Category Archives: New Release

Fake Problems – Real Ghosts Caught On Tape – Album Review

There was a time and place when I liked the band Fake Problems because they sounded like some other band out there that I enjoyed that will remain unmentioned.  The similarities between them and this certain Gainsville, Fla. act I speak of were clear but never to be considered a rip off, at least to my ears.  I soon learned of their hard working antics, their harsh stories while touring and most of all their passion for what they love to do.

I recall the first Fake Problems release as being an enjoyable punk/folk sing-a-long jam while the follow-up showed a clear change in their style.  Now dropping Real Ghosts Caught On Tape,their third full length release, Fake Problems really have evolved from a one time punk rock sounding band into a fine-sounding rock n roll outfit that impresses me on a few different levels.

Still kicking it with Side One Dummy Records, the Naples, Fla. foursome is back with all new material bordering on more of an indie-rock feel without letting go of their roots.  There is this major fun change though that is heard throughout making me think that Fake Problems has pointed their style in a different direction almost hinting back to the 60’s.   Real Ghosts contains 11 toe tapping songs that will easily compliment any good day you are having.

The opening “ADT” won me over immediately.  I loved the drum playing, the white-collar rock n roll strums and of course the, dare I say, heartfelt lyrics.  It was easily the catchiest song on the track.  Following was “5678”, a more dance-causing, Electric Six sounding, jam worthy of multiple listens.  Again, another catchy track especially with the “everybody’s clapping along” chorus.

It’s not all about the fun though on the album, just listen to the lyrics on “Songs For Teenagers”, a beautifully done tune but with a saddened message about letdowns, suicide contemplation and drug use.  “Soulless” on the other hand was fun-major, if that makes sense, with tons of energy slapped into the 60’s-ish, girl doo-whopping track Phil Spector would even enjoy (I have the feeling I am not the only one who has said that but oh well…).

Real Ghosts is well written from start to finish and if anything, the band has proved on how they have matured as musicians.  With hints towards So.Cal. indie-rock and sandy beach jams they have not forgeotten where they came from.  Real Ghosts is a whole more fun and a lot more mainstream friendly than their priors, but don’t be too quick to throw that “sellout” label at them.

In a sense sellouts happen because it there is a certain element that grabs attention – it happens all the time if you think about it (i.e. Gaslight Anthem, Flogging Molly, 1/2 the bands on the Warped Tour).  Sure, sometimes bands throw in a huge twist to earn more green in their wallets but this is not the case with Fake Problems.  They are a fun and hardworking act that dropped a great, fun album aimed at anyone out there who is looking for a upbeat and catchy album to listen to.

Let’s Talk About Weezer…

September 14th is right around the corner and if you are a Weezer fan like I am you know that it is the day that Hurley will be released on Epitaph Records.  This will be the band’s first release on an independent label in their 17 years as a band.  Focusing on the rock over the pop this round the album has grabbed my attention in a major way.  See for yourself – head over to www.myspace.com/weezer and listen to Hurley in its entirety.  You can also download their first single entitled “Memories” courtesy of Spinner.com.

The album title, if you have not figured it out yet, comes from one of the more memorable characters from one of the greatest TV series of my time, Lost, and might just be my favorite Weezer cover ever.  Have you even seen the cover for Hurley yet?

Yeah, that is great.  Jorge Garcia spoke to MTV recently on how he felt about being the inspiration for the latest release.  As much as I despise MTV I did get a kick out of reading his reaction on his mug being on an album cover.

Here is a video from Spin.com with what looks like a very happy Rivers Cuomo:

Devil’s Brigade – Devil’s Brigade – CD Review

Chances are if you have heard of Rancid you already know who Matt Freeman is.  Most notably known for his exceptional bass playing abilities he also is the man behind the gruff gritty vocals sometimes heard on Rancid tracks as well as being a founding member of Operation Ivy.

Not just limiting him solely as a member of Rancid, over the years Freeman has played with legendary X member Exene Cervenka in Auntie Christ, stepped in with Social Distortion, as well as started his own band behind the scenes called Devil’s Brigade.

Devil’s Brigade is a psychobilly/punk rock side project started in 2000 with fellow band mate Tim Armstrong between Rancid tours.  The project yielded a couple of EPs and some of the songs were featured on Hellcat Records Give Em The Boot compilations but a formal album never was released.   After Rancid released Let The Dominos Fall in 2009 Freeman decided that it was time to head to the studio and make something of his project.

At first Freeman was hoping to record a musical about the “Half Way To Hell Club”, a name that was given to those who fell off the Golden Gate Bridge during its construction and fell into a safety net.  Although Freeman skipped the idea of the musical, he did take six of the songs he wrote for the musical along with original Devil’s Brigade songs and decided to put them together on an album.

Enlisting Armstrong as well as DJ Bonebrake, another member of X fame, they entered the studio earlier this year and recorded the self titled release.  With Freeman taking vocal duties he also decided to play stand up bass throughout while Armstrong played guitar and DJ Bonebrake on drums.  Dropping at the end of August, the album will mark yet another consecutive release by a member of Rancid on Hellcat Records proving that they have no intentions of quitting anytime soon.

“I’m Moving Through” opens the album full forced with Freeman’s indistinguishable singing backed by his bass playing immediately grabbing my attention.  “My Own Man Now” really did not sound anything outside of Rancid but nonetheless was still enjoyable and carried that Bay City punk sound I have been fond of half my life.  “Shake Down” followed with Freeman slapping his stand up bass singing about his “25 years of punk, rock, and roll”.

“Bridge Of Gold”, featuring Armstrong and Lars Frederickson, was a noteworthy song about the building of the Golden Gate Bridge and was one of my favorite cuts off the album.  I loved the old barroom jam sound with the piano in the background and just the reference itself to a 1930’s wonder of the world.

“Ride Harley Ride” was a mysterious biker tune with an almost Natural Born Killers feel to it.  “Vampire Girl” repeated “I want to get rid of you” throughout the twangy psychobilly tune.  “Gentleman Of The Road” was another track I really enjoyed with xylophone, a distinct bass line, and outlaw story to follow.  Closing the album was the working man’s “Half Way To Hell”, another track I really appreciated due to the guitar playing and history contained within.

It’s easy for someone to assume that this is just another Rancid release, but once you hear the album your opinion will be changed.  Of course it is going to sound like Rancid here and there, look who’s in it.  Once you actually sit back and listen you will understand that it is a Matt Freeman project full of what he enjoys to do.  He has branched in his own direction with his musical talent just like Lars Frederickson & the Bastards did as well as the Transplants.

The album is enjoyable all around without any lulls in between.  Freeman has no trouble displaying his musical abilities from slapping the bass to screaming in the mic.   I am glad he finally decided to do something with Devil’s Brigade finally.  What was just a spare time thing at one time has incorporated into something so much more.

Already touring in support of the release, Freeman has gathered up a touring band and will be joining fellow label mates the Street Dogs and Left Alone.

Devils Brigade Tour Dates:
Sept 7 – San Antonio, TX – White Rabbit
Sept 9 – St. Petersburg, FL – State Theatre
Sept 10 – Ft. Lauderdale, FL – Revolution
Sept 11 – Orlando, FL – Firestone Live
Sept 12 – Jacksonville Beach, FL – Freebird Café
Sept 13 – Charleston, SC – The Oasis
Sept 14 – Atlanta, GA – The Masquerade
Sept 16 – Washington, DC – Rock and Roll Hotel
Sept 17 – Philadelphia, PA – Theatre of Living Arts
Sept 18 – New York City, NY – The Gramercy Theatre
Sept 19 – Pawtucket, RI – The Met Café
Sept 21 – Buffalo, NY – Town Ballroom
Sept 22 – Pittsburgh, PA – Diesel
Sept 23 – Cleveland, OH – Grog Shop
Sept 24 – Hamtramck, MI – Small’s
Sept 25 – Chicago, IL – Reggies Rock Club
Sept 26 – St. Louis, MO – Firebird
Sept 28 – Dallas, TX – The Loft
Sept 29 – Austin, TX – Red Seven
Oct 7 – Tempe, AZ – The Clubhouse
Oct 8 – Santa Ana, CA – Galaxy Theatre
Oct 9 – Los Angeles, CA – El Rey Theatre
Oct 16 – San Francisco, CA – Slim’s
Oct 19 – Portland, OR – Hawthorne Theatre
Oct 20 – Seattle, WA – Chop Suey
Oct 21 – Boise, ID – Knitting Factory Concert House
Oct 22 – Salt Lake City, UT – Club Sound
Oct 23 – Denver, CO – Marquis Theatre
Oct 24 – Colorado Springs, CO – Black Sheep

Quick Reviews: Sh*t Robot, The Chemical Brothers, J. Tillman

I have been getting tons of material lately for review consideration so I thought I would try something new and shrink down my usually lengthy reviews.  Nothing fancy, just trying to get the word out on some amazing bands and releases.  Enjoy.

Sh*t Robot – From The Cradle To The Rave

Marcus Lambkin, aka Sh*t Robot, has taken his time releasing his debut album – literally it has been 20 years in the making.  The Irish born punk rocker turned DJ has made a name for himself in the NYC club scene and even though has never recorded an album before has made a huge name for himself by just doing his thing.  I should also mention that Lambkin helped build that which is now DFA Records from the ground up.

From The Cradle To The Rave reflects Lambkin’s life as a DJ and more.  Opening track, co-written by LCD Soundsystem‘s James Murphy, “Tuff Enough?” is an electronic anthem of sorts with simple beats and synthesizer that was actually written about an upcoming expectancy.  “Losing My Patience” featuring Hot Chip‘s Alexia Taylor was a fun track that I think many of the dance clubs will have no problem spinning. “Simple Things (Work It Out)” was an entertaining experimental dance track of sorts with almost a spoken word feel to it.

My personal favorite cut on the album was “Take ‘Em Up” featuring another musician from LCD Soundsystem, Nancy Whang.  This song not only screamed retro 80’s but also heavily reminded me of what would happen if Daft Punk decided to sample a Sonic The Hedgehog soundtrack.  Whang’s vocals are perfect for this track more suitable to be played at a roller rink.

From The Cradle To The Rave is proof that sometimes taking your time is a good thing.  This release is for all the folk out there that still enjoy the clubs.  Full of electronic goodness that reaches back to the days when techno was all the hype in the 90’s as well as hints at some Kraftwerk.  The album is solid front to back without over doing it.  Where I don’t frequent those types of clubs anymore I still got a kick out of that which is Sh*t Robot.

The Chemical Brothers – Further

Seeing a band like The Chemical Brothers come out with new material makes this guy right here happy.  As a longtime fan of the British duo (Tom Rowlands and Ed Simons), I was thrilled when Further was released and even more intrigued when I heard that alongside the album would be visuals to accompany each of the songs. While I still have yet to obtain the videos I can tell you that they are available on DVD and iTunes for download.

Further is different from previous releases as it is mostly instrumental with Rowlands taking it upon himself to sing on a couple tracks as well as features Stephanie Dosen (Massive Attack) who lends her vocals as well.  I honestly prefer when they collaborate with other musicians on their previous releases but still enjoyed listening to tracks like “Escape Velocity” and “Another World”. “Swoon” was a trip in itself that I could not help but tag along with.

Heavy on the synthesizers and easing back on the drum machines throughout make for a very chill album to listen to.  This is one of those types of albums I can see myself not growing tired of anytime soon.  For those of you out there that still has a soft spot for the duo who hit the charts with “Block Rocking Beats” back in the day don’t hesitate to pick up Further.  The duo still has it and has dropped one great album to dance the night away to or even just sit back and get lost in.

J. Tillman – Singing Ax

Beautiful is just one of the many words that can be used to describe J. Tillman‘s latest release Singing Ax. Not just a member of Fleet Foxes, the folk artist has been very involved in recording material with others as well as himself since around 2004.  His latest offering is a vinyl only release that was recorded by Tillman almost entirely by himself in just three days.  The result is a calm yet captivating collection of songs that couple compliment any campfire gathering or just a quiet afternoon of solitude.

Opening track “Three Sisters” pretty much set the bar up high for the entire album for me.  While listening to TIllman’s singing I could only anticipate on what he was going to sing next and patiently waited the story, backed by acoustic guitar playing and drum machine, to unfold.  “Diamondback” continued with a calm retreat of a pleasant tale that had me closing my eyes and absorbing the intimate song.  In fact I found myself doing that a lot while listening to Singing Ax.  Later on I was treated to the album ending “A Seat At The Table” a song, to me, that almost was a musical rendition of a storm rolling in complete with thundering drumming towards the end of the track.

Tillman dropped an amazing album that barely carried any further supplement aside from his singing and acoustic guitar.  Honestly nothing more was needed as the folk chill release was presented perfectly.  I can only imagine what a live performance would entail.  Luckily for me he is touring with Phosphorescent and is making a stop in Cleveland in just a short couple of weeks.  Fans of Nick Drake and even a younger Neil Young I think will really enjoy this album as well as anyone out there that is just looking for a musical form of relaxation.

Amanda Palmer Performs The Popular Hits Of Radiohead On Her Magical Ukulele

Wait.  What???

Yeah you just read and saw correctly…  Amanda Palmer most known from The Dresden Dolls has released an EP of Radiohead covers done her way with her ukulele.  The EP includes tracks such as “Creep”, “Idioteque”, “FakePlasticTrees”, “No Surprises”, “High and Dry” and a special live string-quartet version of “Exit Music (For a Film)”. Needless to say it is amazing, well at least it is to me.

The EP is now available digitally for a minimum donation of 84 centsYes, $0.84!

Palmer, a very vocal supporter of direct fan-to-artist support, has made the album available online through Bandcamp for a donation of 84¢ or more, 54¢ of which going directly back into Radiohead’s pockets for the legal use of their songs (with the remaining 30¢ going to PayPal to cover the transaction fee).  Of course you can donate more if you wish…

It will also be available available in extremely unique physical permutations starting Tuesday, July 20th at 3pm EST.