This may be the best cover art I’ve seen in a while…
I know Jason Lubrano (vocalist of Iron Chic) artwork when I see it. Well done Sir.
So, how did this come about?
Well, two Pittsburgh punk acts, Remainders and BARONS, decided to join forces and drop a sweet punk rock split for what I would hope was for extra beer money. The result is an infectious 4-track 7″ that really showcases the talent of each act. At $5, you’d be a fool not to purchase it.
The good folk over at For The Love Of Punk are actually steaming this split today for your listening pleasure. Check it out by clicking HERE.
You can also check it out below as it is streaming and available for purchase over at the BARONS BandCamp page.
With only a limited number of pressings, make sure you snag one today.
I remember the very first time Electric Six (E6) hit my ears.
I was working at a Borders Books, Music & Cafe in some fancy Cleveland suburb one night just minding my own business. One of my co-workers was unpacking all of the promotional CDs for the listening booths and asked me to help him out.
Flashback Memory: As I am sure many of your remember, there was a time when CDs were the staple of the music industry and at Borders, we literally had to manually input CDs into the CD players that were locked below the CD shelves. This was done so all you consumers could come in and check out an album prior to its release. Duh.
Anyways, I remember seeing a copy of E6’s debut release Fire sitting out on the counter. For whatever reason, I picked up the CD to see what it was all about and soon flipped it over to see the track titles. I decided to sneak in a listen after I put the CD into the listening station. I have been a fan ever since. I just sat there on the floor of the music department loving every song on that title. Needless to say, I snagged that CD the day it officially released and have had it in rotation for years.
I can’t say every release since Fire had as huge of an impact on me, but I have always appreciated what Dick Valentine and crew have done for 10+ years now. Last years Mustang left a pretty good impression on me, but I just was not blown away completely.
The Detroit garage/rock/funk/disco/jam/electronica/jack-of-all-trades genre-bending act just dropped an all new album titled Human Zoo. I am happy to say I mostly enjoyed the living hell out of it and I am pretty confident any E6 fan out there will too.
“Karate Lips” opened with an enthusiastic chant of “Electric Six” that quickly changed to “karate lips”. The song, clearly about some tough-ass women, was heavy on the funk with an electric indie rock style that closely resembled stuff you might hear from the The Faint.
“It’s Horseshit!” was almost too much for my brain to compute yet I loved it. It was like listening to a late 80s boy band infused with Daft Punk. Definitely a track that people can get weird to. The music and just overall feel of this song really resembled that vibe I first felt on Fire.
Valentine swooned beyond senselessly in “Alone With Your Body”. I listened to this track a couple of times over because I liked it so much. This was like the working man’s love jam. Valentine sang as a simple man with plenty of Detroit soul backing him up. I adored the back up singing as well as candid lyrics like “I’ll be there in a jiffy with a stiffy”.
“Satanic Wheels” grew on me after listening to it a couple of times. I loved the synth throughout. I felt like I was listening to typical E6 but with keyboard playing taking queues from 80s arena rock bands. It was psychedelic yet indie if that makes sense. I guess what I am trying to say is that this song ruled and was one of my favorites on the album.
“Gun Rights” was bizarre and unexpected. I thought I was listening to Ween mashed with Mike Patton. “Don’t take away my rights, my gun rights” repeated over and over with a fun Mexican folk melody. The quick spoken-word of Valentine in the middle just kept things even more interesting.
“I Need A Restaurant” just did not do it for me. The song seemed to just downgrade from all the craziness I previously was engulfed in. Sadly, I skipped this track halfway into and barely made it through “Worst Movie Ever”.
“I’m the Devil” sounded more like something Tenacious D would have done one of their albums. It was not terrible by any means but seemed more of a skit than a song. I almost wish Dave Grohl would have jumped in on this track dressed as the devil. I did like the Young Guns-like guitar playing style. The best part of this track was at the very end when apparently Jesus Christ had a speaking roll. Who knew he was such a burnout?
“The Afterlife” ended with a synth-pop tune that thankfully did not let the album end on a bad note for this listener. I wish it were a little more sped up but for what it is worth, it was not a terrible listen by any means.
Human Zoo overall was a blast. E6 continues to entertain but I will admit the latter portion of the album kind of fell short. Regardless, most of the release got me all sorts of excited just like their debut did over 10 years ago. This band in my opinion still entertains on a higher level.
Pittsburgh’s Remainders have a good thing going with their musical style. It’s melodic, it’s fun, it’s just… good.
If you like Smoke or Fire and Latterman as well as just any catchy punk rock act out there, you will adore this band.
Formed in 2014, the band consists of guitarist Dan Delucia, guitarist/vocalist Karim Akacem, vocalist/bassist Chris Feigh and drummer Tim Little.
(Note: I already adore DeLucia thanks to our ongoing instagram/social media bromance)
Just listen already:
Pretty freaking catchy huh? I can not wait to hear the rest of it.
Remainders are slated to drop their EP debut on 11/11/2014 with Fine Exits along with a split 7″ release dropping a few weeks earlier with fellow Steel City brethren Underground Communiqué’s Barons. Busy busy busy.
Pay attention to these guys. You’ve been forewarned.
I am still kicking my ass for missing Rise Against when they recently played Cleveland. I literally overlooked the show until hours before they started and had already committed to other engagements.
Ok, I am done feeling sorry for myself.
Today I was reminded of an awesome protest compilation album being released by A-F Records called This Concerns Everyone.
What does this have to do with Rise Against you ask? Go on, keep reading…
The album will feature a ton of artists playing covers and originals including Tom Morello, Tim McIlrath (Rise Against), Chris Farren (Fake Problems), Erica Freas (RVIVR), Chris Wollard & the Ship Thieves, as well as Justin Sane and Chris#2 (Anti-Flag), just to name a few. See below for the complete track listing.
What first stated as a split between Anti-Flag’s Justin Sane and Chris #2 as well as The Homeless Gospel Choir and Chris Stowe turned into an inspirational idea. More and more people got involved and soon the split turned into a compilation.
An undisclosed portion of proceeds will be donated to the Right To Heal Campaign. I think this is an amazing way for artists to reach out to troops in need.
The good folk at Alternative Press are currently streaming Tim McIlrath’s rendition of a classic Guns N Roses track. Head over to Alternative Press to check out his rendition of “Civil War”.
This comp drops on 11/18/2014. Head over to A-F Records and pre-order yourself a copy now.
Side A:
01. Chris Farren (Fake Problems) – Establishment Blues (Rodriguez)
02. Erica Freas (RVIVR) – Tiny Murders
03. Chris Conley (Saves The Day) – A Change Is Gonna Come (Sam Cooke)
04. Chris #2 (Anti-Flag) – What Did You Learn In School Today (Pete Seeger)
05. PJ Bond – Dirty Hands
06. Anika Pyle (Chumped) – Ugly
07. Tom Morello (The Nightwatchman) – House Gone Up In Flames
08. The Homeless Gospel Choir – Some People
09. Chris Stowe – Other Peoples Guns Side B:
10. Chris Wollard (Hot Water Music) – Selected Scenes
11. Roger Harvey – What Are You Fighting For (Phil Ochs)
12. Shawna Potter and Brooks Harlan (War On Women) – Servilia
13. Tim Mcllrath (Rise Against) – Civil War (Guns N’ Roses)
14. Justin Sane (Anti-Flag) – I Ain’t Got No Home (Woody Guthrie)
15. Thomas From The Burning Land (Strike Anywhere) – The Deep State (Field Recording) Digital Bonus Tracks:
01. Prophet Motive – Hallowawa
02. Josh Massie – Life During War Time (Green Day)
03. Spoonboy – Last Of The Asshole (The Max Levine Ensemble)
04. Pat Thetic – Owe Us A Living (CRASS)
I was waiting for an album to drop this year that would completely steal my undivided attention. Xerxes has just done that to me.
If any of you know me, chances are you know my love for bands like the Refused, Murder City Devils, Gallows, Thursday and At The Drive-In. The vocal styles of all those acts is one of the main reasons I have such an appreciation for them.
Xerxes’s new album Collision Blonde seemingly took queues from all those acts and more throwing them together into one killer release.
I love it. I adore it. Thank you Xerxes and thank you No Sleep Records for throwing their album on your label.
This young post-punk act from Louisville, KY mixes in so many different musical styles in their jams, I almost hate to classify them into one genre. With elements of punk, post-hardcore, goth rock and more, this avant-garde act blew me away the moment I heard their sophomore release Collision Blonde.
This album overflows with plenty of mental anguish guaranteeing to satisfy any emotional train wreck out there. Pain, love, and drugs seemingly fueled this release and I’m pretty sure anyone who hasn’t always been in a positive path through life will totally get into Collision Blonde.
Once “I Was Wrong” started I knew this was going to be one of those albums I listened to all the way through with no interruptions. Calvin Philley just destroys his voice throughout with plenty of distortion that would make Trent Reznor proud.
“Criminal Animal” appealed to me with a garage rock start quickly morphing to something a little more hardcore. I got a huge kick out of Philley switching to almost a furious spoken word only to start singing again. “Knife”, toned things down for a moment and clearly was about some object being stuck into one’s back.
“A Toast” had this Cure-like melody and bass line hiding behind intermittent hard riffs and screaming vocals making for a great listen. The transitions from the singing to the spoken word throughout this track made it even better to listen to.
“Collision Blonde” was beyond a daunting track with Philley just spilling his guts out on top of a melody that easily could be mistaken with The Jesus And Mary Chain or even Bauhaus. Although dark and lonely, this track really was amazing in so many ways once you got past the emotion and pain.
“Nosedive” ended the album with Philley screaming “just make it stop” over and over. It was almost like this entire album was a brutal nightmare and it needed to come to an end.
I am not sure if this album was a revelation of pain or a public cry for help. Regardless, it is powerful lyrically and musically making Collision Blonde easily one of my favorite releases of 2014 so far.
Perhaps I took in this album a little differently from others. Having grown up listening to darker styles of music in the 80s and 90s like The Cure and Jesus and Mary Chain, I always wished it were heavier back then. I loved the music but craved more vocals. Xerxes seriously captured some of my favorite band styles and added their own harsh twist on it satisfying that younger request. The result is just insane and I adore it.
Collision Blonde drops on Oct. 21st. You can pre-order it now over at No Sleep Records.