Category Archives: Review

Horrorpops – Kiss Kiss, Kill Kill – CD Review

Horrorpops
Horrorpops

One of the more unique acts out there in the music world, The Horrorpops, released their third studio album Kiss Kiss Kill Kill earlier this year.  The Danish act with original members (who are also married to one another) Patricia Day on stand up bass and Kim Nekroman on lead guitar have been rocking out since 1996, thanks to their unique mixture of rockabilly, surf, psychobilly, and punk rock music.  They were a huge success overseas but it was not until around 2003 that the band got their US break thanks to Tim Armstrong’s (Rancid) label Hellcat Records.

Recently finishing up their mini-set tour on the 2008 Van’s Warped Tour, the band just announced their headlining fall tour in support of Kiss Kiss Kill Kill.  With bombshell Patricia Day’s giant stand-up bass and smoky singing, layered with Kim Neckroman assaulting his guitar, and Niedermeier’s drumming, the band should have no problem entertaining the masses.

The CD seemed to have a rebel theme with the song titles and lyrics, with many in reference to many female films. The CD cover mimics a poster for a B-Movie.  The sound on their third release seems to keep the same as previous without going over any boundaries to make a significant change.

Opening track “Thelma & Louise” of course makes suggestion of driving just like Susan Sarandon and Gina Davis did in their girls gone wild of a film.  Patricia Day sings strongly in this track and the music backing her up is very catchy.   “Heading For The Disco?” already is played a lot over the airwaves, especially on Sirius Radio’s Faction.  The song is a bit poppy but still delivers the pop-rockabilly feel with bass plucking and drumming making you want to boogie down.

“Kiss Kiss Kill Kill” really sounded like the Cure at the beginning, that is until the harmonies began.  The song holds Patricia Day’s cries “Kiss kiss kiss me dantly, kill kill me quietly…” with a “whoa oh oh oh” in the wake.  The song is a little gloomy, but I really dig the guitar playing.  It is a simple riff but is the type that sticks out.

Starting with what sounded like a repeat of a bass line from another Horrorpops release was “Everything’s Everything”.  The track about not wanted to let go of a complicated relationship was a reminder that this band is not about sunshine and rainbows.  Nekroman strums away during “Private Hall Of Shame” with almost a southern rock feel to his playing.

By no means is this a traditional rockabilly/psychobilly band.  They stray away from the rest and incorporate their own style to make for a more unique feel.  On their third release, I say the Horrorpops still have it and I really enjoyed what I heard.  If you want real rockabilly this band may bestow you mixed feelings but if you are looking for something fun to listen to and have a good time, then this is the perfect release for you.

Street Dogs – State Of Grace – CD Review

One of my favorite Irish infused, punk rock bands the Street Dogs dropped yet another release over the summer titled State of Grace.  Fronted by the one time lead vocalist of the infamous Dropkick Murphys, this CD delivers powerful punk rock anthems fueled with a traditional Irish feel to it.  This is the band’s fourth release and their first under Hellcat Records.

Street Dogs
Street Dogs

Lead singer Mike McColgan is one of the most American punk rockers you will ever meet.  Before fronting the Dropkick Murphys, he served time overseas during the Gulf War to help pay for school.  When he returned, he helped start the Dropkick Murphys in 1996 and released Do or Die; it was the only album he released with the band.  In 1998 he left the Dropkick Murphys to pursue his dream of becoming a fireman.  Fast forward a couple of years later to 2002 and McColgan got the music fever again and started the Street Dogs.

On their fourth full length release the five-some sounds stronger than ever.  Album opener “Mean Fist” is impressive with a full on punk rock approach start to finish.  “Into The Valley” sounded like an anti-war group marching song insuring escalating spirits for all soldiers involved in this senseless war.

Other stand out songs are “Rebel Song” with McColgan signing his heart out about standing up in a poor nation to rise above.  The song reassures the underprivileged that they should continue to do what they do and unite.  “The General’s Boombox” continued the high spirit lyrics about staying true to yourself.

“Elizabeth” reminds me of an Irish pub song that everyone in the house could sing-a-long to.  Another sing-a-long track “Two Angry Kids” would be best listened to away from the bar as the song makes you want to dance wildly around and pump your fists in the air.

“San Patricios” is by far my favorite track.  The Irish meets Mexican song is insane.  I loved the Spanish singing and guitar riffs layered with punk rock.  The Irish/Mexican unity track recalls back to the times when the Irish teamed with the Mexicans for their fight against the US to save Mexico.

If you are looking for a band that has similarities of the Dropkick Murphys keep in mind that even though McColgan was the original lead vocalist that the Street Dogs take a different approach at Irish punk rock with less bagpipe playing and alcohol inspired tracks.  From political views to the love of family and friends this CD was amazing especially the third time I listened to it.

The first listen was an introduction but by the third listen I was hooked.  This is one of the better punk rock albums that has been released in 2008.  Street Dogs exist because of the love of music for an Irish gent straight out of Boston.  If you are looking for punk rock at its finest go out and grab a copy of State of Grace.

Check out the Street Dogs live this fall.  For more info visit their website or check out their MySpace.

Hawthorne Heights – Fragile Future – CD Review

Hawthorne Heights
Hawthorne Heights

A lot has been going on for Ohio’s screamo act Hawthorne Heights since their last release.  Having said goodbye to a friend and band mate as well as dropping a lawsuit with Victory Records, the band continues to cope and mature throughout.  Not letting the past affect them in a downward way, the band proves they refuse to stop with Fragile Future, their third release on Victory Records.

On November 27, 2007 Hawthorne Heights guitarist/screamer Casey Calvert was found dead on the band’s tour bus just prior to their sound check at a Washington D.C. music club.  The cause of death was determined to be a possible drug interaction but according to the band’s drummer Eron Bucciarelli it was not a result of hardcore partying but an accident as Casey Calvert was taking other medicines from a recent root canal.

With the death of a loved one the band stated they would continue to go on and never add another guitarist/screamer to their band.  After taking some time to themselves and writing new material the band hopes to once again achieve success with Fragile Future even though this time they are one man down.

Of course, the first thing that stands out on this release is the omitted vicious screaming.  It would appear that Hawthorne Heights did not even wish to replicate their lost friend’s talent and that, to me, is respectable.  Also dropping the lawsuit with Victory Records and patching up past decisions proved the band is on the rise.

When “The Business Of Paper Stars” started I was waiting for the well known screaming backing up lead singer J.T. Woodruff but instead imagined it in my head.  There is plenty of opportunity in the song for screaming but the band strays away from that and is now more emo. 

Their healed sound continues in “Until The Judgment Day” with memorable lyrics of being “battered and broken” as well as “don’t look back, don’t you ever look back until the judgment day”.  Looks as if the band put down the boom box to win the girl attitude and started to see there are more things in life out there.

“Four Became One” was the track I was looking for on this CD, knowing how they lost Casey Calvert.  The song really is about the band’s closure with the difficult situation they were subject to.  It’s an ode to their friend for the entire world to hear.  Having lost friends in my past, I felt their pain in this song.

“321” is the closest song on the CD that shows aggression with a mild screaming dwelling behind the singing.  The guitar playing is likable and heavier than the other tracks making for one of my choice cuts.  “Come Back Home (Reprise)” was another track that held on to the the old style, especially with borrowed lyrics from “This Is Who We Are” off their sophomore album If Only You Were Lonely.

Fans of Hawthorne Heights will be happy the band continued on and with their change of style and I can see some new folk becoming fans.  It is a change, especially if you put this CD in hoping to hear the screamo. This is not their strongest album to date but the fact that they did not let the past hold them back makes them a tough band now.  Hawthorn Heights defines the emo genre now that they have experienced true sorrow.  Mature and structured, I expect much more from this band in years to come.

Check out their lastest video for the song “Rescue Me”:

Beat Union – Disconnected – CD Review

Beat Union
Beat Union

UK pop punkers Beat Union previously released Disconnected at the beginning of the summer, unknown to me. The band first grabbed my attention when I caught their live set at the Vans Warped Tour 2008 and much to my surprise, they are a first-class act.  Their take on punk rock mixed with elements of new wave really was fun to listen to, not to mention their stage presence was outstanding.  Disconnected is the band’s debut CD and was released under Science Records.

CD opener “Disconnected” started with a very catchy style that easily could be the next hit song to hit the airwaves.  The song reminded me of what the Proclaimers or XTC might sound like if they were punkers.  “Pressure Zone” followed with typical lyrics, a great bass line, and added horns making for a great listen.The very Elvis Costello like “My Heart Starts Beating” was likable and seemed to focus on the pop and strayed from the punk.  “Dancing In Our Sleep” seemed to follow the same trend but suddenly erupted with a nice little “whoa” sing-a-long ending.

“Stay On The Line” has lyrics along with great guitar sounds that potentially may get stuck in your head as it stands out as the most likable track on the CD for me.  It’s just one of those songs you start thinking about later after listening to it and suddenly the chorus is repeating in your mind.  “She Is The Bullet” followed and with a monotonous beginning to the song thankfully erupted with energy.

“Can’t Stop The Radio” was my personal favorite track on the album.  It was very suggestive of UK punk and new wave artists from the past and just sounded excellent all the way though.  “Don’t Have Love” was another track I got a kick out of.  There is even a secret dub-style remix of “Can’t Stop The Radio” that in my opinion blew away all of the other tracks.  I almost wish the entire CD was dub inspired, regardless though, it was a good listen from beginning to end.

For a debut release, it sounds like these guys have been recording albums for years.  Perhaps the solid sounds were tweaked out by producer/front man of Goldfinger, John Feldmann.  Regardless, Beat Union has won me over as a fan seeing them live and also thanks to Disconnected.

I am really happy the band decided to travel overseas and introduce themselves to the US by playing here over the summer or I might have overlooked them.  I am even more excited to hear they are going to be touring with Flogging Molly later this year which means a longer live set.This band has plenty of potential and seems to have ignored those who think they are just a fashioned mainstream band that will soon disappear.  Even if they do replicate the English Beat or the Clash in a sense, the band has a great upbeat sound and I am really looking seeing more of them very soon.

The Briggs – Come All You Madmen – CD Review

The Briggs are a punk rock act that had a hard time getting to me.  I am not saying that I was forced to listen to them; rather I missed many occasions to sample them in the past.  I either heard a song by them on a compilation and never researched it or simply showed up to a live show just as they left the stage.  Missed opportunities did not discourage me though as I finally had the prospect of seeing the Irish punk rockers The Briggs live at the 2008 Van’s Warped Tour and I made damn sure I was in the audience before they took stage.

The Los Angeles punk rock act won me over with their punk rock energy and wholesome sound.  I was excited at my decision of finally checking them out as they were one of the few true punk rock acts on the popular tour.  Recently releasing their fourth full length album Come All You Madmen I finally got a taste of what I have been missing all these years and I must say it was scrumptious.

Formed in 2001 the foursome has continually toured the US with heavy hitting punk rock acts such as the Dropkick Murphys and Bad Religion.  They work hard at what they do and take it to heart.  Once quoted as saying that Bob Dylan and Elvis Costello are more punk than most of the punk bands out there today by taking chances and being serious about what they do, The Briggs continue the trend.

“Mad Man” started up the album with politically powerful lyrics and had plenty of sing-a-long opportunities.  The Briggs’ ode to “LA” almost has an Oi feel to it but by no means sounds like a simple creation; this ode is heartfelt to their hometown.

“Bloody Minds” had a hint of Against Me! to it, but the song was really likable, especially the horns making for one of my choice cuts off this disc.  Another track “Not Alone” really captured my attention too.  The song was catchy with unity inspired lyrics layered on top of pleasant sounding punk rock.

“Oblivion” takes a change in the CD’s direction toning down the punk rock feel. The change is welcomed as it is a great song more rock and seemingly more personal to The Briggs.  “Final Words” slows down a tad with a song I feel might have sounded a little better if it were sped up.  At times I am reminded of something the Clash might have created but not enough for me to want to keep this song on repeat.

“Molly” crawled past me as the closer of the album.  What a change in tempo from first to last song.  The song is more of an Irish bawl that would be suitable for a drunken evening in a pub.  I am not sure why the band started so strong and then ended it with almost a sleeper of a track.  Perhaps it was a metaphor I completely missed.

If you are thinking that maybe punk is dead or over processed then maybe you should check out The Briggs.  In my opinion they were one of the bands that helped make the 2008 Warped Tour more memorable and after seeing them live and even talking to them at their merch tent (friendliest band ever), I had to check out their newest release.  What they have created was not thrown together in hopes of making a quick buck.  They are very passionate about the music they display and prove it on Come All You Madmen. Check out their MySpace page if you need some proof.

The Briggs - Live @ Cleveland Warped Tour 2008
The Briggs - Live @ Cleveland Warped Tour 2008