Category Archives: Review

Frank Turner – Poetry Of The Deed – CD Review

Folk/punk/rock has never sounded so good thanks to former UK post-hardcore singer Frank Turner who took elements of the genres and self-formed it into something simply wonderful on his latest release.  Not to be considered a solo attempt this round, it is clear throughout the album that he has an amazing backing band that helped him and perhaps even added a little of their own style to it.

Having been in multiple bands over the years and working non-stop while doing so, Frank Turner continues his desire to be an amazing musician.  After what seemingly felt like an eternity since I first heard word of the release, the hardworking Frank Turner has finally dropped Poetry Of The Deed in the US thanks to Epitaph Records.  How hardworking you ask?  This will be his third release in three years.

“Live Fast Die Old” starts of the album full forced with more so of an indie rock that immediately captured my attention.  As if his singing was not an attraction enough, the supporting music from the full band including keyboard and back up harmonies just seemingly invited me into his world and I must say I felt welcomed.  It’s the type of song you tap you foot to and bop your head as well.

“Try This At Home” had a slight upbeat feel that exploded with great, well thought out lyrics about the real DIY musicians in the world who care and work for what they believe in and called out the superficial money hungry performers.  One line in particular that stood out over the rest to me declared that there is “no such thing as rock stars, they’re just people who play music, and some of them are just like us, and some of them are dicks.”  Well said Mr. Turner.

“Dan’s Song” is the type of song I could only wish was written about me.  The reminiscent jam goes from past history to future with sick harmonica playing. “Poetry Of The Deed” to me sounded like a heavy Avett Brothers song with Frank Turner repeatedly bolting out “life is too short, to live without poetry, if you’ve got soul darling, now come on and show it me” at the end of the track.

“The Road” was a sing along favorite of mine on the album.  Heavy on the folk and added country twang made for a catchy and happy listen.  I especially enjoyed the end of the song that almost sounded like and excited Frank Turner was not done recording the track when everyone else was.

“Our Lady Of The Campfire” had some fun percussion backed with strings reminding me of the folk that helped Frank Turner make this album what it is. The song is well thought out lyrically and musically and there was just so much going on but it fit so well.

Some of the songs seemed to slow up towards the conclusion of the CD as compared to the first half but they were still great listens.  The soothing keyboard playing and acoustic strumming were enjoyable especially during “Sunday Nights” and the album ending “Journey Of The Magi”.

I’m serious when I tell you I got a good feeling throughout when hearing this release, the kind of feeling that keeps me going back for more.  I remember the first time I heard bands like the Avett Brothers, Gaslight Anthem, Ben Folds, Joe Strummer, and Wilco (just to name a couple) who I knew instantly I would love and cherish for the rest of my music listening years on this planet because of what they created and how they executed it.  I can now add Frank Turner to that list because his music just had such an amazing effect on me.

I admit, I had never heard of Frank Turner until just before this album was released.  When I started hearing about the hype about him from various musicians and music fans, my curiosity led me to a YouTube video (see below) of him playing an after-party in someone’s house.  Just by seeing that one acoustic jam he played surrounded by singing and screaming fans I understood why so many have been talking him up.  He is that talented and with help from an amazing backing band Poetry Of The Deed was worth all the hype.

I expect big things from Frank Turner in the following months even years to come.  Slated to be touring with the Gaslight Anthem this fall as well as just finished a tour with The Offspring I think it is pretty clear he is starting to make a bigger name for himself here in the US and very quickly at that.

This is one act fans of music need to at least extend an ear out to even if punk or folk is not your thing.  It is that damn good.

DOWNLOAD THIS! Frank Turner – “The Road”

Pour Habit – Suiticide – CD Review

There is no black or white, just Pour Habit.
There is no black or white, just Pour Habit.

What’s black and white and punk all over?

The answer is California’s Pour Habit.

Straight out of Compton (no really they are) comes the five piece punk rock band Pour Habit.  Their debut release Suiticide recently dropped on Fat Wreck Chords and I have to contest, it is amazing.  If you are looking for an album that can incite a circle pit from start to finish this is the CD for you.  Full of energy and raw power I have to admit that this was a surprise of a listen for me and I can not believe I did not give it a chance earlier.

Proving that hard work pays off, the band almost could not afford to record demos to offer to Fat Wreck Chords’ owner Fat Mike.  Formed in 2005 the band started for the sake of fun and not trying to make money.  The band got together to make music for themselves and any good punk rock loving patron out there.  Once they obtained a local following thanks to opening for some bigger named punk bands the band threw what money they had toward a studio to record Suiticide and before they knew it they were selling mad amounts of the CD as well as finding themselves opening for NOFX, a band they blame for detouring their path in life.

In fact drummer Colin Walsh had this to say about the effect of the iconic member of the punk rock band NOFX and his independent label:

“Fat Mike ruined me and my brother’s lives.  If it wasn’t for Fat Wreck Chords, I’d probably be working a steady job, but because of those bastards this is my life and there’s no way I could ever quit or stop. None of us could and that’s the thing—the five of us are so plugged into each other that we’re really best friends and that’s why we’re so dedicated to making this work.”

After opening for NOFX numerous times Fat Mike soon signed the band to Fat Wreck Chords after the band opened for NOFX numerous times.  The CD was re-released but hardly modified as Fat Mike was so impressed with the overall sound.  With a melodic mix of energy, metal riffs, and 90’s SoCal punk style, it’s no wonder Fat Mike signed these guys.

In fact the moment I heard the opening track “Institution” I was blown away with it and can see why everyone has been taking such a likening to them.  Fast, punk, and energetic, this song has it all to capture any punk rock loving fan’s attention.  Following was “Light The Torch”, a song that sounded like a younger Offspring from their years with Nitro Records if not better.

“Against Me” has nothing to do with the other one time Fat Wreck Chord label mate and is way more heavier sounding than Tom Gabel and crew create.  The song is thrashy at times and really has a strong Death By Stereo sound.  Sick guitar solos, intense vocals, and enough energy to make one jump around swinging fists about.

“Resignation” was a killer track and very technical at that.  I loved the guitar playing and just the signing, rather screaming demands throughout the track.  “Bad Luck Drunk” emulated everything I love about 90’s thrash punk rock and hinted heavy on Guttermouth with a song about the love of cracking open cold ones.

Starting off a little rasta and detonating into a full fetched riot was “Zion”, a track that stood out over the others with a sick catchy sound, fun guitar playing, and left me wanting more once the track came to an end.

Honestly after the album ended I had to play it again because I was just digging their style so much.  In fact I have listened to Suiticide at least ten times and plan on listening to it a few more times before moving on to something else.  I have not been addicted to an entire album like this for quite some time.

I can keep talking about this CD or you can go drop $8.00 on it and see for yourself on what good punk rock sounds like.  Suiticide is full of what punk rock used to be about, not caring, having a good time, and not giving a crap about what others think.  I can not wait until these guys tour over in my neck of the woods.  I can guarantee you I will be in attendance.

DOWNLOAD THIS! – Pour Habit – “Institution”

Music Video / Interview w/ Pour Habit (lots o cussing…):

Lights – Lights – CD/EP Review

The heavy on the synthesizer pop act Lights, also known as Valerie Poxleitner, has been getting a lot of hype for not even having a full length release out yet. It could be solely from her beauty seeing as she is capable of turning one or two hundred heads, but in all honesty this girl is more than just a looker. She is a musician and has the voice to prove it.

The Canadian born singer actually wrote her first song when she was only eleven years old. At twenty-two Valerie Poxleitner was discovered when she casted to be a model for corporate giant bastards Wal-Mart. The modeling supervisor asked if she was a musician while looking at a picture of the hopeful model holding a guitar. Without hesitation she began to sing for them and the rest is pretty much history.

Her songs were first featured in Old Navy commercials and before long, Lights was playing the Facebook party at the 2009 SXSW, appearing on Canada’s MuchMusic, and even playing live for MTV. After grabbing a Juno award for being the best artist of 2009 she jumped on board for a summer tour with the Van’s Warped Tour. All of this happened within a four year period and Lights is still going. With plans on releasing a full length album this September and also acting as a supporting artist for a Fall Keane tour, Lights certainly as a lot on her plate.

So what is the hype about Lights you ask? Trust me I was asking myself the same question. While at the Warped Tour this summer I missed out on seeing this Lights act everyone was talking about. I read the schedule wrong and completely missed her set. Finally I have obtained a copy of her EP and I must say it was an interesting listen.

Opener “Ice” reminded me of all the cheap pop acts out there I just never cared for. You know, the one time Mousekateers that grew up to be pop stars that have everyone else do the work for them while they look pretty. I had to keep reminding myself that this was an honest musician. This song aside from the poppiness was catchy and I loved the Vanilla Ice throw in.

“Drive My Soul” was down shifted a few gears from the opening track as was “February Air”. At times I though of Gwen Stefani when she ditched No Doubt to go solo. The one song I actually enjoyed was “I Owe You One”, a thank you song for someone special. I think if Ben Gibbard did some back-up vocals on this track it would have been awesome. I guess it’s me, but I feel the song was very reminiscent of The Postal Service.

Think of a modern day Cyndi Lauper, Tiffany, or Debbie Gibson with keyboards galore and that pretty much sums up Lights. Honestly while listening to the EP I kept hoping for Lights to break into “Goonies Are Good Enough” cover. All I could image was 80’s style throughout the six songs. It was just too much for me.

Björk may be Lights’ most major influence but there is not any egg laying on the red carpet crazy experimental anything going on in this EP. It is straight forward syth-pop music for all the pop fans out there and not for me.

Lights certainly has an amazing voice, and the looks as well. I think it is just the music that backs her vocals that turned me off from most of the tracks. I think with a full band backing her she would sound amazing in my ears and others for that matter. With her full length debut The Listening dropping in a little over a month I can honestly say I am curious to see what is to come.

“Drive My Soul” video:

The Sidekicks – SAM – 7″ Review

I just found my new favorite hometown punk rock band thanks to a friend who literally left me their four song 7″ SAM in my door on Monday. I still have yet to hear their full release but I can tell you that from the four songs I heard I was turned to an instant fan.

The band is called The Sidekicks and they hail from all three major Ohio cities according to their MySpace page.  Recently just playing Berea Fest IV the band has a pretty big east coast tour lined up in front of them where they will finish off in NYC but only to hit the road again at the end of October to play the Gainsville, FL Fest 8.

The 7″ was actually a tie me over until their full length So Long, Soggy Dog was released and just gives you a small taste of how great this band is.  Heavy pop punk with hints towards acts like The Falcon, The Lawrence Arms, Gaslight Anthem, The Get Up Kids, even O Pioneers!!! This band has some serious potential at making a name for themselves with their upbeat punk as well as a matured indie rock feel.

I did not know what to expect when I spun this 7″  and “Hop On A Sea Cow & Manatee Up” played, but I can tell you I was moderately shocked at how solid sounding it was.  The band has some serious talent and this song alone won me over.  The first band that came to mind if someone asked me what this song sounded like easily would be Millencolin.

“Bryant Gregst (gets nervous)” honestly had more so an indie rock feel to it but that did not discourage me one bit.  The singing alone was so charismatic and inviting I had to give it another listen just to enjoy it some more. “The Island” again was more so an indie rock jam but it was so good especially at the climax of the song where lead singer just explodes vocally.

For a mere four bucks this 7″ can be yours too by heading over to Woah Oh Records, or if you prefer you can download it from iTunes as well.  If you want to take it a step further head over to Vinyl Collective and put in and order their full length So Long, Soggy Dog.

If you are a fan of punk rock you really need to at least check these guys out.  From what I hear their live shows are not to be missed and now that I know of their existence I will make a huge effort to hit one of their shows.

I’m not sure how much longer a band like The Sidekicks will be and underground punk band seeing as they have the skills to play with the big boys.  I can only imagine the crowd at Fest 8 when The Sidekicks introduce themselves to all the punk rock loving fans.  I am sure the outcome of their set will be amazing.

Just do me a favor guys, don’t forget about Cleveland.

The Sidekicks – Hop On a Sea Cow & Manatee Up from If You Make It on Vimeo.

BrokeNCYDE – I’m Not A Fan…But The Kids Like It! – CD Review

This was the review I was never supposed to do, a release by a band that really is a slap to the face to all musicians out there by a group of four who do not look like they take themselves too seriously.  The album title alone of BrokeNCYDE’s debut release pretty much could sum up reviews of many; I’m Not A Fan…But The Kids Like It! All I can say about this band is that they are indeed the bastard cousins of NSYNC, the ones your parents warned you to stay away from.

It was tough for me even to put this album in the CD player after I took a look at the front cover.  Four tattooed “bros” decked out in fur lined coats all holding alcoholic beverages sitting in the back of an SUV just does not do anything for me.  Add some hair styles that would get the boys in Fall Out Boy jealous and you can just count me out.  I like hip hop, crunk, screamo, and punk but I did not think I would when it was all combined together.  Still there was some curiosity to the CD so I finally grabbed it, threw it in, and as much as I hate to admit, actually liked some of it.

What is it about BrokeNCYDE’s beyond opened minded crunk mixed with punk and screamo that is even slightly likable to me?  I honestly have no idea but some of the songs just get stuck in my head.  Perhaps I like it because I have never heard quit a mix up before.  Apparently I am not the only one that likes it either.  The CD debuted #87 on the Billboard #200 and has had almost 40 million plays on their MySpace page.

Imagine musical styles of Hawthorne Heights, Enter Shakari, 3OH!3, and Lil Jon & The East Side Boyz layered with pro-buzz claims and booty favoring ideals and that should pretty much sum up what the band has to offer.  As annoying as it can rub off I actually found myself getting a kick out of some of the songs but mostly for novelty reasons.

“Skeet Skeet” is a mess of a song with screamo cries and crunk-like jams making for a song that will get all the crunk rock worshipers out there moving.  “Booty Call” featuring E-40 will easily be a dance floor anthem for all the clubs across the world.  The song is has the ability to sneak its way into all the hip hop lover’s ears with undergarment dropping success.

“Yellow Bus” on the other hand was the worst song I have ever heard in my life.  For some reason the boys in BrokeNCYDE call their manhood a yellow bus (maybe you should get that looked at fellas).  I feel sorry for the poor bastard that had to listen to this song over and over while it was being mastered while those terrible cheap quick lyrics barely spoken over decent beats.  “Get Up” was not much better although it did feature Daddy X of the Kottonmouth Kings.

“40oz.” is another deranged club song that easily will keep the dance floor moving.  Tristan Krause, the man behind the beats on this track really has a good thing going for him.  It’s a complete variety of different hip hop beats and electronica blended just right.

The lyrics of “Sex Toys” cracked me up and by no means are for listeners 17 and younger.  Think Eminem clever lyrics meets Tommy Lee‘s craving on an outrageous demeaning quest that is just not necessary by any standards.  Once “Rockstar” came on and I heard the chorus I admitted I had enough and turned the album off.  “Getting retarded” and “drinking Bacardi” is fine but when they started talking about their mating preferences being smooth on top (you know there) I had enough.

Even though the album seems to give a nod to Lil John a lot I feel that I have heard some of the beats before.  The lyrics were clearly attention getting as that is pretty much all that BrokeNCYDE has going for them.  Maybe if they toned down the partying and sexual innuendo lyrics and just sung about something with meaning they would be tolerable to more folk out there.  Luckily I like all types of music so I was able to find some good in this CD, just not a lot.

Having already seen crunk and punk mashed before by bands like 3OH!3 this band takes it to a new level.  I never once thought it would be possible to hear a mess like this, but they do it so well. I can guarantee most of you will hate this band for all they are worth.  Musically declined, they have found their niche in entertainment but with a unique flair.  Currently making a full tour appearance on the Van’s Warped Tour I have this feeling this will not be the last time we hear from these tattooed crunk loving mongrels.  I just hope next time they can do it a little differently, possibly with meaning.

Here is a video from one of the songs I liked from the album. I know it sucks, but to me it sucks in a good way…
brokeNCYDE – Booty Call Feat. E-40

This one…not so good. Looks like some douchbaggery at it’s finest:
brokeNCYDE – 40oz