black Eye” for the first time in acoustic form back in 2004. It brought a smile to my face and I instantly sung along.
“Chasing Rainbows” was a fun take on the original found on More Betterness!, but overall I still preferred the 1999 original. “Pre-Medicated Murder”sounded nothing like the version found on Hard Rock Bottom. The slowed down version was eerie in a sense to listen to and enhanced the lyrics so much more.
Sly’s original, “Liver Let Die”, was a barroom masterpiece in it’s own carried by strumming acoustic guitar. The song was likable and held out an instant invite for me to learn the chorus and sing along. The track ended with a crowd chanting “one more song, one more song” and to me was a perfect way to put this release to sleep. It also provided for a taste of what Sly has in store for his listeners in future releases.
What happens when punk musicians age? They grow up, maybe have a family, live life, but never put down the guitar. If you are thinking that this album is “just another punk rock side project” you are wrong. This album is a celebration by two men and their career featuring some classic songs. I am glad I only had to wait 8 years for this because honestly, 10 years might have been too long.
If you like NUFAN and Lagwagon, chances are you already know about Acoustic Volume 2. If you dig acoustic music, check it out, you will not be disappointed. Punk rock or not, this duo make for some amazing renditions of classic cuts I feel many can appreciate regardless of what genre of music is preferred.