It’s official, Masked Intruder have won me over once again. Check out their latest video for “I Don’t Wanna Be Alone Tonight”, a heartfelt punk rock stalking jam off their Red Scare / Fat Wreck self-titled release:
I just adore the 8-bit reference throughout; especially the end. I hope to hell someone with a lot of time on their hands will turn this video into an actual game. I’d play it. Props to Patt Fink for creating this.
The band is currently on the road in support of the Red Scare Across America tour. Seriously though, I am not sure this band has stopped touring since they dropped their self-titled release. Pretty impressive. I still don’t trust them.
Cleveland champs All Dinosaurs have released a video for “Tight Rope”, the first single from their new full-length album, Rules of Civility and Decent Behavior. The album was dropped earlier this year on Anti-Flag’s label A-F Records. Filmed by the good folk over at TurnStyle Films, this video is hard and chilling at the same time making for a good view. Check it out:
I have been a fan of these guys ever since I first caught them in a basement show. Not only did they blow me away with their music, but they were fun as hell and all-around genuine dudes.
I always love it when I come across an artist on complete accident and soon become a fan. Emily Barker is one of those artists who I stumbled upon last year after hearing her and Mr. Frank Turner duet on the Emily Barker & The Red Clay Halo song “Fields of June”.
Her name may not be well known just yet here in the states, but I have a strong feeling that that will all be changing in the next year or so. Having already played the opening ceremony for the Olympics as well as was featured on the UK roster for the Revival Tour last year, Barker has everything going her way.
Of course Barker is not alone and is surrounded by amazing talent in her band. Having dug into their catalog, I can only say that I wish it did not take me that long to get into them. They have been doing their thing since about 2005 and have already three albums to show for it.
Next month, Emily Barker & The Red Clay Halo will be releasing an all new album titled Dear River and have already planned on an extensive UK tour to support the new release. Having already heard a couple of tracks, I would be lying if I said I was not excited for this.
Recently, I had the chance to catch up with Barker and not only got to asked her about rubbing elbows with Frank Turner, but some other questions as well:
BHP: Hi Emily, thanks for taking some time out of your busy day to chat with me. How’s the week been treating you?
EB: Good thanks! Nice to see the sun. Very busy trying to get everything prepared for the album release, alongside doing a bunch of other projects that I’m involved with.
So, for those who have not heard of you yet, tell me a little about yourself and your band.
I’m from Bridgetown, Western Australia but have lived the last 11 years over here in the UK doing my music. The Red Clay Halo are Gill Sandell: accordion, piano, guitar, flute and bvox; Anna Jenkins: violin, viola and bvox; Jo Silverston: cello, electric bass and bvox. We’ve also recently been joined by a drummer: Nat Butler due to the sound of ‘Dear River’, our forthcoming record, having more of a “rock” vibe. I guess we play contemporary folk/rock music. As a songwriter, I’m very much influenced by Neil Young – both his more acoustic sound as well as the heavy, guitar-lead stuff with Crazy Horse. As a singer, I’m really influenced by Aretha Franklin. So what have we got now…folk/rock/soul but then there’s the classical element that The Red Clay Halo bring too so…
You were born an Aussie, but eventually ended up in the UK. How did that come about?
I headed over to the UK with a working-holiday visa that lasts for 2 years. I worked in the UK in order to travel all around Europe, Brazil, Canada and the USA. At the end of my two years, I was living in Cambridge and fell into the music scene there. I loved it so I kept returning. After a while I made the decision to try to be a musician full time and also to live in the UK.
How tough was it to move away from home?
It wasn’t that tough to move away. I really wanted to see the world, but it is tough staying away. I miss my family everyday and at the same time, I realise I’m becoming more and more embroiled in my life here, so the idea of moving back now becomes this huge, overwhelming question. I wish Australia was closer to the UK so I could just pop over for a weekend.
So, at what age did you start getting into music?
At a really young age. There was always a lot of music in our family home. Dad was big into vinyl and he played loads of 60’s/70’s singer-songwriter/folk revival records (all the usuals – Bob Dylan, Neil Young, Joni Mitchell, etc.) as well as a lot of blues, rock and jazz. My mum plays a bit of guitar and used to sit us all down and teach us old English folk songs and children’s nursery rhymes. She taught us how to harmonize. When I was a teenager I auditioned (because my peers dared me to!) for the Year 9 band as lead singer. I sang “It must have been love” by Roxette and got the role. Then I made a deal with the only other musicians in the school at the time (they were big into heavy metal and none of them sang), that if they would play soul songs for me, then I’d sing heavy metal for them. So our set consisted of Aretha Franklin, Chuck Berry, Etta James, Metallica, Pearl Jam and Nirvana. Quite a combo!
Nice. That is a completely random list of bands to cover! How long ago did you meet up with The Red Clay Halo?
8 years ago when we were all living in London.
Was the Red Clay Halo already doing their thing when you were introduced to them, or was this just a new collaboration once you started playing together?
A new collaboration. They hadn’t played together before or met (apart from Jo and Anna).
What exactly is this genre “chamber-folk’ that has been used to describe some of your songs?
I’m not sure who coined that phrase but it definitely worked for our album “Despite the Snow” and probably also “Almanac”. I guess chamber-folk has got an element of classical music/arrangements in it. We certainly have that in certain songs.
You’re pals with a guy who has pretty much made a huge name for himself here in the US over the last couple years. I am sure tons of people ask you how you met and eventually shared the stage with Frank Turner in the UK. Honestly, if it were not for him, I may not have been privy to Emily Barker & The Red Clay Halo. So, how’d y’all meet?
Frank is a very good friend and a huge inspiration to me. I first met Frank about 6 years ago at one of our shows in Brixton. [He] invited me out on the road with him and the band to open up the shows. We did something like 28 shows in 30 days – Frank style! – and became good friends then. We have had the honour of performing on his records and sharing his biggest musical moments with him: Wembley Arena and the Olympics Opening Ceremony. I am forever grateful for his support. We have more plans to collaborate too!
Playing the Olympics Opening Ceremony. How insane was that?
Totally insane! So difficult to compute due to how epic it was. I’m so pleased Frank asked us to be involved. Was certainly a once-in-a-lifetime moment. We had A LOT of fun!
I bet. I wanted to talk about the murder-ballet that Frank Turner appear on called “Fields Of June”. Not only was the rendition outstanding, but it had me hoping you two would duet again. Any change that will ever happen again?
Why thank you very much! It certainly will happen again. We’re actually talking about doing something very soon – most likely a cover but I’m sure we’ll write something original at some point in the future too.
Who was the original guy who shared vocal duties with you on that song when it first released?
Steve Adams from a great band (no longer together sadly) called The Broken Family Band. The Singing Adams now exists though and they’re awesome.
You have a new album that is coming out soon don’t you? Care to tell me a little about it?
Of course. It’s called Dear River and it’s out on July 8th on Linn Records. We recorded it in a state-of-the-art studio called Gorbals Sound up in Glasgow with producer Calum Malcolm. The songs are all about ‘home’ – a subject I’ve been quite preoccupied with since leaving Australia 11 years ago with a backpack and a wish to see the world. It’s my personal story of home but it includes those of other’s too and covers the related themes of exile, emigration, land rights and ancestry.
With the new release, you all have a UK tour coming up. I heard Chris T-T is opening for you. I must say, I am jealous I will be missing out on that tour!
It’s our biggest headline tour in the UK ever. We’ll also be playing Shepherd’s Bush Empire in London on 16th October which is our biggest headline show! We’re really pleased to have Chris join us. It’s something we’ve been threatening to do now for about 4 years.
Threatening? Haha, I don’t see why that should be a threat. Were there any other musicians or acts you tried to get to join you on tour?
Not on this one. We knew we wanted Chris T-T. There’s a bunch of people we’d love to take but they’ll have to come on other tours.
I have to ask, when will you ladies tour the states? Please tell me soon.
I’m hoping to come over and do a solo tour at the end of the year! I’ll keep you posted…
So say you did make it to the states on a tour. Who would you want to share the stage with?
I’d love to meet up with The Revival Tour guys again: Chuck Ragan, Rocky Votolato, Cory Branan and Jay Malinowski. Or…Neil Young and Gillian Welch!
Speaking of the Revival Tour, you happened to play one of my all time favorite tracks “Fairytale Of New York” with Mr. Chuck Ragan. Whose idea was that? You guys nailed it and I can not tell you how many times I listened to it over and over. Thanks for that.
Our pleasure. It was Chuck’s idea. I recorded my part in Australia when I was back there for holidays. Love singing with that gent.
I am sure the Dear River UK Tour will take up the latter part of 2013, but what else will Emily Barker and the Red Clay Halo be getting into this year?
We’re doing a bunch of festivals over the summer; I’m writing quite a lot for TV and film at the moment; I’ve got two other side projects: Folk in a Box (smallest music venue in the world) and Vena Portae (Swedish/Anglo collaboration/band); I’m also writing an EP with Ted Barnes and the list goes on. So keeping myself busy for sure!
Folk in a Box? You have got to tell me about this. Sounds fun.
It’s Britain’s smallest music venue, if not the world’s! You can read about it [at] www.folkinabox.net
That just looks like so much fun. So, what is Vena Portae all about?
It’s a collaboration between a Swedish producer/engineer/musician Ruben Engzell, a British theatre maker/musician/composer Dom Coyote and myself. We made an album last year which we’ll release hopefully early next year – it’s quite hard to fit in with all the other things going on but we love it and it will happen soon.
Wait. Ted Barnes? As in the guy that played with Beth Orton?
Correct!
That is just awesome. Tell me, why should someone check your band out?
In order to define what “chamber-folk” is, OR because we’re all decent enough human beings working hard at what we love, OR because it will lead you to a really great coffee shop somewhere in London/the UK.
Or because you and your band sound amazing. Seriously, I first thought you were from Nashville when I heard you signing solo. I’ll stop with the pleasantries now. Let’s hope you make it to the states soon.
Bless ya thanks.
Dear River will be released on July 8th in the UK. Pre-order the album HERE.
Check out the rehearsal video that was taken of Emily Barker & The Red Clay Halo while playing “Ghost Narrative”:
Emily Barker & The Red Clay Halo are:
Emily Barker
Vocals, guitar, banjo, harmonica
Anna Jenkins
Violin, viola, vocals
Gill Sandell
Accordion, piano, flute, vocals
Jo Silverston
Cello, bass, banjo, vocals
For more information on the band, visit www.emilybarker.com or check out her Facebook page. Also, if you like photography and randomness, you should find Emily Barker on Instagram. She takes some pretty awesome photos.
This video was just amazing. Makes me miss home and my friends a whole lot.
Also in case you were not aware, Tomorrow, I’ll Miss You is up for grabs at A-F Records. The album is available for digital download right now, or you can pre-order the album on vinyl which should ship in late-June.
I always told myself that I would never review bands who were also my friends, but I’d be a fool not to review the debut release by Northeast Ohio’s very own Worship This!. Having just signed to A-F Records, Worship This! is about to drop Tomorrow, I’ll Miss You next week, and let me tell you, this is one impressive debut.
Consisting of Josh Taylor (vocals, bass), Jeremy Provchy (vocals, guitar), Aaron Novak (vocals, guitar) , and Jeff Hart (drums), Worship This! has definitely put in their time since then band’s formation in 2010. Hailing from the Akron / Cleveland area, Worship This! are not new to the scene as all of the members have been involved with various local bands for the past 15 years. Forming through friendships and mutual acquaintances, the boys of Worship This! were almost meant to be.
“I, Human” started off with Taylor screaming “I don’t wanna be human” at the top of his lungs making for any music fan to turn their head and pay attention. Full of energy and ideals that slightly reminded me something Propaghandi might make mention of, I really liked how I could hear an immediate chemistry throughout the band members. The moment I heard that opening song, I knew it was in for something good. “Jen, with 2 Ns” continued to fuel that feeling
I adored “Indifferent” for so many reasons. Not only was the track catchy as hell, but it carried the feelings of being too old for the scene, contemplating giving it all up, and then coming to a realization to move on without care. This song was solid start to finish and one of my favorites on the entire album. Full of catchy riffs, infectious drumming, and just an overall sense of pride of current state of being. It is no wonder the band chose this song to make a music video. Seriously, the following lyrics from this track have been stuck in my head for weeks:
“I’ve given my all, maybe its about time that I hang it up. There’s so many things I never did, and I life I never lived. Maybe I’ll stop getting dirty looks from all these kids.”
I swear, I have had those same thoughts in my head numerous times over the last couple of years. Look for the video to be dropped around the time of the album.
“Summit Tower” really was put together flawlessly. Provchy took over vocal duties primarily while the rest of the band just jammed out alongside. I may have caught myself signing along to this one the first time I listed to it. The upbeat “Springs and Levers”, moved along well thanks to Novak and Provchy exchanging lines throughout.
The lyrically deep “Purpose and Meaning” flowed directly into “The Fear Of Missing Out”. The songs were like a masterpiece, but different. Seriously though, these two combined songs were addicting from start to finish. You can just hear years of hard work put into both tracks and they last less than 3 minutes total. Secretly, I wish those tracks were of a “November Rain” length.
Novak painted a pretty vivid picture as he sang at the beginning “Bike Ride”. The song, which told the story about a neighboring house that suffered a grim demise, really carried well throughout. “This house is my reminder of what we have and and who we live for” bellows towards the end of the track with “our lives carry on” ending it.
“Whatever Happened To You Melissa” reminded me of Dinosaur Jr. at the beginning, but only because of how the lyrics started off. The song, clearly reaching back to a torn relationship, had a strong effect while listening to. Listening to Novak and Taylor sing “I’ve lost all hope, in everything I know…and everything I loved” just brought back some of those memories you can’t ever get rid of. This was another track on the album that blew me away.
“Momophonbe” has radio playable qualities. The chorus alone reminded me of, dare I say, Gaslight Anthem, sans the whole I’m-from-New-Jersey-and-love-Bruce-Springsteen-feel. Taylor and Provchy made this song even better thanks to their singing styles bouncing back and forth. “Anathema”, the closing track, started off melodic with singing that did not impress me, but moments later that all changed. I loved the group signing on this track that eventually laid the album to rest.
Take everything you know and love about punk rock from the 90s onward and you can hear it in what Worship This! has brought to the table throughout the album. This is far from a pop-punk band and anyone who labels them that needs to really reevaluate their opinion. This is a band that successfully manages to merge all of their unique influences from over the years and package them into one great style. We’re talking seasoned here folks, not young blood.
Fans of all of the current bands filling up the punk scene in basements, various self-funded punk fests, and even online should take note at this talent. I could sit here and label off tons of bands, but why bother? A-F Records has something good on their hands and I am sure they know it. Add the fact that all four members are just genuine dudes who play music for the sake of playing music.
Friends or not, Worship This! has got my vote for album of the year with Tomorrow, I’ll Miss You. Just like the Menzingers, Cheap Girls, Masked Intruder, and Luther wowed me back in 2012, Worship This! has done the exact same for me this year. I can not stop listening to this album. I can only image how crazy the kids are going to go for this release. This is one album you should not sleep on. Trust me when I say that. Don’t believe me? Head on over to PunkNews.Org and hear it for yourself. You can thank me later.
The CD drops this Tuesday and a vinyl pre-order should be announced through A-F Records soon.
