Category Archives: Rock

Cleveland, Music, New Release, Post-Hardcore, Punk, Review, Rock

Album Review: Hunden – A Calming Press

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I will be the first to admit I have not been that great about tossing out reviews and whatnot. If this one makes it to your eyes, then I am one stoked music lover. It kills me it’s already March and this is my first post of the year, but I write this with the best intentions.

Cleveland’s Hunden is a fuzz-heavy, riff-supreme threesome that, upon listening to their debut, forced me to dust off the keyboard and just hammer out something to talk about it.

Dare I mention they are a Northeastern Ohio supergroup in a sense?

Featuring Toby Reif (Sidekicks, Orbits), Nick Schmitt (Harvey Pekar), and Adam Peduch (Two Hand Fools, Heart Attack Man), Hunden already had my attention the moment I heard anything given their history with the local music scene.

It was no shocker how “Escape Trajectory” pretty much blew out the speakers. The track was just brutal from the start and Reif enough supplied vocal angst that had me thinking of Hum and Helmet. Then “Subtext” came on that was more aligned with Sunny Day Real Estate.

“Healer” carried so many Cave In vibes it was not even funny. Technical and catchy with brute force. Stephen Brodsky, take note of these guys… Seriously, this track is just so together and produced perfectly.

And it is not just all fuzz and riffs, but there sure is a ton and it is amazing. “A Calming Press” has softer moments with piano, but soon just ramps back up. “Prix Fixe” was beyond superb with its ups and downs.

A Calming Press clocks in at just under 30 minutes, but it just smacks right into you barely giving you a moment to breathe. Given where these guys came from, it certainly is a new avenue to tackle musically, and they succeeded in doing so.

Let me be clear, I am 47 years old and thrilled bands like Hunden still get me all sorts of amped up. I cannot wait to see these dudes play No Class on March 22nd with post-hardcore screamers Brain Cave. Hunden has the potential to turn some major heads with this release, I promise you, totally worth the listen.

BRAIN CAVE, CONSUMER CULTURE, KNUB, & HUNDEN @ NO CLASS

Friday, March 22, 2024

Brain Cave
Consumer Culture
Knub
Hunden
———
Bar Show
Cost: $10
Doors: 8pm
Age Limit: All Ages
Tickets: At The Door
RSVP ON FACEBOOK

Alt Rock, Country, Electronic, Emo, Experimental, Hardcore, Hip Hop, Indie, Metal, Music, Outlaw Country, Pop, Post-Hardcore, Punk, Rap, Rock, Ska

BHP Best of 2023

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This year absolutely flew by and here I am scrambling to toss something together to validate myself for poorly running my blog.

Clearly other objectives in life got in the way of how I wish I could maintain the site and keep it current, but here we are, so I guess I just do what I can, when I can.

I will say this past year has been a wild ride and I was able to really to enjoy it with friends and family, but something tells me that next year is going to be even better.

The absolute highlight of 2023 was covering the Punk in Drublic fest (thanks Vanessa!!!!) in Columbus, OH. If you missed that you can check it out HERE. To see so many of my favorite bands with some close pals of mine was just perfect.

I may not have reviewed a lot of bands this year, hell, I think I only did one looking back…but I did listen to tons of music and wanted to share a few that really caught my attention in 2023.

Enjoy.

BHP BEST OF 2023 LIST

Codefendants – This is Crime Wave

Easily one of the best releases this year. When I heard Fat Mike got The D.O.C. to drop some lines on one track I knew this was going to be something special.

Lucero – Should’ve Learned by Now

I love Lucero and everything they stand for and have to admit this took me a couple of listens to truly get into and I am glad I did because there are some gems on this one.

Heart Attack Man – Freak of Nature

I love this album. I really do not know what else to say here other than if you have not checked it out yet, you really should change that.

koyo – Would You Miss It?

This band won me over this year in the best way. Melodic emo hardcore. Does it get any better than this?

Militarie Gun – Life Under the Gun

Catchy as hell sums up this release. This has been a weekly listen since it dropped.

Sincere Engineer – Cheap Grills

File this one under “Deanna Belos makes me cry again with her poignant lyrics.” Dammit.

Bollweevils – Essential

Dr. Daryl Wilson is back with the gang and completely blew me away with this release. It sounded even better live at a local dive bar. That was a true treat.

Blink 182 – One More Time

I grew up in the 90s. Did you seriously not think this was going to land here at some point? Old punks are still cool, we just go to bed at a reasonable time.

Spanish Love Songs – No Joy

This band always stabs me in the feelings. This album was no exception.

Svalbard – The Weight of the Mask

I found this band a few years back as a suggestion to Holy Fawn and have loved them since. I was so stoked to see a new album drop by them this year and it simply rules.

Hot Mulligan – Why Would I Watch

Pop punk fun. Honestly, I did not think I was going to enjoy this one as much as I did.

Chayla Hope – Damn, Feelings

True Cleveland talent here. I will not be shocked when she grabs the attention of the world. Chayla can do no wrong.

Joey Valence & Brae – Punk Tactics

Just got into these guys a few weeks ago and adore their style that really reached back to the 90s. This release is pure fun and begs to be listened to on repeat.

Lil Yachty – Let’s Start Here.

This was one of those releases I read a review on and knew I needed to stop what I was doing and check it out. It is wild.

Incendiary – Change the Way You Think About Pain

Meanest album of the year. I adore it and listen to it on my worst days.

MSPAINT – Post-American

Music-genre bending at its best. I certainly cannot tell you their style other than “all of the above.”

Flying Racoon Suit – Moonflower

Oh hi, this band takes almost all the sounds of music I adore, tosses it in a blender, purees it, and pours out one hell of a release. Do not let the band’s name fool you.

Kerosene Heights – Southeast of Somewhere

2023 was a pretty emo year for me and this band helped fuel that.

I want to thank all my friends out there for keeping me going. New and old, life rules when you are all around.

More importantly, shoutout to my amazing kids who continue to give me purpose in life and let me continue to be my goofy-ass self with zero apologies. I hope one day you come across this and are reminded of the joy you both bring me.

Happy New Year and thanks for reading. Let’s see if I can kickstart the blog in 2024. I think I am up for it.

90's, Music, New Release, Punk, Review, Rock

Album Review: The Bollweevils – Essential

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Sometimes a band from your past does the ultimate awesome and puts out new material 14 years after their last release. Chicago’s Bollweevils surprised many, including myself, and dropped an incredible album called Essential on the possible world-famous Red Scare Industires records.

The album title is a strong nod to the actual professions of the members of the band. No lie, aside from Dr. Daryl Wilson (yes, a real doctor who saves lives), there are first responders and educators who make up the Bollweevils.

This band has always resonated with me well because they had a few albums on Dr. Strange Records back in the 90s which I listened to frequently. They called quits in 1996 and came back into the scene around 2006 when they played Riot Fest but kept a low profile and clearly took the time they needed to get back at it without missing a beat.

“Predisposition” kicked things out as if the band never stopped. What a powerhouse of an opener. Wilson and crew sound better than ever and I hate to say this, but I was pleasantly surprised about this. Like I should have even carried that thought.

Following up was “Galt’s Gulch”, a well put together track similarities gravitating towards an Ayn Rand novel. The fact they repeat “who’s John Galt”, which in the novel was about the sad current state of affairs much like today. “Atlas Shrugged” is the book I speak of, and if you ever read it, you’ll understand more.

One of my favorites on this album was “The Cutting Solution”. This track was well supplied with some insane drumming that just kept the energy high. Wilson’s singing was just so on point here.

“Theme” was just that. If the Bollweevils had their own show like the Aquabats do, this would certainly be the song that played at the start. Certainly, this a tongue and cheek track, but goddamn this was so fun.

Then there was “Bottomless Pit”, another banger. The entire band came together so well on this one. Fast and to the point, it was exactly what I would expect from these guys.

The track that just won me over was “Resistance.” In true punk fashion, this track had me wanting to memorize the lyrics so I could play it over and over while singing along. Loved the breakdown as well as the group vocals. It was not a complicated song yet got the job done.

“Liniment and Tonic” should be the old punker anthem moving forward. All the old punkers who are reading this with their arms crossed in the back, this one is for you. Enjoy.

The Bollweevils are timeless in my book. They have definitely put in their time years ago and Essentials has no indication of a break ever with their sound. They are still energetic and catchy as ever. Fair warning though, this album clocks in at just over 22 minutes. I assure you there is no lull in this release and there are plenty of playback opportunities.

As I find myself closer to 50 these days (punk is dad), it is beyond refreshing to hear a band from your teenage years still killing it. In a day and age when most punk rock does not even rest on the edge of the genre, it’s the punk rock veterans who continue to remind me why I adore this kind of music.

Available on CD and LP, the album is out there for you to obsess over. Do not sit on this one. Trust me.

Listen to it: CLICK HERE

Buy it: CLICK HERE

Guest Blog, Interview, Music, Punk, Rock

[Guest Post] Interview: Kody/Bruzzy (SACK, Teenage Bottlerocket, The Lillingtons)

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Today marks the 14th year that Brokenheadphones has been in existence. It is kind of a cool milestone, so to celebrate I am letting someone else post some content.

Recently I reviewed the bad ass SACK album and Matt from The Witzard reached out saying he recently interviewed Kody and was hoping I could share their conversation on my site. Well of course I said yes.

It was a good read so I hope y’all enjoy it! I can confirm now that I share something with Kody now – getting Covid during the tour. haha.

Take it away Matt:

Straight outta the slums of Northwest Denver, Colorado, SACK is a mysterious band of Party Punks complete with songs about bongs, bikers, and brothels. Like any disreputable gang, they’ve had a series of rotating members over the years, but on Ripper!, it’s Bruzzy (Teenage Bottlerocket, The Lillingtons, The Hybrids,) a couple shredders from Peru (Father Fil & Joe Camel,) a gym teacher, and the neighborhood electrician (which comes in handy, believe it or not!)

They recorded 12 songs at Descendents/Black Flag drummer Bill Stevenson’s The Blasting Room and now these headbangers plan on touring (read: crashing house parties) across the land. SACK’s Ripper! Is now available on Red Scare Industries and is recommended Ffr fans of Turbonegro, FEAR & Lee Ving, The Dwarves, Iggy & The Stooges, and Motörhead.

We got a chance to send some questions over to and conduct a completely wild interview with SACK’s resident dipshit Bruzzy (aka Kody Templeman). Check it out below, if you dare!

Witzard – Who are the various members of SACK and what is each member’s role within the band?

Bruzzy – Dipshit, Joe Camel – Weed, Father Fil – Ears, Chuck Steak – Punctuality, Coach – Motivational Speaker, It – Compassion, Davey Crocket – Smokes, [and] Crash – Hype Man

Aside from SACK, what other note-worthy bands are each of you part of currently or previously played with?

Bricheros, Sleights, Teenage Bottlerockets.

Who or what would you readily cite as of some of your major sources of inspiration and influence while creating your aptly-titled sophomore album, Ripper!?

Alcohol, weed, Dayglo Abortions.

How did you come up with the band name, SACK, and album name, Ripper!, and what do each signify and/or mean?

We used our imagination.  Neither stand for shit

What did your writing, recording, production, creation, etc. processes behind Ripper! typically entail?

Bruzzy wrote a good chunk.  Fil wrote the music on a few.  Bruzzy wrote the lyrics.  And the rest of SACK helped tweak the songs.  In the studio Coach gave pep talks and pushed the performances further. 

How did you guys end up linking up with Tobias “Toby” Jeg, Brendan Kelly (The Lawrence Arms) and Red Scare Industries to ultimately release Ripper!?

They were the only suckers dumb enough to put it out.

Why do you “Hate” The Beach Boys, one of America’s most beloved bands, so much?

We love The Beach Boys!  Honest!

How did the headlining SACK tour you guys just recently wrapped up end up going?

We broke down, Bruzzy fucked up his ankle, two of us got Covid.  Support band (Flamingo Nosebleed) broke down, singer lost his voice, one dude got Covid, shredded a brand new pair of front tires… I’d call it a win!

When not Ripping! it up as part of SACK, what do each of you guys do for day jobs?

None of your fucking business!  Oh, Fil has a recording studio called Green Door in Denver.  It’s the best.  Your band should record there.

How would you say SACK’s overall sound, style, musical mindset, and approach has changed and evolved since your 2005 debut, Get Wrecked?

Who gives a shit?

Matt Horowitz is a D.I.Y. writer and life-long music lover. He runs his own site, The Witzard and has written for NO ECHO, IDIOTEQ, The Find Mag, post-trash, GrownUpRap, and The Punk Site.

Matt enjoys attending Punk/Hardcore & Hip-Hop shows with his friends and beautiful wife, Caroline. His favorite pastimes include writing, discovering new bands, re-discovering his favorite Punk, Hardcore, Emo, and, yes, Pop-punk bands from high, school, drinking iced coffee, craft beer, and fine wines, and hanging out with his energy-filled 2-year-old son, Peter.

Give Matt a Follow on Twitter (@SharpCheddar856) and Instagram (sharpcheddar856) and check out his website, TheWitzard.com.

Cleveland, Live Shows, Metal, Music, Punk, Review, Rock

Album Review: SACK – Ripper

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Party thrash punkers SACK rip so hard that I got Covid when I saw them live.

No seriously, they played Cleveland at the end of June at a local BBQ joint/bar/venue and I went with a few pals. Two days later, I tested positive for that stupid bastard virus and was knocked off my ass for a week. Totally worth it though, it was one of the better shows I went to this year.

Disclaimer: Not everyone who sees this band is guaranteed to contract a virus.

SACK hails from the Denver area and honestly have had changes in their lineup since they started making music in the early 2000s, but have always entertained the hell out of me.

Currently, Kody of The Lillingtons and Teenage Bottlerocket fronts the band along with a couple of dudes from Peru, some gym teacher, and apparently a local electrician.

Ripper is a 12 song banger of sorts that was recorded at The Blasting Room and released earlier this year on Red Scare Records. This album is for the drunks, the punks, some more drunks, and anyone looking to just rock the hell out. From start to finish, Ripper absolutely slays, slaps, shreds…shit like that.

“I Hate The Beach Boys” has zero love for that surfer boy band your mom and grandma probably batted lashes at in their younger years. The distaste for the band is evident with Kody just screaming out reasons why he hates them.

“The Return of Mr. Bong” is definitely to be adored by all the stoner heavy metal lovers. Clearly a tale of a party encounter with a superior water pipe taking on everyone.

True story real quick: I was driving somewhere with my windows down blasting “I Tried Suicide” recently and stopped at a light and looked over just in time to see that the song offended another driver enough to make a face of disapproval while rolling up their window. This song is about ending it all with no buffer.

“I Used to Give a Shit” has been my theme song lately. All about not caring and just living life sometimes is the best logic to carry in this day and age. Take it from SACK, caring is stupid.

“Night Shift” for whatever reason reminded me of something that should have been playing in Repo Man when Otto and Bud were driving around L.A.

I loved “The Thesis”, even if it was just a complete train wreck that clocked in at 0:43. I guess I just appreciated the raw, insanity of the track. I could see it as paying homage to a few 80s punk acts.

“Turf War” was upbeat, but clearly tied gangs maintaining their hood. I kind of wish SACK did a music video for this one. It could be like Warriors meet Grand Theft Auto or some bullshit like that.

Ripper was just that when describing the sound held within the album. I literally listened to this for weeks on end over and over. It is fun, raw, and just aimed at having a good time. Sure, if you like Teenage Bottlerocket you will likely be into these dudes especially since “Headbanger” was originally a SACK track. Kody really gives it his all with this band vocally and there is no doubt about that.

Also if you like Guttermouth, FEAR, or even Zeke, chances are you will eat up SACK. Yes, I wrote that on purpose.

No LP yet for Ripper (hint hint), but the album is out all all $treaming $iteS or you can snag a CD from Red Scare if you still rock that compact disc life.

If SACK happens to play a show by you, go. Seeing Kody try and pound a 12-pack during their set was impressive as hell. Just make sure you let the man hit the bathroom after because chances are, he is going to need to relieve himself after that feat.