Category Archives: Rock

Concert Review: NOFX / Anti-Flag / Old Man Markley – House Of Blues – Cleveland, OH – 10/12/2011

There is nothing punk rock about the House of Blues at all.  Sure they sell PBRs in those big cans, but it is not the typical place for punk rock bands to take over on any given evening.  That’s not to say punk bands have never played there before, I am just saying when I think of a punk rock show playing a club, it is not HoB.  Hell, there’s even a bathroom attendant who will hand you a paper towel after you just pissed away said PBR.  I will say that the HoB is a clean, organized venue, a venue that hosts some kick ass shows at that.

Wednesday evening was the perfect example of this as the the place was filled to the rim of punk rockers of all types thanks to the popular independent godfathers of punk rock NOFX bringing their Eastcoaster Tour to town with special guests Anti-Flag, Old Man Markley and The Bombpops.

Thanks to an accident on Euclid Ave., it took me a moment to get parked and into the nearly sold-out HoB show.  Apparently someone felt they were ok to cut off one of those giant RTA futuristic train-looking busses.  Needless to say, there were lots of flashing lights and Cleveland’s finest Fire, Police, and EMT cleaning up the mess.  Because of this, I missed the opening act The Bombpops.  From what I heard, their female driven pop punk rock was actually pretty enjoyable not to mention the two ladies in the band are beyond cute.  I will be checking them out soon.

Punk / bluegrass act Old Man Markley took to the stage just before 9 p.m. and showed Cleveland just exactly what they were all about.  Having never been to Cleveland before, the band gave it their all while performing tracks from their Fat Wreck Chords debut Guts n’ Teeth. With seven members on stage playing their version of “Newgrass”, they proved Cleveland that they were not copying the likes of Flogging Molly or Gogol Bordello.

John Carey and Annie DeTemple took turns signing a whole slew of songs including “Do Me Like You Do”, ” Guts n’ Teeth” and the ever catchy “For Better For Worse”.  The crowd clearly was loving what that heard and for the first time ever I witnessed a square-dancing circle pit .  Ryan “Old Man” Markley played the absolute shit out of his washboard and Katie Weed (swoon) just about sawed her fiddle in half.  Then there was Joey Garibaldi and his homemade washtub upright bass – impressive.  The band decided to close their set with their unique rendition of Screeching Weasel’s “Science Of Myth”.

To say I was entertained by the band was an understatement.  I have been wanting to see OMM live since I first heard about them a year ago and can not wait to see them again next month when they play an after show at Fun Fun Fun Fest in Austin.  This band performing live was right up my alley.  I see good things happening with them in the years to come.

Up next was Pittsburgh’s pop political punk rockers Anti-Flag (and clean cut too) who welcomed to the stage by cheers and boos.  Apparently some Browns fans just can not shake the fact that if a band hails from the rival team’s city that they suck too.  I might as well admit that I am not the biggest Anti-Flag fan, or shall I say I have not been the biggest of fans for a while now, but these guys killed it on stage.  Their stage performance was well-done and they had the crowd obeying every command.  Playing what seemed a ton of songs with a few from 2006’s For Blood And Empire including “The Press Corpse”, “This Is The End” and “1 Trillion Dollar$”, the band rocked out throughout their entire set and played like the rock stars they have become.

At times it appeared that Justin Sane and Chris Barker were trying to outdo one another with stage kicks and jumps (Barker actually jumped from atop the bass drum at one time), but it was all in good fun for the foursome.  Barker made the comment that the Cleveland stop was the “second best” show that he had played on the current tour and left it up to Cleveland to make it the absolute best by starting a giant circle pit.  I think Cleveland earned the title of best show after they were just running in circles.

It was no surprise to me that the band started preaching politics and many of the young ears listened.  Speaking of the whole Occupy Wall Street amongst other current political affairs, the bad knew what they were preaching and hopefully inspired one or two folk in the crowd to learn a little more about what goes on in this crazy country we live in.  I was more interested in the rock and not the talk so once they started playing again I started paying attention again and good thing I did as they performed a cover of “Should I Stay Or Should I Go?” and nailed it.

During the last song of their set there was some commotion on stage and suddenly Pat Thetic jumped in the crowd and was handed some of his drum set by Sane and Barker.  In a moment’s time, with help from the fans in the pit, Thetic assembled his set and started playing his drums with fans holding on to it preventing it from moving while the rest of the band played on.  I’m pretty sure they played “Power To The Peaceful” as the closer, but to be honest I was too busy jumping up on the barrier between the stage and crowd so I could take some pictures.  It was a pretty awesome site to witness.

Finally the band that everyone was waiting for all night was to take the stage.  The curtains rose and there was El Hefe standing there by himself admitting he had no idea where anyone else in the band was.  Smelly soon jumped behind his set and did not have a clue either where Fat Mike or Eric Melvin were.  11 minutes later the missing half stumbled onto the stage.  Fat Mike, sporting two drinks in hand, took a few moments to sip out of each cup and made faces that clearly proved whatever he was drinking could fuel a car.

Within the first two songs, the band signaled out a the-die wearing hippie dude in the crowd and started maxing fun of him.  The hippie dude took this opportunity to crowd surf to the front and Fat Mike yelled “dude, you don’t even shave your legs?”

I loved that they played one of my all time favs, “Linoleum”, as well as “Franko Unamerican” and even “Seeing Double At The Triple Rock”.  I also enjoyed hearing “Arming The Proletariat With Potato Guns” as well as watching the people dance around me during El Hefe’s horn playing.  Honestly that may have been more entertaining.  NOFX also played Rancid’s “Radio Radio”, a version I almost prefer more to the original.

During “Lori Myers”, the two girls from Bombpops came out to fill in for female vocal duty after El Hefe called their band “Kids-bop” and sang the part pretty much perfectly followed by a well deserved stage dive into the crowd.  As much I wanted NOFX to play “The Decline”, they did not as they played it at the HoB in 2006 (the only time I missed them), but they did play “Murder The Government”, “Don’t Call Me White” and “Dinosaurs Will Die”, a couple other favorites of mine.

15 years ago I got to see NOFX play a Warped Tour in a gravel parking lot and then later that year with the Bouncing Souls and Hi-Standard at the Agora.  In those 15 years, they have put out 6 albums and toured the world god knows how many times.  A lot of songs played that night spanned throughout their almost 30 year career but they played pretty much the same songs that they have the last two times I have caught them live.  I would have loved to have heard more songs off White Trash, 2 Heebs, and a Bean as well as Punk In Drublic, but I guess there is always next time.  El Hefe seemed to be the sober man of reason that night while Melvin was in his own little work of happiness and Fat Mike, who admitted he was not on pills to the crowd that night, was half way to black-out land.

For a band that never signed to a major label or ever has their songs played on commercial radio, they filled up the HoB with no problem.  It was a good night of music from all the bands on a Wednesday night.  People young and old were all over the place having a good time and sang along at every opportunity.  Based on the condition of the crowd by the end of the show, I am guessing many called off work the next morning or went in with a severe hangover.  That’s punk rock right?  Regardless it it was or not, it was tons of fun thanks to all of the bands played to Cleveland.

Rapid Reviews: Brett Detar, JuiceheaD, Transit, Coffee Project, The Flatliners and I Am The Avalanche

Let’s face it, this site is a one man show for the most part and as of late I have been living quite the busy life.  I am continually presented with amazing music for review consideration and sadly there is not enough time in the day for me to not only get through work and school, but to also write nice things about all these awesome bands.

So today I decided to throw out a few quick reviews on a couple of bands that have been sitting in my “cool” stack.  I wish I had more time to go into complete detail as I hate writing little reviews on bands, but I am thinking this might be a good idea to just spread the word out.  If you like what I said about the band, check them out, support them, share their music and help them continue to do what they love to do.

This week proves to be a busy one for me with tomorrow’s Strike Anywhere / Dead To Me / Menzingers / Holy Mess / Signals Midwest show as well as Wednesday’s NOFX / Anti-Flag / Old Man Markley show.  I thought perhaps I should be proactive and hammer out a few reviews while I had a moment.

Enjoy and as always, thanks for wasting some of your day on my site.

Brett Detar – Bird In The Tangle

With having the history of being a former guitarist/bassist of metalcore act Zao and also the lead singer of The Juliana Theory, it came as a great surprise to me when I was told that Brett Detar recorded a country / folk album.  The solo attempt by Detar, titled Bird In The Tangle,is actually a damn good listen too (it was released almost a year ago).  Hearing this album, you would never think that Detar, who grew up in PA, could have so much outlaw in his blood.  The moment the album started with “Empty House On A Famous Hill”, I was completely overtaken by his singing and music writing abilities.  “The Devil’s Gotta Earn” was my favorite cut off this album and “Cocaine Whiskey and Heroine” was a close second.  Following the likes of Nick 13 and Tumbledown, this genre jump from a guy who used to provide fast paced ear-pounding music has captured a style of outlaw country that is welcomed in my world.  Detar reminds me a lot of Justin Townes Earle but with more of a folk feel as well as had some Murder By Death tendencies.  Want to check it out?  Head over to Brett Detar’s website and download it for free!

JuiceheaD – How To Sail A Sinking Ship

Chicago punk rockers JuiceheaD has been off the charts for a bit but have recently dropped How To Sail A Sinking Ship. This is their second full-length release since their 2007 debut The Devil Made Me Do It. Sure, 7 years is a long time in between albums, but in their defense, there are 20 songs on this new release, a rarity in today’s punk rock recordings.  Not familiar with their sound, I gave it a listen hoping for the best.  The album started out a little slower than anticipated, but things picked up during “Lorraine” and brought back an old school punk rock vibe that I enjoyed.  “Deadly Nightshade” was an entertaining track that had some nice 80’s punk rock vibes contained within.  Hoping that the rest of the album would spark my interest, sadly it did not.  It’s not a terrible listen by any means, it just lacked that extra “oomph” my ears were hoping for and was more rock n roll throughout with a good drum beat that sounded a tad under-produced.  I won’t lie, I was not stoked to see that their album was released on Misfits Records (it should be called MISFIT Records as it’s solely owned by Jerry Only) as most of their releases do not entertain me at all.  Melodic punk rock would be how I would describe How To Sail A Sinking Ship.  It is nothing beyond that to me and I really was hoping for something a little more from these guys.

Transit – Listen & Forgive

Boston’s Transit could be classified as just another pop-punk act, but there is just something about them that makes them stand out over other similar acts.  They have a tougher sound on a few of their songs that proves to me that they have the ability to attack if threatened, but overall have a soft side to them that stands out.  Regardless of how they are viewed by others, I dig this band and I really enjoyed their recent Rise Records release Listen & Forgive. Think Taking Back Sunday meets Saves The Day meets a calmed down New Found Glory.  “You Can’t Miss It” opened the track with a memorable track.  I could have done without Patrick Stump offering vocals on “All Your Heart”.  Seriously, that song did nothing for me.  “Cutting Corners” was, on the other hand, a track I dug a lot with “make every song your anthem and every night your last”, a lyric that pretty mush defined me growing up.  “Long Lost Friends” was a more aggressive track that stood out over the rest.  This band may be unknown to most music fanatics out there, but I have the feeling that will not be for long.  I hope just it has nothing to do with that song Stump was on…

Coffee Project – Concrete Boots EP

Love them or hate them, Coffee Project is a catchy and unique act that many have been talking about recently.  What you need to know about this is this: They are a duo consisting of trombonist Buddy Schaub and Rehasher’s Jake Crown, they are fun, they are catchy and they specialize in brassed out punk pop acoustic rock.  Recently the band dropped an EP titled Concrete Boots that includes their version of “Little Boxes” , the Malvina Reynolds written song turned Weeds intro that has been recorded over and over by all sorts of bands, as well as 4 brand new songs.  The opening track “”Shenandoah” was more of a bluegrass boot-stomping jam that seeming proved the duo has been taking this project seriously.  The accompanying female vocals on the title track was enjoyable although I have no idea who it was.  “Exit Stage Left” was more of an indie rock track that was not half bad while “Laid Up” led back to their standard sound – singing with acoustic guitar and a trombone.  Regardless on how far this band plans on moving in the music scene, they are fun and enjoyable to listen to.  This EP hopefully is just a sample of what they have up their sleeves for their next full length release.

The Flatliners – Count Your Bruises EP

The Flatliners are a Fat Wreck Chords band that I have adored since their early days.  Hailing from Ontario, Canada, they have this great punk rock sound that I appreciate and always seem to release the catchiest punk rock albums.  Seeing how much I dig this band so much, I am shocked to have missed the memo that they released an EP back in August.  Titled Count Your Bruises, the three song EP (also available as a 7″) straight up rules from start to finish.  The title track glided past me quickly as I immediatly found myself trying to memorize the lyrics so I could sing along.  “Sticky Bastards” really sounded like a gritty Gaslight Anthem  song but was in no was a ripoff.  The final track, “This Guy Reads From A Card”, was just as amazing as the first track and by the song’s end I just wanted more.  I suppose I will have to wait though and I will be sure to follow this band and their future releases.  The EP may have been just three songs, but they were all kick ass tracks.  Now all I can hope for is a new full-length from this great band and pray that the next time they roll through my neck of the woods I can see them live.  I caught them briefly at SXSW earlier this year, but it just was not enough.  Wishful thinking right?

I Am The Avalanche – Avalanche United

After 6 long years, Brooklyn’s I Am The Avalanche has dropped their all new album titled Avalanche United. There is no point asking what took so long for Vinnie Caruana and crew to release new material.  All you need to do is listen to Avalanche United once and it is perfectly clear that no explanation is needed as the band has dropped a superb follow-up.  With a mostly positive attitude throughout, the band references NYC and has lyrics that almost coach their friends to embrace the life they life especially heard in opening track “Holy Fuck”.  With that said, there are a couple dark spells throughout like “Amsterdam” that seemingly carries a couple of references to personal separation.  “Brooklyn Dodgers” was an anthem of awesomeness.  I loved this track start to finish.  It was a fist pumping sing along that was just refreshing to listen to.  The beer chugging invite “This One’s On Me” probably sounds a little better mixed with friends – and beers.  Bayside’s Anthony Raneri may have jumped in with some vocals on “The Grave Digger’s Argument”, the the song still just was missing something.  Perhaps I am just more into the tougher singing throughout the album.  Closing track”Gratitude” threw me for a curve at the beginning as it sounded like a 90s alt-rock song but soon picked up and continued on with a good jam that ended this album in a good way.  If you are looking for a catchy album to listen to that leans a bit on the heavy side, check these guys out.

Tomorrow: Punk Rock Sunday Night @ The Grog Shop

You know what’s not cool?  Two great shows on the same night across town from each other.  It happens a lot actually.  In fact, this Sunday there were supposed to be two awesome shows, one at Now That’s Class and one at the Grog Shop.  Both shows featured bands I really wanted to see.  I did not know which to attend.

The Menzingers were to play one side of town with the Holy Mess on the westside while Strike Anywhere and Dead To Me were to play the eastside.  Choices, choices…

Then something amazing happened.  The shows combined.

Like a Captain Planet of punk rock, all the bands (well most of them) combined their powers and jumped on the same bill making for one kick ass night of punk rock music.  Rumor has it that the guys in Signals Midwest, who are opening the night, had something to do with this…well done guys.

Tickets are $10 in advance and $12 the day of the show.  Don’t be lame on a Sunday night and get your ass out to the Grog.  Doors are at 7pm.

Concert Review: Cobra Skulls / Nothington / Signals Midwest – Beachland Tavern – Cleveland, OH – 10/05/2011

I need to be honest with you on a couple of things.  First, I have not been that kind to my teeth for years and neglected to take them to the dentist for a long while.  Second, I have never been to a punk show at the Beachland Tavern.  Both are true statements, and both were taken care of yesterday.

After I had the pleasure of getting the shit drilled out of my teeth for a couple of hours after the paying gig, I headed out to the glorious Beachland Tavern to take in my first ever punk rock show in the Waterloo District featuring Cobra Skulls, Nothington, and Signals Midwest.  For the record, there have been plenty of punk rock shows at the Beachland ever since the venue opened its doors in 2000, I just never made it to one.

Why?

I have no freaking idea and I kind of hate myself for it.  Enough of me beating myself up over missing countless good and wholesome punk rock performances by one of my favorite Cleveland venues.  Let’s talk about last night.

Local punk/indie/rockers Signals Midwest opened the night with their fine and technical style.  1/2 of this band are homies of mine, and I am pretty sure I will charm the other 1/2 soon.  Rocking out to songs like “In Tensions” off their latest release Latitudes & Longitudes, the band had no problem warming up the crowd and other bands, for that matter, all who of which gathered around the stage to hear these guys out.  This has to be said: This band has the ability to be the next best thing to come out of Cleveland, OH.  If you have not heard these guys yet, do yourself a favor and check out their Bandcamp page.

San Francisco’s Nothington followed shortly after and hand down blew me away with their performance.  Having just gotten into these guys a couple of weeks ago, I was beyond impressed with their sound.  It reminded me of all of the good things about 90s punk rock that surrounded me growing up.  Already familiar with their recent release, Borrowed Time, I was treated to some of their older material and really liked what I heard.

Primary vocalist Jay Northington actually took a moment from their set to give praise to the local openers Signals Midwest saying that they were “the raddest local band” he’d heard in a long time.  He was dead serious too.  Later Northington commented on his last trip to Cleveland with his former band, Tsunami Bomb, when they played the old Grog shop years ago…or so he thought.  Apparently he had been to Cleveland since but was too messed up to remember.

The band cranked out a ton of foreign tracks through their set but I did manage to pick out a few I knew like “Stop Screaming” and “Far To Go” with Chris Matulich taking over vocal duties.  At the end of their awesome set, Northington and their drummer hung out on stage where he played a very old song of his that he said “validated” what he’s been doing on the road all these years.  The entire crowd basically stopped what they were doing to listen to the song.  I was unable to catch the name of it, but it was pretty damn awesome.  Their set seemed short-lived, but luck for me they are playing a Fun Fun Fun Fest after show and I will be there.

The headliners of the night, Cobra Skulls, took to the stage and were more of a comedy act than a punk rock band.  The band, that’s been around since 2005, cranked out old and new tracks and made every effort to throw in a joke or comment that resulted in tons of laughs though out.  I know I kept cracking up when Adam Beck congratulated the entire crowd multiple times and then congratulated his band for being so professional and playing two songs in a row.

“Hot Sand”, “Faith Is A Cobra” and “Solastalgia” were a few of the many tracks they played that kept the crowd going.  I want to say they covered Bad Religion’s “Give You Nothing”, but I honestly am not 100% sure – I know, I am a bad reviewer.  I do know that Devin Peralta killed it singing “¡Hasta Los Cobra Skulls Siempre!” to the crowd as well as one of my all time favorite Cobra songs, “Muniphobia”.  The band seemed to play an endless amount of songs and when they tried to finish up their set with Phil the merch guy on banjo (which was amazing), the fans still begged for Cobra Skulls to play more.

Lucky for the fans, most of the band was done, but Beck wasn’t and started playing 80s cover songs to which the entire crowd san along to.  Admitting he was a huge fan of Eddie Money, Beck broke into “867-5309 (Jenny)” followed by aHa’s “Take On Me” and Cutting Crew’s “Just Died In Your Arms”.  In all the year of going to live shows, I have never seen people most of 80s pop rock, but last night that happened.  Beck promised his performance was not affiliated with Cobra Skulls and he just kept playing covers.  In fact, I am not sure how much longer he went because I left during Journey’s “Don’t Stop Believin'”.  I wanted to stay, but had to venture on home.

For my first punk rock show at the Beachland Tavern, I must say it was the best one I have ever been to there.  Signals Midwest impressed, Nothington stole the show, and Cobra Skulls brought on the fun.  It was definitely a good night to be out and about with good friends and great music.

Album Review: Luther – Siblings & Sevens

Philadelphia pop punkers Luther recently dropped an EP titled Siblings & Sevens on Black Numbers Records.  This is the bands first official release and I must say, it’s catchy as hell.  Having formed just about a year ago, the band has a great sound to them that compares to The Menzingers, Get Up Kids, and even a little Superchunk.  The EP may only be seven songs, but each song proved this band has the potential of being a big deal.

The acoustic “Siblings” opens up the EP with a gentle, quick start.  Reminding me a lot of something The Riot Before might throw into one of their albums, I loved the song, especially the lyrics, but it just seemed to just stop.  This melodic song alone impressed me even if I felt the guitar was set down too soon.  “This Is Light Fight Club” immediately took over and set the level for the rest of the EP.  I loved the breakdown during this track that really reminded me of the 90s rock I used to adore.  The lyrics on this track begged to be sung along with as well.

“The Suitor” was without a doubt my favorite track on this EP.  Starting off like an old Gaslight Anthem song, it jumped into a tough track.  Carrying a lot of Jawbox similarities, it even had a nice little bridge in the middle with “tell me you don’t want this, tell me you can’t remember” repeating after.  At just over 5 minutes and if I had it my way, would have gone on for 5 more.  I may have been impressed before, but after hearing this track, I was a confirmed fan.

“There’s Always Money” actually featured fellow Philadelphian Tom May of The Menzingers.  I could not help but imagine this song being played in a cramped, humid basement of some random house full of excitable kids.  The gritty, raw singing just fit in well and was far from an overproduced punk rock song.  “The Communion” on the other hand leaned towards more indie rock, almost a Jimmy Eat World feel.  Good song, but not one of my choice tracks by far.  “Aztec Tomb” finished up the EP  with a lasting punk imprint as well as some group vocals at the end leaving me wanting more.

I am really looking forward to seeing what these guys have to offer on their full length release.  I have the feeling that they will not be wasting any time making that happen.  Siblings & Sevens as far as I am concerned is just a sample of of their talent.  The band has been touring like crazy (see below for dates) and will actually playing Cleveland on November 14th with Tom May (The Menzingers) at Now That’s Class.  It’s safe to say I will be there that night.

Check out Luther’s Bandcamp page and check out Siblings & Sevens for yourself!