I could be quick to say Lake Worth, Florida’s Everymen is just a folk punk band and move on with life, but that would be incredibly lazy on my part.
This band may carry some of the punk and folk qualities attributed to that genre, but they are so much more than that.
I cannot say I’d heard of this band before, but they just dropped a new release on Say-10 Records called May Your Ashes Have Stores To Tell, and I found myself really digging what they had to offer.
Everymen is like what a young Against Me! might have sounded like if a hyped Tim Barry took over some of the singing duties while the dudes from Gogol Bordello jumped onboard. I could not help but also think of Tin Horn Prayer when listening to this album as well as Old Man Markley and even Larry and His Flask.
The more I listened to this album though, the more I kept thinking that lead singer of Everymen sounded like the lead singer of one of my favorite unheard of 90s bands, Stompbox. Once I made that observation, I could not get it out of my head.
Sure that is a lot of comparisons to be throwing out there, but the band stands out with their own style and energy which made it much more interesting to get into.
The moment “Shake Your Bones” started off the album, I knew I was in for something good. This toe-tapping jam really caught me off guard, especially with the horns and crazy guitar playing.
“Dead Friends”, an ode to lost pals, kept an upbeat feel while paying tribute to those who were taken too soon. Sadly this was not the only track on the album to sing about loved ones who were no longer as “M.B.” paid tribute to Erik Petersen, the lead singer of Mischief Brew and great friend to the band, who took his own life.
“How To Live” was more of a basement sing along track over the rest. Listening to this song brought back lots of memories of me being smashed in tiny, dark basements screaming lyrics at the top of my lungs along with some of my favorite bands.
The sing along opportunities continued with he fun “Don’t Rain On My Parade”, a track that easily could have fueled an all night rager in a small, remote bar. Ironically, “Waking Up Hurts” seemed to be the morning after song compared to the previous jam.
“Don’t Stay” was dark as hell with a certain gypsy-polka sound that was all too inviting. I loved the female vocals tossed into this track as well as the fiddle playing.
It’s nice to hear such a unique album that does not necessarily rip off anyone else’s sound. I can only imagine what this band sounds like live. I am sure it is a hell of a drunken good ol time.
If you are looking for something a little different from the norm, check out what Everymen has to offer. This is one of those bands I am glad someone reached out to me asking to check out because now I can tell you to do the same. Totally worth it.
Then there was “House Full Of Dogs”, a track that clearly was fueled by a drunken recollection of personal exchanges. The saxophone in the middle of the song made it that much more incredible. This track is like the bastard child of a miserable Brendan Kelly and Bruce Springsteen fling.
Family life has gotten the very best of me in a good way, and I have not been able to dedicate a lot of time to the blog as I would like to, but here I am for now while I have a few moments.
Reading how Molina got material released by Secretly Canadian seemed like something that would have happened in a comedy movie, but it was all true. He was the stepping stone of a label that may not have gotten their start had they never connected.
It’s not every day that you hear a cover band sold out a venue on a Wednesday, but that is exactly what happened last night at the House of Blues in Cleveland.
New Orleans hardcore punkers Pears started the night off with a pretty insane set. Sadly, I think less than 10 people were really into them and the rest were just trying to get their place in the pit for the other bands on the bill. Those Pears fans did sing along to every single song and had a hell of a time. Vocalist Zach Quinn noticed this and at one time jumped out into the crowd to hang out with his fans.
Masked Intruder took stage with Officer Bradford, but there was a noticeable inconsistency. Red was missing. Apparently Red was serving time for picking pockets, but Big Luke Ferguson from Lipstick Homicide was filling in on drumming duties. Jarret Nathen from Pears actually filled in for one song too.
Officer Bradford did his thing throughout the set and at the end pulled a Har Mar Superstar and shed his uniform to reveal a singlet that showed off all of his manly curves. His stage charisma is like Ben Carr from The Mighty Mighty Bosstones in a sense, but far crazier.
The Gimmes took the stage just around 10pm to a packed house and started playing “Summertime” with Spike running onto the stage dressed to impress. From there, it was an all out party with the band dipping into their huge catalog of covers.
Bentley had me cracking up tons during the set. When it was not his turn to play, he would pretend to start playing, hesitate, make faces, and then jump into action. You could tell he really was enjoying the night. At one point when Spike was shamelessly putting in a plug for Rake It In: The Greatestest Hits album that just came out, a fan in the front row held up the LP and Bentley took it from him. The fan thought he was just going to hold it up for all to see, which he did, but then put it on the drum stage and left it there until after the set. He eventually gave it back, but not before Bentley told the fan he would have to buy another copy.
As a special treat, Spike performed a couple of times with a plugged-in ukulele including a song from his other band Uke-Hunt as well as an amazing, intimate cover of Madonna’s “Crazy For You” and also “I Believe I can Fly” with Shiflett playing a Hawaiian riff with eventually the rest of the band kicking in.
