People of Kent/Akron/Cleveland/Ohio be proud. Annabel is about to drop an album everyone is going to be talking about.
The Kent, OH indie rockers are on the verge of releasing their second LP, Youth In Youth, which will be put out by Count Your Lucky Stars in the later half of Fall.
I can not freaking wait. Clearly from the photo above, Scotty is in shock about it too.
I do not know about you, but I am pretty excited about this.
Chris from No Sleep Records posted this picture on his Facebook today (of course it still needs print and whatnot:
Into It. Over It. Tour Dates:
Oct 17 – Cleveland, OH – Now That’s Class
Oct 18 – Philadelphia, PA – Unitarian Church
Oct 19 – New York, NY – Santos Party House (CMJ)
Oct 20 – Boston, MA – Middle East/Upstairs
Oct 21 – Hartford, CT – Webster Underground
Oct 22 – Baltimore, MD – Ottobar
Oct 23 – Richmond, VA – The Camel
Oct 24 – Columbia, SC – New Brookland Tavern
Oct 25 – Orlando, FL – Will’s Pub
Oct 26 – Gainesville, FL – The Fest
Oct 27 – Gainesville, FL – The Fest
Oct 28 – Gainesville, FL – The Fest
Oct 29 – Atlanta, GA – Vinyl
Oct 30 – Louisville, KY – The Vernon Club
Oct 31 – Chicago, IL – Beat Kitchen
Massachusetts threesome The Fake Boys have somehow taken 90s indie rock and mashed it up with a little DIY pop punk as well as post-hardcore in a good good way on their debut album Pig Factory.
Released by Animal Style Records, Pig Factory was recorded by the great Jay Maas (Title Fight, Transit, Polar Bear Club) and pretty much kicked ass from start to finish. I will admit, I was super hesitant before listening to this album, but am stoked I checked it out.
“This Is Our Band” opened up the album with the lead vocalist having a very Billy Corrigan singing style (as well as a Ravishing Ride Rude resemblance), but not that “despite of my rage I’m still just a rat in my cage” annoyance. “This Is Our Sound” followed making this listener think back to the alternative / grunge days, especially with that J. Mascus-like guitar playing.
The sound kept consistent through and didn’t get old at all. “Don’t Live” might have had some deep lyrics that I could not crack, but the song was great. “You’re A Loser” followed with a perfect grunge to post-hardcore ratio making for an impressive listen.
“Best Post” had this Five Man Electrical Band sound at first that was completely off from the rest of the tracks. Don’t get me wrong, it was a good listen with acoustic guitars and such, but that only lasted a moment as the rest of the band kicked in making for a good ol’ 90s alt-rock listen. I found myself really digging that track a lot.
I really enjoyed the 90s alt-rock-heavy “Hi Friend”. There’s nothing quite like a fun, friendly song that just makes you gently rock your head. Hands down, this was my favorite cut off the release, well at least I thought it was until the next track came on… Just wait till that distorted bass kicks in, and you will most likely agree with me – “Realist World” ruled. Lots of emo and post-hardcore going on the track. I’m sold.
The Fake Boys sounded like a punk rock Smashing Pumpkins with a gracious nod to 90s rock. I caught hints of Jawbreaker, Briad, and even Texas Is The Reason as well as Dinosaur Jr. Spite what I think they sound like, the truth is, this band knows how to deliver their own style and the result is a pretty solid listen. There’s nothing fake about these guys at all and I am sure they are fully aware of that. Do you like 90s rock? Yes? Go listen to The Fake Boys now.
Since 2006, Fun Fun Fun Fest has been nothing short of fun x 3. Every year, the music/art/food festival seems to turn it up a notch, so much, that last year I actually decided enough is enough and headed to Austin, TX, to check it out. The result, minus Danzig acting like a little bitch, was a killer weekend with friends fueled by amazing bands. In other words, I had fun. A ton of fun.
The festival was well organized, and all three days of music was well worth the $200 or so bucks I dropped on a wristband. By the want of the fest last year, I told myself and my friends I wanted to return the following year.
This year, the good people at FFF Fest have outdone themselves. Not only did they get RUN-DMC to reform, but they also had put together almost a dream lineup for this music lover. Refused, De La Soul, Seaweed, The Promise Ring, Bob Mould, Lucero, Lagwagon, Braid, OFF!, Against Me!, F’d Up, Superchunk, Minus The Bear…I can keep going…P.I.L., Explosions In The Sky, X, Turbonegro…
Seriously, check out all who will be playing this year:
This does not even include the FFFEST Nites, the nightly free (with wristband) concerts around the city.
I am planning on returning to Auditorium Shores in November to take in this festival. Since I have moved, I have not seen one live band due to a lack of venues, but this festival will make up for it. Not to mention Austin is one of my favorite cities and I am now only a 6 hour drive away…
I am sure it’s pretty safe to say that Luerco is a band name that many have you have at least heard of. Maybe you are a huge fan of them already, or perhaps you have been meaning to check them out. For all I know, you have no idea who I am talking about.
My point is, if you are reading this, you now are aware of a band who calls themselves Lucero and I hope by the time you finish reading this mess of works you check them out if you have not done so already.
The boys in Lucero, for those of you who do not know, hail from Memphis, TN, and have been mixing their punk rock roots with their Southern style creating some entertaining country and indie folk rock music since the late 90s. Recently the band dropped their ninth release in their career titled Women & Work.
The honky-tonk “On My Way Downtown” started the album right with the pure intention of getting the girl to come out and have some drinks. “I know the last time we drank I was a little less than behaved” was sung by Ben Nichols and rubbed off as an honest apology. The horn-heavy title track “Women and Work” followed with a let’s-drink-this-bad-day-away-feeling. I loved the repeating lyrics: “Come on kid, let’s drink ’em down. Kid don’t let it get ya down.”
“Juniper” was one of my favorite songs on the album. It was just a fun upbeat Southern country / rock track perfect for getting weird to. The combination of horns and twang was perfect. I could only imagine the appearance (Read: “A dark-eyed beauty and a dangerous thing”) of the woman this song surrounded.
I found myself enjoying “Who You Waiting On?” mainly with the story told. It was a simple jam but the lyrics provided a clear image of a guy trying his luck at picking up a lone lady during last call.
The sorrowful “I Can’t Stand To Leave You” captured perfectly that which is called heart break. I felt the pain in that song and would be lying if I said I never felt that way once in my life.
“When I Was Young” reminded me that age may only be a number, but memories will last a lifetime. “Go Easy” ended the album with a gospel vibe especially when the female backing vocals kicked in. “Go – go easy. And we’ll find our way” repeated throughout the track and eventually put the album to rest. It was a nice switch, but something I was not expecting at all.
Overall, the album was a great listen, but there were two changes I noticed. First, I found myself missing the punk rock vibe. I did not feel it like I have in previous Lucero albums. It was almost like they decided to set it on the shelf this round. Secondly, Nicolis’ voice was not nearly as raspy. There is just something about his scratchy singing voice I have always been a fan of. On Women & Work, his voice is a tad smoother, almost as if he was dropping lozenges while singing.
I will say that this album grew on me tremendously after my initial listen. At first I was scratching my head on if I liked it, but after a couple of times through, I was hooked. I loved how personal the album was throughout and how I related with the lyrics. It’s catchy and it’s something that punk rockers and country lovers can all enjoy equally.Women & Work is one of those kinds albums I’d have my parents listen to and I know they would not give me shit for it, but rather, ask for more.