Tag Archives: Acoustic

Concert Review: Frank Turner – Outland On Liberty – Columbus, OH – 02/22/2012

It’s a known fact:  If you speed, you risk a good chance of getting caught.  I can tell you this first hand seeing how I was speeding down I-71 Wednesday evening on my way to see Frank Turner in Columbus.  I was just outside of the state capitol cruising at about 80 m.p.h. not paying attention at all when I saw, out of the corner of my eye, a state trooper shooting my car with his laser gun.  We made eye contact immediately after, and I knew I was screwed.

In a flash, the trooper was tailing my car down I-71 and the moment I switched lanes thinking that maybe, just maybe he would pull the guy over in front of me, he switched lanes again and turned his lights on.

Crap.

I knew I was speeding and was at fault, so I pulled over and waited for the trooper to approach my car and tell me what I already knew.  I tried to tell the state trooper that I was just cruising along and not paying attention to my speed because of how excited I was to be seeing Frank Turner at a venue in Columbus.  The trooper looked at me and asked who Frank Turner was.  I wanted to tell him all about one of my favorite musicians and persuade him to let me off the hook, but just told him that he was a punk rocker folk artist from England.  The trooper smiled at me and told me that he would be back in a moment with my ticket.

Shit.

So, my trip to Columbus from Akron cost me an extra $130 and I have no one to blame but myself.  Then again, if the trooper knew who Frank Turner was, maybe he would have shared his excitement with me and let me off.  After bidding the trooper a farewell, I jumped back on to the highway and made it to the Outland on Liberty.

Having never been to this venue before, I was not sure what to expect at all.  Hell, I had to ask a parking attendant where is was only to feel like a complete idiot when he pointed to the building directly across the street.  To be fair, it was my first time to the brewery district.

Outside, the Outland did not really resemble a venue at all.  Granted Turner’s tour bus was parked in front of it, I did not notice a sign for it nor did it look like your typical concert club.  There was also a Eiffel Tower metal-looking structure in a patio area that towered over everyone that stood out.  I was not sure what the significance was at all, perhaps a tribute.  Walking inside though, I had a completely different impression of the concert venue.  The place looked like what would happen if Austin Powers’ clubhouse turned into a goth club.  Crosses adored the walls and there was a giant tiered stage full of lights.  It was interesting and to be honest, I kind of dug it.

While asking myself if that stage was for real, I realized that there was in a completely different room that hosted the main stage.  Once I made my way to the stage area, I felt a little better about seeing Turner and crew play a normal stage and not a plexi-glass tiered stage, although that might have been awesome.

There were two opening acts and I will not lie,  I did not watch either of the openers as I was too preoccupied with catching up with some of my friends, new and old, who also were attending the show.  I will say though that I did hear one of the guys singing a song about Touchdown Jesus.  That is pretty bad ass if you ask me, but chances are if you are not from Ohio, you have no idea what that heck I am talking about.

Frank Turner and the Sleeping Souls (his full band) took the stage around 10 p.m. to the adoring crowd.  Opening with “Eulogy” from the band’s latest release England Keep My Bones, Turner and crew put forth an amazing set.  Playing songs, old and new, the crowd sung along at the top of their lungs with each song.  It was not just a concert, it was a party, a gathering of friends all having a good time.  Following was “Try This At Home” and I could not help but get lost in the song.

Turner and crew continued on playing tracks such as “I Am Disappeared” as well as his tribute to home “Wessex Song”.  I liked how Turner told everyone that he could care less about songs about NYC and L.A. and wanted to pay tribute to where he grew up.  When he asked the crowd if anyone had ever been to England, a few hands rose, and when he asked if anyone was from England, a girl screamed in excitement that she was. I am sure she appreciated that song more than anyone else that night.

Not just keeping to material the fans knew, Turner played a couple brand new including “Cowboy Chords” and “Four Simple Words”.  The latter of the two was really fun to listen to.  Before he sung it, Turner told the crowd that he hoped one day that the crowd would break into a choreographed dance when he played it.  The crowd did their best to dance together, but it was no Broadway performance.

In between the new songs, Turner played “Dan’s Song” but let the crowd know that no one would be invited on stage to play the harmonica solo as he was afraid that there might be a few people who might get pissed that they were not chosen and punch him in the balls after the show.  Instead, he invited the entire crown to play the “air harmonica”.  Basically, everyone cupped their hands into an O shape and screamed whatever noise they wanted to in their hands.  It was no harmonica solo, but it did the job.

Although one of his more popular songs, I was still psyched to hear the band break into “The Road” and later “I Still Believe”.  I could not help but laugh though when they played “Glory Hallelujah”,  knowing that it was Ash Wednesday.

To end the night, Turner set down his acoustic and took the mic belting out Queen’s “Somebody To Love” while the rest of the band rocked out.  This cover was the perfect way to end the show.

It was kind of suiting that the set ended with a Queen song seeing how in the very first song played that night, Turner sang “not everyone can be Freddie Mercury”.  Did anyone else catch that?

Throughout that impressive cover, everyone went insane and naturally wanted more, so it was no surprise to see Turner return to the stage moments after everyone exited.

To barter with the crowd, Turner promised two more songs during the encore and then added one more .  Turner, sans the Sleeping Souls, played an awesome cover of Tom Petty’s “American Girl” and a lot of people could not help but sing along.  Following was the always fun “Ballad Of Me And My Friends.”

During the last song of the night, “Photosynthesis”, the rest of the band joined Turner  on stage and played along.

Frank piped up just before the last chorus of the song and let the crowd know how he felt about rock n roll and said, “I’m always disappointed when rock n roll turns out to be a bunch of fucking dickheads with a tour bus and a raised piece of flooring who show up and make noise with a bunch of fucking hits and just turn around and go home. And no one talks to anyone anymore and no one fucking interacts and it’s boring and pointless and not the kind of shit we are supposed to be doing with our time.”

He continued with, “rock and roll is and always is, and punk rock especially, was about a run for the people who are equals and who are friends, who don’t have a fucking barrier who are doing something together and something communal, something transcending, something necessary…”

Needless to say, the entire venue went ballistic.  His words may very well single handedly changed they way people look at rock n roll in Columbus.

He was not joking about what he said either.  Once the band finished up, they all hung out with the crowd that stuck around.  Turner actually took time to talk to each and every fan that approached him, allowed photographs, and even signed records, fliers, and even a 20-year-old polo shirt (that was odd if you ask me, but who am I to judge?).  I think the greatest thing though, was that Turner was sincere with each interaction and wholeheartedly smiled and his fans, shook their hands, and even gave out hugs.

When I finally had a moment to chat with him, I thanked him for coming back to Ohio and could not help but tell him about my speeding ticket.  He laughed and grabbed my record  and signed it “Keep Speeding”.  He also was quick to give me a hug after we finished talking and I accidentally head butted him.  I was quick to apologize and he laughed and said “it’s ok, I feel as if we are now closer…”

Star struck?  Not one bit.  The guy is just like you and I.  He is real and does not play out for the paycheck.  He appreciates his fans as much as they appreciate him and that, to me, is beyond admirable.

Wednesday night was a good night in my book, well, not the speeding ticket part, but spending time with with some cool people and listening to one of my favorite acts out there definitely was.

Set List:
Eulogy
Try This At Home
If I Ever Stray
Prufrock
I Am Disappeared
Lore, Ire and Song
Wessex Boy
Fastest Way Back Home
Cowboy Chords
Dan’s Song
Four Simple Words
The Road
Peggy Sang The Blues
One Foot Before The Other
Glory Hallelujah
Long Live The Queen
I Still Believe
Somebody To Love (Queen Cover)

Encore:
American Girl (Tom Petty Cover)
Ballad Of Me And My Friends
Photosynthesis

The Revival Tour – Spring 2012

The Revival Tour is back on the road and will be swinging through Cleveland on April 6th! 

The Cleveland stop will feature Chuck Ragan (Hot Water Music), Dan Andriano (Alkaline Trio / In The Emergency Room), Cory Branan, and Nathanial Rateliff all playing at the Grog Shop.  This is going to be a night to not miss! 

Get your tickets now! There are also bundles available for purchase as well where you can score a ticket and a special vinyl.

Interview: Dave Hause

Photo by Lindsey Byrnes used with permission.

Any fan of punk rock music these days should know the name Dave Hause.  He is an amazing musician who not only fronts The Loved Ones, but also has been quite successful at being a solo performer.

Touring over the years with the likes of Cory Branan, Brian Fallon of the Gaslight Anthem, Dan Andriano of Alkaline Trio, Frank Turner, and Mikey Erg just to name a few, Hause has had no problem playing his solo material to the world.  His songs are infectious to say the least, and always make for a good time.

In 2011, Hause released Resolutions at the beginning of the year and toured non-stop in support of the album.  When I saw that there was not a Cleveland date, I reached out to him for the below interview and decided to try my luck and asked him to play a house show.  He and tour-mate Branan were all about it and with help from some friends, we put on a show at the Gurley House in Akron, OH that topped my list of live shows in 2011.

It’s still early in 2012 and Hause is already touring overseas.  The guy just does not seem to stop.  All I know is that his debut solo album was amazing and I can not wait for his next release.  I would be happy with a new Loved Ones album any day, but there is just something about his solo material I am just drawn more to.

Before, during and after that awesome December evening, I had a few chances to chat it up with Hause.  Here’s what he had to say:

BHP: Last year came to a quick end, rather quickly if you ask me. How was 2011 for you?

DH: It’s been a great year for me musically, I’ve been all over the world playing songs I made up on my couch with tons of great people.

You have been touring a ton this past year with everyone from Hot Water Music to the good folk on the Revival Tour. How different is to tour without The Loved Ones?

It’s pretty different, I’m much more mobile and able to do whatever I want socially. I miss the revelry with my buds and playing loud some nights, but I do enjoy the ability to just get up and go with ease.

Is there a backing band touring with you?

Not touring with me, no. Where I can put people together for a few shows or a one off or something, I’ll do that, for instance NYC and Philly on this tour I have a full band. But not yet, I’m working towards that in the future.

You toured with Cory Branan towards the end of last year. Any reason Cleveland was overlooked?

Cory’s booking agent put the whole thing together and then asked if I would like to come along. I think he has something against Cleveland. Not Cory of course, but his booking agent.

Luckily I was able to persuade you and Cory into playing some songs at a house show in Akron. Thanks for that by the way. I hope you guys had a good time. I know some of the folk who showed up there that night were beyond stoked to see you and Cory trade off on songs.

We did, thanks for having us. It interrupted our movie marathon but was worth it.

 

Photo by Andrew Wells

Has Cory given you any tips how to shred on the acoustic? That guy is insane when he does that.

He told me he learned those from some guy with horns at a crossroads down south, and was reluctant to share them with me.

So it was just Cory and you on the road for this past tour right? Who took over the driving duties?

Cory drove unless whiskey Cory showed up. Then I’d try my hand. Whiskey Cory probably would’ve been better…

You gave a shout out to Matt from American War that night, did you think he was in the crowd?

No, I just thought of his music due to the fact we were in Ohio. He’s a terrific talent.

That he is.  So, how did the rest of the East Coast tour treat ya?

Interesting and quite fun.  Philly was great, New Haven was, well, north of New York city…

Did you see a lot of Loved Ones fans at the shows? Have there been mixed responses from them about your music?

Loved Ones fans have been way into the record and the shows. I write for the Loved Ones and I write obviously these solo songs, so it’s just minor tweaks of aesthetics that separates the two.

I heard you will be playing with Frank Turner in Europe next year. How stoked are you about that?

I am doing one enormously huge show with FT in England. I haven’t heard about any tour, but we always get together drink whiskey and talk about all of the touring we will do, so sooner or later it will happen I would think.

What made you initially want to drop a full length solo album anyways? Not that I am complaining or anything,. Resolutions is amazing. Just curious
If this is something you wanted to do for a while or if you needed to take a break from the loved ones.

I needed a break and wrote some songs that weren’t best suited for the Loved Ones and one thing led to another.

 

Photo by Andrew Wells

Who are your major musical influences that helped mold this solo release? It is safe to say this is not a punk rock album at all.

Well really not much different, writing songs for anything always hold the same basic influences. As far as the aesthetic, I love what Conor Oberst did with his 2 solo records, what Jenny Lewis is up to, Jonathan Rice, Deer Tick, Patty Griffin, etc. Just more modern songwriting acts. Jason Isbell and Amanda Shires both are terrific as well.

I love how you have so many friends / musicians contributing on Resolutions. Was it easy to recruit everyone? Were there others that did not make it
on the record that you asked?

It was totally easy, everyone was so gracious with their time and really excited about the songs and the project. Some of my dearest friends and some amazing musicians played on it. Actually there were people who later said “why didn’t you ask me?”, not really the other way around. I’m a lucky girl.

You sister actually played organ on Resolutions. Does she happen to play in any other bands?

She hasn’t. She played some recitals as a kid and then The Loved Ones dragged her out on tour on Build & Burn. I keep telling her to get her ass into a local or cover band to keep her sharp.

I can hear many styles of music in Resolutions including a little country twang. With all of your punk rock history, I was kind of impressed to hear that your solo material was not just you and an acoustic guitar. Did you actually write all of the music in the album or did you get some assistance?

I wrote all of the songs, but when it comes to the specific bass lines, guitar parts and that kind of thing, I knew the people playing on the songs are amazing and let them just go for it. Pete and I sometimes would guide them in the direction more suitable for the vibe we were going for, but by and large their initial instinct governed the parts. Chris Gonzalez in particular wrote so many cool guitar parts. It was really amazing.

The video for “Time Will Tell” clearly pays homage to Martin Scorsese’s short The Big Shave. Where did you get the brilliant idea to add your own
spin on the film?

I went to film school for 2 semesters before quitting college. I have always been a huge fan of film and Scorsese is a cornerstone. Not sure where the idea to do that came from, but I must say, I’m glad the idea came. I love how it turned out.

Will The Loved Ones be releasing anything anytime soon?

Not sure. I have a whole record almost done, but not sure what the schedule is gonna be like.

Are you going to help Chris Gonzalez on his solo album? He still plans on recording something right?

He doesn’t need help, he’s amazing. I’m going to sing some on it I think. I am chomping at the bit to hear it finished!!

You are living the dream man and it does not look like you are slowing down. What’s next for you?

Making up songs, recording them, then playing them for people all over the world. That’s living the dream in my book, and I don’t want to slow that down.

Billy The Kid & Joe McMahon Song A Day Performances

So apparently Billy The Kid and Joe McMahon (Smoke Or Fire) decided to cover 31 songs in 31 days for the month of January.

Going by the title Billy + Joe, the duo has been dropping an acoustic cover a day and have been posting them on Facebook.  Not just covering punk rock favorites, the band has been selecting all sorts of songs from a wide array of artists at their, and other’s, discretion.  I guess my question is, are they going to start writing their own material?  They really compliment one another quite well.

They have been actually taking requests for more songs to cover through their Twitter Page.  With a few more days left, it does not hurt to try and throw them an idea.

Have you heard of this little project yet?  If not, you are missing out on some fun covers.  Here are a couple of my favs:

Want to see all of the covers to date? Check out their YouTube Page.

Interview: Jeff Rowe

Singer / songwriter Jeff Rowe is one of the most DIY guys I have had the pleasure of meeting.  A few months back, he stopped and played a show in Akron at the Gurley House.  I remembered canceling plans to see another band that night just to make sure I could see Rowe play.  I’ve been a fan of his music after I reviewed his solo-debut Barstool Conversations last year.  There was just something about his sincere-ness in every song that I ate up and when I found out he was touring, I really wanted to make sure I was in attendance.

That night, I chatted with Rowe for a while and I will say this: He is hands down one of the nicest people I have ever had the pleasure to meet.  His wife was pretty damn awesome too.  His stories were great and he was just so happy to be able to play for everyone at the house that night.

I finally got some time to chat with Rowe again, this time through email, as I feel more people need to know about this DIY musician.  I look forward to the next time he swings through Akron and can not wait for his next release.

BHP – First and foremost, for those who do not know you, who are you and what is it that you do?

JR – I’m a songwriter (sigh) from just north of Boston. I tour a lot and do my best to have a great time and make friends along the way. I’m more of a story collector than a story teller.

You grew up in a tough town just outside of Boston. How did you deal with the hard times as a youth?

The fair city of Gloucester, Massachusetts made for an interesting childhood. In all my travels I’ve still not yet come across a place quite like it. “The Island” is really a conundrum of sorts that is packed with characters that Hemingway would have been banging the keys for if he were writing an episode of the twilight zone. I had a mixed bag of a childhood but falling in love with music in many ways created an exit strategy for me and a way to not fall into some of the trappings that we all know too well.

What types of music were you listening to while growing up?

In the kitchen and living room my mom would be listening to Neil Diamond, Joan Baez and various Motown artists…from my brothers room i would hear Metallica, Slayer and COC… From my sisters room could be heard The Dead Kennedy’s, The Pixies and the Violent Femmes… I think all of that wound up giving me a healthy appreciation for music and shaped my listening habits as a child.

So how did you get your start as a musician? Was Boxing Water the first band you were in?

I got a guitar when I was fifteen years old and started a few local punk bands and helped start a small venue that would later play a vital role for the north shore punk scene as a whole, a life source of sorts. It was a room that held maybe 40 people but we’d pack in a hundred. It still amazes me today thinking about how many bands came through our little venue that went on to be national acts. It was all very DIY for me from the start, my feeling was that if you want something to happen you’ve got to make it happen because no one is gonna do it for you.

What happened to Boxingwater? Where can I find some of their songs at?

Boxingwater was together for 6 or 7 years, we started moving around a bit and it just got to be too hard. Two of the members of Boxingwater are now in the band Landmines and they are fantastic. I was in several bands before Boxingwater but that band was the first time i took it seriously and tried to do something that would go beyond Massachusetts. Most of our stuff is now out of print but I think we may try to get some kind of discography going one of these years, I’ll send you some songs though.

Sweet!  You left a punk band and completely shifted in musical style.  When did you decide that punk music was not your thing anymore?

I’ve never felt that punk wasn’t my thing at all, playing acoustic is something that I’ve been doing for many years now and it just sort of took over organically and went from convenient to a legit outlet. I love playing songs alone and feeling like I’m walking a wire of sorts with no band to fall back on but at the same time I really do miss playing in a band. That is something I am going to re-visit at some point for sure. Right now its so much easier to tour and write on my own.

Playing acoustic music huh? How did that transition happen?

To be honest I started playing acoustic shows years back when I couldn’t find a drummer and it forced me to take a more detailed look at my songs and how I’d be able to format them to be played acoustic. It really just kind of stuck and i got offered more shows and just went with it. My horizons have been broadened as a result and I’ve stumbled (literally) across some great music that exists beyond the bounds of the punk community.

I heard that you left Boston for Richmond, Va., to more or less perfect your musical style. Is that true? Did you have any influences there that helped you fine tune your act?

I actually moved down to RVA with a bunch of Boston friends because it was much cheaper and we thought it would be easier to tour, not to mention that Richmond is a great city as well. I made many friends down there but I’m not sure how much of an effect it had on my music or playing acoustic in general. Richmond has always had a wealth of great bands from Born Against and Inquisition up to Smoke or Fire and Landmines.

Your debut full length Barstool Conversations was dropped about a year ago, how personal were the songs on that release to you? It was not the most upbeat album, but to me hit me hard in a good way.

Barstool for me is a very personal record. There is a lot of myself and my close friends in those songs. In a way I think songs are my way of confronting some things in my life that I otherwise couldn’t find the words to articulate or convey what it was exactly that I was feeling. Those songs are all very real for me and I’m proud of that record for what it is and even though in some cases it makes my head spin that those songs had to be written, I wouldn’t change a thing.

You have toured not only the US but also overseas. What were your experiences like while traveling?

The travel is one of the absolute best parts of touring for me. Music has taken me to places that I never thought I’d get the opportunity to see and I’m real thankful for that. I’ve made some friends in far off cities and countries that I will have for the rest of my life and nothing can touch that. The experience of letting your guard down in a foreign country and just going with whatever the days and experiences bring is something that I’ll always keep close and those memories are the ones that inevitably stick when the tour is over.

You tour with your wife correct?

I always tour with my wife Alissa. She is my best friend and to be honest she’d much better with handling the rigors of the road and more adept than most folks I’ve ever traveled with. At the end of the day we both want the same things and neither one of us is willing to fracture our relationship over extensive touring so we do it together, the planning, the routing, merch etc…

You dropped an EP in the spring called New Winter, New England. I dug what I heard, but what exactly is a Tragabigzanda?

Tragabigzanda is what the city of Gloucester was called by its original inhabitants. All that seems to be left of that history is a road on the outskirts of town where wealthy folks “summer” called Tragabigzanda. I used it because I thought it was fitting because the song is really about trying to remember the innocence of teenage years and the steps that were taken to inevitably lose it. Also there is an amazing poet from Gloucester named Charles Olson that dropped it a few times in his earlier work.

Are you going to record a new full length anytime soon? Will you put that song you recorded in a hotel room in it? I forget what it was called, but I loved it when you played it live at the Gurley House.

Right now I’m writing and culling through a bunch of new songs to start piecing together the next record, not sure of any timeline, but by the end of 2012 I’d very much like to have a new record out. That song is called “simple & fair” and I’m 99.9% sure that’s going on the next one.

When we chatted the night you played Akron, you were telling me some funny stories about touring Europe. Care to entertain the readers here with one or two?

Where to begin… I’ve actually thought about compiling a bunch of road stories for a zine and giving them out at the merch table to anyone interested. I could take up pages and pages for this one. I’ll just say that I’ve got a doozy that takes place in Russia and involves a man that’s incapable of reading social queues, a potential kidnapping, wild dogs and Dostoevsky.

Potential Kidnapping?  I do not think you told me that one.  I would totally love to read that.  So, when not touring you have quite the cool job back home in Boston. Who is it that you work for again?

I have been a professional craft brewer for the last five years with Harpoon Brewery in Boston. It’s a fantastic job that couples hard work with science… perfect for a dork like me.

Two dream jobs, man you lucked out. What’s next for Jeff Rowe?

I’ve got a split 7″ with a sick pop punk band called Mayflower. We both have an original and we cover one of each others songs. I’ll be playing Fest 10 and plan on hitting the road again in Feb. It looks like I’ve got Europe, U.S., Canada and beyond on the docket.

Check out Jeff Rowe’s website, http://jeffrowemusic.com/, for more videos and updates from this one man band (and his lovely wife).  If you want to hear more of his music, head over to his MySpace page or Facebook page.  Better yet, head over to Anchorless Records and grab one of his albums!

Jeff Rowe from efi on Vimeo

This video was Jeff on a boat overseas.  I remembered him telling me he played a show on a river.  I love it when the fans sing along…