Tag Archives: Punk

Album Review: Joey Cape / Tony Sly – Acoustic Volume 2

Has it really been been 8 years since Tony Sly and Joey Cape released their first solo album collectively?  I can remember the day I heard cuts off that release and bragged to my close friends about it.  Soon they were just as hooked as I was with the acoustic renditions of Lagwagon and No Use For a Name (NUFAN) songs.

Hearing those punk rock songs acoustically was just something so new and exciting for this listener.  Keep in mind, this was before many of the punk musicians started their acoustic projects.  It was a new method of sorts and would pave a side road for punk rock music forever.  It’s save to say the revival was made possible by Cape and Sly.

Cape and Sly would continued with their solo careers separately after the release and both dropped some remarkable albums, but nothing was as memorable as their first attempt.  Over the past 8 years, Cape and Sly really built their reputation as solo artists and decided it was time again to take some of their classic songs and create acoustic renditions of them for all to head.  Needless to say when I found out via Fat Wreck Chords that Cape and Sly were releasing Acoustic Volume 2, I got a tad excited.

Once again the duo took 5 songs each from their back catalogs and turned them into acoustic masterpieces.  To keep with the idea of their original attempt, they both wrote and recorded brand new tracks to add to the mix.  The result is a sequel to an amazing release that follows the same path of awesomeness.

Cape took the first half of the album and started it with “I Must Be Hateful” taken from 2003’s Blaze. The already amazing song sounded more powerful than ever when broke down into acoustic form.  Cape loses the rasp in his voice and gently sings with assistance from soft piano.

“Know It All” was one of my favorite tracks off of 1994’s Trashed, and 18 years later it continued to impress me on a different caliber.  “Alison’s Disease”, originally found on Live Fat, Die Young, was a tearjerker to listen to.  I remember the original on the Fat Wreck compilation, but this round was almost as hard to listen to as Fat Mike’s acoustic version of “My Orphan Year”.  Amazing on how slowing down a song can unleash so much emotion.

I was so happy to hear “Resolve” on this release.  Listening to Cape play a more folky version brought a smile to my face even though the track pays homage to their drummer Derrick Piourde who passed in 2005.  “Broken Record”, Cape’s all new track, followed the same path as previous tracks with a mellow mood.  The song perked up half way through but ended just as soon as it started.

Sly took over the remainder of the album with a powerful version of “Black Box”.  Maybe it was the accordion in the background with piano and a strings section, but the new and improved version taken off the 2005 NUFAN release Keep Them Confused sounded better than ever.

“Soulmate” was my choice track off this release.  The track was already one of my favorites in the 90s on Leche con Carne! and hearing it all over again in a different way was just refreshing.  A new take on an old classic was just what I was looking to hear.  I could not help but feel the same way I did when I heard “Justified Black Eye” for the first time in acoustic form back in 2004.  It brought a smile to my face and I instantly sung along.

“Chasing Rainbows” was a fun take on the original found on More Betterness!, but overall I still preferred the 1999 original.  “Pre-Medicated Murder”sounded nothing like the version found on Hard Rock Bottom. The slowed down version was eerie in a sense to listen to and enhanced the lyrics so much more.

Sly’s original, “Liver Let Die”, was a barroom masterpiece in it’s own carried by strumming acoustic guitar.  The song was likable and held out an instant invite for me to learn the chorus and sing along.  The track ended with a crowd chanting “one more song, one more song” and to me was a perfect way to put this release to sleep.  It also provided for a taste of what Sly has in store for his listeners in future releases.

What happens when punk musicians age?  They grow up, maybe have a family, live life, but never put down the guitar.  If you are thinking that this album is “just another punk rock side project” you are wrong.  This album is a celebration by two men and their career featuring some classic songs.  I am glad I only had to wait 8 years for this because honestly, 10 years might have been too long.

If you like NUFAN and Lagwagon, chances are you already know about Acoustic Volume 2.  If you dig acoustic music, check it out, you will not be disappointed.  Punk rock or not, this duo make for some amazing renditions of classic cuts I feel many can appreciate regardless of what genre of music is preferred.

Album Review: Mixtapes – Even On The Worst Nights

I remember a while back when I went to the It’s A Kling Thing house to check out a band from Cincinnati called Mixtapes.  Yeah yeah, call me that guy, but it is only fair.  You see, a bunch of my friends who were well aware of what Mixtapes were about early on told me told me I needed to see them live and I am glad I listened to their advice.

The pop-punk foursome impressed me immediately with their ever so likable songs that clearly were written on the pure basis of fun and personal events.  I remember everyone crammed in that tiny basement singing along and rocking out to some of the catchiest songs I had heard in a long time.  I told myself back then that they were going to be going places soon and meant it 100%.

Mixtapes have always had songs that were written to be witty and as close to their hearts as possible making for a very personal listen.  To top that, they are super best pals with bands like Direct Hit!, Wonder Years, House Boat, and countless others.  They are friendly folk too and never seem to have mosh shorts to sell when I visit them at their merch booths.  Quick to crack a joke and incite a smile, this band is always fun to listen to and hang around.

Fast forward to present day and here I sit typing out a review of their new release on No Sleep Records and I have to admit, I excited to be able to talk about it.  Even On The Worst Nights is not their first release, but has shaped up to be their most important release to date.  The band, who started writing tunes in 2010, has released a bunch of songs that can be found on various 7″s as well as for free download on the Internet. (Don’t believe me?  CLICK HERE.)

Starting off Even On The Worst Nights was “Seven Mile”, a 54 second song that pretty much defined what the band surrounds themselves with: lack of friends, long days, small town life, and not a care in life.  “Something Better” followed kicking things into gear with a pop-punk anthem of sorts.  This song without a doubt will be a sing-a-long.  I loved the lyrics “we sat outside talking about movies and music we hate cause there’s not much left to life.”  Seriously, it is almost as if this band gets me.

The album title track really sounded like it was aimed at all the punkers out there that have been there and done that.   Upon listening to it more though, it is clear the song recalls many of the issues the band has gone through getting to where they are today.

“You & I” was a slow starting ode to a special friendship that ended with a bang in less than a minute.  “I’m Wearing The Device (Bridge, Water)” carried the typical personable Mixtapes lyrics I was hoping to hear with the band questioning themselves if they are good enough to continue.

My favorite track on the album easily was “Russian House DJ”.  Perhaps it was because of Maura and Ryan’s back-and-forth-vocals throughout or maybe just because it reminded me of all the pop-punk I listened to over 10 years ago.  Call it poppy or maybe even emo, all I know is that it was good and I enjoyed the hell out of it.

“Anyways”, featuring Grath Madden of House Boat, threw in jabs to nameless opponents (aka bands) for the sake of hilarity.  The group vocals helped make for a good listen as well as lyrics that threw out Mixtapes’s definition of life.  “I represent my city but not my scene” was sung with complete honesty proving that this band is all about the music and nothing more than that.

The drum-pounding intro to “One For The Ozarks” was perfect for the high energy track that was almost like a confession from the band admitting to change.  Change or not, the song was likable with high and low points as well as a clever ending.  “Just When You Thought It Was Over” was a punk rock jam that grabbed my attention in a good way.  This song really showcased how much the band has matured as musicians in the past 2 years.

The duet “Golden Sometimes” had Ryan and Maura singing together with help from acoustic guitars and piano.  It was a track that really brought back bad memories of relationships of my past that never went to plan.  Once again, a certain level of emo-ness could be heard making for a very memorable song.

During “Basement Manners”, Maura took over on most of the vocal duties making for a great track to rock out to.  “Mt. Hope” ended the album with the song sounding more like a conversation between good friends.  Soupy from The Wonder Years actually contributed some guest vocals during the final track of the album.

I really enjoyed Even On The Worst Nights and know I will be adding this album to my daily playlist for some time to come.  The songs overall on the album carried a Mixtapes standard sound I was expecting, but my only vice was that it seemed like Ryan got more attention vocally than Maura did sans “Basement Manners”.  I would have preferred both vocalists to be on the same level, but it was not the end of the world.  Mixtapes have definitely released a solid album that is going to be getting a lot of attention in a short amount of time.

The band that used to place basements and small stages better get used to some wiggle room, I know these guys (and gal) are going to blow up this year.  If you have not heard of Mixtapes yet you really need to fix that and if you have not seen them live yet, boy are you missing out.  They tour non-stop and chances are good for them hitting your town sometime this year.  First things first though…they are playing the UK in August.  Not too shabby for a band that just passed the 2 year mark.

Mixtapes Premiere New Track!

Cincinnati pop-punkers Mixtapes just dropped a new song off their highly anticipated upcoming album.  The song, called “Hey Ma Pt. 2”, can be heard on AbsolutePunk.com.

“This song was fun to make,” says singer/guitarist Ryan Rockwell.  “When it was done, musically I felt like the verses had a bouncy almost Superchunk type vibe and we were really happy with how it came out.  I think it fits the album well.  The album as a whole is upbeat and was a blast to make.”

I for one can so I am super stoked about this song and their upcoming release.  I am really excited to see this band mature in the last couple years and can not wait to see what they have to offer on their new album.

Check out another new track titled “Even On The Worst Nights” by Mixtapes on AltPress.com.

Album Review: Tim Barry – 40 Miler

If I had to describe Tim Barry in one word, that word would be “real”.  This former punk rocker turned folk rock hero is about as real as they get and I am not just saying that.  He is a talented musician and a wholesome human who just lives life day by day.  Barry, who used to front the legendary Richmond punk rock act Avail, has been going his own route since about 2004 playing solo shows all over the world.

In his fifth release, 40-Miler, Barry seemingly has taken his acoustic guitar and played from his hard-working heart.  The album was put out by Chucksaah Records.

It’s an honest and to the point album where Barry talks about his previous involvements in bands, travels, and personal reflections on the life he has lived.  The album leans more country driven than that of past releases by the man known to hitch rides on trains the old-fashioned way.  The result is hands down his best release I have ever heard to date.  It is safe to say that Barry may have created his own masterpiece without even thinking about it.

“Wezeltown” starting off the album with a soulful yet poignant Barry declaring “I pity the beautiful as the beautiful, they do pity me.”  Fueled by hand-clapping and realization, this song was more than an opening track, it was a preach aimed at all the hardworking folk out there who don’t take everything for granted.  “Driver Pull” was more like a personal conversation between the listener and Barry on a front porch moments before he hitches a ride out of town.

The title track “40-Miler” continued with the Barry’s storytelling and did not disappoint.  Reminiscing about his traveling times in boxcars and tour vans, Barry also states he has “nothing but miles and miles” to continue on.  I especially loved when Barry declared ” I’d rather stay broke than play fake ass shows.”

“Adele and Hell” was heavy on the country rock and perfect in every way.  The duet between Barry and longtime friend and local Richmond recording artist Julie Karr was a match made in heaven.  Karr gets down on this track with Barry that sings about a broken relationship.  The harmonica playing aside the twangy guitar accompanies the signing so well.  Hands down, this is one of the better tracks on the album.  I was floored when I heard it.

Barry pays tribute one of his bad ass friends who plays in Lucero as well as in Glossary in the track titled “T. Beene”.  This track, to me, was the country answer to NOFX’s “Punk Guy” with Barry recalling some crazy ass memories of a talented man who had lead an interesting life.

My favorite track on the album, “Fine Foods Market”, actually pokes fun at Barry as well as many of his fans who have “ironic mustaches” and drink PBR.  I loved when Barry sung “oh look there goes another hipster kid”.  He may have been making fun about everything, but was also quick to wonder how it all came about.

“Amen” was another amazing track full of Barry’s personal attributions and thanks accompanied by harmonica and acoustic guitar.  From singing about breaking his hand in Ottawa to almost making it to every scheduled show, Barry sang about his life on the road and even admitted sometimes he would rather just be home.  I especially got a kick out of the part where he praised a certain New Jersey band for letting him hitch a ride on their tour bus.  It was not just a song sung, it was a celebration of all the hard work Barry has ever done.  “Kick me in the head, watch me get right back up again” ends the album as almost a promise from Barry proving he is in this for the long run.

In a recent interview I did with Barry, he stated he actually erased 40-Miler from his he memory once it was completed.  He said , “when I am done with an album I step away from it.  This helps me gain perspective and hear it freshly.”  He called it a “recording detox”  and continued with, “I never have an intention with my albums. They come out the way they come out.”  How can you not love this man?

Tim Barry is currently touring in support of 40-Miler.  It is not a show to be missed.

Album Review: Grey Area / The Reveling / The Copyrights / Luther – 4-Way Split

Leave it to Black Numbers to gather up some kick-ass pop-punk/post-hardcore bands and drop a sweet split release on vinyl and CD.  At 8 tracks long, the 4-way split features a pair of tracks from Grey Area, The Copyrights, The Reveling, and Luther.   The result is a great listen by a group of bands that have been having no difficulty getting noticed lately.

The release was dropped earlier this year, but I kind of fell of the face of Earth, so my apologies in advance.   Shall we continue?

NYC’s the Grey Area started off the split  with “Lucky”, a pepped up punk rock track that easily reached back to the 90s punk rock scene.  This song was amazing and perfect for opening up the album.  Following was “Bad Anything”, a track that reminded me of Dag Nasty in a good good way.  Having not been too well versed with this band prior to listening, I know what I am going to be doing once I finish this review up.

Brooklyn’s The Reveling was another band I have not gotten into just yet, but of course after hearing their tracks on this release, I intend to change that.  “Trust Me” sounded of The Menzingers at times but not in a bad way at all.  The song was a little too quick for me and seemed to just drop, but all was well once “Its Time To Ride” kicked in.  I must say, I was impressed with what I heard and can’t wait to hear more.

Do I really need to say anything about The Copyrights?  Most of you probably know what they are all about already, but still, this is a review so I will at least tell you all that they are from Illinois and they rule. “The New Frontier” was easily the hardest sounding track in the split.  Never ceasing to amaze me, they dropped “Straight To The Office” from 90s punkers Scared Of Chaka.  The cover was great in my opinion and I hope more kids will check out Scared Of Chaka after hearing the cover.

Philly’s Luther put out one of my favorite EPs last year, so I may sound a little biased here, but their offerings on this split were killer.  “Sixty-One” was likable the moment the signing kicked in.  Seriously, this track was fun from start to finish and just more proof how talented this band is.  “The Door Is A Penthouse” impressed me as well.  I told you I probably was going to sound biased, didn’t I?

This split is a great dose of 4 hard-working bands that I feel one day will be all over the music scene.  Thanks to Black Numbers for putting together such an excellent 4-way split.  Having played the split over and over since I got it, it’s easy for me to think that fans of punk rock of all types will dig this regardless if they know any of the bands on the cover or not.

The split is available on CD, LP, and digital download.  What the hell are you waiting for?  Go grab you one!   Rumor has it you actually appear to be cooler once you have a copy in your hand.  Just saying…