It’s no lie, Tim Barry just dropped one of my favorite albums of 2014.
After hearing it just one time through, I had no choice but to make an immediate edit to my best of 2014 post. I was blown away.
Lost & Rootless, Barry’s fifth studio release as a solo artist, is the best thing I’ve heard from him to date.
The Richmond, VA folk crooner is one of the most talented music writers I consider myself a fan of and he just further proved that to me with his latest effort. To say he is on top of his game is a complete understatement.
Barry, on his website, said the sound to his latest release could be described as “Wooden.” He stated “that’s the feel that I was going for when I picked the songs. There’s violin, voice, a wooden resonator guitar…there’s a very subtle electric bass on one track, but otherwise I wanted to do a wooden record.”
“Wooden” is the perfect description when you think about it.
Hiding out in a backyard shed with his sister and pal Josh Small, Barry recorded Lost & Rootless with no time frame and no worries at all. The result is a tireless release that I have listened to over and over and found myself enjoying more so than the last listen.
One thing I adore about Barry is his storytelling abilities. In Lost & Rootless, Barry doesn’t hold back with his tales that do not necessary have a theme to them but certainly reach back to other stores of past albums. There is no concept to be heard and to be honest, I think Barry and crew just recorded whatever was on their mind.
Starting the album off was “No News From North”. This was actually taken from Barry’s Laurel Street Demos, but re-recorded just as he has done with other selections. I loved the rendition of this song from its original. It sounded so much more homely and emotional.
“Poppa’s Porch” had me thinking of Barry on his front porch with his wife and kids singing to them on a weekend morning. This song told a story about the neighborhood that surrounds said porch full of fisticuffs and shenanigans. This was overall such a friendly track to listen to. It was like Cheers, but different.
“All My Friends” painted such a beautiful picture of who Barry surrounds himself with. This was a very old-timey sounding story about people who took to the streets for entertainment and communication.
I can honestly say I know exactly what “Breathe Slow Let ‘Em Pass” was all about. My rebel youth recalled those days when the law passed me by and I turned into stone until they were far away only to release a tightly held in breath. This track was amazing based on the idea of it.
The cover of “Clay Pigeons” by the late and great Blaze Foley was just amazing to listen to. Having just learned about the Austin musician myself, I can understand why Barry chose to record his own version of the song.
The somber story told in “Solid Gone” reflected hard times with family and finances and the outlawed methods to make things manageable resulting in further calamity. I can not say I have heard a song quite like this before and found myself captivated throughout it. This is one track I think everyone needs to check out on this album.
“Lela Days” was clearly written for Barry’s daughter. I have the feeling she loves it when he sings this song to her. It is a fun folky jam with real life expectations hidden within.
I can not tell you the number of times that I thought to myself how much I enjoy Tim Barry’s music. This is coming from a aging punk rocker who has matured just a bit but still has a lot of growing up to do. It’s nice to see that I still get excited about things.
By now, it shouldn’t matter that Tim Barry once was in Avail. Even though his former punk act will always be one of my favorites, it is perfectly clear why Barry has moved on and started something he can call his own.
It’s no wonder he has no plans of ever getting Avail back together, his new direction just makes so much sense and does not seem to be going off track. He has been going strong for 10 years and I hope to hell he has no intention of slowing down.
Well folks, it’s that time of the year. We are wrapping up 2014.
This means I get to share my top albums of the year (with anyone who has any interest in what I have to say).
There were tons of great releases this year and honestly, I know I passed up a few. In fact I’ve even added a few names to the below list numerous times while pondering what all caught my attention in 2014. (NOTE: I have even added a few more to my list that I overlooked and feel need to be included – perks of running your own blog I suppose.)
I am not putting any limits on my best of list this year as no artist should be left out. I’m am just sharing the albums that really impressed me this past year and maybe even reasons why.
I’m not sorry for how long this post has become. I’m actually quite pleased with what I have come up with. It really proves that 2014 was a great year for music. I’ve also decided to add a list of albums that just did not do it for me.
Best Albums Of 2014:
Tim Barry – Lost & Rootless
-I just listened to this album in full this morning and instantly had to add it to my list. This is the best thing he has ever done in my opinion. Music writing doesn’t get more real than this.
Mastodon – One More Time Round The Sun
-This album blew me away and continued to do so over the course of the year. I really was not sure what to expect after hearing The Hunter, but they managed to keep their style and improve it resulting in one of my favorite albums of 2014.
Cheap Girls – Famous Graves
-I love everything about this band. I think the best part is that they are just all quality dudes who are extra loaded on talent. I really need to snag a copy of this album on vinyl. If you have not heard of this band, you need to change that. This album was perfect.
Ryan Adams – S/T
-This album was thoroughly enjoyed by this music lover many times. I can’t say I’ve been into all of his past material, but as of late I am finding myself becoming a bigger fan.
United Nations – The Next Four Years
-It was only a matter of time before U.N. released new material. This super-group of musicians really outdid themselves with their sophomore release. In fact, I favor this release more and more with each listen.
Murder City Devils – The White Ghost Has Blood On Its Hands Again
-I never thought the day would come when MCD came out with new material. After seeing them in 2011 at Fun Fun Fun Fest, I knew it was only time before they recorded new material. The result was yet another classic album full of plenty of jams that I’ve listened to over and over without growing tired of one bit. I just wish it were a little longer.
Xerxes – Collision Blonde
-This band slays. So much. I was not ready initially when I checked this album out and was literally just taken by surprise. Best feeling ever.
Chris Stowe – Hollow
-This heartfelt album tops my list when it comes to one man and his guitar. When I say heartfelt I mean sad but with true emotion. He is the emo of emo and a class act dude as well. This album really impressed me.
Chuck Ragan – Till Midnight
-This album was intensified so much more thanks to his special pals he recruited to play with him throughout the album. As big of a fan of Hot Water Music as I am, I can honestly say I am a bigger fan of his solo material.
Banner Pilot – Souvenir
-It’s Banner Pilot. Enough said. This band never disappoints.
Cory Branan – The No Hit Wonder
-If you have not heard this album yet, stop reading right now and find it. This was one of my favorite releases of the year. Amazing songwriter.
Chris Cresswell – One Week
-Intense album by a guy who usually is known to scream loud in the Flatliners. Subtle tracks with Joey Cape helping along made for such a beautiful release. I love that this was recorded at Cape’s house in just one week.
The Afghan Whigs – Do To The Beast
-No lie, I was nervous about this album when I heard it was going to be released. I am not sure why. Lucky for me, it was solid from start to finish.
The Black Keys – Turn Blue
-This album was a little more Broken Bells sounding than I was hoping for thanks to Danger Mouse’s touch, but overall it still ruled. I have found myself listening to it a lot again after taking a few months off. It is still catchy as hell and those guitar jams are still amazing.
Mariachi El Bronx – III
-How can you not like this album? It is so good. I loved how it just was not even so much a concept anymore as much as just a new direction for a talented group of dudes.
Swingin Utters – Fistfull Of Hollow
-This band refuses to slow it down. This is their 3rd release in 3 years and is the best stuff I have heard by them in a long long time.
Needles//Pins – Shamebirds -DIY punk garage rock excellence is the best way I can describe this album. I can not even tell you how many times I have listened to this release over and over. If you dig the Ramones, I guarantee Needles//Pins are right up your alley.
J Mascis – Several Shades Of Why
-I have few heroes in my life. Mascis is one of them. This may be the most amazing thing I have ever heard him do aside from that Mazzy Star cover he recently performed.
Baby Ghosts – Maybe Ghosts
-Pop-indie-garage-rock-fun-fueled-goodness. I may be falling out of the scene these days and miss out on a lot of the DIY music that completely rules, but I can honestly say I am glad I did not miss out on this album.
The Menzingers – Rented World
–Chamberlain Waits will always be my favorite release by The Menzingers, but this album is a very close second. Very close…
Against Me! – Transgender Dysphoria Blues
-I know this album got a lot of attention due to Tom exiting and Laura entering, but aside from that, this album is just sick. I hated to see such a revolving door of members in the band over the years, but they still have managed to keep it together and produced an intense album.
7 Seconds- Leave A Light On
-I am a huge fan of 7 Seconds and am ok with that. To see them regroup and drop an all new release made this aging punk rocker very happy. This album was tougher and harder than some of their past releases and did not sound forced one bit. This album was probably the best punk record I listened to all year. Suddenly getting old doesn’t seem so bad.
Sage Francis – Copper Gold
-Sage returned and delivered. I can still recall the day this album dropped and how excited I got. I was live tweeting my feelings for all to read, including Sage himself. I was having a fanboy moment.
Run The Jewels – Run The Jewels II
-EL-P and Killer Mike dropped the surprise album of the year and pretty much gave it away for free. This should be at the very top of my list as I can not stop listening to it. I was lucky enough, thanks to a good pal, to obtain a physical copy that I know I will spin over and over.
Tilts – Cuatro Hombres
-This band is the definition of rock music or at least what I think it should sound like. Remember when Queens of the Stone age were cool? Tilts are better.
Pup – Pup
-This is the one album I sat on for too long in 2014. I am glad for whatever reason I decided to check it out. This is one notable debut.
Restorations – LP3
-Take all of the music I was into in the 90s, and I guarantee you this album would have fit in perfectly. This is one of the best bands out there. I know they have a good fan base already, but I seriously think that not enough people are aware of how talented this band really is.
Best of EPs of 2014:
Beach Slang – Who Would Ever Want Anything So Broken?
-Without a doubt, this is the greatest band out there right now and they have yet to release a full length. They are not young kids and are perfectly ok with that. They are just here for the tunes and these tunes are exceptional.
Beach Slang – Cheap Thrills On A Dead End Street
-So gooooooooooooood. Yes. I adore them. Deal.
Low Culture / Iron Chic – Split
-2 of my favorite bands on one EP. Nothing tops that, except maybe pizza or tacos.
Low Culture & Needles//Pins – Split
-Garage rock maximus. Both bands are incredible and it only made sense for them to release a split together.
Ryan Adams – 1984
-Surprise release of the year. I loved what he did on this EP and wished it were a full length. Adams really is a man of many talents when it comes to music and I have a fonder appreciation for him now. 1984 carried quality similarities to so many SST and Discord bands.
The Public – Shibuya Crossing
-These guys could be the next big thing to come from Cleveland if they keep it up. Dead serious.
Remainders – Fine Exits
-These guys could be the next big thing to come from Pittsburgh if they keep it up. Dead serious. (yes, I did that on purpose)
Signals Midwest – Wherever I Might Land
-Hearing these dudes cover Iron Chic’s “Time Keeps Slipping Into The (Cosmic) Future” pretty much made my year. This was a download only release, but I hope that I can find a bag of money so that this can be pressed on vinyl. I would need to title it SGNLS MDWST though as all the cool bands lose the vowels.
The One That Got Away In 2014:
Of Us Giants – Nova Scotia
-Seriously, what the hell was up with this band? They started 2014 off in a good good way with their debut and disbanded before even hitting the road to tour. It seemed almost as if they worked harder selling their merch to their adoring fans making up for lost product over keeping it together as a band. I am sure they had their reasons, but Novia Scotia was a solid release and I really thought Of Us Giants was going to make it big.
Whatever Of 2014…
Death Grips – The Powers That B
-I liked this album. A lot. I did not like how this band went out. Kind of pompous if you ask me. Luckily, most folk moved on with their lives.
Rancid – Honor Is All We Know
-I honestly hate that I am admitting this, but I only liked about 45% of Rancid’s latest offering. I even listened to it again today and felt the same. I just was not been overly impressed with the entire album and I really wanted to be. There were a couple instant classics in there but some of the tracks just didn’t hit me well. Rancid will always be one of my Top 5 bands. Don’t you worry boys. I still love ya.
Gaslight Anthem – Get Hurt
-I tried, I really did, to enjoy this album but just could not get into it at all. At first I thought I appreciated the lyrics and just needed to get into the music, but in reality I think the Gaslight fanboy in me was just in shock on what I was hearing. It was just too chilled out for me. I will give it a chance again soon.
Weezer – Everything Will Be Ok In The End
-No it won’t. Two songs in on this album and I turned it off. Sorry guys, I’ll stick to your older albums. I could not get into this at all.
Damon Albarn – Everyday Robots
-I love Blur and the Gorillaz. I can not say the same for this album. It is different and just not what I was expecting. I appreciate anyone who does their own thing, I just can’t say I will like it.
Pixies – Indie Cindy
-I did not have the highest expectations for this release. Maybe it was due to Frank Black saying that “there’s been a shift in the lineup, big woop-dee-doo…as far as we’re concerned it ain’t that big of a deal.” Yes it is Frank. It sure was a big deal. It was a Kim Deal. You should have quit when she did and stated something else.
Wu Tang Clan –A Better Tomorrow
-I hate to have anything negative about Wu Tang Clan, but after hearing “Ruckus In B Minor”, I thought this album was going to be the greatest thing in 2014. Sadly the single was the strongest track on the album with a couple of other tracks that came close. Do not get me wrong, this was a good album but I was hoping for way more hip-hop and less R&B.
Masked Intruder – M.I.
-Sorry dudes…your first album was so much better than your follow-up. I dug it for maybe a week and just lost interest. It is not terrible by any means. My review was sincere and I initially liked it but not for long. I know not everyone will agree with me on this. The band has major talent. Perhaps I am old and just don’t get it. Get off my yard!
Worst Albums Of 2014:
U2 – Songs Of Innocence
-Jerks. Rolling Stone was paid off. Apple was paid off. This album was not that good and I am still pissed that the Apple sponsored commercial had so many punk rock heroes in it. I am entitled to my opinion. Nothing like jumping on Google to learn how to remove an album from my iTunes that I never wanted.
The Flaming Lips – With A Little Help From My Fwends
-No. Just….no. Maybe if I was on a lot of drugs and was just an eccentric individual I might get it. My ears were bleeding with this. Quit trying so hard and bring back Yoshimi. I know some people adored it. I did not. These Beatles covers were terrible.
I hope you all enjoyed this list/rant/babble. I know I had a good time putting it all together. Seeing how awesome 2014 was with music, I can not wait for 2015 to start.
I am still kicking my ass for missing Rise Against when they recently played Cleveland. I literally overlooked the show until hours before they started and had already committed to other engagements.
Ok, I am done feeling sorry for myself.
Today I was reminded of an awesome protest compilation album being released by A-F Records called This Concerns Everyone.
What does this have to do with Rise Against you ask? Go on, keep reading…
The album will feature a ton of artists playing covers and originals including Tom Morello, Tim McIlrath (Rise Against), Chris Farren (Fake Problems), Erica Freas (RVIVR), Chris Wollard & the Ship Thieves, as well as Justin Sane and Chris#2 (Anti-Flag), just to name a few. See below for the complete track listing.
What first stated as a split between Anti-Flag’s Justin Sane and Chris #2 as well as The Homeless Gospel Choir and Chris Stowe turned into an inspirational idea. More and more people got involved and soon the split turned into a compilation.
An undisclosed portion of proceeds will be donated to the Right To Heal Campaign. I think this is an amazing way for artists to reach out to troops in need.
The good folk at Alternative Press are currently streaming Tim McIlrath’s rendition of a classic Guns N Roses track. Head over to Alternative Press to check out his rendition of “Civil War”.
This comp drops on 11/18/2014. Head over to A-F Records and pre-order yourself a copy now.
Side A:
01. Chris Farren (Fake Problems) – Establishment Blues (Rodriguez)
02. Erica Freas (RVIVR) – Tiny Murders
03. Chris Conley (Saves The Day) – A Change Is Gonna Come (Sam Cooke)
04. Chris #2 (Anti-Flag) – What Did You Learn In School Today (Pete Seeger)
05. PJ Bond – Dirty Hands
06. Anika Pyle (Chumped) – Ugly
07. Tom Morello (The Nightwatchman) – House Gone Up In Flames
08. The Homeless Gospel Choir – Some People
09. Chris Stowe – Other Peoples Guns Side B:
10. Chris Wollard (Hot Water Music) – Selected Scenes
11. Roger Harvey – What Are You Fighting For (Phil Ochs)
12. Shawna Potter and Brooks Harlan (War On Women) – Servilia
13. Tim Mcllrath (Rise Against) – Civil War (Guns N’ Roses)
14. Justin Sane (Anti-Flag) – I Ain’t Got No Home (Woody Guthrie)
15. Thomas From The Burning Land (Strike Anywhere) – The Deep State (Field Recording) Digital Bonus Tracks:
01. Prophet Motive – Hallowawa
02. Josh Massie – Life During War Time (Green Day)
03. Spoonboy – Last Of The Asshole (The Max Levine Ensemble)
04. Pat Thetic – Owe Us A Living (CRASS)
Chances are if you’ve heard of Pittsburgh political punkers Anti-Flag, you’ve heard about their label A-F Records.
For the longest time, I thought A-F Records was just a fading memory as I did not see a lot of releases coming from the independent label. In fact, the label pretty much stopped putting out releases about 8 years ago…until recently.
A-F Records have gone through a huge overhaul and have reinvented themselves adding multiple artists to their roster in just the past year alone.
This said reconstruction can be credited to Mr. Chris Stowe who has been working hard the last couple of years to make the independent label even bigger. He’s the label manager / jack of all trades.
Last year alone, Stowe was the man who added All Dinosaurs, Worship This!, and Worlds Scariest Police Chases (WSPC) to the roster. This year he will be releasing his own solo album on the label as well as look for more well-deserving bands to add to the A-F family.
As if busting his ass for the label is not enough, Stowe has a solo project going on, rocks out with White Wives, and is also a permanent substitute of sorts for WSPC. Needless to say, he is a busy, busy man.
Recently, I was able to catch up with Stowe who was still in heavy celebrations for signing himself to the very label he represents. Check out what he had to say:
BHP: Hey man, thanks for taking some time to chat with me today. What have you been up to recently?
CS: No prob man. Lately we’ve just been laying the ground work for our 2014 releases we’ve got planned and just trying to be as prepared for that as [soon as] possible. We’ve made some moves to expand this year and i’m stoked about that.
I am sure many can agree with me that A-F Records has revitalized themselves over the last couple years. Word on the street is that you have been pouring your blood and sweat into the label. How did you happen to fall into this role?
Blood and sweat huh? To be honest, I’m not really sure how the hell I ended up doing this. A few years ago, I joined White Wives [and] then got to know Chris and Chris [#2] through being in that band with them. Then Anti-Flag needed someone to drive/tour manage them for Warped Tour two summers ago and they asked if i could do it. Since I’ve never experienced anything like that, I jumped at the opportunity.
We talked a lot about label stuff while we were out there and how it would be cool to be able to put out records. When we got home, the dudes decided they wanted to make that bacon shaped picture disc thing and all of a sudden we had relaunched A-F Records and I was managing it.
Just like that? Crazy. To someone who may not know of the indie label A-F Records, can you give them some history?
Yeah sure. Anti-Flag started A-F Records in 1997 to release Their System Doesn’t Work For You and then they just grew from there. They put out a ton of classic punk records. Reagan Squad was amazing, The Unseen, etc. In the early 2000s, they continued to grow with the boom of the record industry and put out a ton of great bands but eventually fell prey to the great collapse in 2006 and then eventually went dormant around 2008 until we relaunched it last year.
Some of these hand-picked bands on the current roster are top-notch in my book, but also seem to challenge the former A-F alumni. Would you agree?
Hmmmm, not sure what you mean by “challenge” here? I’m thinking maybe you mean that they’re not necessarily in the same genre of political punk rock as some of the old A-F Records bands?
Yeah, I meant the political punk rock. Sorry about that. Can you tell me when you say you hope to move A-F into a less genre specific label that you might try something completely different, say like gangster folk? I kid about that of course but not really.
Gangster folk. That sounds terrible, so probably not. But I mean, I’m not opposed to anything as long as it’s awesome and the people that made it are awesome.
My end goal with the label is to put out great records that are pieces of sonic and visual art, and that’s it. I feel like we’ve done that so far with our new bands even though they don’t necessarily live within a specific genre, and that’s how i think it should be anyways.
Ideally in the next few years, I’m hoping to move A-F records into being a less genre specific label and we’ve got a bunch of stuff coming out this year that we hope challenges our core group of hard core fans and also brings some new faces into the family at the same time.
Speaking of new faces… Who would win in a street fight: Worship This! or World’s Scariest Police Chases?
Police Chases obviously, as they will have zero problem fighting dirty. pepper spray, dick punches, purple nurples, etc.
I appreciate the detail in that answer.
When A-F Records started, social media was barely existent. These days though it is almost impossible to not be emerged in. How are you taking advantage of social media to better the label?
It’s definitely got its good and bad elements, but mostly the key to properly utilizing all of the various social media outlets is to just keep your crowd engaged. The best response we’ve had I feel has come from the level of personal engagement we have with people that follow our bands and buy our records.
Anti Flag celebrated their 20th year as a band last year. I was 17. How old were you?
I was 8. That’s over 2/3 of my lifetime that these dudes have been together…it’s really amazing.
You were 8? Holy shit. I feel old now. Thanks dude. Seriously though, that is beyond amazing. You are living a punk rock dream.
Yeah, 8 years old. There’s a John Waters quote, and I’m paraphrasing, that goes something like, “if you want to do what you love for a living, plan on interning for yourself for at least 20 years”, and I feel like that definitely applies in music. Just don’t stop doing it, no matter how hard it gets, and eventually you’ll find that you accidentally made a job for yourself.
That was deep dude. Well said. So, whose idea was it for the 20 Years of Hell subscription series?
That idea kind of evolved from a combination of a bunch of different ideas, so no one person was responsible for it i don’t think. We mostly just wanted to kind of create a platform to engage people in a new way, which i think we did with the subscription website. Ultimately, we did the whole thing as a project of love for the real hardcores, ya know? I can’t tell you how hard it is to die-cut 3000 record sleeves…
How’s the response been so far?
Really great. I feel like my favorite part is that, since it’s mostly just myself and Josh Massie – Anti-Flag merch guy / most helpful dude ever – communicating with the subscribers, I’ve been able to develop a cool personal relationship with a lot of kids that I wouldn’t have otherwise come in contact with.
A-F seems to be leading in throwing contests lately. Can you tell me the current contest that is going on?
We just wrapped up the Anti-Flag “Power To The Peaceful” cover contest, which was awesome. We got so many really good submissions for that, and they’re all up on our YouTube page.
Our next contest is going to be really cool and involve some rad Anti-Flag gear. Stay tuned on that.
Being a musician yourself, how tough is it to pack up all the A-F orders, mail them out, and then play a White Wives or WSPC show let alone focus on your solo stuff?
I’m not sure how many people know. It can definitely be a challenge to get everything done sometimes, but it’s also such a blessing to be busy doing shit that you love you know? I mean, basically my dream was to one day be doing music constantly, and I’ve somehow pulled that off so that’s cool. And it’s not just my music, it’s my solo stuff, White Wives, WSPC, plus all the A-F bands we’re working on this year. It’s a dream job dude, for real.
Hell yeah. So when is your solo stuff supposed to drop? Anything Wives related you care to mention?
I can’t really speak to Wives stuff, but I’ve got a record coming out on A-F this summer as Chris Stowe.
How’s it feel to be signed, a rock star, and have your own material coming out on wax?
It’s not that cool dude. “Hey Stowe, you wanna sign this Stowe guy? Sure Stowe, if you like it I’m all for it. Well sounds good, Stowe, you’re signed!” It does feel good.
I believe that. So I noticed the pre-orders for your solo release have posted to the A-F site already. Charlie Brown yellow may be the most unique color I have heard of in a while. Is there any reason behind this?
I just love the peanuts man, always have. Plus I like to come up with cool “inside” names for our vinyl colors like Forest County green. Forest County is a magical place in PA that I go camping with my buddies every summer and a lot of my record was inspired by that part of the country.
So how were you suckered into WSPC? I will not lie, they are currently one of my favorite bands right now and it has nothing to do with my bromance via instagram with DeLucia.
Well, DeLucia, in real life, became a mailman. and he couldn’t play Fest last year, so I learned all the songs and played in his place – although my head blew up after just 1 song so I didn’t end up playing Fest really… Then I played some more out of town shows with them, Detroit and Asbury Park…then they tried to kick me out, but I got real sad about it so they let me stick around. Now there’s too many guitar players.
Tell me about A-F Records and Turnstyle Films. I might have heard a little something something…
Yeah we’ll have to keep the kids in suspense on that for a little while longer. I will say that we’ll be working heavily with Turnstyle this year on a ton of projects, which i’m excited for. They are amazing at what they do.
I credit A-F for making Cleveland and Pittsburgh friends again. What city do you think you will swoon over next?
I love Cleveland. A lot. And Pittsburgh. A lot. I’m not sure I can take credit for them becoming friends again, I feel like they always have been. We’ve both got amazing music scenes and live in the same economical climate for the most part, so it only makes sense to me that we should combine forces as much as possible.
What is next for Chris Stowe?
Just A-F Records stuff, solo stuff, maybe a secret band no one has heard yet….all the stuff. ALL.
What about A-F Records? Seems like the label has built up a ton of momentum as of late and isn’t slowing down anytime soon.
Yup, just forging ahead. Going to put out some great stuff this year and see where that takes us. the future is bright.
Head on over to A-F Records site and secure your copy of Stowe’s upcoming release of Hallow. The album drops in late June.
For more info on everything else A-F related, check out the A-F Records website.
I soon befriended the now disbanded Ninja Gun and even was able to house them for a couple of nights in the middle of one of their tours. Without going into too much detail, I can tell you that all four members were quality individuals and we’ve kept in touch ever since.
As I was a huge fan of the Valdosta, GA act, it was no surprise to anyone that I was bummed out when Ninja Gun said announced they were calling it quits in 2010. How couldn’t I? I loved everything that band ever had to offer and also was fully away just how bad ass each of the members of the bad were. I was just stoked to have gotten to know them.
Jeff Haineault, Ninja Gun’s former drummer, got in touch with me recently to let me know that his new band, New Natives, were going to be releasing an album. I was beyond stoked to listen to what he and his new band had created.
New Natives can best be described as a chill indie pop rock act with a hint of a small town vibe. Members not only include Haineault on guitar and vocals, but also Taylor Patterson on drums, Jackson Dean on guitar, and Joe Martin on bass.
Their self-titled debut started with the fun track “Gets Around”. a song clearly about fun loving times. The song really perked my attention with their upbeat indie rock style. Had this song come out in the 90s, it probably would have been featured on the Empire Records soundtrack. I am sure that just made no sense at all, but for whatever reason, I thought about that movie while listening to this track.
“Too Far” was an instant hit to my ears. This radio-friendly song would be perfect to include in any road trip mix or even would be perfect to listen to at a summer shindig.
“Broke Your Heart” had Haineault resembling the singing style of Gregg Alexander at times and I loved it. I am sure it is no shocker to many of you out there, but I was a HUGE New Radicals fan. Guilty pleasure folks. Don’t judge.
“Hopes and Dreams” really carried that Ninja Gun style I was hoping to hear from Haineault. This was a definite laid back jam full of plenty of ohhs and ahhs.
Continuing was the farmland indie rock, was “Lonely Eyes”. This song was all over the place and I loved it. I thought from the start the song would be a country love track, but soon it morphed into an indie jam all about moving on.
Ending the album was “Take You With Me”, another track where I could not help but think of Alexander as Haineault sang. I liked how the piano hid in the background of the song, it just added just enough extra support to an already well-written song.
This really was a refreshing album to listen to from beginning to end. New Natives have the ability to take over college stations all over the place with their unique blend of indie and small town rock. Original and catchy, this album is well worth the listen.
It’s no lie, Tim Barry just dropped one of my favorite albums of 2014.
One of the best things about attempting to run my own blog is the amazing humans I am introduced to because of it.
Their self-titled debut started with the fun track “Gets Around”. a song clearly about fun loving times. The song really perked my attention with their upbeat indie rock style. Had this song come out in the 90s, it probably would have been featured on the Empire Records soundtrack. I am sure that just made no sense at all, but for whatever reason, I thought about that movie while listening to this track.