Tag Archives: Rap

Blakroc – Blakroc – CD Review

It’s the day after Thanksgiving and I am still full from an amazing array of good eats and excited.  Of course we all know that today is supposed to be the busiest shopping day of the year and there is not one part of me that wishes to engage in that stupid retail disaster.  I have no interest in waking up early and saving $20 on a junk TV or getting DVDs for $2.  I don’t wish to wait outside in the cold for the chance at getting a deal.  I’ll just surf the internet for my shopping needs when the Jesus Day comes a little close.

Black Friday can kiss my ass.

So if I am so bitter at this tragedy of a day what am I so excited about you ask?  That’s easy, Blakroc‘s debut self-titled album was released today.  What?  You have no idea what I am talking about?  Well of course I am going to explain a little more about this album that I have been anticipating for quite some time.

Blakroc is a project featuring Akron, Ohio’s blues/rock heroes The Black Keys plus hip-hop artists including Ludacris, Mos Def, the late-great Ol’ Dirty Bastard and other well known artists.  The combination of the music of Dan Auerbach and  Patrick Carney’s provided beats layered with the rap lyrics is just unbelievable.  To add to the exhilaration, The Black Key’s frontman Auerbach provides some of his own signing on a couple of tracks making for a truly matchless sound. 

So how exactly did The Black Keys get mixed up with hip hop?  Well apparently Damon Dash, co-founder of Roc-A-Fella Records is a huge fan of the Keys and wanted to do something involving the duo and Jim Jones.  During that initial session Mos Def interrupted and wound up recording as well and Blakroc was formulated (Black Keys + Roc-A-Fella = Blakroc).  In eleven days there were eleven tracks recorded thus creating an album that could be compared to a Gorillaz-like jam sans the electronics and cartoon fantasyland idea.

Finally after hearing about this project for months it the hit shelves today (CD & LP) and I could not resist but grabbing a copy for myself.  After all I am a huge fan of The Black Keys and everything they do as well as have a high appreciation for hip hop so it’s easy to say I was excited.  Once I put that album on though I was in my own little glory just like the first time I heart the Judgment Night soundtrack.  It was something new and something unmarked in it’s own kind.  Blues/rock and rap?  Nice.
 
The first track “Coochie” floored me not just because it sounded so great but because my number one favorite rap artist Ol’ Dirty Bastard was rapping in his glory (still can’t believe it’s been five years since his passing).  Thanks to ODB being affiliated with Roc-A-Fella Records prior to his death there was some of his work readily available for Damon Dash and he put it to good use.  Featuring the ever easy to listen to Ludacris and ODB slinging out rhymes about one of their loves in life, this song set the bar high for my expectations for the rest of the album.

“On The Vista” followed with the same knockout as the first track thanks to the smooth flow of Mos Def and Auerbach’s amazing guitar playing.  NOE dominated on “Hard Times” with some nice R&B like back-up singing as well as the Keys doing their thing.  “Why Can’t I Forget” was a nice somber R&B turn featuring Nicole Wray.

As soon as Mos Def and Auerbach shared the mic on “Ain’t Nothing Like You (Hoochie Coo)” I was just astounded.  It was my favorite track on the album thanks to the high appeal of hearing Auerbach’s distinguished singing followed by sick flows from Mos Def as well as a few lines by Jim Jones.

“Hope Your Happy” was another highlight on the album to me with Nicole Wray providing more soul signing beside the infamous Q-Tip and Billy Danze.  Nicole Wray returns once again with NOE, almost sounding like Jay-Z, on the final track titled “Done Did It”.  I am really glad the album included her as she made some of the songs that much better to listen to.

My only complaint with this album was the lack of Mr. Roc-A-Fella himself – Jay-Z.  It’s not like he’s never done something like this before (anyone remember Linkin Park/Jay-Z).  Based upon what I heard on this album though I would not be shocked in the least bit if another album was already in the works.

You will like this album if you like things done different from the norm but with substance.  It’s a fresh new sound that was brought together with near perfection.  If you are a fan of hip-hop you will dig this album as well, but I can honestly say if you are only about the music The Black Keys push out on average this may not be your cup of tea.  It’s a blues rock experimental album in a sense but more so a hip-hop heavy project that completely did wonders to my ears.

Lollapalooza 2009

I finally had a chance to check out the Lollapalooza 2009 line up and I am a little excited about it.  Ok, a lot excited…


Click HERE for the Lollapolooza 2009 line-up poster.

The poster is kinda large to be putting on my site so instead I will just copy / paste the list of bands that will be performing over the 3 day weekend:

Depeche Mode, Tool, The Killers, Jane’s Addiction, Beastie Boys, Kings of Leon, Lou Reed, Ben Harper and Relentless7, Thievery Corporation, Snoop Dogg, Rise Against, Andrew Bird, TV on the Radio, Vampire Weekend, The Decemberists, Neko Case, STS9 (Sound Tribe Sector 9), Animal Collective, Band of Horses, Of Montreal, Arctic Monkeys, Coheed and Cambria, Ben Folds, Fleet Foxes, Silversun Pickups, Kaiser Chiefs, Crystal Castles, Bon Iver, Santigold, Atmosphere, Dan Auerbach, Cold War Kids, Deerhunter, Lykke Li, Robert Earl Keen, Peter Bjorn and John, Heartless Bastards, Gomez, Glasvegas, Federico Aubele, Dan Deacon, Passion Pit, Zap Mama, The Raveonettes, The Gaslight Anthem, The Airborne Toxic Event, White Lies, Ra Ra Riot, No Age, Asher Roth, Los Campesinos!, Bat For Lashes, Chairlift, Gang Gang Dance, The Virgins, Amazing Baby, Portugal. The Man, The Knux, Ida Maria, Delta Spirit, Friendly Fires, Manchester Orchestra, Constantines, Ezra Furman & The Harpoons, Hockey, Miike Snow, Alberta Cross, Hey Champ, Sam Roberts Band, The Henry Clay People, Davy Knowles and Back Door Slam, Cage the Elephant, Living Things, The Low Anthem, Blind Pilot, Langhorne Slim, Other Lives, The Builders and The Butchers, Eric Church, Joe Pug, Kevin Devine, The Greencards, Carney, Thenewno2

See any bands in there you like?  I know I see a ton of bands I would love to see, even if I have already seen them previously in the year!  There is also a handful of other artists too listed to perform at another stage.

I’ve never been to Chicago so this may have to happen.  I am sure my pal Matt will want to join me as has mentioned it to me a couple of times.  Any of you other Cleveland bloggers thinking of invading Chicago too?

Tickets are $190 for the three day festival not including a place to stay.  I will be highly considering this since I have still heard nothing about this year’s Virgin Mobile Festival.

I would like to say that I was going to the Virgin Mobile Festival for the fouth time in a row but if they move it from the Pimlico Race Track that will really put a damper on if I want to go.  Part of the whole experience was being at that horse race track turned festival grounds…  I wrote a little post about it a few weeks back you can read if you are curious on why they might move the Virgin Festival to another location.

I guess we will see what happens!

Until then here are some Lollapalooza related videos I found…

This video is footage of a terrible crowd in Charlestown, VA in 1995 not giving a good welcome to original indie artist Pavement:

I really wanted to go to Lollapalooza in 2007 because of this band:

Jane’s Addiction in Enumclaw, WA in 1991 with Ice T (NSFW, a little strong language going on here…):

I Want: Beastie Boys Check Your Head Remastered Collectors Vinyl Set

(Been a while since I did one of these posts…)

I want this bad…

Beastie Boys – Check Your Head – Remastered Collectors Vinyl 4LP Set


  • 4 pieces of 180 gram Vinyl featuring the deluxe remastered album and the 4 original 12″ singles (36 tracks total)

  • 8 panel gatefold package with foil cover inlay, packaged in a fabric-wrapped, black foil-stamped hardcover “coffee table book” case

  • Limited to 2,000 sales

  • Immediate album & b-sides download: Premium DRM-free 320kbps MP3, FLAC, or Apple Lossless

  • Only $84.98!!!

  • Virgin Festival 2009??? Will it happen?

    Just found an interesting little article on the Baltimore Sun website about the Virgin Mobile Festival announcing that they will return, but to where is still to be decided.

    I guess it is safe to assume that they may not return to the Pimlico Race Coarse if the owners file for bankruptcy. 

    Honestly I am bummed to hear about that.  I have been at the festival for the last three years, or should I say, every year since it first took place.  I have had a great time each time I was the and saw some amazing acts not to mention enjoyed myself with my good friends.

    I’ve seen amazing line ups for the last 3 years including NIN, Flaming Lips, RJD2, Bad Brains, Iggy & The Stooges, The Black Keys, Foo Fighters, Wu Tang Clan, The Who, The Police, Beastie Boys…the list goes on.  It was always a good time too.  I never had a bad thing to saw about that festival…only the motel that we stayed at in 2007…

    Rumor has it they may move the festival to the Merriweather Post Pavilion which is not too far away.  I searched online about the possible move a bit and found another article from the Baltimore Sun about the possible move.

    That to me is not a good move by any means.  Chopping the capacity from 60,000 to 20,000 (27,500 if they transform their parking lot into festival grounds) people means less of everything including potential acts…

    Here is another nice article about the possible move found on baltimore.bizjournals.com.

    The race track to me is the perfect grounds for a 2 day festival and I really do not know if I will attend for a 4th time if it is moved.  There was something about parking my car and hanging out for 10+ hours in the middle of Baltimore. 

    It’s getting late in the year for a festival to be announced.  I should not speak too soon though because the 2006 Virgin Mobile Festival really was not announced until after I got back from Bonnaroo that year, granted it was in late September…

    P.O.S. – Never Better – CD Review

    Pissed Off Seth
    P.O.S.

    P.O.S., born Stefon Alexander, is a hip hop artist from the city of lakes many refer to as Minneapolis.  P.O.S. can mean a lot of things, but in this instance it is an abbreviation for “Pissed Off Stef,” something he was referred to long before the days of his hip hop career.  Growing up a punk rocker, P.O.S. was not originally a fan of hip hop until he learned it was more of an alternative form of expression over a glorified music genre.

    Recently putting out his fifth release, Never Better, once again on Rhymesayers, P.O.S. produced over half of the CD himself.  The album was also released in a limited, custom, do-it-yourself edition, featuring 16 solid picture inserts with six plastic overlays, allowing the owner to create their own cover art combination.  I admit to having some fun with this prior to checking out the CD.

    Taking his love of punk rock, P.O.S. chose to try a new way of expressing himself and soon was creating rhymes and beats that elaborated into a style of his own.  It’s hip hop fueled with punk rock suggestions, personal journeys, and accomplishments, making for a striking release.

    Already making a name for himself in the underground hip hop world with Doomtree, P.O.S. is slated to be touring a city near you this summer at the Van’s Warped Tour.  Keeping himself occupied until then, P.O.S. will soon will be appearing with label mate, Atmosphere, in the Spring for even some live shows before the Summer kick off.

    “Sorry I took so long” is stated by P.O.S. on the beginning track “Let It Rattle.”  This introduction track really proved P.O.S. has something to say with an array of statements fornicated into a rap track with excellent intense drumming.  My first taste of P.O.S. was exactly what I was expecting.

    Following the impressive opening was even more insane drum heavy track “Drumroll (We’re All Thirsty)”.  Accompanying P.O.S. was Doomtree making for a thrilling collection of words and beats.  In addition to this track a video that blew my mind accompanies it.  The video is like watching an urban war with people running for their lives while being attacked by… well I think it would be best if you just checked out the video for yourself to come to that determination.  I have my own ideas.

    Continuing the CD was the intriguing “Savion Glover,” with P.O.S. taking a lyric from Fugazi‘s “Five Corporations,” and adding it to the already heavily referenced track that seemed like a non-stop expression.  “Purexed” really had a Sage Francis flow style throughout leading up to even more impressive drumming backing the chorus.  I loved the energy and personable, friendly feel throughout the track. “Graves (We Wrote The Book)” was a little more urban hip hop sounding mixed with some guitar jams.  Again, choice words added together with clever rhymes kept me entertained throughout the song.

    “Get Smokes” was a freestyle of sorts, with P.O.S. stopping and laughing for a brief moment here and there in between his determined flow, speaking out on everything from Iggy Pop to the disturbed nation.  The beats backing him were a unique mix of funk, and even at times had a record-scratching Kid Koala resemblance.  “Been Afraid” was a little more serious than the previous tracks, speaking of the misfortune of a girl caught up in a violent relationship.

    “Low Light Low Life” stood out with the catchy beats, accompanied by horns and keyboard, with the  sweet female flow of Dessa from Doomtree adding to the excitement of the track.  This song not only was one of my favorites on the CD but will get the party moving for sure with amazing RJD2 like beats and Blueprint reminding flows.

    The CD seemed to start mixing things up with “Optimist (We Are Not Meant For Them),” as it started out very plain and organic sounding, with beat produced by slapping hands on inanimate objects, perhaps cups. P.O.S. concluded with a screaming and hollering refrain of sorts.

    “Terrorish” mixed the rapping some more with a little hard screaming, courtesy of Jason Shevchuk of None More Black.  The quick bass line kept me rocking my head along to the quick track, with P.O.S. spitting out words as fast as he possibly can.  Can you say freestyle group sing-a-long lyricism?

    “Never Better” continued with a stray away from the hip hop and more so an indie rock, alt rock approach, reminding me of Cooper Temple Clause mostly from the highly distorted guitars, as well as Judah Nagler, of The Velvet Teen, lending his calm dreary singing.  Closing down the CD was “The Brave And The Snake,” a track that left me wanting more – and thanks to a secret track, I got my craving.  The secret track was a stunning bonus and seemed to calm me down after such an exciting dose of a real hip hop release.

    Never Better really grew on me throughout as I listened to the CD.  It was like during each track I was reading a Choose Your Own Adventure book because I had no idea what was coming up next.  The genre combination, especially the punk rock and hip hop, kept things ever so interesting to the point where I have listened to this CD over and over.

    P.O.S. does not sound like he is full of himself at all during any of the tracks, and when you add that to his amazing beat creations and genus writing skills, I have nothing bad to say about this release or P.O.S for that matter.  Drums, bass, a constant flow, and a serious widespread talent for expressing himself make me a fan of P.O.S. and I am pretty sure it will for you, too, if you appreciate expression and real hip hop.

    Download This! – P.O.S. – “Drumroll”

    -Check out P.O.S.’s MySpace page.

    -Need something to do?  Head over to Make It Better, a do-it-yourself album cover maker.  The site was inspired by the DIY Never Better CD artwork concept.  You can also check out the entire album while messing around with the fun little program.

    -Are you wondering waht the DIY CD artwork is all about?  Check this out:

    -Check out the powerful video for “Drumroll” – seriously, this video is insane: