No Use For A Name “Fairytale Of New York City” (Pogues Cover)
The Vandals “Oi To The World”
The Ravers “Punk Rock Christmas”
Finally one of my all time favs:
The Ramones “Merry Christmas (I Don’t Want To Fight)”
Have a great day everyone!!!
Tag Archives: Punk
Tim Barry – Manchester – CD Review
What do you do when you wake up one day and find yourself a little older, a little wiser, and still broke, even after you spend most of your life fronting a punk rock band? Chances are, if you are like Tim Barry, you keep doing what you do when you can just so you can get by and love every minute of it. The Avail front man recently has released his third solo project titled Manchester
again on Suburban Home Records and I must say it is outstanding.
Tim Barry rubs off more as a folk singer on Manchester, even though he is mostly known for being part of one of the more important punk rock acts from the 1990s. Still touring with Avail but not as a fulltime gig, Tim Barry also performs on his own with family members and close friends. I still have yet to witness a live show and after listening to Manchester I really hope he comes to my neighborhood again.
Currently residing in Richmond, Virginia, the carefree musician has his day job, loves his beer, and continues his passion with music. With help from friends and family Tim Barry has recorded a personal album that displays his thoughts as well as encourages you to think for yourself.
Not knowing Tim Barry had a previous solo album this was the first time I heard him minus Avail and I had no idea what to expect. Opening track “Texas Cops” immediately perked my ears with a more personal track about the law, not missing home, and admitting that having a “bad time is better than no time any day”. This track really reminded me of Hank III with the tough lyrics and fun country twang.
“On And On” is not as fast paced as the first track, but more a slowed down folk hymn. I really could feel the emotion in this track. The backing music was just amazing as well complimenting Tim Barry’s gruff voice. “South Hill” was one of the few songs that I have heard where I actually got angry while listening. The track tells the tale of a young soldier thinking he is fighting the good fight, only to return home not knowing right from wrong. I seriously was angry with the outcome of this story turned song and it was not because Tim Barry sung his beliefs, he left that up to me.
The cover of Avail’s “This November” was just awesome and sounded just as good slowed down a tad with the same message, take a breath and deal. “Sagagity Gone” was fun jam about not caring what one more drink will do to you.
The album has its ups and downs midway through but Tim Barry really keeps up with his personal lyricism on all. In “Tile Work” Time Barry declares “consider where I been” possibly letting everyone know why he is the way he is. Slow jam “222” was very sad, yet passionate about not feeling alone, and was one of my preferred tracks on the disc.
For a guy who has been in the punk rock scene for years, it is great to see him continue even if it is a tad slowed down. Where I am a fan of Avail, I can say I am even a bigger fan of Tim Barry’s solo material. It strikes me stronger with his approach at life and personal battles.
With so many artists recording material on their own, some may say that this is a trend. For Tim Barry that is not the case at all as you can almost hear in each song that he is doing it for the sake of recording music, something you can tell he truly loves. His mix of punk and folk throughout really is appealing and begs to be played over and over again. The CD is genuine, honest, and a must have for any aging punker out there who is finally coming to terms with themselves that maybe it’s time to slow things down a little.
Want a taste of the CD?
If you really want to hear more proof why I love the CD so much, click on Manchester
Head over to his website for some more music and info: http://www.timbarryrva.com/
Japanther – Tut Tut Now Shake Ya Butt – CD Review
Japanther, an amusing, Brooklyn, experimental, trash punk rock act has recently released Tut Tut Now Shake Ya Butt on Wantage Records. This twosome do-it-yourself band has been going strong for over seven years thanks to their inimitable style and rareness. If you are artsy or into performing arts, chances are you may have already heard of this duo. Far from being in the spotlight, they hold their own having played shows in famous NYC museums and venues but have caught a taste of mainstream recently opening for Against Me!
I heard their band name before I ever actually heard their music and I must say after checking out Tut Tut Now Shake Ya Butt I have to say this is a weird yet interesting band reminding me of Negativeland meets the Dead Milkmen. It’s good though in the sense that the duo, art school heroes, do things all by themselves with limited assistance.
Opening tracks “Um, Like Your Smile Is Totally Ruining Me” sounding like a high school basement project and the unusual “Bloated Corpse” made it clear that these guys are in their own little world. Their sound is not what I thought at all but I found myself enjoying it.
“Bumpin’ Rap Tapes” was a cute friendless love track with lyrics that reminded me of something I might have written back in the days of high school hell. The cover of New Bad Things “The Dirge” entertained with under processed rock, but just wasn’t enough for me.
I was impressed to see that legendary Crass drummer Penny Rimbaud was not only the executive producer of their album but also contributed some of his poems for use in “Africa Seems So Far Away” and “I Thee Indigene”. Both tracks were spoken words of sorts with strange beats accompanying Penny Rimbaud reciting his works. Perhaps boring to some but when you are a fan of William S. Burroughs or spoken word in general, like I am, you tend to like stuff like this.
MC Spank Rock from Baltimore added his style to “Radical Businessman” an indie sounding track inspired from actual events of MC Spank Rock getting arrested. “Before The Sun Goes Down” closed out the CD with a track I favored over the rest. The song was a little more punked out over the previous.
The CD may not seem too exciting at first listen but then again this band is more of a DIY performing arts band and probably could care less what anyone thinks. They are known to take their music to the next level with interesting live shows that have featured synchronized swimmers at one show and puppets fighting at another. Not knowing this in advance may really stray you away from their material but once you see a clip of a live performance you can start to understand what the hell is going on…maybe.
The following videos are from previous releases. After viewing them I really see that Tut Tut Now Shake Ya Butt really strays in a different direction and I am thinking it was a result of Penny Rimbaud working with the duo. From what I have seen I think it would be best if I checked out Japanther’s catalog.
Unwritten Law – Live & Lawless – DVD/CD Review
California punk rockers Unwritten Law have recently released their second live DVD for your visual and listening pleasure. This time around the band has teamed up with Suburban Noize Records to release Live & Lawless, a CD/DVD release that is more of a celebration of their success as a modern punk rock band rather then just another live show.
Recorded in March of 2008 at the historic Key Club on Hollywood’s Sunset Strip, the band consisting of singer Scott Russo, guitarist Steve Morris, bassist Pat “PK” Kim, and temporary stand-in drummer Dylan Howard, make a point to play their hearts out to their hardcore fans.
Formed in the early nineties, Unwritten Law first started out as a speedier punk band but throughout the years they took different approaches to making music, and soon matured into more of a hard rock act. 1998’s self titled album had a couple of tracks that were put into heavy rotation on the radio but nothing more than that. In 2002, the band came out with Elva and their song “Seeing Red” became a chart topping hit.
Just one year later, the band was approached accidentally by VH1 (they meant to call Jimmy Eat World) to see if they would play some acoustic tracks. The result was Music In High Places, a part studio part live acoustic album that coincided with a separately released DVD called Live In Yellowstone.
Live & Lawless is the band’s first start-to-finish live DVD. This release also comes with a CD full of the tracks the band played that night in Hollywood. The CD has seventeen tracks plus a bonus track. The DVD covers the twenty-two song set and also contains some bonus footage.
The show starts with the band on stage in full force playing “Underground”. One of the first things I notice is that there are no bouncers in front of the stage and to me that is a nice thing to see. This show is strictly the band facing the fans. Hit songs “Teenage Suicide” and “Calin” were played to approving fans as they sang along as loud as they possibly could
The acoustic version of “Rest Of My Life” featured just Scott Russo and the crowd. His voice was on point throughout and did not crackle or show any signs of being tired even though sweat was dripping off his forehead. The rest of the band slowly snuck on stage where they smoothly depart into “She Says”. The crowd erupted as soon as they sang the refrain to the song.
“Before I Go” is a bonus treat to the crowd as the band starts a mini acoustic session with the entire band playing their acoustic instruments. I love the way this song sounds. They continue with “Elva” and surprisingly “Shallow”, a real old track by the band.
This was the first time I had heard the old school song performed acoustically and Scott Russo even admitted to the crowd that is was a special song they were going to play. I must say the song brought back some memories. Hearing the band slow the track down a bit and play it unplugged just made it that much more enjoyable. The only sad thing about this song is that I would guess two thirds of the crowd may never have heard this before. Arms waving and smiles were among the many but when it came time to sing along there was not as much partaking.
Before engaging in “Save Me” front man Scott Russo took a moment to spread some love to all the sardine packed fans in the front row. He asked everyone for some crowd participation before starting the song and just about everyone complied. With big thank yous it was clear that the concert was coming to an end.
Making this show even more memorable to myself, the very first song the band ever wrote, and one of my personal favorites, “CPH” closed out the show. Nothing like an oldie to wrap things up, especially when it was one of the first songs I heard as a teenager that caused me to become an Unwritten Law fan.
DVD bonus features included the music video for “Shoulda Know Better” as well as a intimate interview session with questions coming from the fans who were actually at the DVD shoot that evening. Hearing the story from Pennywise about Fletcher jumping a van into someone’s backyard was amusing. The band answered questions individually, shared their influences, decisions to change up their style, and even some more personal stories. The answer to how would Pat “PK” Kim look if he were bald had me laughing out loud as the bassist drew up a picture of himself.
There was not a dull moment throughout the entire live show. This DVD is pure evidence what a punk rock show should be. Seems like only yesterday a young punk rock me was in the crowd checking out Unwritten Law singing all of the songs they sang at the top of my lungs. Over ten years later, they still have it and show no signs of tiring out one bit.
Here’s a couple of clips from the DVD just for a small taste:
Trever Keith vs. Me – An interview with Face To Face front man Trever Keith
Any fan of punk rock music has probably heard of a certain SoCal punk rock band called Face To Face. Formed by Trever Keith in 1991 the band gained commercial success with their ideal punk rock style and soon achieved commercial success. Trever Keith was the only original member to stick through the good times and bad times and sadly the band decided to call it quits in 2003
With the decision to go their separate ways Trever Keith did not stop there. He continued on with his passion for music and started recording solo material as well as maintained his own record label. On top of that he worked on other band projects including Legion Of Doom, a mash-up project of out of this world proportions. He is without a doubt one of the busiest punk rockers out there and it not willing to call it quits anytime soon.
Recently I learned that Face To Face had reunited for a small tour and possibly more. I decided to get in touch with Trever Keith to ask him some questions of his past, present, and future. Trever Keith was more than happy to take time out of his busy day and answer some questions for me.
B: So I guess my first question would have to be what finally prompted Face To Face (F2F) to reunite for a few tours? I remember reading an interview a while back that you did not think it was going to happen.
TK: Scott [Shiflett] and I missed it and the offers started getting a lot more interesting.
Any specific offers in general?
Bamboozle 08 in Los Angeles was the clincher.
Who is all playing alongside you when you tour?
Scott of course. Sometimes Chad Yaro (depending on his availability, LA area shows are the most likely) and Danny Thompson on drums.
Any chance of expanding the tour? I see that F2F is playing some shows in California in November as well as a few select dates overseas in 2009.
As long as there is an interest from fans, we will be back out playing shows. We’re not looking at being back out on the road full time for F2F, but we are definitely planning some more stuff for 2009. We’ll just see how it goes.
Does this reunion tour mean there is a possibility that F2F might be back to record new material?
I suppose there is a remote chance. Although there are no plans.
Any real reason why F2F ultimately called it quits?
A desire to try some other projects and a sense that we had really run our course as a band. We didn’t want to overstay our welcome. But the fans have proved that the reality of that is completely the opposite. So we’re back as long as there is a demand.
Enough about F2F, let’s talk about you and your continuing vision with music. Even after the band departed you continued forward. You released a solo album on your own record label. Can you tell me a little bit about both?
I have a label called Antagonist. I had an indie distribution deal that was a complete disaster. I’m out of it now. My plans for Antagonist are sort of changing with the landscape, but I at least know it’s a place for me to release my own music in the future.
My debut solo record was in limited release but is currently not available. I had initially had it available for download for $5.00 on my website and I pressed up about 1,000 limited edition CDs for sale only at shows.
These were things I wanted to do for the core fans. I am looking at an “official” release for early/mid 2009.
Will your “official” solo release be under your label or has anyone else shown interest is having it on their label?
There is interest, but it will be an Antagonist release regardless of whether I’m involved with another label or not.
You toured in support of your solo release. How were the shows you played at? Were there a lot of old school punkers there checking you out? Were a lot of people asking about the band you used to front?
Most of the shows were amazing. They were small sized clubs. Some were better attended than others but most of the time that really didn’t matter. The people that came were so cool. I made a point of hanging out a bit after every show and it was really something special. Many of these people are F2F fans but also really appreciated the work I am doing on my own and that was really the point of this small club tour; to really just get out there for the die hard fans and get the music to them first. Now my challenge is spreading it to a bigger audience.
Any plans for a second solo release?
Sure but give me a chance to promote this one properly first!
What is Viva Death all about?
It was a project that Scott and I thought up about 5 years ago. The first record was really a joint effort but on the second record it started to become more of Scott’s thing. He is just now finishing up the third Viva Death record which from what I’ve heard so far is amazing. He played all of the instruments on this one, even drums. It’s really a testament to what an amazing musician Scott is. You can check out his MySpace for more info. www.myspace.com/vivadeathmusic
I have read about a possible other project in the works as well called Pablum? Not much is known about them. Anything you might like to share?
Pablum is just an early name for my solo effort. I decided to go with my own name for simplicity.
How did you become involved with mashing up songs in Legion Of Doom?
Chad Blinman is a longtime friend. I sort of convinced him to start this mash-up thing while him and I had some downtime. We really started digging in and get hooked into the project. We decided to give ourselves a name and some soundtrack and remix work followed. It’s a project that is an amazing creative outlet for us that is unlike anything else we’re involved in. It’s something I look forward to doing for a long time. There are many ideas in the works for Legion of Doom.
Where did the idea come from to do such a thing, mash up emo/punk songs and even add a little hip-hop action? I admit the first time I heard it I was hooked?
Well I’d be lying if I said it was all my idea. I was doing some work with Darren Doane at the time and we always had this knack for discussing all sorts of crazy ideas for projects and stuff. He had this idea to do DJ style mash-ups of emo/hardcore bands. Since he’s in film and music videos he didn’t really have the know how to pull off such an idea so I ran with it.
The CD Incorporated is out of print and pretty much impossible to find. Do you think you would ever consider re-releasing it?
We don’t have the permission from labels or publishers to release the CD, so probably not. Come to think of it, who made those first CDs anyway?
So you had nothing to do with the CD being released or do you have no comment? Haha.
No comment.
What is your favorite mash-up so far that you have helped create? I personally love the Coheed vs. Senses Fail mash-up called “Devil In A Blue Dress”. It seems like the two songs were meant to be mashed.
Destroy All Vampires [My Chemical Romance vs. A Static Lullaby mash-up]
Just curious on how Cleveland artist Derek Hess was recruited to draw up the cover for the CD?
That was another Darren Doane connection. I met Derek through Darren.
A couple of the Legion Of Doom songs were featured in movies such as Saw II and Resident Evil: Extinction. Any plans on having more mixes pop up in future movies?
I’d love to. Nothing confirmed at the moment. The last thing we did for a film is a placement in the movie Pathology which just came out on DVD.
Eyes Front is a movie released on Antagonist Films. Any relation to your own Antagonist Records Label? What all did you contribute to the film? Is this just the beginning of you working a little more in depth with a movie?
Antagonist Films is the same company as Antagonist Records. The Legion of Doom did all of the original music for the film and I was a producer on the film. I would love to do more work in film, but I’m not currently involved in any projects at the moment.
How did you land the role of producing the movie (Eyes Front)? Have you had previous experience producing film?
Again Darren Doane was the one who got me involved with the film. I have had no previous experience.
Speaking of movies it seems like you take samples from older movies and add them to the mix, how do you come across some of those?
There are websites with such material. Just gotta know where to look.
Have you seen any of the fan made videos of Legion Of Doom mash-ups on YouTube? What do you think about your fans creating them?
One of the most satisfying things about creating something is knowing that people really get it. Seeing those music videos to me is proof that people out there are really getting what we’re doing and they’re taking it up a level by adding their own creativity. It’s a humbling experience.
What is next for Legion Of Doom? Would you/have you considered touring? Will there be another CD released?
We’re getting ready to release an entire album of new original material.
When you look at all that you have accomplished musically, how does that make you feel? Any advise to share with anyone looking to be successful in a musical career whether it be creating or remixing?
I have mixed emotions. On the one hand, I feel lucky to have had some success and I am proud of the body of work I have created. And on the other hand I want to achieve more both as an artist and performer. The only advice I could give is you have to be relentless.
What’s next for Trever Keith?
World domination.
Look for Trever Keith’s official release of his solo album in early/mid 2009. For more information about what cities Face To Face is touring or to check out all the projects Trever Keith is currently involved in check out the following links:
www.facetofacemusic.com www.treverkeith.com www.the-legion-of-doom.com