Category Archives: Rock

Tri-C: Coheed & Cambria + Cleveland

Who:   Coheed & Cambria w/ special guests Porcupine Tree and The Dear Hunter
When:  Aug 26th – 7:30pm   
Where: Nautica Pavilion (or whatever the hell it is called)

Progressive indie rockers Coheed & Cambria return to Cleveland this week with special guests Porcupine Tree and The Dear Hunter.  I really didn’t think I was going to make it to this show but a pair of tickets landed in my lap and there is no way I am going to miss seeing them.  Having been to multiple Coheed shows over the years I know they never fail to impress.  Looking forward to seeing Porcupine Tree finally as well as taking in The Dear Hunter.

The Gaslight Anthem / Chamberlain / Tim Barry – Lifestyle Communities Pavilion – Columbus, OH – 07/28/2010 – Concert Review

Last Wednesday Columbus, Ohio was the place to be if you were looking for an amazing rock show.  New Jersey’s The Gaslight Anthem headlined the Lifestyle Communities Pavilion with special guests Chamberlain and Tim Barry and I must say, all who packed the floor knew well in advance that they were in for a good time.  It was a show I had been looking forward to since it was announced in the Spring and luckily I was able to be a part of it.

Even if it down-poured on the way down there and careless drivers kept trying to crash into my vehicle my friends and I made it down to Columbus with some time to kill.  Having never been to the Lifestyle Communities Pavilion before I was not sure if it was an indoor or outdoor venue.  Turns out it was both but due to a baseball game at the neighboring stadium the show was going to be played inside.

While wasting some time I enjoyed a tall, cheap, and ice cold Natural Light (no I did not get paid to say that) as I conversed with friends and the people around me at the A&R Music Bar that stood left to the concert hall.  Turns out we were not the only folk who traveled to see the show.  One group of guys, who I swear I knew one of, were from Cleveland and another few came all the way from Indianapolis.  I also got word that someone else I knew was traveling from Charleston, WV.  When it is a show like the one we all had tickets to, it was worth the drive no matter how far away.

Making way into the indoor section of the Lifestyle Communities Pavilion I was impressed with what I saw.  The inside was not only super clean but nicely laid out with a split level floor as well as an upper floor where one could see the stage just about anywhere you hung out.  My only vice was that my photo pass only allowed access to the photo pit for Tim Barry, not that I am complaining.  I just had never encountered a venue so strict with their press before.  Regardless I was beyond pleased to be in the building that was about to host three exciting acts even if it were going to be indoors.

Tim Barry took to the stage with a beer in hand and a baseball cap shut down over his head.  While most know Barry as the punk rock lead of Avail there were many who had no idea who he was.  There seemed to be a lot in the crowd who were expecting more than a man and his acoustic guitar to fill the opening slot.

That soon changed as the Richmond, Virginian working class hero kept close to the mic stand and strummed his guitar playing “This November”.  The punk turned folk rocker told everyone how busy he has been being on the road touring since January and pointed out at one time that he was not afraid of death at all but feared failure and especially being on stage playing a bad show.

I was most impressed to hear Barry not only play “Prosser’s Gabriel” but also state to the crowd before the song that he was planning on playing a free show on the parking lot in Virginia that lies over the burial site of Gabriel Prosser.  The punk at heart bad ass was not kidding and even mentioned being told to bring along a lawyer because he knew he would get arrested.  By the time the song was over just about everyone in the venue had their eyes on the one man show.  Other tracks I enjoyed seeing live were “Avoiding Catatonic Surrender” as well as the end of the set chilling “Dog Bumped”.  During that final song I could not help but scream along in approval (queue in Johnny Cash At Folsom Prison applauds) with the crowd during different moments of the track.

Barry might be a tough mother you-know-what, but he is also sincere and genuine as seen when he thanked the crowd for letting him play once it was time for him to exit.  While the next act was getting set up Barry was actually walking around amongst the crowd where my two friend’s spotted him and bought him a beer.  I was told that Barry said not only thank you to them but also yelled “that’s the biggest damn beer I ever seen!”

Tim Barry Setlist:
This November
Moving on Blue
Idle Idylist
Church of Level Track
Prosser’s Gabriel
Avoiding Catatonic Surrender
Dog Bumped

Chamberlain hit the stage next and as much as I thought I was going to enjoy their set I didn’t.  I have heard their material and recognized when certain songs were played like “Try For Thunder” and “Mountain Of A Heart” off The Moon My Saddle but just was not impressed.  They sounded much rockier than what I am used to on their studio album and not to mention the lead singer was just acting off key.  I am not the only one who noticed that either.  Luckily for the band my thoughts about them were not shared with the rest of the crowd.  They loved them and erupted with approval when the band stated they were happy to be back in Columbus.

The band played through a good set including “Manhattan’s Iron Horses”, “Stars In The Streetlight”, and the impressive live sounding “Raise It High” which I later picked up a 7″ of at their merch table.  They were solid and on point but again I just was not feeling it (until the last song).  I really need to give these guys another chance live as I love their albums and especially adore their previous act Split Lip.

The rock band of the night, hell -the year, Gaslight Anthem took the stage while Jay-Z’s “Empire State Of Mind” blasted over the PA with all smiles to the packed house.  Wasting no time the band jumped into their latest album’s title track “American Slang” followed by “Boxer”.  Brian Fallon and crew looked so happy to be on stage and gave the crowd the show they paid for continuing with my favorite track off American Slang “The Diamond Church Street Choir”.  During the song I was curious to see if Fallon would be able to sing his Billy Joel-like ending and to my satisfaction he nailed it.

Keeping the momentum the band moved along with “Old White Lincoln”, “Even Cowgirls Get The Blues”, as well as “Mile Davis and The Cool” and “The 59 Sound”.  Needless to say the entire crowd helped sing along throughout the set as well as danced, moshed, and just lost all control.  After “Film Noir” Fallon spoke to the crowd but be it my bad ears or him strumming his guitar a little too hard, I could barely understand what he was saying. He mentioned to the crowd something along the lines that his Mom loved and shared this band from 1959 that featured a bunch of African-American men playing on an album with some guy named Elvis.  The band immediately broke into “Wherefore Art Thou, Elvis?” – Again, the place went insane.

After about six more songs including “Blue Jeans and White T-shirts” and “The Queen of Lower Chelsea” the band finished up their set with “Great Expectations”.  Knowing that there would be an encore in just a few moments I was already fully satisfied or so I thought.  With the crowd cheering in a soccer like chant of ” Gaslight Anthem” followed by claps the band returned to the stage and announced they would be playing a few more songs starting off with a cover of Lucero‘s “The War”.  All I could think was how awesome it was going to be to hear their version when all of the sudden Tim Barry came out and sang along.  I was speechless.

The encore, which lasted longer than most opening acts I have seen in my day, also included “We Came To Dance”, “Senor and the Queen”, and another cover from a band called The Who.  It has been quite some time since I have seen an entire venue participate during a song but the moment “Baba O’Riley” started that all changed.  The Gaslight Anthem’s version was exceptional and the moment they finished Fallon screamed “Yeah! So much fun!”  He was correct in that statement, it was.  I thought the show was over and that was the band’s farewell but they kept playing and I was not complaining one bit.  Ending with “The Backseat” it was clear that I was not the only one who had just witnessed an amazing performance by a young and growing talented band.

The band exited the stage, the lights came on, and that was it – the show was over and it was time to go on our separate ways.  Immediately the saying “the memories will last a lifetime” rolled thought my mind and I could not agree more.  Throughout all of the shows I have seen this year this one will stand out a little more over the others.  I was treated to an amazing performance by a band I have been a fan of since they were playing small clubs as well as finally grabbed the chance to see a good man named Tim Barry.  That night is what live music is all about to me and I am grateful to have been there.

The Gaslight Anthem Setlist:
American Slang
Boxer
The Diamond Church Street Choir
Old White Lincoln
Even Cowgirls Get The Blues
Bring It On
Miles Davis & The Cool
The ’59 Sound
Red In The Morning
Angry Johnny & The Radio
Film Noir
Wherefore Art Thou, Elvis?
Blue Jeans & White T-Shirts
Stay Lucky
Boomboxes & Dictionaries
The Spirit Of Jazz
The Queen Of Lower Chelsea
Great Expectations

Encore:
The War – Lucero cover w/ Tim Barry lending vocals
We Came To Dance
Senor & The Queen
We’re Getting A Divorce, You Keep The Diner
Boba O’Riley – The Who cover
Here’s Looking At You Kid
The Backseat

Amanda Palmer Performs The Popular Hits Of Radiohead On Her Magical Ukulele

Wait.  What???

Yeah you just read and saw correctly…  Amanda Palmer most known from The Dresden Dolls has released an EP of Radiohead covers done her way with her ukulele.  The EP includes tracks such as “Creep”, “Idioteque”, “FakePlasticTrees”, “No Surprises”, “High and Dry” and a special live string-quartet version of “Exit Music (For a Film)”. Needless to say it is amazing, well at least it is to me.

The EP is now available digitally for a minimum donation of 84 centsYes, $0.84!

Palmer, a very vocal supporter of direct fan-to-artist support, has made the album available online through Bandcamp for a donation of 84¢ or more, 54¢ of which going directly back into Radiohead’s pockets for the legal use of their songs (with the remaining 30¢ going to PayPal to cover the transaction fee).  Of course you can donate more if you wish…

It will also be available available in extremely unique physical permutations starting Tuesday, July 20th at 3pm EST.

Sundowner – We Chase The Waves – CD Review

A sundowner can be a lot of things (a car, drink, plane, type of wind), but in this case the Sundowner I am referring to is an amazing solo project by Chris McCaughan, the guitarist and vocalist of punk act The Lawrence Arms.  

We Chase The Waves is Sundowner’s second album and like the first, it is far from punk rock and more of a brush with folk music that brings forth good moods and instant sing alongs.  Recently dropping on Asian Man Records, We Chase The Waves might just be the album that gets me through the rest of the summer.

Starting as a side project, McCaughan wrote a few songs in his free time and played intimate shows around the Chicago area taking the moniker Sundowner.  With help from fellow band mates and friends the project turned into a band of sorts with Sundowner’s debut being released in the spring of 2007 on Red Scare Records.  Just three years later McCaughan and friends decided for a follow-up and recorded We Chase The Wave in their homes, literally, in just eight months.

Passionate and compelling are the two words that describe McCaughan’s wiring styles on the CD.  The guy is a natural storyteller and just has a way with words. From the moment “In The Flicker” started off the album I was beyond mesmerized.  The song was nothing more than an acoustic jam amongst friends but I was addicted, I wanted more, and before I knew it the ten track album was wrapping up.

Tracks like “As The Crow Flies” impressed the hell out of me even though the song was nothing over the ordinary.  The way the song presented itself to the listener, told the story, and ended it on a positive note not only begged for another listen but might have very well inspired a certain someone typing out this review…

“Baseball’s Sad Lexicon” took words from the 1910 poem of the same title by Franklin Pierce Adams telling the tale of the Cubs succeeding over the Giants thanks to a game winning double play (the only way I ever would have known this was by reading the CD insert and Google).  As an ode to McCaughan’s beloved Chicago Cubs he did a great job rendition of the classic poem.

“Mouth Of A Tiger” was a stern and ever so low opinionated track with lyrics like “I’m as lucky as a funeral” and “I’m not looking at the glass half full”.  I adored the singing style on the song match up with the acoustic and lap steel guitar playing.  Full of everyday truth and plain old honest opinions, the song begged to be played on repeat.

We Chase The Waves was an amazing start to finish album with no lulls in between.  McCaughan nails it dead on with his catchy melodies and fine storytelling that will grow on you regardless if you are a fan of him, The Lawrence Arms, or not.  Don’t look at Sundowner as a side project by a punk rock guy, look at it as a talented musician who has created something that more people need to know about.

Details On New Devils Brigade Album!

Matt Freeman (sporting the hat in the pic to the left) is releasing a full length Devils Brigade album!!!!!!  As a long time Rancid/Hellcat fan I am just thrilled to have heard this.  The album will drop at the end of August and a tour will follow.  With any luck he will be playing a show in Cleveland.  One can only hope!

Matt Freeman is without a doubt one of my favorite bassists out there.  Having played with Op Ivy as well as Auntie Christ his most known material is of course with Rancid. He and Tim Armstrong have actually been friends since they were little kids so it is no wonder that their musical careers have revolved around one another.

Devils Brigade was just a side project with a song released here and there but until now Matt Freemon never took the time to record his own album.    See below on the following Epitaph press release about this exciting news!

RANCID’S MATT FREEMAN GOES UPRIGHT FOR
NEW DEVILS BRIGADE ALBUM

Celebrated Bay Area punk legend Matt Freeman of Rancid and Operation Ivy fame will release the long awaited, self-titled debut album for his side project Devils Brigade on August 31 via Hellcat Records.  The bass player has assimilated a touring band to join him this fall when they hit the road with labelmates Street Dogs on a US tour.

Devils Brigade was conceived in 2000, when bassist Matt Freeman began writing songs with Tim Armstrong between Rancid tours.  This led to a few EPs and some songs on Hellcat’s Give Em The Boot compilation, but the project was put on the back burner when Rancid began touring and recording again.  Years went by and after Rancid took a break from touring on the Let The Dominoes Fall record, Matt got the itch to reactivate the project with a new studio album.

“The original concept for this record was going to be a musical,” says Freeman.  “Tim had been kicking around an idea of doing a musical about the building of the Golden Gate Bridge.  He had the title “Half Way To Hell Club.”  This was based on the name for the bridge workers who fell off the bridge while it was being built and fell into the safety net that was between them and the ocean.  We grew up in the East Bay looking at that bridge and it has always been a part of our lives.  Six of those songs ended up on the Devils Brigade record.  The other songs were all original Devils Brigade songs from the first demo.  We thought they were still good and we should record them again.”

In early 2010, Matt and Tim entered the studio with DJ Bonebrake from the influential punk group X and recorded twelve quick tempered songs featuring Matt’s signature, snarling vocals along with his snap, thumping upright bass, which shine through on roots driven punk tracks like  “I’m Moving Through,” “Who’s Gonna Save Your Now” and “My Own Man Now.”

“It was a great vibe in the studio,” Matt adds.  “The record has a real live and loose vibe.  Loose in a good way.  Tim’s guitar style blended really well with DJ and everything clicked very quickly.  We had a lot of fun making this record.  I am going to take it out on the road whenever I can when Rancid is not doing anything.”

Stay tuned to www.hellcat.com and www.myspace.com/devilsbrigadeofficial for updates and news regarding Devils Brigade.