In less than a month I will finally have this…
This might be one of the most exciting box sets I have been looking forward to in years. I know I will not be disappointed.
In less than a month I will finally have this…
This might be one of the most exciting box sets I have been looking forward to in years. I know I will not be disappointed.
Rock band Clutch collectively released a new CD from their side project band, which some claim is an alter ego of sorts called The Bakerton Group. Focusing mostly on instrumental music, the four-some recently, with help from Per Wibeg of Opeth, released El Rojo. The outcome of this CD strays slightly from the stoner rock but travels more so down the jam band style of music with elements of jazz and blues.
The Maryland rock act Clutch has been rocking out since 1990 and although they never reached the mainstream level, they have a huge fan base and have sold tons of albums as well as toured the world. Their hard work over the years got them where they are today including a following of fans, more of a cult following as Clutch does not get played on the radio much nor do they have countless music videos for their material. The band, which barely slows down, tours constantly and has eight albums under their belts.
The Bakerton Group was formed around 1999 by the members of Clutch perhaps to just try something different and expand their musical creativity. Their first EP titled Space Guitars was released in 2000 and is still available for free download on the band’s website. It was not until 2007 when a full length self titled album was released on River Road Records. El Rojo marks the second release by the band and this time has been released on Clutch’s very own label Weathermaker Music.
The Bakerton Group is more of a rock jam session that will appeal to more than just one type of fan. It’s easy to compare the sound to Clutch as all four members contribute. I admit that while listening to some tracks I was waiting for Clutch lead singer Neil Fallon to bellow out over the music. While listening though I had to keep reminding myself El Rojo is an instrumental project full of a surplus of music types.
With El Rojo being my first taste of the Bakerton Group, I did not know quite what to expect other than instrumental songs. Starting off the CD was “Time Horizon”. All I could think of was how Clutch sounding the track was. Being as big of a Clutch fan as I am, I was glad to hear the music, and it rocked, but my first taste of this side project was nothing out of the ordinary to me.
The CD really didn’t hit me until “Bien Clasico” played with intermittent crazy saxophone playing that even John Zorn would smile at. The song had sort of a Disco Biscuits feel at times sans the electronics blips and bleeps. The potent organ solo on “Life On Lars” was something worth listening over and over again. “M.(F).H.S.” became predictable sounding at times but turned out to be one of my favorite jams on the entire album.
I could not help but smile while listening to “Work Em” as perhaps Neil could not control himself as he just screamed out in the middle of the song finally giving me that total Clutch fix I was yearning for. Whispering robot sounds added to the fun of this track not to mention the length of the song. If there is any song on the album you want to preview to get a taste of what the Bakerton Group sounds like, this is a perfect song to start with.
For those of you who think the songs on El Rojo might be Clutch songs that never made it to one of their CDs, you are to a degree correct. El Rojo to me was more intimate Clutch music that usually only can be heard behind closed doors when the band just feels like rocking out and not going to plan. This is the music you only wish you could have heard before perhaps as a b-side or as filler at a live show. The music is solid, composed, and extensive at times making for a great CD to just sit back and listen to.
The Bakerton Group will be touring with Clutch in support of El Rojo. Technically speaking Clutch will be touring as The Bakerton Group opening for Clutch. Does that make sense? Who cares. If you are a fan of Clutch you will love the Bakerton Group and should not pass up the opportunity of a full forced night of music when they hit your city. If you are not a fan of Clutch but appreciate good musicianship, you too should at least sample the CD, you might just like it.
-For more info on Clutch and The Bakerton Group check out www.pro-rock.com
-Head over to The Bakerton Group’s website and download the Space Guitars EP for free.
-For some extra content plus info on The Bakerton Group plus other Clutch projects check out Brooklyn Vegan.
-Here are some videos of The Bakerton Group from past shows:
New Jersey post-hardcore act Thursday has a lot to be proud about. Being credited with bringing the screamo genre to the mainstream level as well as have been labeled in 2004 as SPIN Magazine’s “The Next Big Thing” are just a couple of reasons why. This six-piece did not invent the screamo genre but rather took it to a new level. With all they have accomplished I can not believe they have been a band for just over ten years now.
Currently the band is about to release their fifth full-length album, entitled Common Existence. This time around the band has teamed up with the punk rock independent label Epitaph Records and hopes to continue to wow their fans while, at the same time, recruit new ones. The band will be headlining the Taste Of Chaos tour this year in support of their new release alongside rousing acts Bring Me The Horizon, Four Year Strong, Pierce The Veil, and the Cancer Bats.
Just in case you have no idea what screamo exactly is, imagine melodic emo music mixed with post-hardcore fury and occasional throat-destroying screaming throughout. Some find the music terribly annoying but there are many like myself who can not get enough. I just love the fragile, sorrow feel during some songs only to be smacked over and over with screams not many can endure. The first time I heard screamo was actually the first time I listened to Thursday’s debut with Victory Records called Full Collapse and I admit I was highly entertained.
I had already gotten a preview of the CD single “Resuscitation Of A Dead Man” earlier this year when the band streamed the song on their website, but it was not until this second helping that I realized how great of a song it is. Less screamo and more hardcore is all I can think about on this track that features Rise Against’s Tim McIlrath contributing vocals. “Last Call” follows with Geoff Ricky’s all-so-familiar, lamenting vocals.
Previously appearing on the band’s 2008 split EP with Japanese hardcore band Envy was “As He Climbed The Dark Mountain.” The song hinted towards Thursday’s juvenile years with more of their signature screamo fashion but came with a twist as heavy distortion and pitch shifts dominated throughout.
“Friends In The Arms Forces,” which featured Quicksand’s Walkter Schriefels, seemed a little cut down from the other tracks on the CD but was still enjoyable. The song, inspired by the band member’s friendship with someone currently serving overseas, is a protest of the basis but full of wishes of protection as different emotions spiral throughout. “Beyond The Visible Spectrum” was very astray from the Thursday norm at times with a more mellow, mostly post-hardcore sound. As much as I want to say I was not getting into it, the truth is… I was. I especially dug the reverb throughout the track and the sudden conclusion that left me wanting more.
“Time’s Arrow” was almost a whisper compared to everything else on this CD. The song started out ever so gentle and had this, dare I say, almost a Muse/Radiohead experimental style going on. I loved it. This song was the most untried song I have heard Thursday perform so far and I still crave more of it.
This album deserves to be listened to over and over again by old school fans of Thursday as well as by random newcomers. I myself can not keep Common Existence out of my CD player. The overall sound suggests that the band has taken a departure from the genre commonly attributed to them. It appears the one-time pioneers of screamo really focused on taking what they know and have expanded it with their musical creativity. The result is some really amazing songs, some of which I did not expect to hear.
It’s nice to see the band try something new while still holding on to their own uniqueness. Common Existence is ongoing evidence that Thursday continues to mature and, honestly, this album has turned me into an even bigger fan.
Here is a recently released clip of the making of Thursday’s upcoming music video for “Resuscitation Of A Dead Man”:
Thursday – Making The Video: “Resuscitation of A Dead Man” from absolutepunk.net on Vimeo.
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One of the first songs that got me hooked on Thursday:
Tom Gabel had a busy 2008. Not only did the front man of Against Me! headline the Van’s Warped Tour with his associates all summer long but he also recorded his own solo EP called Heart Burns and toured solo on the Revival Tour this past fall in support of it. The seven song EP was released under Sire records and has Tom Gabel taking things under his control, making for a good listen.
Just in case you didn’t know, Tom Gabel was Against Me! from the get go. He started the band at age 16 all by himself and played acoustical shows in support of his first release the Acoustical EP. In a nutshell, his success with his solo material, which came from years of hard work and dedication, soon turned into the band Against Me! many are now familiar with. Hoards of fans have eaten up many of their albums that incorporated folk with punk rock and high sing along qualities. The rest is history.
Of course that history includes the heartbreak of many dedicated fans when Against Me! went so called “corporate” and signed to a nation label. They released the radio friendly New Wave, one of the band’s most successful releases to date. Tom Gabel and his band mates were called sellouts for what they did but, regardless of their decision making, they have moved on with new fans all over the world and seem to handle being seen in the spotlight quite well.
Now why Tom Gabel chose to do another solo album remains to be determined. Some may think he wanted to stray away from the band to focus on his individual talent while others think he went back to his roots as an apology to all of those die-hard fans.
Regardless why he chose to do the Heart Burns EP, I was looking forward to it, as I became a fan of all of his material once I finally pushed aside the hype and decided to actually listen to the band. The first time I was told about Against Me! I wanted nothing to do with them. I hated them without ever giving them a chance. Soon thereafter I was working at a record store and a little scenester girl I worked with played the CD and I was hooked. I have since seen Against Me! live every time they come to my city. They put on an amazing show.
Leading up to the EP’s release, Tom Gabel took use of networking wonders MySpace and released one man performance videos for each song released from the EP. The videos were just a taste of the EP with rough cut versions of politically charged songs and were visually pleasing. Check out Tom Gabel’s MySpace page if you want a taste of them and while you are at it, check out a previous blog I posted with some other videos there for your viewing pleasure. (I also posted a couple of my favs at the bottom of this blog…)
After seeing the videos I figured this EP would in fact be a collection of those mostly acoustical songs and nothing more. When “Random Hearts” started with electronic beats leading to Tom Gabel’s trademark raspy singing I realized this was something entirely different. My initial taste of Tom Gabel’s new solo material sounded like Against Me! meets The Faint without all the dancing.
The following “Conceptual Paths” added elements of folk with very mild reverb on his voice at times. I loved this song and to think I just stared playing the CD. “Cowards Sing At Night” humored me; it was clearly about John McCain as the song ended “your war is over Johnny”. The simple indie rock riffs kept the song flowing
“Amputations” seriously reminded me of classic garage rock with its heavy on guitar distortion. At one moment I am reminded of “Ballroom Blitz” with the way Tom Gabel sings “There’s no heat between lovers and a summer night.” Perhaps if you hear the song you will know what I am talking about. Aside from the sweet similarity, the song is incredible and by the end you are surrounded by the trademark Against Me! group signing. The song was initially played by Against Me! acoustically last March at in-store events causing a lot of fans to question if the song happened to be a New Wave b-side.
Just when I thought I could not be more impressed by this EP “Anna Is A Stool Pigeon” came on. The lyrics, a hidden secret love story revolving around an activist guy who fell in love with an undercover FBI agent unknowingly, were an adventure alone. Chuck Ragan from Hot Water Music added back up vocals and harmonica kept my interest. Butch Vig from Garbage, who also is the executive producer of the EP, even added his drumming skills to pull together one hell of a track.
This EP is continuing evidence that Tom Gabel is to be heard by many regardless if he does it on his own or with Against Me!. I have high expectations for his musical career and I see him not slowing down anytime soon. You don’t have to like Against Me! to enjoy the Heart Burns EP. Sure it has its sing along moments and for the most part sounds like Against Me!. I am sure all the die hard will rave about it, or bitch about it for the sake of it not being Against Me!, but it is a genuine effort and to be enjoyed by all.
New Jersey’s Thursday has a new album Common Existence coming out. Here is one of the new tracks for your listening pleasure called “Resuscitation of a Dead Man”:
I was going to review the album early but since some a$$ hat out there leaked the feed I was given, it was removed and now I have to wait. I am ok with that wait though because I am very excited to hear this release.
I also found this video of Thursday performing “Friends in the Armed Forces” live last month that was featured on AP Magazine’s website. This song as well will be released on Common Existance which is scheduled to drop on Feb. 17th. The CD will be released through Epitaph Records.
Thursday – “Friends In The Armed Forces” live (AltPress.com exlusive) from Alternative Press on Vimeo.