Tag Archives: Punk

Rapid Reviews: Brett Detar, JuiceheaD, Transit, Coffee Project, The Flatliners and I Am The Avalanche

Let’s face it, this site is a one man show for the most part and as of late I have been living quite the busy life.  I am continually presented with amazing music for review consideration and sadly there is not enough time in the day for me to not only get through work and school, but to also write nice things about all these awesome bands.

So today I decided to throw out a few quick reviews on a couple of bands that have been sitting in my “cool” stack.  I wish I had more time to go into complete detail as I hate writing little reviews on bands, but I am thinking this might be a good idea to just spread the word out.  If you like what I said about the band, check them out, support them, share their music and help them continue to do what they love to do.

This week proves to be a busy one for me with tomorrow’s Strike Anywhere / Dead To Me / Menzingers / Holy Mess / Signals Midwest show as well as Wednesday’s NOFX / Anti-Flag / Old Man Markley show.  I thought perhaps I should be proactive and hammer out a few reviews while I had a moment.

Enjoy and as always, thanks for wasting some of your day on my site.

Brett Detar – Bird In The Tangle

With having the history of being a former guitarist/bassist of metalcore act Zao and also the lead singer of The Juliana Theory, it came as a great surprise to me when I was told that Brett Detar recorded a country / folk album.  The solo attempt by Detar, titled Bird In The Tangle,is actually a damn good listen too (it was released almost a year ago).  Hearing this album, you would never think that Detar, who grew up in PA, could have so much outlaw in his blood.  The moment the album started with “Empty House On A Famous Hill”, I was completely overtaken by his singing and music writing abilities.  “The Devil’s Gotta Earn” was my favorite cut off this album and “Cocaine Whiskey and Heroine” was a close second.  Following the likes of Nick 13 and Tumbledown, this genre jump from a guy who used to provide fast paced ear-pounding music has captured a style of outlaw country that is welcomed in my world.  Detar reminds me a lot of Justin Townes Earle but with more of a folk feel as well as had some Murder By Death tendencies.  Want to check it out?  Head over to Brett Detar’s website and download it for free!

JuiceheaD – How To Sail A Sinking Ship

Chicago punk rockers JuiceheaD has been off the charts for a bit but have recently dropped How To Sail A Sinking Ship. This is their second full-length release since their 2007 debut The Devil Made Me Do It. Sure, 7 years is a long time in between albums, but in their defense, there are 20 songs on this new release, a rarity in today’s punk rock recordings.  Not familiar with their sound, I gave it a listen hoping for the best.  The album started out a little slower than anticipated, but things picked up during “Lorraine” and brought back an old school punk rock vibe that I enjoyed.  “Deadly Nightshade” was an entertaining track that had some nice 80’s punk rock vibes contained within.  Hoping that the rest of the album would spark my interest, sadly it did not.  It’s not a terrible listen by any means, it just lacked that extra “oomph” my ears were hoping for and was more rock n roll throughout with a good drum beat that sounded a tad under-produced.  I won’t lie, I was not stoked to see that their album was released on Misfits Records (it should be called MISFIT Records as it’s solely owned by Jerry Only) as most of their releases do not entertain me at all.  Melodic punk rock would be how I would describe How To Sail A Sinking Ship.  It is nothing beyond that to me and I really was hoping for something a little more from these guys.

Transit – Listen & Forgive

Boston’s Transit could be classified as just another pop-punk act, but there is just something about them that makes them stand out over other similar acts.  They have a tougher sound on a few of their songs that proves to me that they have the ability to attack if threatened, but overall have a soft side to them that stands out.  Regardless of how they are viewed by others, I dig this band and I really enjoyed their recent Rise Records release Listen & Forgive. Think Taking Back Sunday meets Saves The Day meets a calmed down New Found Glory.  “You Can’t Miss It” opened the track with a memorable track.  I could have done without Patrick Stump offering vocals on “All Your Heart”.  Seriously, that song did nothing for me.  “Cutting Corners” was, on the other hand, a track I dug a lot with “make every song your anthem and every night your last”, a lyric that pretty mush defined me growing up.  “Long Lost Friends” was a more aggressive track that stood out over the rest.  This band may be unknown to most music fanatics out there, but I have the feeling that will not be for long.  I hope just it has nothing to do with that song Stump was on…

Coffee Project – Concrete Boots EP

Love them or hate them, Coffee Project is a catchy and unique act that many have been talking about recently.  What you need to know about this is this: They are a duo consisting of trombonist Buddy Schaub and Rehasher’s Jake Crown, they are fun, they are catchy and they specialize in brassed out punk pop acoustic rock.  Recently the band dropped an EP titled Concrete Boots that includes their version of “Little Boxes” , the Malvina Reynolds written song turned Weeds intro that has been recorded over and over by all sorts of bands, as well as 4 brand new songs.  The opening track “”Shenandoah” was more of a bluegrass boot-stomping jam that seeming proved the duo has been taking this project seriously.  The accompanying female vocals on the title track was enjoyable although I have no idea who it was.  “Exit Stage Left” was more of an indie rock track that was not half bad while “Laid Up” led back to their standard sound – singing with acoustic guitar and a trombone.  Regardless on how far this band plans on moving in the music scene, they are fun and enjoyable to listen to.  This EP hopefully is just a sample of what they have up their sleeves for their next full length release.

The Flatliners – Count Your Bruises EP

The Flatliners are a Fat Wreck Chords band that I have adored since their early days.  Hailing from Ontario, Canada, they have this great punk rock sound that I appreciate and always seem to release the catchiest punk rock albums.  Seeing how much I dig this band so much, I am shocked to have missed the memo that they released an EP back in August.  Titled Count Your Bruises, the three song EP (also available as a 7″) straight up rules from start to finish.  The title track glided past me quickly as I immediatly found myself trying to memorize the lyrics so I could sing along.  “Sticky Bastards” really sounded like a gritty Gaslight Anthem  song but was in no was a ripoff.  The final track, “This Guy Reads From A Card”, was just as amazing as the first track and by the song’s end I just wanted more.  I suppose I will have to wait though and I will be sure to follow this band and their future releases.  The EP may have been just three songs, but they were all kick ass tracks.  Now all I can hope for is a new full-length from this great band and pray that the next time they roll through my neck of the woods I can see them live.  I caught them briefly at SXSW earlier this year, but it just was not enough.  Wishful thinking right?

I Am The Avalanche – Avalanche United

After 6 long years, Brooklyn’s I Am The Avalanche has dropped their all new album titled Avalanche United. There is no point asking what took so long for Vinnie Caruana and crew to release new material.  All you need to do is listen to Avalanche United once and it is perfectly clear that no explanation is needed as the band has dropped a superb follow-up.  With a mostly positive attitude throughout, the band references NYC and has lyrics that almost coach their friends to embrace the life they life especially heard in opening track “Holy Fuck”.  With that said, there are a couple dark spells throughout like “Amsterdam” that seemingly carries a couple of references to personal separation.  “Brooklyn Dodgers” was an anthem of awesomeness.  I loved this track start to finish.  It was a fist pumping sing along that was just refreshing to listen to.  The beer chugging invite “This One’s On Me” probably sounds a little better mixed with friends – and beers.  Bayside’s Anthony Raneri may have jumped in with some vocals on “The Grave Digger’s Argument”, the the song still just was missing something.  Perhaps I am just more into the tougher singing throughout the album.  Closing track”Gratitude” threw me for a curve at the beginning as it sounded like a 90s alt-rock song but soon picked up and continued on with a good jam that ended this album in a good way.  If you are looking for a catchy album to listen to that leans a bit on the heavy side, check these guys out.

Tomorrow: Punk Rock Sunday Night @ The Grog Shop

You know what’s not cool?  Two great shows on the same night across town from each other.  It happens a lot actually.  In fact, this Sunday there were supposed to be two awesome shows, one at Now That’s Class and one at the Grog Shop.  Both shows featured bands I really wanted to see.  I did not know which to attend.

The Menzingers were to play one side of town with the Holy Mess on the westside while Strike Anywhere and Dead To Me were to play the eastside.  Choices, choices…

Then something amazing happened.  The shows combined.

Like a Captain Planet of punk rock, all the bands (well most of them) combined their powers and jumped on the same bill making for one kick ass night of punk rock music.  Rumor has it that the guys in Signals Midwest, who are opening the night, had something to do with this…well done guys.

Tickets are $10 in advance and $12 the day of the show.  Don’t be lame on a Sunday night and get your ass out to the Grog.  Doors are at 7pm.

Concert Review: Cobra Skulls / Nothington / Signals Midwest – Beachland Tavern – Cleveland, OH – 10/05/2011

I need to be honest with you on a couple of things.  First, I have not been that kind to my teeth for years and neglected to take them to the dentist for a long while.  Second, I have never been to a punk show at the Beachland Tavern.  Both are true statements, and both were taken care of yesterday.

After I had the pleasure of getting the shit drilled out of my teeth for a couple of hours after the paying gig, I headed out to the glorious Beachland Tavern to take in my first ever punk rock show in the Waterloo District featuring Cobra Skulls, Nothington, and Signals Midwest.  For the record, there have been plenty of punk rock shows at the Beachland ever since the venue opened its doors in 2000, I just never made it to one.

Why?

I have no freaking idea and I kind of hate myself for it.  Enough of me beating myself up over missing countless good and wholesome punk rock performances by one of my favorite Cleveland venues.  Let’s talk about last night.

Local punk/indie/rockers Signals Midwest opened the night with their fine and technical style.  1/2 of this band are homies of mine, and I am pretty sure I will charm the other 1/2 soon.  Rocking out to songs like “In Tensions” off their latest release Latitudes & Longitudes, the band had no problem warming up the crowd and other bands, for that matter, all who of which gathered around the stage to hear these guys out.  This has to be said: This band has the ability to be the next best thing to come out of Cleveland, OH.  If you have not heard these guys yet, do yourself a favor and check out their Bandcamp page.

San Francisco’s Nothington followed shortly after and hand down blew me away with their performance.  Having just gotten into these guys a couple of weeks ago, I was beyond impressed with their sound.  It reminded me of all of the good things about 90s punk rock that surrounded me growing up.  Already familiar with their recent release, Borrowed Time, I was treated to some of their older material and really liked what I heard.

Primary vocalist Jay Northington actually took a moment from their set to give praise to the local openers Signals Midwest saying that they were “the raddest local band” he’d heard in a long time.  He was dead serious too.  Later Northington commented on his last trip to Cleveland with his former band, Tsunami Bomb, when they played the old Grog shop years ago…or so he thought.  Apparently he had been to Cleveland since but was too messed up to remember.

The band cranked out a ton of foreign tracks through their set but I did manage to pick out a few I knew like “Stop Screaming” and “Far To Go” with Chris Matulich taking over vocal duties.  At the end of their awesome set, Northington and their drummer hung out on stage where he played a very old song of his that he said “validated” what he’s been doing on the road all these years.  The entire crowd basically stopped what they were doing to listen to the song.  I was unable to catch the name of it, but it was pretty damn awesome.  Their set seemed short-lived, but luck for me they are playing a Fun Fun Fun Fest after show and I will be there.

The headliners of the night, Cobra Skulls, took to the stage and were more of a comedy act than a punk rock band.  The band, that’s been around since 2005, cranked out old and new tracks and made every effort to throw in a joke or comment that resulted in tons of laughs though out.  I know I kept cracking up when Adam Beck congratulated the entire crowd multiple times and then congratulated his band for being so professional and playing two songs in a row.

“Hot Sand”, “Faith Is A Cobra” and “Solastalgia” were a few of the many tracks they played that kept the crowd going.  I want to say they covered Bad Religion’s “Give You Nothing”, but I honestly am not 100% sure – I know, I am a bad reviewer.  I do know that Devin Peralta killed it singing “¡Hasta Los Cobra Skulls Siempre!” to the crowd as well as one of my all time favorite Cobra songs, “Muniphobia”.  The band seemed to play an endless amount of songs and when they tried to finish up their set with Phil the merch guy on banjo (which was amazing), the fans still begged for Cobra Skulls to play more.

Lucky for the fans, most of the band was done, but Beck wasn’t and started playing 80s cover songs to which the entire crowd san along to.  Admitting he was a huge fan of Eddie Money, Beck broke into “867-5309 (Jenny)” followed by aHa’s “Take On Me” and Cutting Crew’s “Just Died In Your Arms”.  In all the year of going to live shows, I have never seen people most of 80s pop rock, but last night that happened.  Beck promised his performance was not affiliated with Cobra Skulls and he just kept playing covers.  In fact, I am not sure how much longer he went because I left during Journey’s “Don’t Stop Believin'”.  I wanted to stay, but had to venture on home.

For my first punk rock show at the Beachland Tavern, I must say it was the best one I have ever been to there.  Signals Midwest impressed, Nothington stole the show, and Cobra Skulls brought on the fun.  It was definitely a good night to be out and about with good friends and great music.

Album Review: Luther – Siblings & Sevens

Philadelphia pop punkers Luther recently dropped an EP titled Siblings & Sevens on Black Numbers Records.  This is the bands first official release and I must say, it’s catchy as hell.  Having formed just about a year ago, the band has a great sound to them that compares to The Menzingers, Get Up Kids, and even a little Superchunk.  The EP may only be seven songs, but each song proved this band has the potential of being a big deal.

The acoustic “Siblings” opens up the EP with a gentle, quick start.  Reminding me a lot of something The Riot Before might throw into one of their albums, I loved the song, especially the lyrics, but it just seemed to just stop.  This melodic song alone impressed me even if I felt the guitar was set down too soon.  “This Is Light Fight Club” immediately took over and set the level for the rest of the EP.  I loved the breakdown during this track that really reminded me of the 90s rock I used to adore.  The lyrics on this track begged to be sung along with as well.

“The Suitor” was without a doubt my favorite track on this EP.  Starting off like an old Gaslight Anthem song, it jumped into a tough track.  Carrying a lot of Jawbox similarities, it even had a nice little bridge in the middle with “tell me you don’t want this, tell me you can’t remember” repeating after.  At just over 5 minutes and if I had it my way, would have gone on for 5 more.  I may have been impressed before, but after hearing this track, I was a confirmed fan.

“There’s Always Money” actually featured fellow Philadelphian Tom May of The Menzingers.  I could not help but imagine this song being played in a cramped, humid basement of some random house full of excitable kids.  The gritty, raw singing just fit in well and was far from an overproduced punk rock song.  “The Communion” on the other hand leaned towards more indie rock, almost a Jimmy Eat World feel.  Good song, but not one of my choice tracks by far.  “Aztec Tomb” finished up the EP  with a lasting punk imprint as well as some group vocals at the end leaving me wanting more.

I am really looking forward to seeing what these guys have to offer on their full length release.  I have the feeling that they will not be wasting any time making that happen.  Siblings & Sevens as far as I am concerned is just a sample of of their talent.  The band has been touring like crazy (see below for dates) and will actually playing Cleveland on November 14th with Tom May (The Menzingers) at Now That’s Class.  It’s safe to say I will be there that night.

Check out Luther’s Bandcamp page and check out Siblings & Sevens for yourself!

Interview: Jeff Rowe

Singer / songwriter Jeff Rowe is one of the most DIY guys I have had the pleasure of meeting.  A few months back, he stopped and played a show in Akron at the Gurley House.  I remembered canceling plans to see another band that night just to make sure I could see Rowe play.  I’ve been a fan of his music after I reviewed his solo-debut Barstool Conversations last year.  There was just something about his sincere-ness in every song that I ate up and when I found out he was touring, I really wanted to make sure I was in attendance.

That night, I chatted with Rowe for a while and I will say this: He is hands down one of the nicest people I have ever had the pleasure to meet.  His wife was pretty damn awesome too.  His stories were great and he was just so happy to be able to play for everyone at the house that night.

I finally got some time to chat with Rowe again, this time through email, as I feel more people need to know about this DIY musician.  I look forward to the next time he swings through Akron and can not wait for his next release.

BHP – First and foremost, for those who do not know you, who are you and what is it that you do?

JR – I’m a songwriter (sigh) from just north of Boston. I tour a lot and do my best to have a great time and make friends along the way. I’m more of a story collector than a story teller.

You grew up in a tough town just outside of Boston. How did you deal with the hard times as a youth?

The fair city of Gloucester, Massachusetts made for an interesting childhood. In all my travels I’ve still not yet come across a place quite like it. “The Island” is really a conundrum of sorts that is packed with characters that Hemingway would have been banging the keys for if he were writing an episode of the twilight zone. I had a mixed bag of a childhood but falling in love with music in many ways created an exit strategy for me and a way to not fall into some of the trappings that we all know too well.

What types of music were you listening to while growing up?

In the kitchen and living room my mom would be listening to Neil Diamond, Joan Baez and various Motown artists…from my brothers room i would hear Metallica, Slayer and COC… From my sisters room could be heard The Dead Kennedy’s, The Pixies and the Violent Femmes… I think all of that wound up giving me a healthy appreciation for music and shaped my listening habits as a child.

So how did you get your start as a musician? Was Boxing Water the first band you were in?

I got a guitar when I was fifteen years old and started a few local punk bands and helped start a small venue that would later play a vital role for the north shore punk scene as a whole, a life source of sorts. It was a room that held maybe 40 people but we’d pack in a hundred. It still amazes me today thinking about how many bands came through our little venue that went on to be national acts. It was all very DIY for me from the start, my feeling was that if you want something to happen you’ve got to make it happen because no one is gonna do it for you.

What happened to Boxingwater? Where can I find some of their songs at?

Boxingwater was together for 6 or 7 years, we started moving around a bit and it just got to be too hard. Two of the members of Boxingwater are now in the band Landmines and they are fantastic. I was in several bands before Boxingwater but that band was the first time i took it seriously and tried to do something that would go beyond Massachusetts. Most of our stuff is now out of print but I think we may try to get some kind of discography going one of these years, I’ll send you some songs though.

Sweet!  You left a punk band and completely shifted in musical style.  When did you decide that punk music was not your thing anymore?

I’ve never felt that punk wasn’t my thing at all, playing acoustic is something that I’ve been doing for many years now and it just sort of took over organically and went from convenient to a legit outlet. I love playing songs alone and feeling like I’m walking a wire of sorts with no band to fall back on but at the same time I really do miss playing in a band. That is something I am going to re-visit at some point for sure. Right now its so much easier to tour and write on my own.

Playing acoustic music huh? How did that transition happen?

To be honest I started playing acoustic shows years back when I couldn’t find a drummer and it forced me to take a more detailed look at my songs and how I’d be able to format them to be played acoustic. It really just kind of stuck and i got offered more shows and just went with it. My horizons have been broadened as a result and I’ve stumbled (literally) across some great music that exists beyond the bounds of the punk community.

I heard that you left Boston for Richmond, Va., to more or less perfect your musical style. Is that true? Did you have any influences there that helped you fine tune your act?

I actually moved down to RVA with a bunch of Boston friends because it was much cheaper and we thought it would be easier to tour, not to mention that Richmond is a great city as well. I made many friends down there but I’m not sure how much of an effect it had on my music or playing acoustic in general. Richmond has always had a wealth of great bands from Born Against and Inquisition up to Smoke or Fire and Landmines.

Your debut full length Barstool Conversations was dropped about a year ago, how personal were the songs on that release to you? It was not the most upbeat album, but to me hit me hard in a good way.

Barstool for me is a very personal record. There is a lot of myself and my close friends in those songs. In a way I think songs are my way of confronting some things in my life that I otherwise couldn’t find the words to articulate or convey what it was exactly that I was feeling. Those songs are all very real for me and I’m proud of that record for what it is and even though in some cases it makes my head spin that those songs had to be written, I wouldn’t change a thing.

You have toured not only the US but also overseas. What were your experiences like while traveling?

The travel is one of the absolute best parts of touring for me. Music has taken me to places that I never thought I’d get the opportunity to see and I’m real thankful for that. I’ve made some friends in far off cities and countries that I will have for the rest of my life and nothing can touch that. The experience of letting your guard down in a foreign country and just going with whatever the days and experiences bring is something that I’ll always keep close and those memories are the ones that inevitably stick when the tour is over.

You tour with your wife correct?

I always tour with my wife Alissa. She is my best friend and to be honest she’d much better with handling the rigors of the road and more adept than most folks I’ve ever traveled with. At the end of the day we both want the same things and neither one of us is willing to fracture our relationship over extensive touring so we do it together, the planning, the routing, merch etc…

You dropped an EP in the spring called New Winter, New England. I dug what I heard, but what exactly is a Tragabigzanda?

Tragabigzanda is what the city of Gloucester was called by its original inhabitants. All that seems to be left of that history is a road on the outskirts of town where wealthy folks “summer” called Tragabigzanda. I used it because I thought it was fitting because the song is really about trying to remember the innocence of teenage years and the steps that were taken to inevitably lose it. Also there is an amazing poet from Gloucester named Charles Olson that dropped it a few times in his earlier work.

Are you going to record a new full length anytime soon? Will you put that song you recorded in a hotel room in it? I forget what it was called, but I loved it when you played it live at the Gurley House.

Right now I’m writing and culling through a bunch of new songs to start piecing together the next record, not sure of any timeline, but by the end of 2012 I’d very much like to have a new record out. That song is called “simple & fair” and I’m 99.9% sure that’s going on the next one.

When we chatted the night you played Akron, you were telling me some funny stories about touring Europe. Care to entertain the readers here with one or two?

Where to begin… I’ve actually thought about compiling a bunch of road stories for a zine and giving them out at the merch table to anyone interested. I could take up pages and pages for this one. I’ll just say that I’ve got a doozy that takes place in Russia and involves a man that’s incapable of reading social queues, a potential kidnapping, wild dogs and Dostoevsky.

Potential Kidnapping?  I do not think you told me that one.  I would totally love to read that.  So, when not touring you have quite the cool job back home in Boston. Who is it that you work for again?

I have been a professional craft brewer for the last five years with Harpoon Brewery in Boston. It’s a fantastic job that couples hard work with science… perfect for a dork like me.

Two dream jobs, man you lucked out. What’s next for Jeff Rowe?

I’ve got a split 7″ with a sick pop punk band called Mayflower. We both have an original and we cover one of each others songs. I’ll be playing Fest 10 and plan on hitting the road again in Feb. It looks like I’ve got Europe, U.S., Canada and beyond on the docket.

Check out Jeff Rowe’s website, http://jeffrowemusic.com/, for more videos and updates from this one man band (and his lovely wife).  If you want to hear more of his music, head over to his MySpace page or Facebook page.  Better yet, head over to Anchorless Records and grab one of his albums!

Jeff Rowe from efi on Vimeo

This video was Jeff on a boat overseas.  I remembered him telling me he played a show on a river.  I love it when the fans sing along…