Category Archives: Folk

Best Of 2011 According To BHP

Well it would appear that 2011 is coming to an end.  With that said, it’s time for a “Best Of…” Broken Headphones 2011 edition.

There were a ton of amazing releases throughout the year as well as live shows that I was able to attend.  Below is just a various list of bands that caught my attention, be it a recording or live show, over the past 12 months.

I should add that some of my favorite releases were from local Akron/Cleveland acts.  I am not just dropping their names because we are pals or anything, they all worked hard and put out some excellent releases.  If you have not heard of any of them, you really should check them out.

I may have missed a band here or there, but the following were the ones that stood out over the rest.

Albums of the Year:

SeahavenWinter Forever

*Hands down this is one of my favorite albums to drop this year.  They just have this indie punk rock sound that is ever so likable – trust me on this.  The first time I listened to it, I was hooked.  I see big things happening with this band in the near future.

NothingtonBorrowed Time

*This is another album I favored over the rest this year.  Catchy lyrics layered over wholesome punk rock is what this album is all about.  To make matters even better, they kick ass live.  They are coming back to Cleveland next month and I can not wait to see them again.  Listening to this band brings me band to the punk rock 90s I grew up on.

All DinosaursParanoid Indigenous

*So maybe the music was released in 2010, but the LP dropped this past Spring so I consider it a 2011 release.  This Cleveland act is beyond fun to listen to plus they put on one of the best live shows ever.  They are funny, quote 80s movies and are in it for the fun.  It helps they are also all super cool dudes.  If you are a Cleveland native, you should already know how amazing this band is.

Dave HauseResolutions

*I was a little late checking this album out as it was released in early 2011, but am glad I did not pass it up.  Hause (The Loved Ones) is an amazing musician and proves it in this killer solo release.  With help from his friends, he put together one hell of a release.  Do me a favor, if you like music, listen to this.

Living With LionsHoly Shit

*Words can not really describe how impressed I was when I heard these guys.  All I know is I will have this album playing regularly for a long long time.

Deer TickDivine Providence

*The boys in Deer Tick changed it up a bit and put forth a bitching rock album that I really dug.

DawesNothing Is Wrong

*Oh Dawes…you’ve done it again.  What a solid release.  You guys are on your way to being huge.  Keep it up.

Those DarlinsScrews Get Loose

*The girls and Lynwood dropped a impressive follow-up to their debut this year and I adore it.  Still kicking around the country-punk attitude, the foursome toyed with a more indie / garage rock sound and did a fine job doing so.

Old Man MarkleyGuts n’ Teeth

*This self-proclaimed “New Grass” band was one of the more fun releases I had have the pleasure of checking out this year.  I can not wait to see what happens next with these guys and gals.

Banner PilotHeart Beats Pacific

*Impressive release by a great punk rock band.  They need to play Cleveland soon.

White WivesHappeners

*This was the surprise release of the year for me.  Featuring members of Anti-Flag, this album is far from a pop-punk rock album.  On the lines of indie rock, White Wives needs to be heard.

A.A. BondyBelievers

*This guy really outdid himself.  You really have to check it out for yourself to realize why I appreciate it so much.  It’s a really beautiful release to listen to.

Bon IverBon Iver

*Not normally something I would listen to, but holy shit – it rules.

The Black KeysEl Camino

*Yeah yeah yeah… The former Akron, OH boys once again put out a release I admit I love.  I do not love the fact that the next time they hit Cleveland, they will be playing an arena.  It is safe to say they made it big time.  Let’s hope they don’t screw it up.

Signals MidwestLatitudes & Longitudes

*And yet another local act.  These guys are a big deal though…to me at least.  The dropped a really good record.  For serious.

EPs of the year:

LutherSiblings & Sevens

*Folk / Punk / Rock awesomeness.  I was caught off guard by this band.  They rule.  Sadly they had to cancel their Cleveland show after the band was involved in an accident in Chicago.  Luckily no one was seriously injured.  I can not wait for their full-length to drop.

Harvey PekarThirty Ghosts

*Dear Harvey Pekar (the band), thank you for existing.

Worship This! – Demo

*I normally do not mention bands that I am really good friends with the members, but I adore this band.  That’s all I have to say about that.

Two Hand FoolsBelieveland

*These guys better get signed in 2012 or else I am going to fight someone.  Another Cleveland act with plenty of talent.

Cherry Cola Champions – EP

*I remember the first time I saw these guys live.  I was not into them during their first song, and once their second song started, I was blown away.  Looking forward to seeing what this duo has up their sleeves next year.

The Awesome:

-Going to SXSW and seeing bands such as The Dead Milkmen, Flatliners, Dead To Me, Eyehategod, and tons others at various venues in Austin, TX earlier this Spring.  It was one hell of an experience to see so many bands cramped into such an amazing city.  Sadly when you have that many bands, you tend to miss out on some great sets by amazing bands.  Regardless, it was just awesome.  Plus…I saw Dale Watson play at Ginny’s.  That right there made my trip.

-Hanging out with Ninja Gun for a few days.  These guys are some of the best dudes I know.  They wanted to play shows on the East coast and I was able to lure them to Kent to play a show in September.  We all enjoyed hanging out so much that they kicked it for a couple more days where I took them up to Melt for some cheesy deliciousness.

-Getting Dave Hause to play a house show in Akron.  After seeing that Dave Hause was not playing a show in the Cleveland area just 2 weeks ago, I threw him the idea of a house show and he and tour mate Cory Branan were totally down with the idea.  The result was a show to remember with Hause and Branan trading off songs all night long.

-Hanging out with friends, new and old, at the Inner Sanctum Pier show on the E. 9th pier.  More people could have showed up, but regardless, I had a killer time that sunny day and got to watch Pat The Producer turn into a human tomato.

-Hanging out with Rise Against and doing some charity work them at the Malachi House in Cleveland.  The guys were super cool to hang with and really did not have that “rock star” attitude built from success.  Props to 92.3 for making that happen.

-Making the trip back to Austin, TX early November and attending Fun Fun Fun Fest.  I got to see some of my favorite bands all in one weekend including Murder City Devils, Hot Snakes, Hum, Slayer, Eyehategod, The Damned, Black Joe Lewis & The Honeybears, and Russian Circles.  This was one of my favorite festivals of all time.  It was a festival I had wanted to attend for a a few years now and I decided to go for it.  I am so glad I did.

-It’s A Kling Thing House & Girley House.  Both houses put on some amazing shows in 2011 with local acts as well as touring bands.  Seeing Jeff Rowe over the summer as well as Mixtapes just a month or so ago in a basement is as good as live shows get for this guy.

-Daytrotter’s Barnstormer Tour.  What a great evening of music that was.  The show was in a freaking barn.  Yes, I do not remember much as the beers were going down like water, but I know I had a blast with some pretty special people.

The Suck:

-Ben Weasel’s SXSW blowout.  Sadly I was on the other side of town watching Cleveland’s very own Ringworm in a ghetto ass bar.  Don’t ask me why I skipped out on seeing Screeching Weasel live, I was under the influence of many ice cold Lone Star beers.  Honestly, I am kind of glad I missed Weasel acting like a little girl on stage.

-Danzig’s Fun Fun Fun hissy fit.  One of the main reasons I wanted to go to Fun Fun Fun Fest was because the Danzig Legacy was playing it.  I was stoked to finally see Danzig sing some Misfits songs with Doyle on stage.  Instead I witnessed a diva take the stage late and get their set cut as they played past curfew.  I only heard two Misfits songs and left with a bad taste in my mouth.  People can think what they want about Danzig and that night.  I was in the crowd watching heater being pulled on stage as well as the side of the stage tarped up so that little Glen would not get cold.  It was over an hour until the stage met his needs and the dude was fully aware of the curfew.  I will say that the two Mistfits songs had me feeling like a kid all over again.  Shame I could not witness the entire set that he had planned.  Lucky for me Ted Leo did a TV Casualty set the next day and made up for the Danzig drama.

-Seeing NOFX over Those Darlins.  I regret that decision a lot.  Two of my favorite bands played the same night and I had to choose one over the other.  The good news was that I got to see and meet Old Man Markley.  Sorry Darlins, I will not miss you next time you all hit up Cleveland.  Please forgive me.

-Atari Teenage Riot’s Cleveland show getting cancelled.  I was stoked to see these guys and was prepared to lose my hearing that night.  Hours before the show, their promoter cancelled the show.  Needless to say, I was pissed.

-92.3 and 107.3 changing formats.  Cleveland is a lost cause with radio now that both those stations were yanked.

Wrapping it up…

2011 ended with a bang for this music lover.  Thanks to all my friends from all over who made this year extra special for me.  You all know who you are.  From letting me crashing on couches to allowing bands to play in their basements you helped make this year what it was.  Also to everyone who attended shows with me and shared the same passion I have for music, thanks.

Happy holidays everyone and thanks for taking a part out of your day to visit this site.

Ok 2012, let’s see what you have in store.


New Ninja Gun Music Video!!!

My day just improved after seeing this new music video for “Hot Rain” by Ninja Gun

Seriously, I do not think I have smiled that much in a long while while watching a music video on the interwebs. The song comes off their Sabot Productions release titled Roman Nose that dropped earlier this year.  If you have not checked it out yet, you really should.

Rapid Reviews: Brett Detar, JuiceheaD, Transit, Coffee Project, The Flatliners and I Am The Avalanche

Let’s face it, this site is a one man show for the most part and as of late I have been living quite the busy life.  I am continually presented with amazing music for review consideration and sadly there is not enough time in the day for me to not only get through work and school, but to also write nice things about all these awesome bands.

So today I decided to throw out a few quick reviews on a couple of bands that have been sitting in my “cool” stack.  I wish I had more time to go into complete detail as I hate writing little reviews on bands, but I am thinking this might be a good idea to just spread the word out.  If you like what I said about the band, check them out, support them, share their music and help them continue to do what they love to do.

This week proves to be a busy one for me with tomorrow’s Strike Anywhere / Dead To Me / Menzingers / Holy Mess / Signals Midwest show as well as Wednesday’s NOFX / Anti-Flag / Old Man Markley show.  I thought perhaps I should be proactive and hammer out a few reviews while I had a moment.

Enjoy and as always, thanks for wasting some of your day on my site.

Brett Detar – Bird In The Tangle

With having the history of being a former guitarist/bassist of metalcore act Zao and also the lead singer of The Juliana Theory, it came as a great surprise to me when I was told that Brett Detar recorded a country / folk album.  The solo attempt by Detar, titled Bird In The Tangle,is actually a damn good listen too (it was released almost a year ago).  Hearing this album, you would never think that Detar, who grew up in PA, could have so much outlaw in his blood.  The moment the album started with “Empty House On A Famous Hill”, I was completely overtaken by his singing and music writing abilities.  “The Devil’s Gotta Earn” was my favorite cut off this album and “Cocaine Whiskey and Heroine” was a close second.  Following the likes of Nick 13 and Tumbledown, this genre jump from a guy who used to provide fast paced ear-pounding music has captured a style of outlaw country that is welcomed in my world.  Detar reminds me a lot of Justin Townes Earle but with more of a folk feel as well as had some Murder By Death tendencies.  Want to check it out?  Head over to Brett Detar’s website and download it for free!

JuiceheaD – How To Sail A Sinking Ship

Chicago punk rockers JuiceheaD has been off the charts for a bit but have recently dropped How To Sail A Sinking Ship. This is their second full-length release since their 2007 debut The Devil Made Me Do It. Sure, 7 years is a long time in between albums, but in their defense, there are 20 songs on this new release, a rarity in today’s punk rock recordings.  Not familiar with their sound, I gave it a listen hoping for the best.  The album started out a little slower than anticipated, but things picked up during “Lorraine” and brought back an old school punk rock vibe that I enjoyed.  “Deadly Nightshade” was an entertaining track that had some nice 80’s punk rock vibes contained within.  Hoping that the rest of the album would spark my interest, sadly it did not.  It’s not a terrible listen by any means, it just lacked that extra “oomph” my ears were hoping for and was more rock n roll throughout with a good drum beat that sounded a tad under-produced.  I won’t lie, I was not stoked to see that their album was released on Misfits Records (it should be called MISFIT Records as it’s solely owned by Jerry Only) as most of their releases do not entertain me at all.  Melodic punk rock would be how I would describe How To Sail A Sinking Ship.  It is nothing beyond that to me and I really was hoping for something a little more from these guys.

Transit – Listen & Forgive

Boston’s Transit could be classified as just another pop-punk act, but there is just something about them that makes them stand out over other similar acts.  They have a tougher sound on a few of their songs that proves to me that they have the ability to attack if threatened, but overall have a soft side to them that stands out.  Regardless of how they are viewed by others, I dig this band and I really enjoyed their recent Rise Records release Listen & Forgive. Think Taking Back Sunday meets Saves The Day meets a calmed down New Found Glory.  “You Can’t Miss It” opened the track with a memorable track.  I could have done without Patrick Stump offering vocals on “All Your Heart”.  Seriously, that song did nothing for me.  “Cutting Corners” was, on the other hand, a track I dug a lot with “make every song your anthem and every night your last”, a lyric that pretty mush defined me growing up.  “Long Lost Friends” was a more aggressive track that stood out over the rest.  This band may be unknown to most music fanatics out there, but I have the feeling that will not be for long.  I hope just it has nothing to do with that song Stump was on…

Coffee Project – Concrete Boots EP

Love them or hate them, Coffee Project is a catchy and unique act that many have been talking about recently.  What you need to know about this is this: They are a duo consisting of trombonist Buddy Schaub and Rehasher’s Jake Crown, they are fun, they are catchy and they specialize in brassed out punk pop acoustic rock.  Recently the band dropped an EP titled Concrete Boots that includes their version of “Little Boxes” , the Malvina Reynolds written song turned Weeds intro that has been recorded over and over by all sorts of bands, as well as 4 brand new songs.  The opening track “”Shenandoah” was more of a bluegrass boot-stomping jam that seeming proved the duo has been taking this project seriously.  The accompanying female vocals on the title track was enjoyable although I have no idea who it was.  “Exit Stage Left” was more of an indie rock track that was not half bad while “Laid Up” led back to their standard sound – singing with acoustic guitar and a trombone.  Regardless on how far this band plans on moving in the music scene, they are fun and enjoyable to listen to.  This EP hopefully is just a sample of what they have up their sleeves for their next full length release.

The Flatliners – Count Your Bruises EP

The Flatliners are a Fat Wreck Chords band that I have adored since their early days.  Hailing from Ontario, Canada, they have this great punk rock sound that I appreciate and always seem to release the catchiest punk rock albums.  Seeing how much I dig this band so much, I am shocked to have missed the memo that they released an EP back in August.  Titled Count Your Bruises, the three song EP (also available as a 7″) straight up rules from start to finish.  The title track glided past me quickly as I immediatly found myself trying to memorize the lyrics so I could sing along.  “Sticky Bastards” really sounded like a gritty Gaslight Anthem  song but was in no was a ripoff.  The final track, “This Guy Reads From A Card”, was just as amazing as the first track and by the song’s end I just wanted more.  I suppose I will have to wait though and I will be sure to follow this band and their future releases.  The EP may have been just three songs, but they were all kick ass tracks.  Now all I can hope for is a new full-length from this great band and pray that the next time they roll through my neck of the woods I can see them live.  I caught them briefly at SXSW earlier this year, but it just was not enough.  Wishful thinking right?

I Am The Avalanche – Avalanche United

After 6 long years, Brooklyn’s I Am The Avalanche has dropped their all new album titled Avalanche United. There is no point asking what took so long for Vinnie Caruana and crew to release new material.  All you need to do is listen to Avalanche United once and it is perfectly clear that no explanation is needed as the band has dropped a superb follow-up.  With a mostly positive attitude throughout, the band references NYC and has lyrics that almost coach their friends to embrace the life they life especially heard in opening track “Holy Fuck”.  With that said, there are a couple dark spells throughout like “Amsterdam” that seemingly carries a couple of references to personal separation.  “Brooklyn Dodgers” was an anthem of awesomeness.  I loved this track start to finish.  It was a fist pumping sing along that was just refreshing to listen to.  The beer chugging invite “This One’s On Me” probably sounds a little better mixed with friends – and beers.  Bayside’s Anthony Raneri may have jumped in with some vocals on “The Grave Digger’s Argument”, the the song still just was missing something.  Perhaps I am just more into the tougher singing throughout the album.  Closing track”Gratitude” threw me for a curve at the beginning as it sounded like a 90s alt-rock song but soon picked up and continued on with a good jam that ended this album in a good way.  If you are looking for a catchy album to listen to that leans a bit on the heavy side, check these guys out.

Interview: Jeff Rowe

Singer / songwriter Jeff Rowe is one of the most DIY guys I have had the pleasure of meeting.  A few months back, he stopped and played a show in Akron at the Gurley House.  I remembered canceling plans to see another band that night just to make sure I could see Rowe play.  I’ve been a fan of his music after I reviewed his solo-debut Barstool Conversations last year.  There was just something about his sincere-ness in every song that I ate up and when I found out he was touring, I really wanted to make sure I was in attendance.

That night, I chatted with Rowe for a while and I will say this: He is hands down one of the nicest people I have ever had the pleasure to meet.  His wife was pretty damn awesome too.  His stories were great and he was just so happy to be able to play for everyone at the house that night.

I finally got some time to chat with Rowe again, this time through email, as I feel more people need to know about this DIY musician.  I look forward to the next time he swings through Akron and can not wait for his next release.

BHP – First and foremost, for those who do not know you, who are you and what is it that you do?

JR – I’m a songwriter (sigh) from just north of Boston. I tour a lot and do my best to have a great time and make friends along the way. I’m more of a story collector than a story teller.

You grew up in a tough town just outside of Boston. How did you deal with the hard times as a youth?

The fair city of Gloucester, Massachusetts made for an interesting childhood. In all my travels I’ve still not yet come across a place quite like it. “The Island” is really a conundrum of sorts that is packed with characters that Hemingway would have been banging the keys for if he were writing an episode of the twilight zone. I had a mixed bag of a childhood but falling in love with music in many ways created an exit strategy for me and a way to not fall into some of the trappings that we all know too well.

What types of music were you listening to while growing up?

In the kitchen and living room my mom would be listening to Neil Diamond, Joan Baez and various Motown artists…from my brothers room i would hear Metallica, Slayer and COC… From my sisters room could be heard The Dead Kennedy’s, The Pixies and the Violent Femmes… I think all of that wound up giving me a healthy appreciation for music and shaped my listening habits as a child.

So how did you get your start as a musician? Was Boxing Water the first band you were in?

I got a guitar when I was fifteen years old and started a few local punk bands and helped start a small venue that would later play a vital role for the north shore punk scene as a whole, a life source of sorts. It was a room that held maybe 40 people but we’d pack in a hundred. It still amazes me today thinking about how many bands came through our little venue that went on to be national acts. It was all very DIY for me from the start, my feeling was that if you want something to happen you’ve got to make it happen because no one is gonna do it for you.

What happened to Boxingwater? Where can I find some of their songs at?

Boxingwater was together for 6 or 7 years, we started moving around a bit and it just got to be too hard. Two of the members of Boxingwater are now in the band Landmines and they are fantastic. I was in several bands before Boxingwater but that band was the first time i took it seriously and tried to do something that would go beyond Massachusetts. Most of our stuff is now out of print but I think we may try to get some kind of discography going one of these years, I’ll send you some songs though.

Sweet!  You left a punk band and completely shifted in musical style.  When did you decide that punk music was not your thing anymore?

I’ve never felt that punk wasn’t my thing at all, playing acoustic is something that I’ve been doing for many years now and it just sort of took over organically and went from convenient to a legit outlet. I love playing songs alone and feeling like I’m walking a wire of sorts with no band to fall back on but at the same time I really do miss playing in a band. That is something I am going to re-visit at some point for sure. Right now its so much easier to tour and write on my own.

Playing acoustic music huh? How did that transition happen?

To be honest I started playing acoustic shows years back when I couldn’t find a drummer and it forced me to take a more detailed look at my songs and how I’d be able to format them to be played acoustic. It really just kind of stuck and i got offered more shows and just went with it. My horizons have been broadened as a result and I’ve stumbled (literally) across some great music that exists beyond the bounds of the punk community.

I heard that you left Boston for Richmond, Va., to more or less perfect your musical style. Is that true? Did you have any influences there that helped you fine tune your act?

I actually moved down to RVA with a bunch of Boston friends because it was much cheaper and we thought it would be easier to tour, not to mention that Richmond is a great city as well. I made many friends down there but I’m not sure how much of an effect it had on my music or playing acoustic in general. Richmond has always had a wealth of great bands from Born Against and Inquisition up to Smoke or Fire and Landmines.

Your debut full length Barstool Conversations was dropped about a year ago, how personal were the songs on that release to you? It was not the most upbeat album, but to me hit me hard in a good way.

Barstool for me is a very personal record. There is a lot of myself and my close friends in those songs. In a way I think songs are my way of confronting some things in my life that I otherwise couldn’t find the words to articulate or convey what it was exactly that I was feeling. Those songs are all very real for me and I’m proud of that record for what it is and even though in some cases it makes my head spin that those songs had to be written, I wouldn’t change a thing.

You have toured not only the US but also overseas. What were your experiences like while traveling?

The travel is one of the absolute best parts of touring for me. Music has taken me to places that I never thought I’d get the opportunity to see and I’m real thankful for that. I’ve made some friends in far off cities and countries that I will have for the rest of my life and nothing can touch that. The experience of letting your guard down in a foreign country and just going with whatever the days and experiences bring is something that I’ll always keep close and those memories are the ones that inevitably stick when the tour is over.

You tour with your wife correct?

I always tour with my wife Alissa. She is my best friend and to be honest she’d much better with handling the rigors of the road and more adept than most folks I’ve ever traveled with. At the end of the day we both want the same things and neither one of us is willing to fracture our relationship over extensive touring so we do it together, the planning, the routing, merch etc…

You dropped an EP in the spring called New Winter, New England. I dug what I heard, but what exactly is a Tragabigzanda?

Tragabigzanda is what the city of Gloucester was called by its original inhabitants. All that seems to be left of that history is a road on the outskirts of town where wealthy folks “summer” called Tragabigzanda. I used it because I thought it was fitting because the song is really about trying to remember the innocence of teenage years and the steps that were taken to inevitably lose it. Also there is an amazing poet from Gloucester named Charles Olson that dropped it a few times in his earlier work.

Are you going to record a new full length anytime soon? Will you put that song you recorded in a hotel room in it? I forget what it was called, but I loved it when you played it live at the Gurley House.

Right now I’m writing and culling through a bunch of new songs to start piecing together the next record, not sure of any timeline, but by the end of 2012 I’d very much like to have a new record out. That song is called “simple & fair” and I’m 99.9% sure that’s going on the next one.

When we chatted the night you played Akron, you were telling me some funny stories about touring Europe. Care to entertain the readers here with one or two?

Where to begin… I’ve actually thought about compiling a bunch of road stories for a zine and giving them out at the merch table to anyone interested. I could take up pages and pages for this one. I’ll just say that I’ve got a doozy that takes place in Russia and involves a man that’s incapable of reading social queues, a potential kidnapping, wild dogs and Dostoevsky.

Potential Kidnapping?  I do not think you told me that one.  I would totally love to read that.  So, when not touring you have quite the cool job back home in Boston. Who is it that you work for again?

I have been a professional craft brewer for the last five years with Harpoon Brewery in Boston. It’s a fantastic job that couples hard work with science… perfect for a dork like me.

Two dream jobs, man you lucked out. What’s next for Jeff Rowe?

I’ve got a split 7″ with a sick pop punk band called Mayflower. We both have an original and we cover one of each others songs. I’ll be playing Fest 10 and plan on hitting the road again in Feb. It looks like I’ve got Europe, U.S., Canada and beyond on the docket.

Check out Jeff Rowe’s website, http://jeffrowemusic.com/, for more videos and updates from this one man band (and his lovely wife).  If you want to hear more of his music, head over to his MySpace page or Facebook page.  Better yet, head over to Anchorless Records and grab one of his albums!

Jeff Rowe from efi on Vimeo

This video was Jeff on a boat overseas.  I remembered him telling me he played a show on a river.  I love it when the fans sing along…

Concert Review: Wagons / Dirt Daubers / Heelsplitter – Beachland Tavern – Cleveland, OH – 09/11/2011

Well Cleveland, I hate to say it, but you all missed out Sunday night on one hell of a show.  I am not one to usually say things like that, but Sunday night was an amazing night of music and chances are, you were not there.  For those of you who were though, I am sure you can all agree that Wagons, The Dirt Daubers, and Heelsplitter all put on a memorable show.

Sunday night was all about Americana, folk, and outlaw country inside the Beachland Tavern.  Making a triumphant return to the best little venue in Cleveland, Henry Wagons and his band Wagons traveled all the way from Melbourne, Australia making sure that Cleveland was one of their stops.  About a year ago, Henry Wagons came to the states without his band and played a solo set at the Beachland Tavern.  Later that night Wagons told me that he would bring the rest of his band back soon and play Cleveland again.  The man kept his word.

Local openers Heelsplitter wowed me instantly with their “Frankenbass”, a homemade upright bass with the body being a drum and one string bolted to neck of the instrument.  The two bearded males and cute female act played some awesome songs and had me actually question myself at one time, “are these guys really from Cleveland?”  The band reminded me of Split Lip Rayfield, a band I really adore, but did not completely rip them off.  Frankenbass, banjos, washboard, and no drums provided for a great start to the night.   I loved it when the trio all switched up their instruments and played more tunes.  I witnessed various Frankenbass playing styles  from plucking to beating the hell out of and must say, marveled at its creation.

Up next was the husband / wife act The Dirt Daubers.  Featuring JD Wilkes of the Legendary Shack Shakers, the duo, normally a threesome, admitted that they were missing their bass player and Jess would be filling in on the kick drum.  Their set was full of rockabilly, blues, country goodness and it was just two people on the stage playing the music.  Never mind the fact that Jess was dressed in quite the adorable dress, she kicked that drum all through their set in high heels as if she had done it many times prior.  Laughs were shared by the duo and crowd she Jess admitted a couple songs in that “this is fucking hard” and soon said that if she kept playing the kick drum she was going to have one Popeye leg.

JD looked like Buddy Holly in a way with his banjo and harmonicas strapped to him.  Throughout their set, they played songs from their upcoming new album titled Wake Up Sinners. I could not help but be amazed when JD would rip a harmonica out of one of the holsters attached to him and would play it.  I was more impressed when JD grabbed his washboard and showed the crowd his secret to not using a strap to secure the washboard – he stuck the legs in his front pockets.

The duo played a few more songs and covered Elvis as well as Gene Autry.  Towards the end of their set played a fast paced jam featuring a kazoo.  It was the best kazoo playing I have ever heard.

I wanted to hear more from the couple, and I think they wanted to play more, but had to kindly exit the stage and make way for the headliners.

It turned out a lot of people came to see The Dirt Daubers over Wagons and I thought for a moment some people might pick up and leave before the main act, but Jess told the crowd how amazing and fun they were the other night.  She even stated that Henry dedicated each of the seven songs on his set to each of the seven people that were in the bar the night before.  I would estimate that there were about 20 people in the tavern by the time Wagons took stage.

Opening with “Shake & Tumble” off the bands brand new release, Wagons turned the heads of anyone who was not looking at the stage.  It was not all business for the band as Henry talked to the crowd throughout songs confessing he knows “what a big deal primetime television is” and admitted that he has been powered by buttered vegetables for the last couple of days.

Henry mentioned Cracker Barrel quite a few times.  The man loves his American cuisine.  He even took a moment to ask the crowd where he could get some bacon ice cream and seemed disappointed when someone screamed back IHOP.

While playing “Save Me”, Henry left his band behind and jumped into the crowd headband and all.  Masking the best of his surroundings, he joked with the crowd how the band was probably sick of him and soon returned to his brethren and played “Never Been To Spain”.  I heard Henry play this song last year at his solo performance, but when the band backed him up this time, I was just floored with how awesome it sounded.  The band then moved into Wagons’ version of “The Gambler”, where Henry told the crowd that he wanted to be the next Kenny Rogers.

Before the band broke into “Driving Home” Henry asked for tips on getting to Chicago.  Someone mentioned toll booths and, of course, Henry found humor and asked “tall boobs?”

The rest of the band was included in discussions as well and props were given to This Way Out, the sweet shop that lies below the Beachland.  Once of the band members actually bought a shirt there prior to the show.  They did not say why, but after the show I found out he did that because he was wearing a Cincinnati Bangles shirt.  He was not trying to be crude, he seriously had no idea.  Apparently someone yelled at him before the show started.

Hoping to hear more songs by Wagons, they played more personal “Moon Into The Sun” and then closed the night with “Willie Nelson”, a track about, you guessed it…  The soon crowd was all singing along “he likes some salt and pepper with his evening meal” with the band and soon after the set came to an end.

There could have been two people or two hundred in the tavern Sunday night.  The band did not care one bit and played their hearts out to all those who attended.  The people that were lucky enough to witness that which is Wagons showed their approval throughout the entire set.  Ironically one of the guitarists told everyone that he had played a ton of shows and Cleveland was one of the best shows he ever played.  He was dead serious too.  After everything was said and done I was chatting with the band and it was either Mark or Chad that told me he was dead serious about what he said.  He loved the tavern that he just played in and was glad to have been able to do so.  They all told me they would be back again one day to rock out.  I know that is not a lie either.  I see big things coming from this Aussie outlaw county band.