Tag Archives: Punk

Interview: Tim Barry

Folk / country / punk rocker Tim Barry is perhaps one of the hardest working musicians out there.  He tours when he can and makes ends meet when home, sometimes secluding himself from the real world for days at a time.  He’s been known to hop trains at times and has a great relationship with his fans, sometimes even asking them for lifts to local shows.  He’s always quick to thank said fans for their support and you know he is sincere while doing so.  The guy plays music for the sake of music.

The one time lead man of 80s punk legends Avail recently finished up an all new album entitled 40 Miler.  I can not tell you how excited I was to hear that Barry was releasing new material.  Naturally when I was asked to interview him, I jumped to the opportunity.  As a huge fan of Avail and his solo material, I was thrilled to be able to trade off some questions with Barry earlier this week.

Check out what he had to say, and make sure on April 10th, that you grab a copy of 40 Miler:

BHP: I guess to start things off we should probably talk about your upcoming release.  40 Miler is due out next month.  How are you feeling about this new release?

TB: I temporarily erased 40 Miler from my mind. Writing, planning and record an album is an epic task, as anyone who has spearheaded the process can attest. Once complete, the focus shifts to release work. I self manage, so I’m knee deep in all preparations regarding the recording becoming public. Currently that is mainly tour preparations. When I am done with an album I step away from it. This helps me gain perspective and hear it freshly. I am currently in what I call recording detox. I have no copy of the album at this moment to even reference. I look forward to getting my own copy when it is released on April 10. The album will sound brand new to me by then.

I heard that a 40-Miler is a term that train conductors used when referring to a hobo. Is that right?  Care to elaborate on this?

That’s actually incorrect. But close. It’s a term hobo’s use to slander another hobo. There are many different sects and sub sects in the railroad world. The term 40 Miler is comparable to calling a “mall punk” a poser. Or the new skater at the park a poser. Or perhaps the new worker in the wood shop the “new guy.” Lifer hobo’s, those who live on the rails, can use the term 40 Miler in a derogatory way to describe me. I’m a poser train rider. I take short trips close to home. I do not live on the rails I am a poser. A 40 Miler.

40 Miler sounds more country heavy over folk.  Was this intentional, or was this just how the songs came out?

I never have an intention with my albums. They come out the way they come out, but I think you are right. We focused more on our live sound while in the studio on particular songs. Adding heavy electric guitar and strong harmonica playing by Josh Small and Andrew Alli. Although I certainly left some of the very folk style songs on the record as well, such as Todd Beene.

“Adele and Hell” has a lot going on throughout the song including some duel singing duties.  Who was the lady who helped supply vocals on this track as well as on “40 Miler”?

The lady singing back up on “40 Miler” is in fact my right hand man Josh Small, who often accompanies me on tours; however, Julie Karr is the star of the song “Adele and Hell”.  Julie is a songwriter here in Richmond, VA, who I was lucky enough to coax into singing that song with me. She killed it. So happy it worked out the way it did. She’ll actually be playing her own songs on many of my tour dates this year. West coast for sure, and some up in the north east.

Ha, whoops… So did you recruit anyone else to help you record some of these songs?

Most of the players on 40 Miler are the folks that I tour with. The main players are Andrew Alli on harmonica and Josh Small. Both of those guys have put in many miles on my tours. Julie Karr is new to the crew. Cameron Ralston did all the bass tracks. He’s a Richmond local, and probably the best bass player I’ve had the chance to meet. My sister Caitlin also played violin, as she usually does on my recordings. And Lance Koehler, who has recorded my records for many years now shared the percussion responsibilities with me.

I love the track “Amen” off your new release. What made you decide to write such a song?

It’s funny to write a song out of context. The song “Amen” is a summery of a long time touring on my album 28th & Stonewall. A lot of good, and some bad happened in that year an a half. However, I wrote “Amen” while touring in the lap of luxury. I completed the song, and played a half-assed version live for the first time at the massive Osheaga Festival in Montreal while touring with The Gaslight Anthem, who was kind enough to let me tour in their bus. Funny to write a song about the hardships of touring while on the road with an incredibly giving group of people who fulfilled all of my needs.

How’s that hand doing these days?  I remember hearing about that.

Oh that? Boxer fracture. No big deal.

I want to shake your hand for writing “”Fine Foods Market” (see below for a video I found).  Thanks for the laugh.  Why did you decide to call out the hipster folk?

The original name of the song “Fine Foods Market” is “Tim Barry makes fun of Tim Barry.” Yes, I’m making fun of hipsters. But, I’m making fun of myself more than anyone. I’m at an age where I can tally up all my own idiocy and inconsistencies and publicly humiliate myself with clear conscience.

So, who is this Todd Beene fellow?  Sounds like a hellion.

He sure is. Let’s leave that one up to the listener.

Was there any certain track on 40 Miler that you favored over the rest?

No, not at all. I like all the songs. I dropped perhaps 25 [songs] before picking the ones that made the album. The next task is to find which ones feel the best on stage. I look forward to that.

As do I.  I can not wait to see you play some of these songs live.  Who did the cover art?  Is there any meaning behind it?

There is more meaning behind the cover art that I can articulate, but I’ll leave it at this: The design was created by my best friend Travis Conner who passed away in early 2008. I’ve used his art/photography on nearly all my albums and shirt designs. I refuse to let his memory to fade.

I completely understand.  Nice way to pay tribute.  Moving on, 40 Miler is being released on Chunksaah records.  How does it feel to be on such a great label?

Perfect. I’ve been close to the folks at Chunksaah for far longer than the label has existed. I trust and love all the folks involved with my release. I’m lucky.

So, how was SXSW?  My friend snapped a shot of you playing outside at Red 7 the other day and it looked like an absolute blast.

Whirlwind. Very quick trip. Shows were fun. Here was the schedule: Arrive in Austin via American Airlines at 11pm Thursday. Drink with Hot Water Music at hotel bar until 2am. Wake up at 6am. Eat breakfast. Go on short walk. Shuttle to downtown. Play two shows. Back to hotel to sleep from 11pm until 3am. Arrive at airport at 4:30am for departing flight to Richmond. Arrive in Richmond to have a coffee in my back yard by 11:30am. Head trip.

It doesn’t sound like you were able to see any other acts play SXSW at all.

Nope. Only the folks I played with. The entire line up for the Shirt for a Cure show was fantastic. I also played The Revival Tour show that afternoon. Everyone killed it.

I know you are not the biggest fan of the Internet, but I’ve noticed recently that your website has had quite the facelift.  First off, it looks awesome.  Second, does this mean you are biting the bullet and going to start using the Internet a little more often?

Travis Stom, Travis Stom, Travis Stom.. That man has done wonders for me. He has taken on all of my web design, updating and all logistics. If it weren’t for him, I don’t know what I would do. I am in no way a luddite, and do use all the free social networking sites as much as I can, but I’m simply not as well versed in computers as most folks are. They are the only thing in my life that creates real and pure frustration, so I steer clear of them as much as I can. However, I am not against technology and all of it’s benefits.

So many bands from the past are reuniting and touring or recording new material.  I’m sure you are asked this all the time, but still…any chance of Avail doing something again one day?

Nope. Been and done.

If you could tour with anyone alive or dead, who would you choose?

Townes [Van Zandt].

Finishing up, what’s next for Tim Barry?

Touring time. US, Australia and parts of Canada are lined up now. I’m sure tons more dates will pop up. I’ll probably write a book this year as well. Who knows? I don’t plan much. I just go where things take me.


Download the title track “40 Miler” – I should have a review of the album shortly.

40 Miler drops on April 10th on Chunksaah Records.  Preorder your copy today!

I saw Tim Barry play live a couple years back in Columbus with the Gaslight Anthem and was thoroughly impressed. Click here for a review of that show.

Check out my review of Tim Barry’s Manchester

Check out my review of Tim Barry’s 28th & Stonewall

Album Review: Every Time I Die – Ex Lives

Buffalo, NY’s punk / metalheads, Every Time I Die (ETID), recently dropped an all new release titled Ex Lives on Epitaph Records.  Produced by Joe Barresi (Queens of the Stone Age), the album shot up the Billboard charts very quickly and landed in the top 20s.  That right there has go to tell you something.

This marks the sixth full-length release for the five piece band in their 14 year career.  That’s not to say that the last 14 years have been easy for ETID as their line up has been a revolving door with members coming and going.  Even with the challenges of keeping the band intact, ETID managed to continue on and after hearing Ex Lives, I have to say I am glad they did.  I will point out I am not the biggest ETID fan.  I know what they are capable of and appreciate all that they do in the music world.  In other words, I am one of those people who love “We’rewolf”.

The album starts off beyond insane with “Underwater Bimbos From Outer Space” (nice title by the way).  “I want to be dead with my friends” repeats at the beginning of this fast, brutal song that pretty much got me all sorts of excited to hear the rest of the album.  Keith Buckley and crew sound amazing on this track. 

“I Suck (Blood)” was just a thrashed mess of screaming and guitar playing guaranteed to keep you angry.   “Partying Is Such Sweet Sorrow” had a Southern rock vibe throughout but kept things moving for the best.  Kind of reminded me of when Pantera jumped off their path on some of their songs back in the day. 

I will say that “Revival Mode” caught my attention as it took a complete total different route and was more or less a 90s grunge rock song at times, but I liked it for what it was worth.  (Seriously, did anyone else hear some Layne Stanley in there?)

“Drag King” made me wonder how Buckley still has vocal chords with all that screaming, but he was able to add some melodic singing throughout the track.  The fast-paced “Touch Yourself” followed and all I could think of was a sea of kids going ballistic at a live ETID show.  Ending things was “Indian Giver”, a darker track that praised the loss of a good person.

I’ve seen reviews of this album already and some people think some of the sound sound recycled from New Junk Aesthetic.  I can’t say I am hearing the same things from their previous releases, but the style remains, and that is what makes a band what they are.  If you are into insane screaming and metal formed around some very intense lyrics, you should check out Ex Lives.

ETID will be on the Van’s Warped Tour this summer.  I have seen them in the past life and will tell you, they are not a show to be missed. 

Track List:
Underwater Bimbos From Outer Space
Holy Book of Dilemma
A Wild, Shameless Plain
Typical Miracle
I Suck (Blood)
Partying Is Such Sweet Sorrow
The Low Road Has No Exits
Revival Mode
Drag King
Touch Yourself
Indian Giver

Harvey Pekar (the band, not the legend)

I love Cleveland and its half-cousin-of a-city Akron.  There are a ton of reasons that have kept me here for so long.  One of them is the good people who I have surrounded myself in.  I know some of the best people in this area and feel privlidged.  The other reason I dg Northeast Ohio so music is because of the music scene.

What?  Cleveland and Akron have a music scene?  You bet your damn ass they do.  Lately it has been picking up too.

Sure, it might be a week or two between a solid show, but the local bands in Cleveland and Akron are good, scratch that, they are amazing.  Well, at least to me and that is all that should matter.  Some of my favorite releases last year were local bands.

Case and point: Harvey Pekar (the band, not the legend)

I love this Cleveland hardcore band so much that I am going to pimp them out to anyone who happened to accidentally read this.  Last December this band opened up for my pals Worship This! and killed it.  I was an instant fan.  With no material released at the time of the show, I was almost bummed all I was able to do was hear them one time.  Luckily a few weeks later they uploaded their EP to Bandcamp.

Harvey Pekar mixes up punk rock and hardcore with intelligence if that makes any sense.  The lyrics are the kind that make me want to research and the music makes me want to go nuts.  Some people might think the breakdowns are a tad excessive on a couple of tracks, but honestly, I think it works.  I dig their Thirty Ghosts EP a whole lot, especially “Confronting Flag” and “Begotten of Ian Fleming” (I do like me some James Bond you know…).  I look forward to seeing this band play out more and more in 2012 and drop a full-length.

Check them out if you want.  Keep it local folks.

Repo Man Soundtrack Tribute In The Works!

I’ll admit, I am not one for tribute albums and never really have been.  There are a couple of exceptions out there (Bad Religion’s tribute from SPIN Magazine is one of them), but overall I just turn my head away usually when I hear the term “tribute album”.

Today was one of those days I changed my mind about a certain tribute.  Earlier today, I heard about a tribute album and rather than ignore it, I got excited.  I got really excited.

American Laundromat Records announced today that they would be releasing a tribute for the soundtrack to the 1980s cult classic Repo Man. Having a tribute featuring modern day bands cover classic late 70s / early 80s punk rock tracks from one of my favorite soundtracks to date has the potential to be seriously awesome.

Maybe it is because I adore the movie so much that I like this idea, or perhaps the fact that Those Darlins are covering the title track for Repo Man originally performed by Iggy Pop.  Come to think, it could even be because Polar Bear Club is covering Black Flag’s “TV Party”.

Regardless, this is one of those “exceptions” I spoke of earlier in regards to tribute albums, and I have already put in my pre-order for the CD that drops September 18th.

Why did I pre-order so early? Check this out (taken from ALR’s website):

All pre-order customers receive a 6-panel CD eco-wallet featuring original artwork by revered rock poster designer Lonny Unitus (Melvins, Decemberists, Willie Nelson), bonus promo pin, album preview prior to release date and, while supplies last, an official Little Trees’ royal pine tree-shaped air freshener which were featured in the film — “you find one in every car… you’ll see” (Miller to Otto).

Did I mention the CD pre-order bundle is only $10? Click HERE to pre-order one for yourself.  See the track list below.

While you are at it, click HERE to check out a post I did in 2009 about why I like Repo Man so much.

Track List:
“Repo Man” – Those Darlins
“TV Party” – Polar Bear Club
“Institutionalized” – Amanda Palmer & The Grand Theft Orchestra
“Coup d’Etat” – New York Rivals
“El Clavo y la Cruz” – Black Francis
“Pablo Picasso” – The Tellers
“Let’s Have A War” – Mike Watt
“When The Shit Hits The Fan” – TBA
“Hombre Secreto (Secret Agent Man)” – Matthew Sweet
“Bad Man” – TBA
“Reel Ten” – Weekend

Album Review: Useless ID – Symptoms

As many of you know, good, wholesome punk rock is not just an American thing.  Middle Eastern punk rockers Useless ID can prove that and have been for almost 18 years.  The foursome, who hail from Haifa, Israel, signed with Fat Wreck Chords last year and recently released Symptoms.

So what took Fat Wreck Chords so long for them to suck them in?  Well, perhaps because the band never seems to sit still and is too busy playing shows all over the world and befriending anyone in their path.  Regardless, Fat Wreck Chords has them now and I seriously doubt they will be letting go anytime soon.

Symptoms was recorded with the legendary Bill Stevenson and Jason Livermore (Rise Against, NOFX) at The Blasting Room Studios once the band was able to come back to the states from their current hometown of Tel Aviv.  The result of months of hard work is a pop punk gem that Fat Wreck Chords should be beyond proud of.  (I’m talking “dad, I just won my first fistfight in grade school” proud.)

“Live or Die” started the 12-track album off full of pop punk goodness.  I was set back at how great this song started off the album.  The lyrics were catchy, the music was solid and I wanted more.  Good thing I was only on the first track.  Lucky for me “Before It Kills” followed with the same amount of substance I was already craving.  Hell, the second track was better than the first.

“I’m just suffering with you” repeats throughout “Normal With You”, a very singable track.  “Erratic” hints heavily towards something Lagwagon might have meant to do years ago.  I loved the lyrics on this track a lot and found myself singing “Down over the low, there’s always something on my nerves that gets me so erratic” almost instantaneously.  Add in a great breakdown halfway though, and you have yourself a must hear song on the album.

“Mani Depression” sounded to me like what would happen if the Descendants and Cobra Skulls would have joined forces.  This was another killer track on the album and I think anyone who thinks that 90s punk rock is the best should take a listen to this track.  I felt 18 all over again listening to it and favored this track over all of the others without a doubt.  “Sleeping With Knives” was another track I just dug a whole lot.  It was just one of those songs that once I listened to it for the first time, it felt like I had heard it a million times before.

If  “Symptoms” was the post-breakup song, then “Obsessive Compulsive Disorder” without a doubt was the “I’m so over you” realization.  “Your obsessive compulsive disorder creeps me out, I don’t want it” loops throughout the track that hints at anything more than to go away.  “Somewhere”, on the other hand, ended the album with almost a feared reconciliation.

If i had to describe what Useless ID sounded like to someone, I would tell them to take the pop punk from the Ataris, vocals of Milo and mix them up with loads of Cali 90s punk rock riffs.  Symptoms has been in the CD player of my car for weeks now.   I have listened to it over and over form start to finish and each time it ends I just tell myself that I need another listen.

It’s early on in 2012 and Symptoms already has a place on my best of list.  This was a shocker of a release for me.  I have a split by them as well as The Lost Broken Bones, but there is just something about this album that has turned them from a punk band I like, to one I adore.  This is about the time when I tell everyone that I will be digging into their catalog.  That is a given.  If you like 90s punk rock you need to check out Useless ID’s latest release.