St. Louis’ pop/post-hardcore ballad rockers Story Of The Year (SOTY) are back with an all new album entitled The Constant. Matching the likes of their previous material the CD is heavy on the ballads that so many fans have been accustomed to over the years as well as carries a couple of tracks that are destined for mainstream play. This is the band’s fourth studio album and has been released on Epitaph Records.
I’ll admit I was not a STOY fan after hearing their first album Page Ave. The song “Until The Day I Die” was the first and only song I heard by the band That was just too much for me and of course it was plastered all over the radio and TV so I never checked out the CD. It was not until the band’s follow-up release that I finally gave them a chance. In The Wake Of Determination really changed the way I felt about them with their likable post-hardcore tracks. When I saw them play at the Vans Warped Tour a couple years later I deemed myself a fan. They were not what I originally pictured them as, they were actually musicians that happened to dish out an instant hit and rocked out especially well live.
The Constant keeps inline with their previous albums with likable tracks as heard in the opening track “The Children Sing”. The children in the background singing “don’t take this world away from me” instantly reminded me of The Lost Boys but the song itself is catchy as hell and just sounds well written. “The Ghost Of You And I” follows with heavy intensity and, dare I say, reminded me of something Linkin Park might have done until the chorus fills in.
“I’m Alive” was once of the cuts on the CD that I liked over the others. It’s a to the point rock ballad, nothing less, nothing more and hints back to the days when those heavy metal hair-bands showed a softer side to life. “To The Burial” was without a doubt my favorite track on the entire CD with enough energy to incite a circle pit in portions of the song. The guitar solos, the singing, and the drumming on this track all amount to reasons why I am a SOTY fan.
Changing things up was more-so post-hardcore song “The Dream Is Over” but then came “Holding On To You” a track once again showing a softer approach of the quintet. It’s not all rock ballads though as “Won Threw Ate” proved. This screaming vocal track was perhaps the heaviest on the album and kindly welcomed to my ears. “Time Goes One” brought a little punk element to the CD as well as some group vocals that I am sure the fans will be singing along to at their live shows. Ending the CD was another choice track of mine titled “Eye For An Eye”. I loved the energy of the track throughout with heavier guitar playing and just brutal drumming.
I was honestly hoping for more of a heavier approach though the entire album but still SOTY put out a solid album. Where as the ballads are welcomed I much prefer SOTY at their angriest and heaviest even though I know they are labeled “post-hardcore”. As I previously mentioned former fans of this band will enjoy the CD and I am sure once a couple of tracks from The Constant hit the mainstream there will be a slew of new fans.
The band is getting ready to tour in support of The Constant. If you are looking for a great live show you best check these boys out. If you need reason why just pier below at some of the videos.
Tour Dates:
Feb 26 – Chicago, IL – Cubby Bear
Mar 25 – Denver, CO – The Marquis Theatre
Mar 26 – Salt Lake City, UT – Murray Theater
Mar 27 – Las Vegas, NV – Desert Breeze Skate Park
Mar 28 – Anaheim, CA – Bamboozle West
Mar 30 – San Francisco, CA – Slim’s
Mar 31 – Orangevale, CA – Boardwalk
Apr 2 – Phoenix, AZ – Clubhouse
Apr 3 – Tucson, AZ – The Rock
Apr 5 – Dallas, TX – The Door/Prophet Bar
Apr 6 – San Antonio, TX – White Rabbit
Apr 7 – Houston, TX – Channel
Apr 9 – St. Petersburg, FL – State Theatre
Apr 10 – Atlanta, GA – Masquerade
Culture was shocked in Akron last night thanks to Tokyo, Japan’s Polysics making a special appearance at Musica. The orange jumpsuit wearing foursome traveled half way around the world to perform their Devo inspired music to a packed club on what normally would have been just another regular Friday evening. Scenesters as well as a couple punk rockers and plenty of proud geeks piled into the quaint club in downtown Akron with perfect knowledge of what would soon progress.
Polysics is best defined as a pop power punk electronica experimental new wave outfit or “technicolor pogo punk” as they dub themselves. Think heavy synthesizers and guitar matched over insane voice altering vocals as well as a very energetic male lead vocalist Hiroyuki Hayashi (Hiro – and yes, he sounds like Hiro from the TV show Heros) who blasts out English, Japanese, and gibberish lyrics. Formed in 1997 out of the pure love for Devo as well as The Tubes the band is an underground sensation thanks to their extremely energetic live shows and of course their orange jumpsuits and straight bar-style sunglasses.
Opening the evening was a band called Stiletto hailing from Kent, OH. The band reminded me of Bedlight For Blue Eyes and Roses Are Red with their slight heavy rock sound. The lead singer had a good voice and when the band had it together they sounded fine. They sadly kept having issues starting their songs and it became apparent that they needed some more practice as it became downright annoying to some of the crowd. Still, they did well and get props from me when the lead signer quoted Tupac but really did not match up to the headliner at all.
Armed with my trusty camera I really thought upon entering Musica that I was going to grab some photos during Polysics’ set but while inside the venue I saw this:
That really was something I did not want to see. I respected the artist though and did not shoot anything until the very end of the show because who am I kidding…I need at least one shot.
Good thing I did not take photos as there was a dual braided memory card deleting bandit who was part of the Polysics crew. I understand the premise of his doings but you should have seen this guy. He stood upon a stool and the moment a flash went off he was bolting over to that non-sign reading schmo and erasing any Polysics related photo from their camera. Seeing what this guy was all about I really did not want him touching my gear so I parked the camera to my side and just enjoyed the show.
Hands were about the entire evening. It was a party.
You know a crowd is excited to see a band when they cheer insanely as the band is setting up their gear on stage. Things just got better when the band actually took the stage and just started hammering out songs. The songs they played ranged from almost industrial heavy pieces to absolute insanity jump-all-over-the-place songs.
Still a novice to this band I just started with amazement throughout their set not having any idea what was going on other than a damn good time. The couple songs I did recognized were “Young OH! OH!”, “Fire Bison”, and just amazing “Shout Aloud!”
As entertaining as Hiro was throughout the night (especially when he screamed “you gruys awre awresoooooome!!!”) I absolutely adored the straight faced Kayo on the synthesizer and vocoder. I could not help but envision the scene in Revenge Of The Nerds II when the nerds played the concert at Hotel Coral Essex.
According the band’s MySpace page Kayo will be parting ways with the band after the tour so I am pretty psyched I was able to the original line-up. The whole night was a party with Polysics controlling it. Fans danced and tossed their hands about to the music. It was indeed a interesting and fun evening. If I had to describe the evening I would have to say just imagine Daft Punk, Devo, and the Teen Titans humanized and in orange jumpsuits and you might have some idea what happened. It was amazing.
If one of your New Year’s resolutions for 2010 was to listen to more punk rock music you are in luck. Recently Fat Wreck Chords put out their first ever anthology full of punk rock goodness — 88 songs to be exact. Wrecktrospective is a three-disc collection of greatest hits, demos, and even limited edition material that spans the 20 years since the label was founded.
Formed by NOFX frontman Fat Mike with little advertising and no commercial help, the independent punk label has issued over 280 releases and is a well known favorite of many Warped Tour fans. The three-CD set contained in the digi-pack is just a sample of all that has been Fat.
The anthology is more or less a musical history of the bands that have put out material over the last 20 years since Fat Mike decided to start the label. Featuring punk bands from the past and present, I can only imagine that it was no easy task to take so many songs from such a span of artists and put them into the compilation, but it was done perfectly.
Throughout the set I was reminded of a slew of bands I stopped listening to over the years and was happy to hear them all over again. When a label has put out over 280 releases, sometimes it’s hard to remember them all.
The first disc is full of non-commercial hit songs also known as “Fattest Hits.” Listening to the first segment was like a blast from the past for me as I have been a Fat Wreck fan since its inception. Featuring familiar tracks by current label mates NOFX, Strung Out, and the Mad Caddies, the CD includes 33 songs by 33 different bands.
The disc also contains tracks from former Fat alumni who either disbanded or went on to bigger and better things over the years such as Against Me!, Less Than Jake, Hi Standard, and others. The first disc alone brought back good memories of amazing bands that I used to rock out to on a daily basis. If I were to make a greatest hits Fat album I might have selected just a handful of other tracks for some of the artists, but all in all they did a good job putting it together.
The demo disc, or disc two, features many tracks that were hidden gems until now. I had heard some of these tracks as well as variations on other Fat compilations before, but having all of them all on one CD is so much more fulfilling. From the Mad Caddies’ “Polyester Khakis” (where they sample Body Count) to the acoustic “Everyone Is Telling Me I’ll Never Win, If I Fall In Love With A Girl From Marin” by Bracket, I really enjoyed the collection.
Perhaps the most exciting feature of this set is the third disc as it contains the limited release Fat Club 7″ series in its entirety. For people like me who missed out on the Fat Club this is a dream come true as it previously was not available on CD. Then again I am sure people who were lucky enough to join the Fat Club will appreciate this as well so they don’t have to figure out how to use the USB record player to transfer their prized collection onto their computers.
I would have loved to have seen a fourth disc in this set including all of NOFX’s 7” of the month club tracks and the joke in its entirety but I’ll take what I can get at this time. At only $15 on the Fat Wreck Chords website this is a steal of a release and even includes a fold-out poster showing every Fat Wreck Chords release ever put out.
My only complaint with this set is the lack of a DVD. I think it would have been fitting to throw in a disc featuring live performances and music videos by an assortment of the bands. Seeing how Fat Wreck Chords strayed away from mainstream overload (aka MTV), I would have thought they would have built up a collection of videos and footage that further helped celebrate the two decades of accomplishment. Who knows, that could be in the works.
Previous Fat fans may not get as much out of this set as a newcomer might mainly because many of the songs on the disc have been on other Fat compilations over the years. Still it’s a nicely put together collection of what makes Fat Wreck Chords.
Upon checking out the music I took a minute to read the insert pertaining to the record label written by Fat Mike himself. It’s really an interesting read as Fat Mike confesses that the record label was all about “putting out punk bands that I really like” and talks about the ups and downs he went through starting his own business.
Knowing how the music business has been going these days, I was not shocked to read that Fat Wreck Chords is basically back where they started with little financial gain but I am so proud of them for doing their best to continue. With so many labels out there that folded over the years due to money issues (i.e. Grand Royal), I really hope to see Fat Wreck Chords last another 20 years and with their roster I have the feeling it will not be that difficult.
To grab a copy of this 3 CD punk gem head over to Fat Wreck Chords and nab it for only $15.
Here is a funny video:
(please note this is for humor purposes only and if you can not take a joke then you are a jerk…)
Track Listing:
1: NOFX – The Separation of Church and Skate
2: Lagwagon – Violins
3: Propagandhi – Back to the Motor League
4: No Use For a Name – Soulmate
5: Bracket – 2RAK005
6: Strung Out – Too Close to See
7: Face To Face – You’ve Done Nothing
8: Good Riddance – Weight of the World
9: Tilt – War Room
10: Me First – Leaving on a Jet Plane
11: Wizo – Raum der Zeit
12: Frenzal Rhomb – Never Had So Much Fun
13: Hi-Standard – Wait for the Sun
14: Snuff – Martin
15: Goober Patrol – Easy Life
16: Swingin’ Utters – Windspitting Punk
17: Screeching Weasel – Cool Kids
18: Mad Caddies – Mary Melody
19: Consumed – Brutal Truth
20: Sick of It All – The Bland Within
21: Avail – Black and Red
22: Less Than Jake – Gainesville Rock City
23: Anti-Flag – Turncoat
24: Rise Against – Heaven Knows
25: The Real McKenzies – Kings of Fife
26: The Lawrence Arms – Like a Record Player
27: Dillinger Four – AMERICASPREMIEREFAITHBASEDINITIATIVE
28: None More Black – Everyday Balloons
29: Against Me! – T.S.R.
30: Descendents – ‘Merican
31: Only Crime – R.J.R.
32: Chixdiggit! – I Remember You
33: Dead To Me – By the Throat
34: Good Riddance – Flies First Class
35: Rise Against – Alive and Well
36: The Flatliners – Eulogy
37: NOFX – It’s My Job to Keep Punk Rock Elite
38: The Lawrence Arms – On With the Show
39: Lagwagon – Bury the Hatchet
40: Western Addiction – The Church of Black Flag
41: The Loved Ones – Living Will (Get You Dead)
42: Star Fucking Hipsters – Immigrants & Hypocrites
43: Bracket – Everyone is Telling Me I’ll Never Win, If I Fall in Love With a Girl From Marin [Acoustic]
44: American Steel – Sons of Avarice
45: Nerf Herder – 5000 Ways to Die
46: Propagandhi – Middle Finger Response
47: None More Black – Slytherin? My Ass!
48: Swingin’ Utters – A Promise to Distinction
49: Against Me! – You Look Like I Need a Drink [Acoustic]
50: The Soviettes – Multiply and Divide
51: Zero Down – No Apologies
52: No Use For a Name – Always Carrie
53: Dead To Me – Writing Letters
54: Strung Out – Alone
55: The Dickies – My Pop the Cop
56: Avail – Done Reckoning
57: Mad Caddies – Polyester Khakis
58: The Sainte Catherines – Hau Weg die Scheisse
59: Epoxies – It’s You
60: Smoke or Fire – Goodbye to Boston
61: Anti-Flag – Underground Network
62: The Vandals – Underground
63: The Vandals – Why Are You Alive
64: American Steel – Middle of the Night
65: American Steel – New Religion Everyday
66: The Real McKenzies – Another Round
67: The Real McKenzies – Loch Lomond
68: MXPX – The Road Less Traveled
69: MXPX – You Hold the Key
70: Strike Anywhere – Antidote
71: Strike Anywhere – Asleep
72: Randy – I’m Stepping Out
73: Randy – Unite
74: Randy – Freedom Song
75: NOFX – Zyklone B Bathouse
76: NOFX – Spaghetti Motel
77: Swingin’ Utters – Black Mountain Rain
78: Swingin’ Utters – Outside Life
79: Strung Out – Dig
80: Strung Out – Lost Motel
81: Enemy You – The Promise Breakers
82: Enemy You – Kind Hearts
83: Enemy You – Emma
84: The Lawrence Arms – Porno and Snuff Films
85: The Lawrence Arms – A Toast
86: The Lawrence Arms – Overheated
87: One Man Army – Victoria
88: One Man Army – She Wants Me Dead
A couple of weeks back I had the pleasure of seeing Austin’s very own Dale Watson & His Lone Stars at the Beachland Tavern with my pal Dale, not Watson. It was a cold January Tuesday night but once inside the tavern full of real country music lovers one would think they were in Texas with the atmosphere and fun attitude spread about during the performance. Cowboy hats were optional and I only saw a couple during the evening to be quite honest.
A brief history how Dale Watson’s music and I came to be before I even go on… I was working at the record store I once managed with my pal Dale, not Watson. Dale picked up a CD one day with a guy on the cover who had a couple tattoos and almost looked rockabilly mixed with some Chris Isaak appeal (here is a link to the album we had in our hands). I honestly thought once the CD began we were going to listen to some rock act that never made it but the moment Dale Watson’s voice came across the speakers both our mouths dropped open.
It was country music, not that crappy pop country music, but honest and wholesome country with some outlaw attitude added. His voice was baritone and ever so comforting. I was instantly reminded of Johnny Cash, Merle Haggard, and even Waylon Jennings while listening to the CD. Dale was more astounded than I and he became a huge fan in moments time. Sometimes picking up a random CD out of a pile of what looks like nothing just to check out the sound is worth it.
I later on would learn that Dale Watson was more of an underground DIY type of artist who preferred to do things his way even if it meant he would not gain immediate popularity. He is friends with Jackass star Johnny Knoxville, and has released 18 albums (live & studio) over the past 15 years. Many of the songs are about being on the road doing his thing, truck stops, and life. Not all is cheerful though as some songs are written around the love of his life who he lost to a car accident in 2000 as well as how Dale Watson coped through the ordeal. His downward spiral of abuse and depression from the tragedy luckily ended in time for the artist to continue going through with his passion.
Dale Watson has come through town a couple of times now over the years but for whatever reason I missed out. Dale, not Watson, though made it to a prior show and had nothing but good things to say. I always was curious to see him live so the moment I found out Dale Watson was coming back to Cleveland I owed it to myself to make an appearance and thanks to Dale, not Watson, I was able to set aside time to ensure I would be there. There was no way in hell I was going to miss this opportunity as seeing someone as charismatic as Dale Watson.
Upon walking into the tavern that night I was shocked to see that I was actually one of the younger fans in house but I did not let that bother me at all. Before I knew it some older gentleman sitting at the bar was telling me stories about his tattoos and a Bic pen (don’t ask). He was beyond entertaining and I think was more than half in the bag before the show even started. I never did catch his name. A couple other folk there I actually knew so prior to the show we hung out and talked Watson.
With no opening act Dale Watson & His Lone Stars took the tiny stage and delivered an amazing show. Having been the first time I witnessed them live I made sure to plant my feet right next to the stage and held my ground until the last song was played. I also was equipped with my trusty camera so I may have taken a photo or two.
Having the fans provide the set list during the evening proved Dale Watson and crew were all about putting on the best show possible. A couple of times Watson would acknowledge the shouted out song and tell the fans he was going to save that for later but for the most part when some one shouted out a track the band played it. Playing tracks new and old I got a better taste of his material that evening than I ever imagined. Still learning his catalog I was most excited to hear “Country My Ass” and “Exit 109”.
After the show my pal Dale, not Watson, and I struck up a conversation with the drummer of the band as well as their road manager. Both gents were very cool people and after a little time passed we learned that Watson likes to drive the tour bus himself amongst other things. We even all shared a shot and toasted to my birthday that was happening in just a couple hours.
The shot you ask? A Jagerbomb… Yeah I know, not too country.
Soon they introduced us to Dale Watson who was just hanging out at the bar drinking a beer and chatting with a couple other fans. Needless to say Dale Watson was just as cool as the other members. He kindly chatted to the both of us and Dale, not Watson, told Dale Watson that he “felt like a little kid meeting Hanna Montana.” Laughs were shared about but I know how Dale, not Watson, felt. Even if Dale Watson is not at the top of the charts we both see him as a musical icon and to meet him and talk to him was a big deal. I could not have asked for a better evening of music that night and thanks to Dale Watson & His Lone Stars I also have some memories to accompany my most recent birthday.
Here’s a little snippet of the show thanks to Dale, not Watson, who filmed it with one of my cameras:
Have you found yourself interested in Dale Watson? Here are a couple of my recommendations:
In a recent blog, I posted the news about Jay Reatard‘s death. At the time it was undetermined about how he died but apparently his death is now being investigated as a homicide. According to The L.A. Record Memphis Police are looking for a possible suspect in the musician’s death.
Hearing this I decided to so some internet surfing and found out some interesting info…
It appears as if Jay Reatard had some hate towards someone according to Exclaim.ca. Reading though the article it stated that Reatard had beef with New Jersey band Liquor Store.The garage punk outfit allegedly slashed the tires on Reatard’s tour van recently and Reatard did not take it lightly.
What is crazier is I read the last Twitter posted by Jay Reatard on 01/11/2010 at 3:24PM:
@jayreatard – “I will give anyone a hundred bucks per tire that they pop on the band liquor stores van ! Yes I’m serious”
So who is this Liquor Store band and why did they slash Reatard’s tires in the first place? Not trying to be CSI BHP here but looking at their MySpace page I noticed they just so happened to be in Tennessee for a couple of shows…right around the time Reatard was discovered dead.
Coincidence? Only time will tell…
Regardless the world lost a good artist who may not have been well known but really made in impact with his style.
UPDATE: According to a post on the Terminal Boredom message board, Reatard threatened members of Liquor Store with a chainsaw and hit a band member in the face with a disco ball.
Wait… did you say a chainsaw and a disco ball? Well no wonder they slashed his tires! Still the cause on the initial brawl is still unknown at this time as well as there is no proof that foul play has been involved.
Nashville Scene posted funeral information as well as supplied a Fox News cache to a story that was pulled off the internet.
Matador Records posted funeral information as well as well a personal entry from Matador co-owner/Matablog blogger Gerard Cosloy:
I was on a flight to NY this afternoon and when I landed there were about two dozen text messages about Jay Reatard’s passing. It is the height of understatement to say I’m upset, confused and deeply saddened by the loss of one of the more amazing people I’ve been fortunate to know. In record company parlance, yeah, we’ve lost (let’s go down the checklist) a phenomenal performer, songwriter, and insatiable music lover. But we’ve lost a great friend as well, and that’s the part that hurts the most.
We’re not the only ones feeling that way right now, obviously. Jay’s friends all over the country, heck, all over the world are dealing with this. I know his various scrapes over the years have made for cheap internet fodder, but the people who cared about him are gonna remember a real person that mattered to them. Our thoughts are with that very large group of people this evening.
Check out this well done short documentary on Jay Reatard:
St. Louis’ pop/post-hardcore ballad rockers Story Of The Year (SOTY) are back with an all new album entitled The Constant. Matching the likes of their previous material the CD is heavy on the ballads that so many fans have been accustomed to over the years as well as carries a couple of tracks that are destined for mainstream play. This is the band’s fourth studio album and has been released on Epitaph Records.
