There’s a new melodic punk/emo band emerging out of Cleveland called see you. Featuring Van DeFilippo (ex-Dead Leaves) and Justin Vaughn (Low Morale), this band’s got a fun style that compares to a younger The Get Up Kids, less sad Saves the Day, and even hint at some Strike Anywhere.
They recently dropped “Doom or Bloom” and I have to tell you all, this is great. The track was recorded with Dave Piatek (No Pressure, Light Years) and is streaming everywhere.
I will be the first to admit I have not been that great about tossing out reviews and whatnot. If this one makes it to your eyes, then I am one stoked music lover. It kills me it’s already March and this is my first post of the year, but I write this with the best intentions.
Cleveland’s Hunden is a fuzz-heavy, riff-supreme threesome that, upon listening to their debut, forced me to dust off the keyboard and just hammer out something to talk about it.
Dare I mention they are a Northeastern Ohio supergroup in a sense?
Featuring Toby Reif (Sidekicks, Orbits), Nick Schmitt (Harvey Pekar), and Adam Peduch (Two Hand Fools, Heart Attack Man), Hunden already had my attention the moment I heard anything given their history with the local music scene.
It was no shocker how “Escape Trajectory” pretty much blew out the speakers. The track was just brutal from the start and Reif enough supplied vocal angst that had me thinking of Hum and Helmet. Then “Subtext” came on that was more aligned with Sunny Day Real Estate.
“Healer” carried so many Cave In vibes it was not even funny. Technical and catchy with brute force. Stephen Brodsky, take note of these guys… Seriously, this track is just so together and produced perfectly.
And it is not just all fuzz and riffs, but there sure is a ton and it is amazing. “A Calming Press” has softer moments with piano, but soon just ramps back up. “Prix Fixe” was beyond superb with its ups and downs.
A Calming Press clocks in at just under 30 minutes, but it just smacks right into you barely giving you a moment to breathe. Given where these guys came from, it certainly is a new avenue to tackle musically, and they succeeded in doing so.
Let me be clear, I am 47 years old and thrilled bands like Hunden still get me all sorts of amped up. I cannot wait to see these dudes play No Class on March 22nd with post-hardcore screamers Brain Cave. Hunden has the potential to turn some major heads with this release, I promise you, totally worth the listen.
Sometimes a band from your past does the ultimate awesome and puts out new material 14 years after their last release. Chicago’s Bollweevils surprised many, including myself, and dropped an incredible album called Essential on the possible world-famous Red Scare Industires records.
The album title is a strong nod to the actual professions of the members of the band. No lie, aside from Dr. Daryl Wilson (yes, a real doctor who saves lives), there are first responders and educators who make up the Bollweevils.
This band has always resonated with me well because they had a few albums on Dr. Strange Records back in the 90s which I listened to frequently. They called quits in 1996 and came back into the scene around 2006 when they played Riot Fest but kept a low profile and clearly took the time they needed to get back at it without missing a beat.
“Predisposition” kicked things out as if the band never stopped. What a powerhouse of an opener. Wilson and crew sound better than ever and I hate to say this, but I was pleasantly surprised about this. Like I should have even carried that thought.
Following up was “Galt’s Gulch”, a well put together track similarities gravitating towards an Ayn Rand novel. The fact they repeat “who’s John Galt”, which in the novel was about the sad current state of affairs much like today. “Atlas Shrugged” is the book I speak of, and if you ever read it, you’ll understand more.
One of my favorites on this album was “The Cutting Solution”. This track was well supplied with some insane drumming that just kept the energy high. Wilson’s singing was just so on point here.
“Theme” was just that. If the Bollweevils had their own show like the Aquabats do, this would certainly be the song that played at the start. Certainly, this a tongue and cheek track, but goddamn this was so fun.
Then there was “Bottomless Pit”, another banger. The entire band came together so well on this one. Fast and to the point, it was exactly what I would expect from these guys.
The track that just won me over was “Resistance.” In true punk fashion, this track had me wanting to memorize the lyrics so I could play it over and over while singing along. Loved the breakdown as well as the group vocals. It was not a complicated song yet got the job done.
“Liniment and Tonic” should be the old punker anthem moving forward. All the old punkers who are reading this with their arms crossed in the back, this one is for you. Enjoy.
The Bollweevils are timeless in my book. They have definitely put in their time years ago and Essentials has no indication of a break ever with their sound. They are still energetic and catchy as ever. Fair warning though, this album clocks in at just over 22 minutes. I assure you there is no lull in this release and there are plenty of playback opportunities.
As I find myself closer to 50 these days (punk is dad), it is beyond refreshing to hear a band from your teenage years still killing it. In a day and age when most punk rock does not even rest on the edge of the genre, it’s the punk rock veterans who continue to remind me why I adore this kind of music.
Available on CD and LP, the album is out there for you to obsess over. Do not sit on this one. Trust me.
Heart & Lung were one of Cleveland’s best kept punk rock secrets until that Toby guy over at Red Scare had to sign them and promote the ever-living hell out of them for all to adore.
Rightfully so though, this upbeat band rips on so many levels, is fun, and absolutely deserves the attention.
The foursome has been doing their thing for over 5 years now and just have this ability to put you in a great freaking mood. They are hilarious, but will strike your ass with their snark and style – so try not to make any eye-contact at a show (just kidding, they are super friendly folk).
Unlike any typical non-serious review I have ever done, I think it is important to share my latest dumb idea for a t-shirt for these guys to lean into what I want to say next about them:
HEART, LUNGS, & HARMONY (This of course is done in the style of the Bone, Thugs, and Harmony logo …)
The balance these dudes carry is unreal. This is not some NOFX-bellyaching where they talk over tunes, Heart & Lung just carry an ability to combine and lead from each other’s verses without disrupting.
Anyways stupid, but rad idea – hint, hint.
The boys dropped their sophomore release titled Twistin’ The Knife Away in mid-October on Red Scare records, and it was an instant classic to my ears. Hell, Brenden Kelly said himself, “What do you kids say these days? It fucks? It slaps? It does all that stuff.” He ain’t wrong.
The album is a quick listen, but is full of tracks that are going to get stuck in your head and played over and over.
“Watch You Suffer” started off the release with a fast-paced banger for all to adore. The band has no problem holding back on this track surrounded by the best intentions for someone who clearly sucks. As much as I adore the breakdown on this one, the guitar licks are where it’s at.
“I’m Fine” is a day-to-day reminder of the things we do living in this repetitious life. Loved that they tossed in their debut album name on this, but the punky bluegrass build up was what won me over on this track. The harmonies kick in hard here to the point I have been singing this one to myself a lot lately when the day is challenging.
“Headache” was slightly toned down with good reason. I loved the emotion in this track while sitting back and realizing how aligned I am with the subject.
Loved the Blazing Saddles quote on “Shit Together”, a song the pretty much defined many of our entry to adulthood lives while stuck trying to figure things out. Damn song almost made me sad listening to it as I recalled too many parts of it in a personal aspect.
Probably one of my favorite tracks was “Never Come Home”. This song did not let up once and carried almost hidden powerful encouragement in regards to moving on when life comes down in the worst way. Maybe skip this one if you just broke up with someone recently.
“Control” was another good one that had some hints of bluegrass masked over clearly by the good stuff. This track was harmonic, yet quick and totally captured my total attention.
With 3 singers who connect on the best level, this band is incredible and entertaining to listen to. Taking queues from their previous bluegrass talent, these boys know how to steal your attention with some of the catchiest music I have heard all year. Do not take my word for it, check out Twistin’ The Knife Away and thank me later after your 20th listen.
Heart & Lung have been touring to the best of their ability lately and are opening for some band called Lagwagon in early December at the Grog Shop. Should be a good time had by all!
Heart & Lung “Watch You Suffer”
Twistin’ The Knife Away is on those streaming services, but if you really want to supposed a rad act, head over to the Red Scare Industries store and pick up a copy or 2. Tis the season to rack up credit!
I learned of Haunt about a year ago thanks to Bandcamp and absolutely adore the galvanizing 80s metal style. They are without a doubt one of the more exciting bands to emerge in recent years all thanks to catchy as hell songs that are full of riffs and guitar solos a plenty.
Formed by Trevor William Church, Haunt is more or less a solo project that started back in 2017. Hearing his rigorous anthems could fool anyone easily into thinking he’s been around for decades. With a style similar to bands like Helloween, Iron Maiden, and even early Anthrax, Haunt isn’t a modern day cookie-cutter rock band or gimmicky at all. Honestly, Haunt could easily be mistaken for being part of the original NWOBHM era and Church’s dedication and style is a proper resurgence to be taken seriously.
With that said, there is some history behind the creator of Haunt. Church is the man behind Beastmaker and once played in An Angle, a 2000s indie/pop band on Drive-Thru Records. If you can recall either band’s sound, boy are you in for a treat because Haunt sounds nothing like them.
Church himself is a busy man. Not only does he rock the title husband and father, but he currently plays in two other bands aside from Haunt. When not recording new tunes, he is revisiting old ones and perfecting his style for the sake of the art.
Fun fact, his father is renowned bassist Bill Church who played in Montrose and with Sammy Hagar.
Beautiful Distraction is the band’s sixth full-length album and is slated to drop April 2nd under Church’s own label Church Recordings. With just one guest guitarist who supplied some solos, Church wrote and performed all of the songs, recorded, mixed, and mastered it and also had every involvement of manufacturing and marketing. This is beyond a one man show.
As much as I have loved the last couple Haunt albums, this one is an absolute ripper. There is so much energy packed into just over 38 minutes that it is almost unfair it did not last longer.
Staring things off was album title track “Beautiful Distraction” and all I could think about was how the singing style complimented a young Claudio Sanchez from Coheed & Cambria. I totally got sucked into this song and it made for a strong ass opening track. The solos at the end were to die for. Loved this song a ton.
When Church started to tear it up in “In Our Dreams,” all I could do was sit back and enjoy the ride. “Fortune’s Wheel” again had this progressive metal feel to it that was all too enjoyable.
The reworked “Fool’s Paradise” was a hell of a journey to listen to. The keys at the start key things feeling a tad retro, but then Church did what he does best and tore it up on a few occasions. This was a fun one with riffs galore.
“Hearts On Fire” was another re-recorded full-forced rager that never held up once. I adored the keys buried behind the brutal guitar playing and furious drumming and favor this way more than the original.
Church has some serious talent when it comes to creating tunes from start to finish and this album continued to prove it. There was not one dull moment in Beautiful Distraction and nothing sounded recycled, repeated, or cheesy for that matter.
As someone who usually finds themselves hanging out in the punk rock genre, Haunt has dropped one of my favorite albums of the year easily. This band is not to be overlooked at all and is guaranteed to entertain.
Listen below, to some of Haunt’s older tunes, snag your copy though Bandcamp and enjoy.
Preorders for Beautiful Distraction go live this Friday.
