Category Archives: Review

Album Review: The Roots – Do You Want More?!!!??! [Deluxe Edition]

[This is a seriously delayed review. Life caught up with me as well as I struggled with trying to find the right words. It has been a while where I strived with placing my thoughts together.

There’s no time like the present, so here we go. Thanks for taking a few moments to read through!]

I can honestly say when The Roots first started releasing albums, I did not appreciate them for their full worth. I was a suburban, white teen when they began picking up steam.

Perhaps being stuck in specific scenes and favoring punk/hardcore in the 90s could be to blame, but clearly there was more. Don’t get me wrong, I was all about tons of hip-hop acts at that time. Truth is, I was too young, naïve, and just lacked understanding to the genus behind this amazing hip-hop act.

I do not need to get into their history for they’ve gained plenty of ground since their early days. As I eluded to earlier though, I knew of them, but it was years later until I actually listened to them. Man was I missing out…

I have tried to word this out as best as I could, but their lyrical craftmanship was just top notch and add to some amazing musical ability, it was impossible for me not to adore them.

How did this punk rocker become a fan of the Roots? Glad you asked that.

When I managed a record store in my hometown in the 00s, the pompous owners had this rule with playing music on the 5-disc carousal CD changer: 1 hip-hop, 1 jazz, classical, or blues, and 3 anything else. On most days it was a drag because if I was going to be stuck in a small store for 8-14 hours a day, I wanted to pick my own soundtrack to help speed the day along.

Honestly, it made sense to not have a bunch of punk/screamo music clogging the speakers and gave a chance to carry a range of genres for all to hear. This essentially was for the customers who walked through the front door and not the horde of tired workers who helped make their shopping experience a good one.

This rule resulted in many a day where The Roots were rotated into the mix. I could not tell you who or when the band started being played frequently, but I can tell you I always approved anyone who asked to play them. It was poetry layered on jazzy beats that followed its own refined path. Even though the songs were on shuffle I would always know exactly when The Roots were on and adored their music and flowing that carried over.

I remember when “Proceed” first came on and Black Thought dished out the line “and I can Metallica and Guns ‘N Roses crash.” I paused as the two band names caught my ear, but I was not fully paying attention to what they were saying and realized I needed to change that. For someone stuck in their own lane for so long, it was at the time I realized their music and lyrics were far more than just quick wins.

Recently, the band released a deluxe 25th anniversary edition of Do You Want More?, the band’s quintessential release in my opinion. Drawn from original recordings and featuring eighteen bonus tracks curated by Questlove, The Roots are back to remind you of their pure excellence and have tossed in some bonus treats.

Why is this a big deal you ask? Well, some of the tracks included on this edition have never been released and there are others that never were previously available digitally.

The 3LP deluxe vinyl edition features five bonus tracks plus a 24-page booklet featuring images taken by Mpozi Tolbert, essays by Questlove and Black Thought as well as track-by-track commentary which all was well-received by this Roots fan. I especially appreciated what Questlove had to say. It was a great read throughout.

The LPs are pressed on black vinyl and are ever so sharp to look at. The trifold gatefold sleeve houses said albums and the booklet, which I wish was hardbound instead of material slightly stronger than the insert paper we are all so used to. Still, it is a great boxset to hold and dig into.

Not good enough? The 4LP edition, which I in time would prefer to have, features all of the aforementioned plus additional eight bonus tracks. Do not worry if you can not swing either LP edition as it will be available digitally and the new content is outstanding and worth your time.

As I have listed to the original album tons of times, I do not really wish to carry on about it more than saying how awesome it sounded on wax. The slight crackles behind each track just kept it more classic for me. The bonus content though is what I was most excited for.

The remixes of “Proceed” were killer. I am not sure which of the three I enjoyed more, but I can tell you they were not carbon-copied. The AJ Shine mix rejuvenated the song while dipping back to the 80s.

The eight bonus tracks on the digital / 4LP release were the true treat of this release. To think The Roots sat on these gems for this long is almost unbelievable.

“In Your Dreams Kid (I’m Every MC)” won me over fully thanks to Black Thought’s masquerading personal influences including ODB, Busta Rhymes, and even Ice Cube. To say this feat was impressive is an understatement.

The original draft of “Swept Away” was better than the original with a raw take that easily could have been recorded from a small club set. I liked how you could hear Black Thought ruminate while spilling out verses to the point of excitement.

I found Do You Want More?!!!??! even a more powerful, poignant listen after taking it in over the past few weeks. These are tunes that certainly have not aged and are as important as ever.

Listening to this album on repeat for the past few months never once went stale. I honestly was reminded on how exceptional and definitive this release was.

As I made mention before, The Roots are not new to the game and chances are anyone who read this knows them one way or another. This celebration of a masterpiece of an album was re-released the right way with the bonus tracks tailored to the fan, both old and new, to cherish equally.

Album Review: Shitty Neighbors – People I Know

Shitty Neighbors is without a doubt one of my favorite band names. Admit it, you smirked when you heard the name the first time.

Luckily they are pretty damn talented too.

I first got into these guys years ago when a few of my pals told me to check out their EP Better Now. To say I was not disappointed back then is an understatement. That EP is still played to this day.

The four-piece hails from Toledo, OH and just released their first LP in 7 years titled People I Know on Little Elephant a few weeks back. If anyone knows about this label you’ll know it’s a big deal that they are pressing albums and not just sessions now.

Sure, it might have taken them a bit longer to drop it with all of the bullshit preventing a “normal” life, but they did things right, took their time, and released easily one of my favorite albums this year.

Album opener “Lost In Google Translation” really had the band just jumping all in. This track hit hard in terms of life alterations for one’s best self-interest. Shitty Neighbors impressed the shit out of me with this one. It was raw, emotional, and ever so personal.

With heavy nods towards a certain Gainesville punk warm liquid band, “The Creation Of Adam” wasn’t very long, but was poignant as all hell. Then there was “Lock #6” that followed. Man, this track was full of some pent up angst.

“Whole Life Policy” actually was released over a year ago when we were all hermits. This was the track that just got me so excited knowing that they were working on a full-length. The song itself was a total banger about coming to terms with demons. I loved the lyric “I’ve got a way with only concerning myself with the shit that don’t matter at all.”

“Barrel Of Monkeys” was another track that just seemingly spoke about my past. In times of trapped iteration around certain routines of self-denying love and despair, the song carried that questioning of change without missing a beat. I appreciated the line “maybe next time i’m around we can figure something else out.”

“Friend Ender” was just brutal, but probably one of my favorite tracks on the release. There’s something to be said about a punk rock track dedicated to a lying ex-whatever. Tracks like this are why I love the bands I surround myself in.

The breakdowns on “Tonight, My Name Is Trouble” was enough for me on this track to love. Upbeat and even precise to a point, this track proved these boys are not just screwing around.

“Her Name Is Marie” closed down the album with a punk rock grand finale of sorts. The band refused to let up on this one with everyone just giving it their all even if it was tugging at some imperfect heart strings.

The one thing about this album that was a bummer is that it didn’t even clock in at 30 minutes, but I will admit, listening to this album was the best half hour spent. Perhaps I am just being an old, greedy punk, but I wasn’t ready for People I Know to come to an end. Luckily I can just listen to it over and over.

If you are a cool kid who likes young Menzingers, Iron Chic, Lawrence Arms, AK3 (before someone got hair implants), Hot Water Music and so on, make sure you check this band out.

I can only hope to see Shitty Neighbors play some small bar or basement here soon in good ol’ Cleveland. Good, good things are going to happen to these dudes. I know it.

Album Review: Joystick! – I Can’t Take It Anymore

I do not even know how to contain my excitement with this one. An 8-piece New Orleans ska-core collective has won me over almost instantly and easily has dropped one of my favorite releases this year.

The band I speak of is Joystick! and the album is called I Can’t Take It Anymore, released on Bad Time Records.

Being someone who fell in love with punk as a teen in the mid-90s, this band spoke to me the moment the first track kicked in. It was like a blend of ska punk bands like Less Than Jake and Reel Big Fish met with 90s heroes like Good Riddance and the Descendents. The energy was ridiculous to say the least and nothing let up at all.

I think the thing that beats me up the most is how I’ve missed out on Joystick! for so many years now. In fact, their last album dropped in 2017 so it’s not like these guys came from nowhere. From what I have gathered, the band has matured a lot since then with members overcoming addiction, taking vows, and even having children.

“Retcon” was just a fun, brutal jam. I cannot say I’ve ever heard a song with group vocals and ska-riffs quite like this. The song pumped me up immediately and honestly, that is rare these days for something like that to happen.

“Rinse and Repeat” clearly talks about self-battles of alcoholism and the outcome of it. A personal track that needs to be heard by all to ensure that life can get better with change in time. Hell, this song hit some personal nerves knowing how I used to be and where I stand now.

The upbeat-sounding, yet somber, “Parallelograms” easily could have been taken from a 90s comp handed out at a Warped Tour back when they were meaningful. This wasn’t the first Joystick song I’d heard, but certainly is one of the more memorable ones as it was about the demise of someone who just couldn’t give up that dangerous lifestyle.

“No Sleep After Brooklyn” easily was one of my favorites off the album. I appreciated the more of a jazzy, 2-Tone sound on this one making for a nice song to get into.

Then there was “Semicolon”, a old-timey saloon sounding track that morphed into a barroom jam was actually the introduction to “Past Tense”. I adored this song to no end. It was like a ska musical in a sense.

“Worm Food” got stuck in my head a lot. I find myself whistling the opening to this track often. I loved the tempo change halfway through this one as it make even it more entertaining.

I Can’t Take It Anymore is a powerful album full of tracks essentially admitting to change for good and realizing age is only a number. If I told you I listened to this album weekly, I am lying. I have listed to this daily for a week now. I cannot get enough of it.

Bad Time Records has a hell of an act on their roster. Seriously, I am not sure how a bigger label has not caught wind of these guys yet and snatched them up. This wasn’t something just tossed together, this is personal material that is meaningful and will stick to you for years to come. Trust me on this – unless you hate ska punk and in that case, I feel sorry for you as you are missing out on something special.

Album Review: Kali Masi – [laughs]

I hope I am not the only one who thinks of Indiana Jones and the Temple of Doom when I hear the name Kali Masi.

Yes, I realize the evil bald guy who ripped out the beating heart was Kali Ma, but honestly, I really do share the same excitement as seen above after hearing the band’s highly anticipated sophomore release [laughs].

Hailing from Chicago, Kali Masi impressed the hell out of me with their debut, Wind Instrument. They carried their own style and added personal elements making their songs more wholesome once you really dug into them. Add to that a non-repetitive melodic punk style, the band became an instant favorite of mine.

Featuring 10 new songs, [laughs] is a poetic journey that pokes at the truth, no matter how brutal, and self-realization that carries ability to just forget the troubles around you and get lost in one’s self-worth. From current events to aging and even failing friendships, the album, released on Take This To Heart Records, keeps your mind rolling.

“Still Life” was everything I have been waiting for in new Kali Masi material. This song was a straight up jam that pushed together emo and punk rock. The lyrical visuals at the start of this song were clever and held magnitude. Clearly the track was not in positive interest with somber lines like “I never said I love you, I guess I thought you knew” were sung reiterating confused communication so many of us have been through.

“Paint Me Jade” was like a lesson learned through too many trials and tribulations. In getting old, but not giving up when things don’t go to plan, this track was pretty much a series of reminders how quick and unexpected life really is. The best part about it is how those who really are true to you somehow stick around.

Music | KALI MASI

The darkened “Hurts To Laugh” wasn’t just a track to blow through. There was a ton going on here with personal battles with oneself. Where solitude seems favorable in this one, other challenges say differently. Just wait for the bass line in this one. It fit perfectly.

“Guilt Like A Gun” was an eulogy of sorts, parting ways with a meaningful someone. The spoken word of “it should be a moment of surreal peace and unity if it weren’t for the don’t-snap-at-me bickering and tension” solidified reason for the ending, welcomed or not. The video the band did for this one was very unique and captured the strain involved.

“Long Term” started with the sound of a flash being charged. From there, the tune just jumped in without letting up. I loved this one with the harmonic intermittent singing and guitar playing holding up high some brutal truth.

“Freer” was provoking but beautiful. I adored this track about essentially cutting ties. I found myself partial to the lyric, “stuck myself in a can, like a man” seeing how I used to live that life. This is a track I know in 10 years I am still going to adore.

“Recurring (I)” was good, like really good. This song seemed tougher, more confident over the rest. I loved the change in style throughout where I wasn’t sure which direction they were going. Things went insane with fury, which I got into, but what really sucked me in the most was when the horn playing started. This was like a Refused song in a sense and I appreciated every second of it.

Closing track, “The Stray” hit heavy on 00s Victory Records bands. I am not sure if this is what they were going for, but this song alone could give Taking Back Sunday a run for their money. I was almost sad that this song ended when it did because I wanted more.

This album is straight up outstanding. I wasn’t sure if they could top their debut, but I was so wrong. [laughs} is full of great material that you know the band put everything they had into. They continue to impress and I only see good things with them moving forward. Kali Masi are not a band to sit on.

Album Review: UB40 – Signing Off [40th Anniversary Edition]

I will preface this review with I never initially appreciated UB40 for all they were worth.

Growing up in the 80s/90s, certain hit songs played over and over on the local airwaves to the point I mistook them for a UK pop band. I basically wrote them off until the day I played Signing Off in the record store I managed years back.

At first, the album was tossed in the mix just to ensure everyone shopping in the store that day was not stuck listening to hip hop, metalcore, or punk rock music. Little did I know, I would soon appreciate and adore the entire album a mere hours later as it shuffled throughout the morning.

It was more post-punk than reggae at times, with strong political lyrics as well as just telling it how it is without holding back. As someone who loves ska and 2 Tone, I was just amazed of the music throughout. I started hearing other bands in them realizing how big of an influence they must have been for bands to mimic their style. I remember calling myself a fool for not getting into them earlier.

UB40’s debut release, Signing Off, was released 4 decades ago in the summer of 1980. To celebrate, the band has released a 40th anniversary edition double LP for fans old and new to adore. Featuring the singles “I Think It’s Going To Rain Today,” “Food For Thought,” and “King”, the release also includes three bonus tracks.

With the pandemic of 2020 causing a world of pain to so many, the politically-concerned lyrics throughout the album are more relevant today than ever. Case and point, “Tyler” easily could have been a modern day release based on the current events that seemingly remain unchanged.

“King” is as powerful as it was the first time I heard it. With this listen, I was reminded how poignant this track pertaining to Martin Luther King Jr. was. Last year’s actions by so many hateful people really proved nothing has changed as “they’re not ready to accept that dream situation, yet.”

Randy Newman’s “I Think It’s Going To Rain Today” remained an incredible cover. This was one of the tracks that helped UB40 get noticed as it hit number 6 in the UK.

I still adore “Food For Thought.” This hypocritical song about Christmas carried a chipper sound but the lyrics of suffering and poverty called out so many who fake their way towards the end of the year.

Title track “Signing Off”, still gets stuck in my head hours after I listen to it. That saxophone playing just is so likable that I find myself humming it randomly. There are plenty of ska moments in this track. I think the best part is how the lyrics pertain to today probably more so than they did 40 years ago when so of us just have reached our limits and need to log out of social media.

The translucent red 2LP release is just stunning to look at. The original album artwork remains the same. My only hope was that perhaps the band could have included more than three unreleased songs that honestly have already been released. I would be interested hearing some demos and alternative takes on some of these classic songs, plus a unused side of a record is always a sad thing to see.

Regardless, this is a great release that I feel more people need to give a chance and include in their collection.

Get past your feelings about their hit songs you may not agree with and dig deep into the UB40 catalog for their debut is monumental when it comes to music in more ways than one.

TRACKLIST

A1. Tyler 
A2. King 
A3. 12 Bar 
A4. Burden of Shame 
B1. Adella 
B2. I Think It’s Going To Rain Today 
B3. 25% 
B4. Food For Thought 
B5. Little By Little 
B6. Signing Off 
C1. Madam Medusa 
D1. Strange Fruit 
D2. Reefer Madness

You can purchase your own copy by clicking on the following link: