Sure, the video is a year old, but it is the perfect video for this time of the year!
I can’t wait to see Dropkick Murphys and Lucero play Cleveland in 2014 with special guest Skinny Lister. Needless to say, it is going to be an amazing show.
Tag Archives: Rock
The Ataris Announce So Long, Astoria Reunion Tour
The Ataris made a huge announcement yesterday. They have decided to get the old band back together to play live So Long, Astoria.
Old man moment. So Long Astoria was released 10 years ago. And to think, I thought I was old then… yikes.
Spite me feeling sorry for myself, I am absolutely THRILLED to hear that The Ataris are getting the original lineup together to perform So Long, Astoria in its entirety. This will be a show not to be missed.
For one tour only, Kristopher Roe, Mike Davenport, Chris Knapp and John Collura will hit the road and play So Long, Astoria. Supporting acts include: Authority Zero, Drag The River, Versus The World and Gasoline Heart. Tickets for the upcoming tour will go on sale to the public on December 20th.
And yes, there is a Cleveland show. March 24th at the Agora.
I don’t remember the last time they played Cleveland. No seriously, I do not remember a single thing. Someone apparently snuck up on me that night and got me drunk. I think his name was PBR. Lucky for me, I have some good friends who put up with me for the night and made sure I make it home safely.
Additionally, rumor has it that there may be a re-press of So Long, Astoria thanks to Kung-Fu Records…
As if that was not enough, The Ataris also released on their BandCamp page 50 demos and unreleased tracks from So Long, Astoria for “pay what you want”.
Check it out:
The Ataris’ So Long, Astoria Reunion Tour Dates:
Feb 28 – Scottsdale, AZ – Pub Rock (w/Versus The World)
March 1 – Las Vegas, NV – Backstage Bar (w/Versus The World)
March 2 – Fresno, CA – Strummer’s (w/Versus The World)
March 3 – San Luis Obispo, CA – SLO Brewing Company (w/Versus The World)
March 5 – Los Angeles, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 6 – Anaheim, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 7 – San Diego, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 8 – San Francisco, CA – Bottom of the Hill (w/Authority Zero, Drag The River, Versus The World)
March 11 – Portland, OR – Hawthorne Theatre (w/Authority Zero, Drag The River, Versus The World)
March 12 – Seattle, WA – The Showbox at the Market (w/Authority Zero, Drag The River, Versus The World)
March 13 – Boise, ID – Knitting Factory (w/Authority Zero, Drag The River, Versus The World)
March 14 – Salt Lake City, UT – In The Venue (Club Sound) (w/Authority Zero, Drag The River, Versus The World)
March 15 – Denver, CO – The Summit Music Hall (w/Drag The River, Versus The World)
March 16 – Kansas City, MO – Riot Room (w/Authority Zero, Drag The River, Versus The World)
March 18 – St. Louis, MO – Old Rock House (w/Authority Zero, Drag The River, Versus The World)
March 20 – Minneapolis, MN – Mill City Nights (w/Authority Zero, Drag The River, Gasoline Heart)
March 21 – Chicago, IL – House of Blues (w/Authority Zero, Drag The River, Gasoline Heart)
March 22 – Indianapolis, IN – The Vogue (w/Authority Zero, Drag The River, Gasoline Heart)
March 23 – Detroit, MI – The Shelter (w/Authority Zero, Drag The River, Gasoline Heart)
March 24 – Cleveland, OH – Agora Ballroom (w/Authority Zero, Drag The River, Gasoline Heart)
March 25 – Pittsburgh, PA – Altar Bar (w/Authority Zero, Drag The River, Gasoline Heart)
March 27 – Philadelphia, PA – Theatre of Living Arts (w/Authority Zero, Drag The River, Gasoline Heart)
March 28 – Silver Spring, MD – The Fillmore (w/Authority Zero, Drag The River, Gasoline Heart)
March 29 – Boston, MA – Brighton Music Hall (w/Authority Zero, Drag The River, Gasoline Heart)
March 30 – New York, NY – The Gramercy Theatre (w/Authority Zero, Drag The River, Gasoline Heart)
Album Review: Worlds Scariest Police Chases – NOFX And Out Come The Wolves Dookie
Punk rock has been saved folks and it is all due to this Pittsburgh-based, cop adoring, pizza loving, beer swigging group of working class gentlemen. In a non-serious attempt at making fun of quite possibly everything in only 24 minutes, Worlds Scariest Police Chases have dropped quite the deuce of an album that is sure to offend some and entertain the rest. The title you ask? NOFX And Out Come The Wolves Dookie.
Yes, that is the album title. The cover for the album is even better. Seriously, just look at it for a second:
Brilliant.
Taking jabs anyway they can at punk rock, the 7-piece chose to name their debut full-length release NOFX And Out Come The Wolves Dookie. The cover alone is a clear derivative of the classic Dookie album artwork complete with some rancid-looking dude and a farm animal being more than just friends. I am still curious to see what feedback is received from all of this.
“Blackin’ In” started off the album talking about blacking out, and I am not talking about anything pertaining to electricity. “Robocop” gave crazy amounts of nods towards a cop who clearly has a coughing problem and does not necessarily hail from Detroit.
“5000 years ago, when the earth was covered in snow, Jesus and Moses wore fur coats, and rode around on god damned dinos” started off the hilarious track titled “Gay Jesus For President”. Obviously those who huddle up in houses of god on Sundays, Wednesdays, Thursdays, and maybe Saturdays are going to absolutely love this jam, and when I say love I mean hate, and when I say jam, I am talking about strawberry preserves. If you dig this track as much as I did, then you need to scroll to the bottom of this post and check out the video. Watch it with an open mind please.
“Punk Rock Ruined My Life” clearly was all about the art of selling out. With shout outs to Ian MacKaye and the artist previously known as Tommy Gabel, the band is all about letting everyone know that they make music because they want to and not because they want to fatten up their wallets.
“You’re Only Punk Once” cracked me up when I heard, “when life hands you horses, you make fucking glue”. Needless to say, it stuck with me (pun intended). Aside from that line, the song was about being a self-sufficient, DIY, human being who may still live in their parent’s basement and enjoy microwavable foods.
Released on A-F Records, NOFX And Out Come The Wolves Dookie reminds me of a less pop, more punk Guttermouth mixed with Propaghandi, D.F.L. and maybe even some Leftover Crack sans the gutter. Now that I have typed that I am now asking myself if kids these days even know who D.F.L. is.
Anyways… Listening to WSPC really reminded me of the fun and careless hardcore punk of the 80s and 90s. Apparently my aging ass has been missing that.
Having played the Playstation 1 game and wasted my life on the television show, it is no surprise that I am a fan of WSPC the band as well. Their fast and fun punk rock approach is just what I needed in my ears. If you are tired of all the bullshit and need something to just make you feel like there is hope for humanity in the punk rock world, then perhaps you need a quick dose of NOFX And Out Come The Wolves Dookie.
Album Review: The Flatliners – Dead Language
Dead Language, as expected, has blown me away and turned me into an even bigger Flatliners fan.
I am not even sure I need to write more than the above sentence when talking about The Flatliners most recent release on Fat Wreck Chords. It has been three years since the punk rock band have put out new material and the wait was well worth it.
After making music and hitting the road for most of their 10+ year career, Dead Language really showcases the band in a mature, collective way without missing a beat. Having been on the Fat roster for a good part of their existence (this is their 3rd release on Fat), many music lovers are well aware of them and cherish everything they do.
Opening with “Resuscitation Of The Year”, the album started off strong with the band taking no time to get down to business. With heavy drumming, appropriate gang vocals, and fun guitar playing (that at times reminded me of 90s Fat Wreck songs), I couldn’t help but think that this really was one of the best tracks on the album.
Although carrying a slightly slower tempo, “Birds Of England” was just a solid track to listen to. I really dug the lyrics that hinted about the band’s extensive touring during their career. This is one of those songs I feel would be fun to see the band play live. “Hounds” was another song that I feel the band would really have fun playing live with all the sporadic shouting and crazy guitar playing.
“Drown In Blood” continued with Chris Cresswell just giving it his all vocally. I was seriously impressed listening to him clear his throat throughout. Just wait till the gang vocals pop in. This song was one of my favorites on the album.
“Sew My Mouth Shut” was the track that really had me thinking to myself how much this band has grown together. Everything just sounded so right on this track and I just loved it when Cresswell crooned “sew my mouth shut so I can’t say a word, just gets me in trouble, trouble I’m not worth.”
The one song on here that I even remotely scratched my head at was “Quitters” and honestly I think it is because it was just a lot to take in. At just over 2 minutes, I think song could have been stretched out in some parts. Overall, still a good jam, but there were a couple of drumming moments that seemed overly compressed.
“Brilliant Resilience” closed down the album with as much fury as the opener did. Once again the gang vocals were fun to listen to. Non-stop drumming, fun guitar playing, and of course Cresswell doing what he does best.
I will say that Dead Language is no Calvicade, but it is damn close and who knows, maybe after I listen to it about 15 more times, I’ll change my opinion. Still, I’m pretty sure The Flatliners were not looking to repeat Calvicade, but rather continue forward with it. For a band that started more of a ska band and then changed their sound because they wanted to, I would have to say they are matured and exactly where they want to be. Dead Language really proves that.
Check out this video for “Drown In Blood”:
Gameface Announces First New Music in a Decade!!!
Holy crap. Gameface has reunited.
It’s true. Jeff Caudill himself sent me an email (and many others) stating the facts. Gameface is a band again and they have plans on releasing new material in 2014.
Signing to Equal Vision Records, the band is releasing a 7” featuring two new recordings – “Come On Down” and “The Only Chance We Get” – on November 5.
“Come On Down” is a brand new track, while the latter is a new recording of a previously released song from Gameface’s 1995 release, Three To Get Ready. The revamped version also now includes guest back-up vocals from Ingo Knollmann (Donots) and Mike McTernan (Damnation A.D.).
The reunited four-piece currently is working on their sixth full-length album, which is should be released by early 2014. Check out the following video that takes a personal look at Gameface’s recent decision to reunite as well as make their first new album together in over a decade:
Jeff Caudill had this to say about the band reuniting and recording new music:
“We’re beyond excited about the new material and a new chapter in our history. We’re so fortunate and grateful to Equal Vision for sharing our vision and giving us this rare opportunity for a new beginning.”
Taken from the Equal Vision press release:
The Southern California-based outfit, now featuring Caudill along with Todd D. Trout (guitar), Guy Julian (bass) and Steve Sanderson (drums), originally formed in the summer of 1990 and has since released five full-length albums, each carrying the band’s dynamic, distinctive sound that has gone on to influence countless bands over the years.
Gameface’s debut LP, Good (1993), showcased unabashed pop punk at its purest, while Three to Get Ready’s (1995) offered redemptive lyrics and a nostalgic tone that drew fans into Gameface’s emotional triumph over tragedy following the untimely death of their drummer Bob Binckley in 1994. With Every Last Time (1999), and the addition of drummer Steve Sanderson, Gameface hit their songwriting and touring stride. During the recording of Always On (2000) rifts between members deepened and original bassist Paul Martin eventually left the band before the album was released. Guy Julian joined on bass for their final album, Four To Go (2003), before the band members decided to each go their own separate ways following its release. In 2012, the group reunited for a string of shows that eventually served as the catalyst to forge ahead towards something more permanent. It felt right again as Caudill penned their new single, “Come On Down”, sealing the deal to embark on this next phase of Gameface.
Pre-orders for Gameface’s new 7” will be available in the coming weeks, along with additional information on the band’s upcoming full-length album. The band even announced today on Facebook that they are adding a re-recording of “Freezerburn” to the new album. That song previously was only availble on a live recording.
http://facebook.com/gamefacerock
http://twitter.com/gamefacerock
http://instagram.com/gamefacerock