Tag Archives: New Release

Album Review: Luther – Let’s Get You Somewhere Else

In case you did not know, today is a very important day.  No, not because everyone is being all political and American and waving their “I Voted Today” stickers in the air, but because today a sweet punk rock band from Philadelphia by the name of Luther is celebrating their 2 year anniversary.  That right folks, there are way more important things going on today other than this rich man presidential selection campaign bull mess.

In all seriousness though, Luther has a lot going for them and has grabbed a ton of attention since forming in 2010.  The band caught my attention in a good way last year and their EP topped my Best Of 2011 list with Siblings & Sevens.  Since that EP was released, they have toured non-stop and caught the attention of a little record label home of the Bouncing Souls.  Recently, the band released their first full-length album entitled Let’s Get You Somewhere Else on, you guessed it, Chunksaah Records.

Without talking them up too much, I will say listening to Let’s Get You Somewhere Else brought back memories of me years ago when I first was introduced to bands like Hot Water Music, Jawbreaker, and even the Bouncing Souls.  From the moment the album started, I was enthralled and wanted to immediately be their biggest fan.  At my age that might sound a little far fetched, but what I am trying to say is that I got that same feeling of a musical satisfaction, you know, that great feeling of knowing you just listened to something not just good, but amazing.

Luther’s debut EP, Siblings & Sevens, really rubbed off to me as DIY punk rock album with some folky style sewn in and I absolutely loved everything about it.  Let’s Get You Somewhere Else was an amazing follow-up with the band sounding like they just had fun creating all the songs while improving their sound as a band.  From the moment “The Concrete Sound” started, you cold just hear the confidence the band had in recording the track.  The track “Heavy Monday” really was just a fun song all around to listen to with plenty of lyrics that have flowed through my head once or twice at the beginning of a workweek.

I loved how “The Glory Bees” started off with a certain 90s rock feel only to transform into a catchy ass track.  Maybe it was the mono-toned opening vocals that reminded me of yesteryear, but the song picked up  and changed style in a good way.  “Backyard Fence Appeal” kicked things up a bit with a faster paced track with “oh my good look at this mess around me” repeating throughout.  How could I not like that track?  I was singing along my first time in.  “The Second Star” really was a deep track to listen to and I really dug the lyrics throughout.  I especially loved the lyrics”rotting like an apple and bringing down the tree or so it goes that the devil is strong, the devil is right for turning on us and letting us lie here.”

All I have to say about “Rattlesnake” is that the recorded hand-claps were not necessary at all.  Great track, but the only hand-claps that should be played during this song should be when the fans clap along when the song is played live.  “A Quiet Stretch Of Weather” easily could have been derived from a Tim Barry track.  The lyrics “I hope I don’ die when I’m forty” are repeated throughout and once again relate to something I have thought multiple times.  I found myself really appreciating this track and almost wished more of their tracks carried the same brash poignant feeling.

I see really big things with Luther happening in the near future and it is easy for me to say that with Let’s Get You Somewhere being such an impressive release.  This foursome contains a bunch of top-notch guys I have had the pleasure of seeing live before (of course there was a small delay due to their van crashing earlier last year before they were able to make it to Cleveland), and let me tell you, they do not disappoint.  They have already won over tons of fans and I am sure there will be plenty more where that came from.    Their Philly pals The Menzingers have already skyrocketed in the punk rock scene throughout 2012 and I know Luther will in no time as well based on their talent without riding a single coattail.  If you like bands like the Sidekicks, Menzingers, Banner Pilot, Cheap Girls, and so on, you really should be checking Luther out.

Happy 2nd Anniversary boys.  Keep up the great work.

Oh, and check out how bad ass their vinyl is:

Yea, I can be artsy…deal.

Album Review: Versus The World – Drink. Sing. Live. Love.

Southern California’s Versus The World is what many night call a pop-punk /alt-rock supergroup. Made up with a former bassist for The Ataris, Mike Davenport, current Lagwagon guitarist Chris Flippin, vocalist Donald Spence and Crooks and Liars drummer Bryan Charleson, the band easily has years of experience rocking out and their recent release, Drink. Sing. Live. Love., certainly proves that.

Dropped though Viking Funeral Records (Fletcher from Pennywise’s part-owned label), Drink. Sing. Live. Love. was an impressive pop-punk/post-hardcore listen from the start.  I really did not know what to expect prior to checking out this release, all I knew was that the band consisted of some standout musicians from bands I have been a solid fan of for years.

Starting off the album was “She Sang The Blues”. a moderately heavy track with a good post-hardcore feel.  Spence and Flippin share vocal duties throughout over distorted guitar playing as well as some fun solos.  I am not going to lie, I was heavily impressed with what I heard, and I was only one song in.

There were plenty on singable opportunities on “A Fond Farewell”, a track that just screamed to be played on mainstream radio.  Yeah, it sounded like a Fall Out Boy song at times (mostly from the singing solo), but who the hell cares?

“The Kids Are Fucked” easily was one of my favorite cuts off the album.  Perhaps it was the Freaks and Geeks sample of Daniel  yelling at Nick, “rock ‘n roll don’t come from your brain. It comes from your crotch” that got me going.  Besides that, the track had all the qualities of a good listen: catchy hooks, lyrics I cold relate to at my tender age, and good ol’ fashioned guitar playing.  If there is one song you need to check out on this album, this is it.

“A Love Song For Amsterdam” easily could have been a b-side to an Atari’s album.  Then there was “Crooks And Lairs”, a likable typical moving-on-with-life-after-a-failed-relationship track that can make anyone who ever was in a rocky relationship can relate to.  “Donner Pass” was the shortest, fastest, and heaviest track on the album.  No offense, but I almost wish more songs on the album matched the tempo that this track kept.  I have the feeling that Flippin had something to do with this track.  Wrapping things up was “We Were Alive”, a track that was just not doing it for me.  With how the alumb started, I really was hoping for a nice finale.  To each their own of course.

Turns out, Versus The World dropped their debut release back in 2005 under Kung Fu Records.  I think that was the year I moved to Egypt or fell off a cliff…  Seriously, I am scratching my head on how I have never heard of this supergroup until today.  Regardless, I now know what I was missing out on and liked a few tracks off this release.  Pop-punk fans, you need to hear these guys.  They certainly fit the bill.

What i like the most about this band is that it is full of musicians who have taken their lives and dedicated them to music.  10 years ago things may have been different in their lives, but they have all moved on and matured into what they are today.  I respect that.  Rather than recall their past, they have moved on and formed something new to impress the world with.

Drink. Sing. Live. Love. recalled the pop-punk sounds of the early 2000s with close similarities to, you guessed it, The Ataris and also Fall Out Boy and even a young Taking Back Sunday.  Hell, I can even hear some old Alkaline Trio in there.  Leaning more towards a rock sound at times, the album overall was a good listen.  I have a slight feeling that this band might sound even better live.  Here’s hoping I can experience that.

Emily Barker & The Red Clay Halo – “Fields of June” featuring Frank Turner

Once upon a time some guy named Frank Turner met songwriter Emily Barker.  They just so happened to share a stage in 2006 and soon became great friends.  The two musicians soon toured together in the UK after Turner asked Barker to join him.  On that tour, Turner and Barker first performed the amazing duet “Fields Of June.”  I know I was not there to see it and honestly, I never knew who Emily Barker was until today when I heard “Fields Of June” for the first time and fell in love with it.

I am thrilled they decided to do this.  This was the surprise song of the day for this music lover.

I am not sure I have heard such a great duet since I was a little kid.  Turner and Barker both take on strong roles on the song that really is a heart-breaker to absorb.  Seriously, this is no love song.

As an added bonus, a silent movie inspired music video was made for the song.  Check it out:

Emily Barker & The Red Clay Halo are an amazing act to listen to and I am shocked I have been left in the dark about them for so long.  I will be looking to check them out in serious detail.  This song is available for download and on a 7″ through Xtra Mile Recordings.  I am so tempted to order this vinyl as I know it will not be available for much longer.

Mixtapes Premiere New Track!

Cincinnati pop-punkers Mixtapes just dropped a new song off their highly anticipated upcoming album.  The song, called “Hey Ma Pt. 2”, can be heard on AbsolutePunk.com.

“This song was fun to make,” says singer/guitarist Ryan Rockwell.  “When it was done, musically I felt like the verses had a bouncy almost Superchunk type vibe and we were really happy with how it came out.  I think it fits the album well.  The album as a whole is upbeat and was a blast to make.”

I for one can so I am super stoked about this song and their upcoming release.  I am really excited to see this band mature in the last couple years and can not wait to see what they have to offer on their new album.

Check out another new track titled “Even On The Worst Nights” by Mixtapes on AltPress.com.

Album Review: Tim Barry – 40 Miler

If I had to describe Tim Barry in one word, that word would be “real”.  This former punk rocker turned folk rock hero is about as real as they get and I am not just saying that.  He is a talented musician and a wholesome human who just lives life day by day.  Barry, who used to front the legendary Richmond punk rock act Avail, has been going his own route since about 2004 playing solo shows all over the world.

In his fifth release, 40-Miler, Barry seemingly has taken his acoustic guitar and played from his hard-working heart.  The album was put out by Chucksaah Records.

It’s an honest and to the point album where Barry talks about his previous involvements in bands, travels, and personal reflections on the life he has lived.  The album leans more country driven than that of past releases by the man known to hitch rides on trains the old-fashioned way.  The result is hands down his best release I have ever heard to date.  It is safe to say that Barry may have created his own masterpiece without even thinking about it.

“Wezeltown” starting off the album with a soulful yet poignant Barry declaring “I pity the beautiful as the beautiful, they do pity me.”  Fueled by hand-clapping and realization, this song was more than an opening track, it was a preach aimed at all the hardworking folk out there who don’t take everything for granted.  “Driver Pull” was more like a personal conversation between the listener and Barry on a front porch moments before he hitches a ride out of town.

The title track “40-Miler” continued with the Barry’s storytelling and did not disappoint.  Reminiscing about his traveling times in boxcars and tour vans, Barry also states he has “nothing but miles and miles” to continue on.  I especially loved when Barry declared ” I’d rather stay broke than play fake ass shows.”

“Adele and Hell” was heavy on the country rock and perfect in every way.  The duet between Barry and longtime friend and local Richmond recording artist Julie Karr was a match made in heaven.  Karr gets down on this track with Barry that sings about a broken relationship.  The harmonica playing aside the twangy guitar accompanies the signing so well.  Hands down, this is one of the better tracks on the album.  I was floored when I heard it.

Barry pays tribute one of his bad ass friends who plays in Lucero as well as in Glossary in the track titled “T. Beene”.  This track, to me, was the country answer to NOFX’s “Punk Guy” with Barry recalling some crazy ass memories of a talented man who had lead an interesting life.

My favorite track on the album, “Fine Foods Market”, actually pokes fun at Barry as well as many of his fans who have “ironic mustaches” and drink PBR.  I loved when Barry sung “oh look there goes another hipster kid”.  He may have been making fun about everything, but was also quick to wonder how it all came about.

“Amen” was another amazing track full of Barry’s personal attributions and thanks accompanied by harmonica and acoustic guitar.  From singing about breaking his hand in Ottawa to almost making it to every scheduled show, Barry sang about his life on the road and even admitted sometimes he would rather just be home.  I especially got a kick out of the part where he praised a certain New Jersey band for letting him hitch a ride on their tour bus.  It was not just a song sung, it was a celebration of all the hard work Barry has ever done.  “Kick me in the head, watch me get right back up again” ends the album as almost a promise from Barry proving he is in this for the long run.

In a recent interview I did with Barry, he stated he actually erased 40-Miler from his he memory once it was completed.  He said , “when I am done with an album I step away from it.  This helps me gain perspective and hear it freshly.”  He called it a “recording detox”  and continued with, “I never have an intention with my albums. They come out the way they come out.”  How can you not love this man?

Tim Barry is currently touring in support of 40-Miler.  It is not a show to be missed.