Category Archives: Music

Album Review: Heart & Lung – You Wanna Know the Truth?

When a great pal tells me to check out a band that one of his bandmates happens to be in, I stop what I am doing and look for my headphones.

Heart & Lung is the band I speak of and thanks to Jeremy (most call him Rozco), I can not stop listening to these guys.

This four-piece pop-punk act hails from tropical Cleveland and has been doing their thing for a couple of years now.  Featuring current members of Throw Shade and former members of The Fucking Cops, Let em’ Run, and The Public, it is safe to say that this band has plenty of rustbelt punk rock talent.

You Wanna Know the Truth is the band’s debut release and I must say, it is pretty damn impressive.  Released independently, you’d think someone from an independent label would have scooped them up already (hint, hint to you label owners out there).

As far as the sound goes, think the energy of Direct Hit! mixed with the singing style of Say Anything, the memorable lyrics of Iron Chic, and glorious group harmonies of Masked Intruder.

As an avid Cleveland Indians fan, I certainly appreciated the opening sample with Hammy doing this thing on “Telecaster”.  This opening track just has the band jumping right in and giving it their all.

“Hey Man” was kind of like a fun blend of Max Bemis and Masked Intruder, hence my previous comparison.  This happy-go-lucky track is best played with friends.  Nice job incorporating the band name into the lyrics by the way…

I am not sure what “1954” is all about, but I do know that is the year the Cleveland Indians went to the World Series.  I also know that is the year the infamous Sam Sheppard  supposedly murdered his wife.   I appreciated the Cleveland pride and references throughout this jam.

“You Wanna Know the Truth?” was easily my favorite track off the album.  The steady yet furious drumming, the piano playing, and just the honest chorus “you wanna know the truth?  I’m fucking in love with all of you” pretty much did it in for me.  Hearing the band profess enjoyment while on tour as well as their admiration for the great state they all hail from was all too intoxicating.  The ending though…man, that was so perfect (you can check out the song below).

“Recession” was 50 seconds of the ups and downs of corporate America and the broke asses who live there.  “Don’t Need You” was as you guessed it, a song about tacos from someone who is trying to diet furiously.  I love tacos.

“The Sound” ended things in almost Weezer fashion sans the heavy repeating bass line.  Hearing this song build up, explode, and just exhale with piano playing at the end put this album to rest in a good way (no pun intended of course).  With lyrics about ending it all, carrying fear in doing so, and finally seeing someone looking back eliminating said fear, this wasn’t exactly a happy-go-lucky track.

My only complaint about this album?  It clocked in at a whopping 27 minutes.  11 great songs, but I would have gone for a few more.

This Cleveland pop punk act has what it takes to turn heads and snag the attention of many.  Don’t believe me?  Check out what the bassist John’s sixth-grade students had to say about it…

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I feel like I should have just started out the review with their quotes.

This band has been playing like crazy lately here in Cleveland as of late, most recently with Off With Their Heads, and I am excited to see what happens with them next.  If you are looking for something new and fun, check these dudes out.


https://heartandlung.bandcamp.com/album/you-wanna-know-the-truth
https://www.facebook.com/heartandlungcleveland/
https://www.instagram.com/heartandlung/

 

Album Review: Ethan Daniel Davidson – Crows

I’ll openly admit that I had never heard of Ethan Daniel Davidson until Pete at Blue Arrow Records asked me to check out his latest release Crows.

I am so stoked he did.

All I was told about Davidson was that he was from Detroit and played folk music.  Furthermore, I had no idea that this Americana folk album bordered outlaw country.

Crows is Davidson’s latest full-length and has been released on Blue Arrow Records.  He has been playing music for years now and has released quite a few indie/folk albums previous to Crows.  I learned that he is married to Gretchen from Slumber Party and once moved out to Alaska to record.  He toured for years until he had a family and is known for offering up his music (downloads) for free.  He’s also the adopted son of the late Pistons owner, Bill Davidson.

Just by looking at the album cover of Crows, I instantly thought of Billy The Kid as the photo of Davidson looked rustic and almost criminal.  I was instantly intrigued before even hearing one song.

“My Crows” opened up the album with an almost warped sound to it.  Davidson’s singing was welcoming and just caught my attention.  Having expecting more of a folk style, I really dug this country style.  The collective singing midway about love just made it that much more inviting.

“My Own Bad” was one track I really enjoyed.  This song was more of a cowboy memoir full of twang that was fueled by evil tendencies.  This is a track I wish I could have listened to when I lived out in the desert, it would have complimented my evenings so well.

“And The Never Saw Him Coming” was more of a 40s country telltale tune that I easily got sucked into.  I adored the banjo with the slow drumming that carried me along for the ride.  Davidson slowly sung about a mysterious natural born killer ending right at the climax leaving for plenty of interpretation.

“I Might’ve Been Wrong” was an eerie gospel-like track about a punished man with a conscience.  Davidson did not hold back with his descriptive lyricism on this track.

“Close To The Gallows” kept on the with the demeanor and easily could be put in a Quentin Tarantino soundtrack – seriously, this track ruled.

“Love can go to hell” started off the twangy, tender song “Fade”.  This little jam was not necessarily a romantic story, but more of a strung out, timely appreciation.

As someone who has an appreciation for real country music and not that pop crap, I loved every moment of Crows.  It was a complete shocker of an album to hear and as I previously mentioned, I’m thrilled Pete told me to check it out.  This is going to be one of those albums I play for the rest of my life.  With that said, I think I should probably check out Davidson’s catalog, something tells me I am going to enjoy it as well.

This album is perfect if you like alt-country but are looking for something a little slower and more on the dark side.  Check it out for yourself:

Album Review: Everymen – May Your Ashes Have Stories To Tell

I could be quick to say Lake Worth, Florida’s Everymen is just a folk punk band and move on with life, but that would be incredibly lazy on my part.

This band may carry some of the punk and  folk qualities attributed to that genre, but they are so much more than that.

I cannot say I’d heard of this band before, but they just dropped a new release on Say-10 Records called May Your Ashes Have Stores To Tell, and I found myself really digging what they had to offer.

Everymen is like what a young Against Me! might have sounded like if a hyped Tim Barry took over some of the singing duties while the dudes from Gogol Bordello jumped onboard.  I could not help but also think of Tin Horn Prayer when listening to this album as well as Old Man Markley and even Larry and His Flask.

The more I listened to this album though, the more I kept thinking that lead singer of Everymen sounded like the lead singer of one of my favorite unheard of 90s bands, Stompbox.  Once I made that observation, I could not get it out of my head.

Sure that is a lot of comparisons to be throwing out there, but the band stands out with their own style and energy which made it much more interesting to get into.

The moment “Shake Your Bones” started off the album, I knew I was in for something good.  This toe-tapping jam really caught me off guard, especially with the horns and crazy guitar playing.

“Dead Friends”, an ode to lost pals, kept an upbeat feel while paying tribute to those who were taken too soon.  Sadly this was not the only track on the album to sing about loved ones who were no longer as “M.B.” paid tribute to Erik Petersen, the lead singer of Mischief Brew and great friend to the band, who took his own life.

“How To Live” was more of a basement sing along track over the rest.   Listening to this song brought back lots of memories of me being smashed in tiny, dark basements screaming lyrics at the top of my lungs along with some of my favorite bands.

The sing along opportunities continued with he fun “Don’t Rain On My Parade”, a track that easily could have fueled an all night rager in a small, remote bar.  Ironically, “Waking Up Hurts” seemed to be the morning after song compared to the previous jam.

“Don’t Stay” was dark as hell with a certain gypsy-polka sound that was all too inviting.  I loved the female vocals tossed into this track as well as the fiddle playing.

It’s nice to hear such a unique album that does not necessarily rip off anyone else’s sound.  I can only imagine what this band sounds like live.  I am sure it is a hell of a drunken good ol time.

If you are looking for something a little different from the norm, check out what Everymen has to offer.  This is one of those bands I am glad someone reached out to me asking to check out because now I can tell you to do the same.  Totally worth it.

EP Review: Garrett Dale – Two T’s EP

Forget the filler in this review.  Garrett Dale is the lead singer of Red City Radio and just released three songs as a solo project.

You’d never know that Dale even fronted a punk rock band if you listened to any of these tracks.

Three songs of brutal honesty have been slammed into folkish alt-country music on Two T’s EP and I will tell ya, it’s fantastic.  This gem of an EP was released by the good folk at Red Scare.

“2016 Was…Horseshit” is like Tom Waits meets Slobberbone.  What more can I say about this track other than it is blunt as hell.  Check the video below and add the song to your next porch drinking mix already.

Then there was “House Full Of Dogs”, a track that clearly was fueled by a drunken recollection of personal exchanges.  The saxophone in the middle of the song made it that much more incredible.  This track is like the bastard child of a miserable Brendan Kelly and Bruce Springsteen fling.

“Down The Rabbit Hole” was the last track on this EP.  For someone like myself who is obsessed with Lucero and John Moreland, this song just fit in perfectly.  Not that I ever did not respect Dale, but this song alone has me looking at him and his talent forever differently.

Given this small taste of tunes, I really hope Dale has more of this up his sleeves because I seriously think people are going be just as floored as I was when they hear it.  This is music not to sit on.

Album Review: Needles//Pins – Good Night, Tomorrow

Family life has gotten the very best of me in a good way, and I have not been able to dedicate a lot of time to the blog as I would like to, but here I am for now while I have a few moments.

Maybe rather than giving excuses, I should just talk about this new Needles//Pins release that Chris at Dirt Cult Records threw my way to check out.

Before digging in deep here I need to admit how much I am eating up this album with each listen.  It is a start to finish jam that caught me by complete surprise.

Hailing from Vancouver, Needles//Pins is a three-piece punk band who have been around since 2009.  Perhaps not a well-known band here in the states, they caught a good chunk of my attention with their last release Shamebirds.  Needless to say, I was already excited to hear their new material. 

Good Night, Tomorrow is Needle//Pins’s third release (Dirt Cult Records / Mint Records) and clearly their best to date if you ask me.  The band showcases a much more mature sound with most of their tracks but without losing their edge resulting in a great listen.

Songs like “Violet”  and “Back to the Bright” begged to be memorized upon first listen for sing along opportunities.  Both of these songs impressed the hell out of me.

The mature sounding “Sleep” carried some great, catchy guitar playing, but it was the lyrics that won me over.  Personal, poignant , and to the point.

“All the Same” really reminded of the Replacements at times.  I am thinking due to the guitar playing and quick drumming mostly, but I am not complaining here at all.  This song ruled.

As someone who is obsessed with 80s punk/alternative rock, “Pressure Points”, “Untitled (You’re Fine)”, and “Something New” all turned into my favorite tracks on this album once I heard them.  Just check them out if you can, no explanation needed.

My appreciation for this band went out the roof after I heard “Tomorrow”.  Sick riffs, great hooks, group vocals, and a certain organ playing further proved my earlier statement on how Needle//Pins matured.  Folky, punky, and freaking amazing, this was the grand finale I was looking for.

For those of you who like the gritty sing along punk rock that has extreme replay opportunities,  y’all need to check out what Needles//Pins have put together.  Good Night, Tomorrow is one hell of a release that I plan on playing over and over again.  Think Iron Chic, Lawrence Arms, and Leatherface all mixed up in perfect proportions.  Trust me, you do not want to sit on this album.