Tag Archives: Punk

Music, Punk, Rock

The Horrible Crowes

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Hey to all you Gaslight Anthem fans out there.  This is for you…

Apparently Absolute Punk found out a little secret about Mr. Brian Fallon of Gaslight Anthem fame.  It would appear that Fallon is working on a little side project called The Horrible Crowes.

Last week Fallon admitted finally to the rumor that he and bandmate Ian Perkins would be working on more of a “Night Time Music” album. 

Fallon has this to say on his blog Cassettes In The Mailbox:

I remember I used to have to set myself on fire to get somebody to find out about my band, either that or play with Bruce Springsteen! (wink) so I’m pumped people care enough to find out before I even told anybody outside my little circle. So thanks for caring about what I’m up to, I appreciate that a lot.

Anyway, so here’s the deal… the “night time music” is myself and Mr. Ian Perkins, and what we’re doing is writing songs and making demos at the very moment. We hope to put out a full length record sometime this year, before it gets cold again, I don’t know with whom, or when exactly it will come out. But the point is, it’s coming out. We’re calling ourselves The Horrible Crowes.

The name comes from a poem called the Twa Corbies, which means, “two crows.”

I am sure you have guessed it already, I am stoked.  Not to mention Fallon also talked about a new Gaslight record that they will be working on.

2011 is shaping up to be a good year for releases.

Cleveland, Documentary, Film, Good Times, Metal, Music, Punk, Review, Rock, The Awesome

Lemmy: The Movie

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Last night was a blast.  In case some of you missed it, there was a screening of the new Lemmy documentary called LEMMY: 49% Motherf**ker, 51% Son of a Bitch at the Beachland Ballroom in good ol’ Cleveland, OH.  It was a great film and I invite anyone who is a Motorhead fan to check it out when it comes out on DVD in a couple of weeks.

I would like to consider myself the soul reason the movie appeared last night at the Beachland.  It was not because I organized the event or got in touch with director Wes Orchoski and asked him to come out and do a Q & A – That was Matt @ Addicted To Vinyl.

The reason was because I provided the Blu-Ray player.  Yes friends, if it were not for me last night, none of this would ever have happened…

Ok, it was not my Blu-Ray player.  Still, I was the one who brought it in and hit “play” when the lights went out.  I had a job to do last night and I did it well…

It really did not go that smoothly though…

I arrived a little early to the Beachland Ballroom after a couple failed attempts at doing some vinyl shopping on Warterloo.  I forgot it was Sunday and the shops tend to close earlier.  It worked out to my advantage though as the sound and video folk at the Beachland were waiting for my arrival.

We hooked up the Blu-Ray player as the tribute band set up and then just hung out in the soon to be filled ballroom.  During the downtime I hung out with Wes who is a really kick-ass guy.  He talked about his statewide tour showcasing his project that took him four years to create as well as some of the musicians he interviewed.  Needless to say, I was jealous.

By 8 o’clock the place was packed.  It was funny because I snuck downstairs for a bit to chill out  abot 20 minutes earlier and when I came back upstairs almost all the seats were filled.  It was a full house.  All the chairs were filled and people were standing, all waiting for the film to start.

I was asked to join WJCU/Auburn Records Owner Bill Peters and Chris Akin on stage to introduce Wes to the stage for a shot opening speech by Wes and then was given the cue to start the movie.

So what do I do?  I screw up.

I forgot to take out the screensaver disc and enter the blu-ray into the player.  As I stood there confused the crowd was wondering what the hell the kid in the Social Distortion jacket was doing on the side of the state.

It was me vs. the crowd and I did what I do best – ignored them…for a moment at least.

I stood there looking at the screen wondering why the damn movie was not playing and then it hit me…  I quickly realized what I forgot to do, exchanged discs, and threw up a fist-pump for the crowd (many who cheered).

I am an idiot.

The movie started and all I can tell you is this:  It was a funny, truthful, honest, and real documentary on the hardest working musician on the planet.  I loved all the interviews Wes was able to capture including some great stories from Scott Ian (Anthrax), Dave Grohl (Nirvana/Foo Fighters/Pro-Bot), and Henry Rollins (duh).

There was plenty of music throughout and also some history of Lemmy that many probably are not aware of.

Lemmy himself was a blast to listed to talk, when I could understand him – thankfully there were plenty of subtitles throughout.

It was one of the better documentaries I have seen in my time and enjoyed every moment.  Wes asked me to go back up stage with him and kill the movie once the credits ended so I made my way up there and turned the Blu-Ray player off.  Lots of the crowd wanted more and thankfully Bill Peters introduced Wes one more time for a Q&A.  This gave me enough time to get everything packed out and I snuck off the side of the stage.

Everyone who joined in on the Q&A had some good questions for Wes.  Well that is not entirely true as one lady asked why Lemmy didn’t come…  Anyways, it was a blast to see the crowd interact with Wes.

The tribute band immediately followed and rocked out.  All who stayed enjoyed their performance.  I stayed for a few songs and made my way to the exit.

I had a blast helping out with the event and make some really awesome new friends.  I was 1/16th rockstar that night as I got to stand on stage and miserably fail at starting a simple movie.

The crowd rocked, the documentary was entertaining, and now of course now I want to go out and buy all the Motorhead and Hawkwind vinyl I can get my hands on.

Thanks to Addicted To Vinyl’s Matt for putting on the event, thanks to all who showed up, and special thanks to Bill Peters and Chris Akin for helping out as well.

Interested in checking out the Lemmy movie?  CLICK HERE.

00's, Download This!, Folk, Music, New Release, Pop, Punk, Review, Rock, Ska

Album Review: Fat Music Vol. 7 – Harder, Fatter + Louder

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Hey kids, I want to let you in on a little secret.  Before the internet and digital downloads were around, there used to be this thing called a CD compilation ( and before that they were  called cassette compilations).  It was a CD full of choice tracks that record labels would sell at a discounted price (usually) to help share the music of bands that appeared on their label.  No, I am not talking about that never-ending Now That’s What I Call Music series (seriously, when the hell is that garbage going to end?).   I’m talking about music that actually mattered: non-comercial goodness.  More specifically I am talking about punk rock comps.

Today there still are comp CDs released out there, but they just are not the same and most are digital downloads in an effort to save money in this ever struggling business music.  AMP Magazine did a good job for a while there releasing free comp CDs with their magazines, but after a while I just got bored with them.  The 2cd Warped Tour comps are good and feature a ton of bands on them, but I can not stand most of them.  It just seems like the comp CDs of my younger years always had quality songs from great artists that I could appreciate.

Back in my day, man I sound old, I used to eat up punk rock comps when they came out.  Labels like Fat Wreck Chords, Nitro, Hopeless, Vagrant, and Recess (just to name a few) released some killer comps in the 90’s that helped supply new music to my ears.  I did not have the luxury back then to sit at a computer and type in “new unheard of punk rock music I will enjoy”  and get instant results.  I actually had to go to a music store, many of which are extinct, and BUY an actual CD with money and not a debit card.  Ok, I think you get it.

Whenever I think of punk rock comps I always think of the Fat Music series.  Created by Fat Wreck Chords in 1994, the Fat Series were a series of comps featuring bands on their label that were sold for cheap.  I loved the variety on each release and always found a new band on them to appreciate.

Keep in mind this was before you were able to burn CDs at the click of a mouse.  You kids these days have no idea how easy you have it.  I remember the days where I had to actually make mix-tapes because it was the only way…  So yes, comp CDs were where it was at.

The Fat Music series stopped in 2002 with Uncontrollable Fatulence and soon moved on to digital downloads like everyone else as it was a new era of music and, let’s be honest, they needed to cut corners to keep the business alive thanks to illegal downloading.

I really thought that it was the end of a good thing, that is until Fat Wreck Chords dropped Harder, Fatter + Louder last November.  After a 8 year break, the god people of Fat Wreck Chords decided to drop an all new comp featuring newer acts as well as older contenders. I felt like a kid all over again once I had the copy in my hands, I even used my teeth to rip the plastic off the CD.

On the 7th volume of the series, Fat Mike – owner of Fat Wreck Chords, took 22 songs from upcoming Fat releases as well as a couple older tracks that dropped around in ’09 and ’10.  The result is once again a perfect mix of tracks by a bunch of talented bands.

I was stoked when the first song, “For Better, For Worse”, played on the CD by a band I was not familiar with.  It was an instant reminder why I always loved comp CDs.  The band called, Old Man Markley, is not like any band I have heard on the Fat Wreck label as they are more a folky friend jam that emulates both Flogging Molly and the Avett Brothers in a way.  Coincidentally, their debut on Fat entitled Guts N’ Teeth just dropped this past Tuesday.

Throughout the comp, there were a lot of acts I was already aware of like The Flatliners, Mad Caddies, Tony Sly, and of course NOFX.  Honestly, Old Man Markley was the only band I did not know of prior to listening to the comp but I was stoked to hear new stuff from Cobra Skulls and Chixdiggit!.  Most of the tracks were from upcoming albums giving a taste of good things to come and the rest were obviously already released gems.  Regardless if I had heard them before or not, the collection of songs brought together was good.

If Fat Mike asked me to make a mix I honestly think that: a.) That would be the absolute shit. b.) I would have a hell of a time taking the right songs and limiting them to just one CD – I’ll leave it to the pros.

If you are looking for a punk comp this year go out and grab yourself a copy of Harder, Fatter + Louder.  At just $8 bucks for the CD, there really is no excuse not to get this if you like your rock punk.  Come on, all the cool kids are doing it.

DOWNLOAD THIS! – Cobra Skulls – “Hot Sand”
DOWNLOAD THIS! – Old Man Markley – “For Better, For Worse”

Music, Music Video, New Release, Outlaw Country, Punk, Review, Rock

Album Review: Social Distortion – Hard Times & Nursery Rhymes

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Punk rock icons/godfathers Social Distortion are back with an all new album entitled Hard Times & Nursery Rhymes.  After seven long years, Mike Ness and crew have released a self-produced album on Epitaph Records.  This is the first time the band has taken production into their own hands in their 30+ year career.

Before I go any further, I have to confess that I have been a life long fan of Social D.  Sure, I am sure there are a lot of us out there who can say that, it is almost hard not to admit that.  I was introduced to Social D at a young age thanks to some cool kids and was hooked ever since.  They were one of the bands that helped me identify the genre of music that I liked most – punk rock, however; they were the band that also got me into country and rockabilly.  Over the years they were part of the soundtrack to my life and still are to this day.  They will be one of those bands that stay with me for the rest of my existence.

So with that said and done, let’s talk about Hard Times & Nursery Rhymes.  This is the band’s seventh release in their career and the first on the independent label Epitaph Records.  The major difference in this release over all the others is that Mike Ness produced the album himself giving him the opportunity to do things his way for once.

Opening track “Road Zombie” was a two-minute instrumental piece of awesomeness.  It was almost like a teaser to any listener who has been waiting seven years for Ness and crew.

A less gritty-sounding Ness sang on the following track entitled “California (Hustle and Flow)”.  With female backup vocals that could have fit on any Springsteen track in the past, the track was more rock n roll sounding than I was expecting and honestly, I was impressed.  The smooth and easy going track still had that Social D vibe I was hoping for including a certain ball and chain reference.  Full of soul and a certain twangy feel made this song even more impressive to listen to.

“Gimmie The Sweet And Lowdown” brought back that sound I was looking for previously.  With lyrics that begged to be memorized and a guitar riff that won’t be leaving my mind anytime soon.  The gangster “Machine Gun Blues” was a stand-out track thanks to the old school feel with Ness just tearing up his Les Paul on this track towards the end.

“Bakersfield” really paid helm to the country and blues that Ness grew up on with a clear mention of Buck Owens.  Whether or not the song was based upon a true story, the ending carried a certain hope of return.   The track has been played live for a couple of years now by Ness during his solo tours and by Social D with good reason – it is amazing.

“Writing On The Wall” hinted heavily of Lynyrd Skynyrd (seriously, I was waiting for “Freebird” to interrupt the song), but once I got listening to it I could not help but identify with the heartfelt lyrics like “they say if you love someone you gotta let them go. and if they return to you that’s surely how you’ll know.”

“Can’t Take It With You” was another rock n roll track guaranteed to make you move.  As if Ness’ singing was not good enough, throw in some more lively female vocals, barroom piano playing, and just some bad ass guitar jamming to make for one fun song.

Closing up the album was “Still Alive”,  a track that almost defined the life of Mike Ness and all that is Social D.  This was without a doubt my favorite track off the album.  I loved the lyric “and I’m here to make my stand with a guitar in my hand.”  Poetic justice at its finest.

Upon my first listen of Hard Times & Nursery Rhymes, I think I was a little too focused on looking for the Social D sound that I had become so accustomed to.  I had concerns on how clean the album sounded and not once thought for a moment that maybe this is what Ness wanted to do now that he had full control.  After a couple of listens though my opinion changed.  Not only did I appreciate the collaboration of references throughout the rock n roll album, but I also dug the lyrics Ness put together; lyrics I intend to grow up with further in my life.  The album is solid from start to finish and I doubt there will be many Social D fans out there who will disagree.

Breaking Up, Indie, Music, Music News, Punk, Rock, The Suck

The Measure (sa) (2004-2011)

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The Measure (sa) called it quits yesterday…

Making a public announcement about 2011 being the end of the band, guitarist/ vocalist Lauren Denitzio had the following to say on why they decided to split as well as talked about their final plans as a band including live shows and releases.

After a number of lineup changes, the Measure increasingly became Fid and I finding ways to continue making music together. For a while, that was working, but this Fall I made the decision that I can’t continue with the band. There were a lot of personal reasons behind that and I realized that my heart just wasn’t in the project anymore. It’s not fair to anyone to try to keep going after that, especially when you’re expected to tour and write music and play shows and look like you’re having a good time. As far as parting ways goes, it’s a fairly amicable event and I’m glad that we’re ending the band on good terms and as friends.

We started the band when I was 20, and if you had told me then that I would get to travel around the country, put out over 18 records and play with some of my favorite bands because of it, I’d think you were out of your mind. It’s been a great privilege and I hope those experiences don’t end here. Fid and I will certainly be putting out music in other bands soon, so stay tuned.

We’re planning on releasing the next collection record of the more recent 7”s later in 2011 and intend on playing Fest 10 (Oct 28,29,30-2011) for one final show. There’s a possibility of another couple 7”s as well. Locally, we’ll be playing our last shows during the second weekend in April in Brooklyn and New Brunswick. Details to be announced soon.

We want to thank everyone who has been so helpful and supportive over the years. Especially those who have set up shows, given us places to stay and put out records for us (Don Giovanni, Kiss of Death, Salinas, Chunksaah, Ernest Jenning, Art of the Underground, Los Diaper, Team Science, Snuffy Smiles and No Idea) . We’re incredibly grateful to the awesome folks at No Idea who have both distro’d our records and put out a split 7” and LP for us, getting our music out there to a larger audience than we were able to do on our own. They’ve been one of our favorite labels for a long time and it was an honor to get to work with them so closely both as a label and as friends.

To Mike Regrets, Big A, J Nixon, Mikey Yannich, Joel Control, Tim Burke!, Chris Pierce, Gore, Joey Birds, DanO, CJ, and Marco Reosti: thanks for getting through this band with us”.

punkrockneverstop,
Lauren + Fid

The Measure (sa) released their final studio album, Notes, at the end of 2010 on No Idea Records. You can still stream the album in its entirety on the band’s Punknews.org band profile page!

The Measure [SA] – Unwritten from If You Make It on Vimeo.