Pittsburgh’s Remainders have a good thing going with their musical style. It’s melodic, it’s fun, it’s just… good.
If you like Smoke or Fire and Latterman as well as just any catchy punk rock act out there, you will adore this band.
Formed in 2014, the band consists of guitarist Dan Delucia, guitarist/vocalist Karim Akacem, vocalist/bassist Chris Feigh and drummer Tim Little.
(Note: I already adore DeLucia thanks to our ongoing instagram/social media bromance)
Just listen already:
Pretty freaking catchy huh? I can not wait to hear the rest of it.
Remainders are slated to drop their EP debut on 11/11/2014 with Fine Exits along with a split 7″ release dropping a few weeks earlier with fellow Steel City brethren Underground Communiqué’s Barons. Busy busy busy.
Pay attention to these guys. You’ve been forewarned.
I am still kicking my ass for missing Rise Against when they recently played Cleveland. I literally overlooked the show until hours before they started and had already committed to other engagements.
Ok, I am done feeling sorry for myself.
Today I was reminded of an awesome protest compilation album being released by A-F Records called This Concerns Everyone.
What does this have to do with Rise Against you ask? Go on, keep reading…
The album will feature a ton of artists playing covers and originals including Tom Morello, Tim McIlrath (Rise Against), Chris Farren (Fake Problems), Erica Freas (RVIVR), Chris Wollard & the Ship Thieves, as well as Justin Sane and Chris#2 (Anti-Flag), just to name a few. See below for the complete track listing.
What first stated as a split between Anti-Flag’s Justin Sane and Chris #2 as well as The Homeless Gospel Choir and Chris Stowe turned into an inspirational idea. More and more people got involved and soon the split turned into a compilation.
An undisclosed portion of proceeds will be donated to the Right To Heal Campaign. I think this is an amazing way for artists to reach out to troops in need.
The good folk at Alternative Press are currently streaming Tim McIlrath’s rendition of a classic Guns N Roses track. Head over to Alternative Press to check out his rendition of “Civil War”.
This comp drops on 11/18/2014. Head over to A-F Records and pre-order yourself a copy now.
Side A:
01. Chris Farren (Fake Problems) – Establishment Blues (Rodriguez)
02. Erica Freas (RVIVR) – Tiny Murders
03. Chris Conley (Saves The Day) – A Change Is Gonna Come (Sam Cooke)
04. Chris #2 (Anti-Flag) – What Did You Learn In School Today (Pete Seeger)
05. PJ Bond – Dirty Hands
06. Anika Pyle (Chumped) – Ugly
07. Tom Morello (The Nightwatchman) – House Gone Up In Flames
08. The Homeless Gospel Choir – Some People
09. Chris Stowe – Other Peoples Guns Side B:
10. Chris Wollard (Hot Water Music) – Selected Scenes
11. Roger Harvey – What Are You Fighting For (Phil Ochs)
12. Shawna Potter and Brooks Harlan (War On Women) – Servilia
13. Tim Mcllrath (Rise Against) – Civil War (Guns N’ Roses)
14. Justin Sane (Anti-Flag) – I Ain’t Got No Home (Woody Guthrie)
15. Thomas From The Burning Land (Strike Anywhere) – The Deep State (Field Recording) Digital Bonus Tracks:
01. Prophet Motive – Hallowawa
02. Josh Massie – Life During War Time (Green Day)
03. Spoonboy – Last Of The Asshole (The Max Levine Ensemble)
04. Pat Thetic – Owe Us A Living (CRASS)
I was waiting for an album to drop this year that would completely steal my undivided attention. Xerxes has just done that to me.
If any of you know me, chances are you know my love for bands like the Refused, Murder City Devils, Gallows, Thursday and At The Drive-In. The vocal styles of all those acts is one of the main reasons I have such an appreciation for them.
Xerxes’s new album Collision Blonde seemingly took queues from all those acts and more throwing them together into one killer release.
I love it. I adore it. Thank you Xerxes and thank you No Sleep Records for throwing their album on your label.
This young post-punk act from Louisville, KY mixes in so many different musical styles in their jams, I almost hate to classify them into one genre. With elements of punk, post-hardcore, goth rock and more, this avant-garde act blew me away the moment I heard their sophomore release Collision Blonde.
This album overflows with plenty of mental anguish guaranteeing to satisfy any emotional train wreck out there. Pain, love, and drugs seemingly fueled this release and I’m pretty sure anyone who hasn’t always been in a positive path through life will totally get into Collision Blonde.
Once “I Was Wrong” started I knew this was going to be one of those albums I listened to all the way through with no interruptions. Calvin Philley just destroys his voice throughout with plenty of distortion that would make Trent Reznor proud.
“Criminal Animal” appealed to me with a garage rock start quickly morphing to something a little more hardcore. I got a huge kick out of Philley switching to almost a furious spoken word only to start singing again. “Knife”, toned things down for a moment and clearly was about some object being stuck into one’s back.
“A Toast” had this Cure-like melody and bass line hiding behind intermittent hard riffs and screaming vocals making for a great listen. The transitions from the singing to the spoken word throughout this track made it even better to listen to.
“Collision Blonde” was beyond a daunting track with Philley just spilling his guts out on top of a melody that easily could be mistaken with The Jesus And Mary Chain or even Bauhaus. Although dark and lonely, this track really was amazing in so many ways once you got past the emotion and pain.
“Nosedive” ended the album with Philley screaming “just make it stop” over and over. It was almost like this entire album was a brutal nightmare and it needed to come to an end.
I am not sure if this album was a revelation of pain or a public cry for help. Regardless, it is powerful lyrically and musically making Collision Blonde easily one of my favorite releases of 2014 so far.
Perhaps I took in this album a little differently from others. Having grown up listening to darker styles of music in the 80s and 90s like The Cure and Jesus and Mary Chain, I always wished it were heavier back then. I loved the music but craved more vocals. Xerxes seriously captured some of my favorite band styles and added their own harsh twist on it satisfying that younger request. The result is just insane and I adore it.
Collision Blonde drops on Oct. 21st. You can pre-order it now over at No Sleep Records.
For those of you who checked out the interview I did with Joey Cape months back, you may have learned about One Week Records. For those of you who have no idea what I am talking about, I suggest you take a moment and read that awesome interview.
Chris Cresswell of The Flatliners was one of the first artists to hole up in Cape’s abode and record an album. In one week, the two recorded 10 amazing songs and skipped out on any type of over-producing. The result was just an amazing release that I was not expecting.
Cresswell is typically known for his gruff vocals in The Flatliners but he’s completely cleared his throat for his One Week Record. In fact, I was set back for a moment on how different and appealing his singing style was. Having known he’s stripped down his style before, I suppose I just did not know what to expect prior to checking out this release.
Listening to “Meet Me in the Shade” was just so heavy on the heart. I could almost relate in my past to the feelings Cresswell transformed into song. Full of lyrics of dismay and solitude, Cresswell seemingly dumped heavy emotion into this track. I really fond myself enjoying the song even more so when the piano playing snuck in.
Picking things up was “Little Bones”, a track what sounds like some serious swooning until the moment you realize that the lyrics on this track were pretty much Cresswell tearing a certain someone apart for being a cold, heartless human being. The lyrics were amazing on this album.
“Stitches” really collaborated Cresswell and Cape’s talent in a great way in a song about healing and moving on. Perhaps the best part of this track is when Cresswell belted out “I fall in love again with the silence in this song” over and over at the end. Hands down, this was best track on this album.
Hearing the cover of Dead To Me’s “Arrhythmic Palpitations” was a nice bonus on this album. Cresswell recorded a damn fine version that I may seriously now prefer over the original. Everyone needs to hear this track.
“On the Day That You Died” was beyond somber and yet so beautiful. This is the kind of song that brings tears to eyes while saying goodbye to a loved one. Seriously, this track should be in the next Zach Braff movie he releases. So sad…
Overall, this album far exceeded my expectations and I am going to be pre-ordering the vinyl release soon as I know this will be an album I will listen to quite frequently.
I think the thing I like best about this album is knowing that Cresswell and Cape recorded all of the songs in 7 days in Cape’s home. I also love knowing that at the end, Cape handed Cresswell a Sharpie marker and told him to draw up the album cover.
The album is available digitally now on One Week Records for just 5 bucks. The album is also going to be pressed on vinyl (as previously mentioned) thanks to Fat Wreck Chords and will be dropping soon.
It’s pretty safe to say that 2014 has been the year of amazing releases by artists old and new.
Honestly I think I say that every year, but you know what? I mean it every single time I say it.
I have a new favorite band to listen to as of late and they are called Beach Slang. Featuring members of Weston, Ex Friends & Crybaby, this Philadelphia threesome is seriously one of the best new acts I have heard in a while.
If I had to compare them to someone out there in the music world, I would say an easy-going Jawbreaker. This indie pop-punk act defines themselves as: “Guitar, bass, and drums. Played loudly.” I could not agree more.
Recently, Beach Slang debuted their EP Who Would Want Anything So Broken? and I can not stop listening to it. Check out “Punk or Lust” and “Filthy Luck” to see why exactly I am all about these guys.
I seriously can not wait until Beach Slang drops a full length. I have the feeling it is going to be an incredible listen. Until then, good luck finding this EP on a 7″. I think it’s sold the hell out right now on Dead Broke Rekerds, but with good reason of course.
