Tag Archives: Cleveland

Album Review: Luther – Siblings & Sevens

Philadelphia pop punkers Luther recently dropped an EP titled Siblings & Sevens on Black Numbers Records.  This is the bands first official release and I must say, it’s catchy as hell.  Having formed just about a year ago, the band has a great sound to them that compares to The Menzingers, Get Up Kids, and even a little Superchunk.  The EP may only be seven songs, but each song proved this band has the potential of being a big deal.

The acoustic “Siblings” opens up the EP with a gentle, quick start.  Reminding me a lot of something The Riot Before might throw into one of their albums, I loved the song, especially the lyrics, but it just seemed to just stop.  This melodic song alone impressed me even if I felt the guitar was set down too soon.  “This Is Light Fight Club” immediately took over and set the level for the rest of the EP.  I loved the breakdown during this track that really reminded me of the 90s rock I used to adore.  The lyrics on this track begged to be sung along with as well.

“The Suitor” was without a doubt my favorite track on this EP.  Starting off like an old Gaslight Anthem song, it jumped into a tough track.  Carrying a lot of Jawbox similarities, it even had a nice little bridge in the middle with “tell me you don’t want this, tell me you can’t remember” repeating after.  At just over 5 minutes and if I had it my way, would have gone on for 5 more.  I may have been impressed before, but after hearing this track, I was a confirmed fan.

“There’s Always Money” actually featured fellow Philadelphian Tom May of The Menzingers.  I could not help but imagine this song being played in a cramped, humid basement of some random house full of excitable kids.  The gritty, raw singing just fit in well and was far from an overproduced punk rock song.  “The Communion” on the other hand leaned towards more indie rock, almost a Jimmy Eat World feel.  Good song, but not one of my choice tracks by far.  “Aztec Tomb” finished up the EP  with a lasting punk imprint as well as some group vocals at the end leaving me wanting more.

I am really looking forward to seeing what these guys have to offer on their full length release.  I have the feeling that they will not be wasting any time making that happen.  Siblings & Sevens as far as I am concerned is just a sample of of their talent.  The band has been touring like crazy (see below for dates) and will actually playing Cleveland on November 14th with Tom May (The Menzingers) at Now That’s Class.  It’s safe to say I will be there that night.

Check out Luther’s Bandcamp page and check out Siblings & Sevens for yourself!

Concert Review: Wagons / Dirt Daubers / Heelsplitter – Beachland Tavern – Cleveland, OH – 09/11/2011

Well Cleveland, I hate to say it, but you all missed out Sunday night on one hell of a show.  I am not one to usually say things like that, but Sunday night was an amazing night of music and chances are, you were not there.  For those of you who were though, I am sure you can all agree that Wagons, The Dirt Daubers, and Heelsplitter all put on a memorable show.

Sunday night was all about Americana, folk, and outlaw country inside the Beachland Tavern.  Making a triumphant return to the best little venue in Cleveland, Henry Wagons and his band Wagons traveled all the way from Melbourne, Australia making sure that Cleveland was one of their stops.  About a year ago, Henry Wagons came to the states without his band and played a solo set at the Beachland Tavern.  Later that night Wagons told me that he would bring the rest of his band back soon and play Cleveland again.  The man kept his word.

Local openers Heelsplitter wowed me instantly with their “Frankenbass”, a homemade upright bass with the body being a drum and one string bolted to neck of the instrument.  The two bearded males and cute female act played some awesome songs and had me actually question myself at one time, “are these guys really from Cleveland?”  The band reminded me of Split Lip Rayfield, a band I really adore, but did not completely rip them off.  Frankenbass, banjos, washboard, and no drums provided for a great start to the night.   I loved it when the trio all switched up their instruments and played more tunes.  I witnessed various Frankenbass playing styles  from plucking to beating the hell out of and must say, marveled at its creation.

Up next was the husband / wife act The Dirt Daubers.  Featuring JD Wilkes of the Legendary Shack Shakers, the duo, normally a threesome, admitted that they were missing their bass player and Jess would be filling in on the kick drum.  Their set was full of rockabilly, blues, country goodness and it was just two people on the stage playing the music.  Never mind the fact that Jess was dressed in quite the adorable dress, she kicked that drum all through their set in high heels as if she had done it many times prior.  Laughs were shared by the duo and crowd she Jess admitted a couple songs in that “this is fucking hard” and soon said that if she kept playing the kick drum she was going to have one Popeye leg.

JD looked like Buddy Holly in a way with his banjo and harmonicas strapped to him.  Throughout their set, they played songs from their upcoming new album titled Wake Up Sinners. I could not help but be amazed when JD would rip a harmonica out of one of the holsters attached to him and would play it.  I was more impressed when JD grabbed his washboard and showed the crowd his secret to not using a strap to secure the washboard – he stuck the legs in his front pockets.

The duo played a few more songs and covered Elvis as well as Gene Autry.  Towards the end of their set played a fast paced jam featuring a kazoo.  It was the best kazoo playing I have ever heard.

I wanted to hear more from the couple, and I think they wanted to play more, but had to kindly exit the stage and make way for the headliners.

It turned out a lot of people came to see The Dirt Daubers over Wagons and I thought for a moment some people might pick up and leave before the main act, but Jess told the crowd how amazing and fun they were the other night.  She even stated that Henry dedicated each of the seven songs on his set to each of the seven people that were in the bar the night before.  I would estimate that there were about 20 people in the tavern by the time Wagons took stage.

Opening with “Shake & Tumble” off the bands brand new release, Wagons turned the heads of anyone who was not looking at the stage.  It was not all business for the band as Henry talked to the crowd throughout songs confessing he knows “what a big deal primetime television is” and admitted that he has been powered by buttered vegetables for the last couple of days.

Henry mentioned Cracker Barrel quite a few times.  The man loves his American cuisine.  He even took a moment to ask the crowd where he could get some bacon ice cream and seemed disappointed when someone screamed back IHOP.

While playing “Save Me”, Henry left his band behind and jumped into the crowd headband and all.  Masking the best of his surroundings, he joked with the crowd how the band was probably sick of him and soon returned to his brethren and played “Never Been To Spain”.  I heard Henry play this song last year at his solo performance, but when the band backed him up this time, I was just floored with how awesome it sounded.  The band then moved into Wagons’ version of “The Gambler”, where Henry told the crowd that he wanted to be the next Kenny Rogers.

Before the band broke into “Driving Home” Henry asked for tips on getting to Chicago.  Someone mentioned toll booths and, of course, Henry found humor and asked “tall boobs?”

The rest of the band was included in discussions as well and props were given to This Way Out, the sweet shop that lies below the Beachland.  Once of the band members actually bought a shirt there prior to the show.  They did not say why, but after the show I found out he did that because he was wearing a Cincinnati Bangles shirt.  He was not trying to be crude, he seriously had no idea.  Apparently someone yelled at him before the show started.

Hoping to hear more songs by Wagons, they played more personal “Moon Into The Sun” and then closed the night with “Willie Nelson”, a track about, you guessed it…  The soon crowd was all singing along “he likes some salt and pepper with his evening meal” with the band and soon after the set came to an end.

There could have been two people or two hundred in the tavern Sunday night.  The band did not care one bit and played their hearts out to all those who attended.  The people that were lucky enough to witness that which is Wagons showed their approval throughout the entire set.  Ironically one of the guitarists told everyone that he had played a ton of shows and Cleveland was one of the best shows he ever played.  He was dead serious too.  After everything was said and done I was chatting with the band and it was either Mark or Chad that told me he was dead serious about what he said.  He loved the tavern that he just played in and was glad to have been able to do so.  They all told me they would be back again one day to rock out.  I know that is not a lie either.  I see big things coming from this Aussie outlaw county band.

Album Review: Wagons – Rumble, Shake and Tumble

Henry Wagons and I met by chance one day last September.  He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief.  His set filled up the tavern that night with outlaw folk/country jams making me an instant fan.  After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states.  Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states.  I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.

I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time.  Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album.  Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.

Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer.  The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies.  When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age.  The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.

Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm.  “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within.  The music video as seen below is pretty damn amazing as well.  “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”.  Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.

The ever catchy tribute to Willie Nelson,  properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to.  Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent  (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great.  “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to.  I would love to know what Nelson’s reaction was about this track.

“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything.  “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon.  Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up.  “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in.  “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment.  i did not know what to think about this song.  It definitely strayed away from the rest.  “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.

Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist.  Wagons and company pull off yet another impressive release that more people need to check out.  Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.

Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th.  Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live.  Not only is the music good live, but Wagons himself is a pretty candid guy.  Don’t be lame.  Get up there Sunday night.

CBS Radio Kicks Cleveland’s Music Lovers In The Pants By Yanking Radio 92.3 From FM Radio

I figured I might as well talk about the 92.3 change while I had a moment.  I know that many of my friends are all sorts of excited for the sports radio station to take over.  Honestly I would be happy too if I were into sports as much as they are. 

I guess I look at the change a little differently and not even because I think Cleveland needs to have  crappy music like Paramore and My Chemical Romance played along with even worse music like Audioslave and Staind.  Oh, dare I mention Sublime???  (It was not that bad, they played the hits of Bad Religion, Rise Against, and Rancid too sometimes…)

The rumors are true.  92.3 is now called The Fan.  Its Cleveland’s first sports radio station.  Rejoice!!! 

The logo looks….well…you decide:

Seriously, how many people that you know actually have HD radio?  I know I don’t know anyone who has one of those, and if they did, they never told me because it just is not anything worth mentioning about.  I honestly think that not many people are going to listen to the iPod on shuffle, I mean, HD-2 92.3.

Yes, HD-2 will still play music, list shows, and keep listeners informed, but it is not going to be the same.  I have no desire at all to even jump onto the HD station’s website and stream music.  Done.  Maybe me recall the time I bought a portable XM radio player thinking it was a good idea. 

92.3 has been around for as long as I can remember and it was always music related until now.  There was 92 RQCK, Jammin 92.3, 92.3 The Beat when I was younger, and then the more memorable 92.3 Extreme Radio, K-Rock, and of course Radio 92.3. 

I know that not everyone out there was a fan of Radio 92.3.  A lot of the music they played was not really my thing and sometimes repeated one too many times, but every once in a while they would throw a gem in there.  They took the liberty to cater to as many people as they could, and that is no easy task.  They kept the community informed on what was going on and even threw together some awesome shows.  One in particular was the impressive Kuyahoga Fest that K-Rock threw together years back at Blossom.

There were a couple people who worked for the FM station I felt owe a shout out to.  Not only were they entirely too cool to me, but they also supported this dinky little website of mine.

Nard, the man behind the curtain, really gave it his all when it came to that station.  Not just inside the studio, but also during promotions and events.  It’s tough to please one person, but he managed to keep the attention of all of the surrounding communities of Cleveland that set their dials to 92.3. 

The regular Sunday night locally focused Inner Sanctum, featuring Pat The Producer and Matt Wardlaw, just celebrated 18 years as a continual program only to have to find a new home.  Luckily WNWV 107.3 FM Cleveland was quick to pick them up and they will not even skip a beat sharing the local music scene with Cleveland every Sunday.  There’s some good news for some good people who I have had the pleasure to call friends for a few years now.  If you have not checked out Inner Sanctum yet, you should.  They play a lot of good quality tunage by some amazing local talent.

Will there be a new radio station to jump in and take over? Is the HD-2 92.3 going to stick around, or will CBS ax that too?  Does it matter really anymore?  How many people really listen to radio these days as much as they did 10 years ago?  I know I do not.

The fact of the matter is that Cleveland has lost another alternative rock station and good people have lost their jobs because of it.  Where as I did not listen to the station daily, I did have the pleasure of making friendships with many of the staff that CBS released.  Regardless of how shitty some of that music was on that radio station at times, the people I knew there were incredible and I am happy I was able to network with many of them.

Good luck to everyone from 92.3 that CBS took a giant Cleveland steamer on.  Thanks for all you have done for me (and the rest of the city for that matter) with music.  I am sure you will have no problem finding something else soon.  I have no problem if you all collaborate and decided to make a radio station that played all punk rock and Clutch.  In fact, I would totally be ok with that.

RIP Radio 92.3…

Don’t Miss The Inner Sanctum 18th Anniversary Concert On The Pier This Saturday!!!

Tomorrow, Inner Sanctum (as heard on Radio 92.3) will be celebrating 18 years of Pat The Producer and friends pimping out local music to Cleveland by throwing a huge festival downtown. 

Featuring live music by a bunch of great Cleveland musicians/acts like the Suede BrothersPrisoners,  Craig Ramsey, Leah Lou & The Two Left Shoes and many more, this is going to be one hell of a day-long fest!!! 

The fun starts at 1pm on Saturday the 20th at The E. 9th Pier located next to the Rock Hall.  There will be plenty of local food vendors to keep your stomachs full and even an on site tattoo shop if you care to get that tramp stamp you always wanted (I actually told Pat that I would get Pat The P tattooed on me if someone else paid for it…).

Tickets are $8 in advance and $10 at the door.  If you would like to purchase tickets now, click HERE and grab one!!!

See you there tomorrow!!!