Tag Archives: Folk

Ten Things Mike Doughty Would Like You To Know About His New Album

Mike Doughty has a new album coming out on August 30th called Yes And Also Yes.  The man, known for his lead in the now defunct Soul Coughing, continues his quest to entertain the masses one clever song after another.

There is still some time before the album drops, but Doughty wants everyone to know some things about his album.  Ten things to be exact:

TEN THINGS MIKE DOUGHTY WOULD LIKE YOU TO KNOW ABOUT HIS NEW ALBUM…

# 1 “The title, YES AND ALSO YES was the headline of my profile on an online dating site. I improvised it off the top of my head, because they wouldn’t let me post until I wrote a headline. I was unsuccessful at online dating”

# 2 “The first single, “NA NA NOTHING”, was partially stolen from a song written by Nikki Sixx, Dan Wilson (wrote “Closing Time”), and Matt Gerrard (wrote a bunch of tunes in “High School Musical.”) (I got their permission to steal it)”

# 3 “Holiday,” a Christmas song, is a duet with Rosanne Cash. I did a show with her, and she said, onstage, “I feel nervous playing my new songs, because Mike Doughty is here, and he’s such a great songwriter.” That BLEW MY MIND.

# 4 “The song “Into the Un” was written for, and rejected by the Twilight soundtrack. (It’s about goth kids on LSD in a train station)”

# 5 “I recorded it in a studio in Koreatown, Manhattan, from July ’10 to April ’11. Pat Dillett produced. Notable musicians included my trusty factotum Andrew “Scrap” Livingston on bass, and the pianist Thomas Bartlett, aka Doveman, who basically plays with everybody who’s groovy (Justin Bond, Antony and the Johnsons, Glen Hansard, the National, David Byrne, Yoko Ono). I’m releasing it on my own label, SNACK BAR, through Megaforce. I split with Dave Matthews’ label ATO so I could run my own shop and have more control, business-wise.”

# 6 “I wrote most of the songs at the legendary artists’ colony Yaddo, where Leonard Bernstein, Aaron Copland, James Baldwin, Truman Capote, Flannery O’Connor, Carson McCullers, Sylvia Plath, and a lot of other all-time giants worked. It was founded by a railroad tycoon’s wife, in her mansion, built in the 1890s. They put up artists for a month or two, feed them in an opulent dining room, and give them space and time to work.”

# 7 “I used a capsule of the antidepressant duloxetine as a percussion instrument on some tracks. I held the tiny pill between my thumb and forefinger, put it close to the mic and shook it so it made a shcka-shcka-shcka! sound.”

# 8 “I wrote a book about my ugly, drug-doing years called THE BOOK OF DRUGS. It’s coming out in 2012 on Da Capo/Perseus.”

# 9 “The song “Makelloser Mann” is in German”

# 10 “I play a Chinese lute (called a zhong ruan) on the song “Telegenic Exes #1”

# 10.5 “…in the liner notes, I say I exclusively wear Paul Smith suits and Sol Moscot eyeglasses, and eat only gummi bears made by Haribo. I did this because I hope they’ll send me free stuff…”

I have yet to hear anything off his new release (and am very curious to hear the duet with Cash), but if it is any thing like his previous releases, I know it is going to rule.

Look for Doughty to be touring this fall in support of his new release.  He is even making a stop in Cleveland.  Nov. 13th at the Beachland Ballroom.  Get your tickets now!

Download This: The Enablers cover T.I.’s “Whatever You Like”

Yeah, I am a couple years late jumping on the bandwagon on this one…

Recently Rob Coe, front-man of The Enablers,  emailed me a link to a kick ass T.I. cover that his band did a few years back.  I had heard of his Gainsville, Florida, punk act before but for whatever reason never got to check them out.

The Enablers actually are made up of other bands you may have hear about.  Rob Coe is from Fay Wray and their bassist was in some band called Dashboard Confessional.  They sound familiar…

The cover of “Whatever You Like”, originally written by the currently incarcerated rap star T.I., is brilliant.  I have listened to it over and over and just can not get enough of it.   One might be fooled upon hearing it not thinking it is a cover.  Here, check it out for yourself:

The Enablers - Whatever You Like

This cover does sound more like Lucero, but the rest of The Enablers is more like a Social D, Husker Du sound with a little Springsteen vocals added to the mix.  Not as fast and furious when it comes to the punk sound, but not exactly to be considered rock.

Here are a couple other songs I found online if you want to hear some of their original material.  I know I am digging it.

The Enablers – “Drink Beer”

The Enablers – “Tomorrow”

I am going to be searching for their material online.  I believe there is an EP out there waiting for me to purchase.  This is stuff I need to have in my vinyl collection.  I am not sure how active they are these days but I know Rob Coe did play the Suburban Home Records anniversary show last summer.

I guess there is only one way to find out…  Let’s see if Rob wants to do an interview.  Stay turned.

Those Darlins Return To Cleveland This Fall

You know, it’s been a while since I mentioned the southern bell brat pack also known as Those Darlins…  Might as well pimp them out now for a moment while I have your attention.

Many Cleveland fans were bummed to learn that Those Darlins dropped off the bill last June.  They opted to do so in order to perform a benefit show, so I guess we can not be too mad at them. 

Regardless, they have yet to make a stop in Cleveland in 2011 and it looks like this Fall will be the next time they drop by.

On October 12th, Those Darlins will be playing a show at the Grog Shop with Peelander-Z.  Can you say awesome!?!?

Stay cool Cleveland.  The girls and Lynwood will see you in a few months…

Speaking of awesome…  Looks like the girls and Lynwood are getting some well-deserved attention:

Too bad I would never drive that toaster in public.

EP Review: The Wealthy West – Volume 1 – An EP

I am back.  That’s right folks, I survived the mean streets of West Virginia once again.  After a week-long escape from everything, I am back.  I have a test already in the class I decided to take this summer so most of this weekend will be focused on studying for that.  I am, however, in need of a break so I thought I would hammer out a quick review of a pretty sweet up and coming folk act.

I would imagine that most of my readers know I have a certain love for Austin, TX.  I think everyone needs to check out that amazing city at least once in their lifetime.  I know I am itching to get back there one day soon.  Anyways, I speak of Austin because that is where Brandon Kinder who goes under the moniker The Wealthy West resides.

Many may know Kinder from The Rocketboys, an indie rock group that he supplies lead vocals to.  Kinder decided to try something on his own, a more personal folky project he calls The Wealthy West.  Fans of soft-spoken indie / folk music (Americana) will really get a kick out of his five song EP entitled Volume 1 – An EP.  It is powerful in the heartfelt department and can easily be compared to Ray LaMontange, Joe Purdy, Frightened Rabbit, and even that of the Avett Brothers.

“Love Is Not Enough” starts off the EP with a nice acoustic riff accompanied by piano playing making for a fun track that just seemed to end way too soon.  “Another Bad Idea” followed in a more gentle indie rock sound that included background vocals and even chimes.

Once I heard “Give Me Resurrection”, I could not help but think of Purdy and LaMontange as Kinder sings slowly over a faint playing acoustic guitar accompanied by whispering background vocals.  The song was really a beautiful piece to check out and had powerful lyrics focusing around the strength of love.  “Home” picked things up in the EP with harmonica joining Kinder’s signing.  “Not A Pretty Pair” ended the quick EP with a more driven sound throughout although singing of remaining stationary due to lack of time.

It’s no mystery anymore, Americana is where it’s at these days and Kinder has no problem writing his own songs to accompany the latest and greatest of a very solid genre of music.  Volume 1 – An EP was a nice and quick listen leaving me, the listener, wanting much more to hear.  With only five songs, I am curious to see what else Kinder has to offer in the near future.

The Wealthy West - Love Is Not Enough

Nick 13’s Solo Debut Is Streaming on Spinner Right Now!!!

I’m not sure what you are doing at the moment, but if you can, head over to Spinner and check out the new Nick 13 solo album that drops today.  Spinner is streaming the album in its entirety and I am loving it.

Nick 13, most commonly known as the singer and songwriter of Tiger Army, has gone a new route and created some acoustic storytelling-Americana songs that are driven by his unmistakable voice.  His solo attempt is without a doubt something different from what many people might expect from a rockabilly/punk artist, but I can tell you this…it is amazing and he did a damn good job.

From a press release I received:

Nick’s debut album for Sugar Hill Records features acoustic and electric guitar, standup bass, pedal steel, fiddle and much more from a wide pedigree of players who connected with 13’s genuine passion, understanding and knowledge of the history of the music and forward-thinking vision for the future. Some of the folks on the album include Lloyd Green, Sara Watkins, Josh Grange, Eddie Perez and Mitch Marine, in addition to the album’s producers Leisz and Intveld.

 Nick offered fans a brief preview of his solo work during encores at Tiger Army’s 2009 “Octoberflame II” event, followed by a full unveiling on the Palomino Stage at Stagecoach last year. “Nick 13 paid earnest homage to Merle Haggard and Ray Price, both of whom [followed] him shortly on the same stage,” wrote the Los Angeles Times.
West Coast shows (including a stop at the roots-music mecca Pappy & Harriet’s in Pioneertown, California) preceded a second major festival appearance at the 15th-annual “Hootenanny.” Playing second to last, just before Chuck Berry, Nick delivered an hour long performance the Orange County Register called nothing less than “an artistic triumph.” Earlier this year he made his first ever appearance at South By Southwest.
 
Nick spent much of the past two years writing and recording his debut solo album in Los Angeles and Nashville (even living above Printer’s Alley for a time) – laying down tracks like “Nashville Winter” featuring pedal steel legend Lloyd Green, the Bakersfield sound “101” and the atmospheric “Carry My Body Down”.

I hope to have a review of the release shortly, until then, enjoy…