Category Archives: Folk

Album Review: Everymen – May Your Ashes Have Stories To Tell

I could be quick to say Lake Worth, Florida’s Everymen is just a folk punk band and move on with life, but that would be incredibly lazy on my part.

This band may carry some of the punk and  folk qualities attributed to that genre, but they are so much more than that.

I cannot say I’d heard of this band before, but they just dropped a new release on Say-10 Records called May Your Ashes Have Stores To Tell, and I found myself really digging what they had to offer.

Everymen is like what a young Against Me! might have sounded like if a hyped Tim Barry took over some of the singing duties while the dudes from Gogol Bordello jumped onboard.  I could not help but also think of Tin Horn Prayer when listening to this album as well as Old Man Markley and even Larry and His Flask.

The more I listened to this album though, the more I kept thinking that lead singer of Everymen sounded like the lead singer of one of my favorite unheard of 90s bands, Stompbox.  Once I made that observation, I could not get it out of my head.

Sure that is a lot of comparisons to be throwing out there, but the band stands out with their own style and energy which made it much more interesting to get into.

The moment “Shake Your Bones” started off the album, I knew I was in for something good.  This toe-tapping jam really caught me off guard, especially with the horns and crazy guitar playing.

“Dead Friends”, an ode to lost pals, kept an upbeat feel while paying tribute to those who were taken too soon.  Sadly this was not the only track on the album to sing about loved ones who were no longer as “M.B.” paid tribute to Erik Petersen, the lead singer of Mischief Brew and great friend to the band, who took his own life.

“How To Live” was more of a basement sing along track over the rest.   Listening to this song brought back lots of memories of me being smashed in tiny, dark basements screaming lyrics at the top of my lungs along with some of my favorite bands.

The sing along opportunities continued with he fun “Don’t Rain On My Parade”, a track that easily could have fueled an all night rager in a small, remote bar.  Ironically, “Waking Up Hurts” seemed to be the morning after song compared to the previous jam.

“Don’t Stay” was dark as hell with a certain gypsy-polka sound that was all too inviting.  I loved the female vocals tossed into this track as well as the fiddle playing.

It’s nice to hear such a unique album that does not necessarily rip off anyone else’s sound.  I can only imagine what this band sounds like live.  I am sure it is a hell of a drunken good ol time.

If you are looking for something a little different from the norm, check out what Everymen has to offer.  This is one of those bands I am glad someone reached out to me asking to check out because now I can tell you to do the same.  Totally worth it.

EP Review: Garrett Dale – Two T’s EP

Forget the filler in this review.  Garrett Dale is the lead singer of Red City Radio and just released three songs as a solo project.

You’d never know that Dale even fronted a punk rock band if you listened to any of these tracks.

Three songs of brutal honesty have been slammed into folkish alt-country music on Two T’s EP and I will tell ya, it’s fantastic.  This gem of an EP was released by the good folk at Red Scare.

“2016 Was…Horseshit” is like Tom Waits meets Slobberbone.  What more can I say about this track other than it is blunt as hell.  Check the video below and add the song to your next porch drinking mix already.

Then there was “House Full Of Dogs”, a track that clearly was fueled by a drunken recollection of personal exchanges.  The saxophone in the middle of the song made it that much more incredible.  This track is like the bastard child of a miserable Brendan Kelly and Bruce Springsteen fling.

“Down The Rabbit Hole” was the last track on this EP.  For someone like myself who is obsessed with Lucero and John Moreland, this song just fit in perfectly.  Not that I ever did not respect Dale, but this song alone has me looking at him and his talent forever differently.

Given this small taste of tunes, I really hope Dale has more of this up his sleeves because I seriously think people are going be just as floored as I was when they hear it.  This is music not to sit on.

Book Review: Jason Molina: Riding with the Ghost – Erin Osmon

For those who know the name Jason Molina, there is a certain unspoken agreement that his talents were plucked from his adoring fans far too soon.

As many know, he was a musical genius who succumbed to an addiction he could never overcome and in turn put down his guitar and great talent in order to hold on to a bottle.

I call myself a fan, but a Molina novice at best.  I openly admit that I am one of those late fans who never got to see him play live and grew to appreciate his entire catalog after his passing.  I can not say I have ever quite heard music like what Molina created.

I didn’t know the whole story of a man who got his start less than an hour from where I live.  I knew he was with Secretly Canadian and knew how he passed, but I knew nothing in between.

It only seems fitting to have someone collect all the memories, both good and bad, and put them into a book for all inquiring minds like mine.  This biography, to be released by Rowman & Littlefield on May 15th, was full of memories and folklore about a mysterious individual who took his music far past any boundaries ever set prior and in doing so did it his way.

Jason Molina: Riding with the Ghost, written by Erin Osmon, pretty much answered questions about Molnia’s life that some of me never wanted to know.  From tales of his youth in a trailer park Lorain, OH to memories in recording studios and overseas, this family-authorized book really covered it all.

Family, friends, bandmates, and even tourmates all provided insight to the life of Molina.  Where most of the book spoke on Molina’s journeys from Songs: Ohia to Magnolia Electric Company and even his solo work and impromptu sessions, the book also brought to light family tensions, failed relationships, depression, and of course the demise of greatness.

Molina’s college days and the years shortly after were probably my favorite recollections to read.  Obviously, the toughest parts to read were about his separation from his wife and an attempt at recovery through bandmates and the very label he helped get their start.

It was interesting to learn how Molina formulated his albums in homes and studios alone and with others.  I was also fascinated learning about his life outside of the music including living conditions and places of employment.

Reading how Molina got material released by Secretly Canadian seemed like something that would have happened in a comedy movie, but it was all true.  He was the stepping stone of a label that may not have gotten their start had they never connected.

Molina’s humor style as told by others made me laugh more than once.  His approach with his bands though seemed rather repressed at times, especially when he would up and leave without communicating properly to those involved.

The book obviously was not all fun and games.  Reading about uncomfortable obsessions and how they were put to song made me realize the inventiveness Molina’s mysterious mind carried.  The self-sabotaging of a musical career as told in detail, really opened my eyes and held my interest to the point I couldn’t put down the book.  The marriage that never ended in divorce was painful to absorb but the love that remained was inspiring.

The last few chapters were very difficult for me to read as I lost an uncle to alcoholism earlier this year.  The stories of the support Molina received by loved ones and all of the chances given to him that were eventually passed upon just reminded me of what addiction can do to someone.  Reading about the deterioration of a proud man who kept too many secrets just hit too close to home for me.

Overall, the book carried a life-spanning account of a musician from his young days on Lake Erie to his final days secluded in a room slowly drowning his life away.  The emotions were really felt through this book from those who were stunned at his approach to making music to finding out their friend was no more.

My only small distress with this book is at times it seemed the author had a synonym book handy that was used frequently.  Perhaps it was I, the reader, who needs to dip deeper in to a more prolific writing style, but in the first chapter alone, Molina’s father was referenced as a “patriarch” and the term “spinning platters” was used over playing records.

Eventually I was able to get in tune with Osmon’s style, but there were times I just felt some of the vocabulary used was just too much and interfered with the story-telling.  One thing Osmon did well was put all of the memories and stories together in a chronological order making it easy to set down the book and pick it up again without losing your spot.

The copy that I read was not the final copy but one provided to me early on my the publisher, so there is a chance things will be changed.  I will tell you this, the chapters at times were long, but they were read through quickly as the memories were so well put together.

Fans of Molina will appreciate this book due to all of the content Osmon was able to hunt down over the span of three years.  There were so many angles of Molina’s life put down in this book and I am sure it was not easy for Osmon to capture it all, yet she did it well.

As an added bonus to die-hard Molina fans, Secretly Canadian is releasing a limited-edition bundle of the book with a LP pressing of a 1994 Jason Molina WOBC radio session at Oberlin College.  Where I failed to pre-order my copy in time before it sold out, I did get to listen to the performance and I can tell you it is beautiful and will haunt you, but not in a scary way.  Molina even back in 1994 was so laid back and happy to be sharing his songs with others.  Personally speaking, I think had I heard that session live back then on the radio, I would have been a changed man.

Jason Molina: Riding with the Ghost is available for pre-order through Rowman & Littlefield, Amazon, Barnes & Noble, Target, and other fine retailers.

Album Review: Me First and the Gimme Gimmes – Rake It In: The Greatestest Hits

A few weeks back, I found a photo of myself from when I was working in shipping and receiving at some internet company.

I was about 21 years old at the time and looked ever so thrilled in the picture.  The photo showed me working hard while I rocked a backwards hat as well as a Me First and the Gimme Gimmes shirt, a shirt that I basically wore in the late 90s until it fell apart.  That was almost 20 years ago.

Where am I going with this you ask?

Well, clearly I was a fan back then, and I still am today.  Ever since I heard the Gimmes play “Country Roads” on a Fat Wreck comp, I fell in love.  There was just something so appealing about hearing a song my parents listened to in the 70s altered to my standards.

For those of you who live under a rock, Me First and the Gimme Gimmes consist of Joey Cape, Chris Shiflett, Dave Raun, some guy who calls himself Fat Mike, and good ol’ Spike Slawson.  They have been taking overplayed and classic tunes and covering them the only way they know how to.  The result is catchy, likable, and just downright fun.  i should probably add that they have been doing this since 1995.

Over the years, they have tackled adult contemporary, Motown, show tunes, country, and even Japanese pop songs just to name off a few genres.  I guess you could say they are not the gimmicky type.  Hell, they have 7 studio albums under their belts released on Fat Wreck Chords.  Clearly they are pretty damn important in the punk cover band scene.

To showcase their accomplishments (and squeeze you out of your hard earned cheddar), they are about to drop a greatest hits album on April 7th full of renditions of songs cleverly titled Rake It In: The Greatestest Hits.

Featuring 17 memorable covers, the Gimmes threw together the best of the best for all to hear in one collective listen.  I am sure it was tough for the Gimmes to pick the right songs for this “greatestest” hits album, but I think they did a pretty good job.

Starting with Bob Dylan’s “The Times They Are A-Changin'”, the album spans the Gimme’s eclectic taste in covers.  It was great to hear “Straight Up” and “Jolene” and of course “I Believe I Can Fly”.

I’d be lying if I said I wasn’t stoked to hear “Desperado” as well as “End of the Road”.  I adore the Gimme’s take on these two originally over-played-as-hell songs.

As an added bonus, a few non-album tracks that I have not heard in a long time appeared.  “City of New Orleans” off of Willie, a Fat Mail Order limited edition EP, was an excellent surprise to hear.  The Del Shannon classic “Hats Off to Larry”, originally on the Live Fat, Die Young: Fat Music Vol. V, was the other.

The one track missing that I felt should have been on this greatest hits was the Gimme’s version of “Rocket Man” by Sir Elton John.  Luckily, I have Have A Ball in my collection and can listen to it whenever I please, but for those out there that are just discovering this punk rock cover band, that is one song I know they would enjoy.

To be honest, I was really hoping for the band to have a new album full of covers, but I will take this “greatestest” hits release over nothing.  I hope one day they decide to cover 90s hip hop songs in the key of punk rock, I seriously think that would be amazing and I know they could pull it off.

What I’m trying to say is simple:  Long live the Gimmes.  They are the best cover band of my time.

In support of this release, Me First are touring and have been since February.  I can not even tell you the last time I have seen these guys tour, so make sure you go see them live.  It is going to be an all out blast.  Give them your money.  All of it.  Being in a cover band can’t pay that much, can it?

Tour Dates:

04/11/17 Pittsburgh, PA at The Rex *
04/12/17 Cleveland, OH at House of Blues *
04/13/17 Chicago, IL at Concord *
04/14/17 Detroit, MI at Majestic *
04/15/17 Toronto, ON Canada at Phoenix Theatre *
04/16/17 Montreal, QC Canada at Club Soda *
04/19/17 Boston, MA at Royale *
04/20/17 Philadelphia, PA at Union Transfer *
04/21/17 Baltimore, MD at Baltimore Soundstage *
04/22/17 Asbury Park, NJ at Stone Pony *
04/23/17 New York City, NY at Webster Hall *
05/02/17 Portland, OR at Wonder Ballroom ^
05/03/17 Vancouver, BC Canada at Commodore ^
05/04/17 Seattle, WA at Showbox ^
05/05/17 Boise, ID at The Olympic ^
05/06/17 Salt Lake City, UT at The Depot ^
05/07/17 Denver, CO at Summit Music Hall ^
05/10/17 Scottsdale, AZ at Pub Rock ^
05/11/17 San Diego, CA at House of Blues ^
05/12/17 Santa Ana, CA at The Observatory ^
05/13/17 Los Angeles, CA at The Fonda ^
05/14/17 Berkeley, CA at The UC Theatre ^
05/27/17 Las Vegas, NV at Punk Rock Bowling
06/09/17 Interlaken, Switzerland at Greenfield Festival
06/11/17 Milano, Italy at Carroponte w/ Descendents *
06/14/17 Attnang-Puchheim, Austria at EQUALITY Festival
06/15/17 Nickelsdorf , Austria at Nova Rock Festival
06/16/17 Bischofsmais, Germany at Rock The Hill
06/17/17 Bischofsmais, Germany at Rock The Hill
06/23/17 Neuhausen ob Eck, Germany at Southside Festival
06/23/17 Scheessel, Germany at Hurricane Festival
06/24/17 Neuhausen ob Eck, Germany at Southside Festival
06/24/17 Scheessel, Germany at Hurricane Festival
06/25/17 Scheessel, Germany at Hurricane Festival
06/25/17 Neuhausen ob Eck, Germany at Southside Festival
07/01/17 Würzburg/Giebelstadt , Germany at Flugplatz Mission Ready Festival

* = w/ PEARS & MASKED INTRUDER
^ = w/ Together Pangea

BHP Best of 2016

It’s that time of the year again folks.  Time to sit here and type out a list of bands that have impressed me one way or another.  I am not keeping to a set number as it would take me forever to narrow it down.

A sincere thanks to everyone who’s ever visited this site – seriously.  I know I tend to say that around the time I do my best of lists, but I really mean it.  I almost called it quits  earlier this year and reconsidered at the last minute.

This blog is very personal to me and even if more people find it while Googling how to fix their headphones, it is still fun to do.  If I can turn someone on to a new band just by one post, then my job is done.

With that said, I plan on sticking around for a while.

I am sure I will add a few more as they come to me in the next couple of weeks (as I always do [up to 3 edits now]), but for now, here’s the list of the albums that really caught my attention in 2016:

[EDIT:  The year is not over yet and I needed to throw in just a couple more…]


Chandeli’ers – Breaker
-This was the album that hit me in the right way.  It was fun across the board and sounded like the Clash meets Elvis Costello.  What more could you ask for?


Run The Jewels – RTJ3
-This album was not supposed to drop until 3 weeks into the new year, but El-P and Killer Mike decided to drop it on Christmas day for all to enjoy.  I can not stop listening to it.  I know I am not the only one either.

MakeWar "Developing A Theory Of Integrity"
MakeWar – Developing a Theory of Integrity
-Hands down one of my favorite surprise releases of the year.  This punk rock band has thrown together an album I will be listening to over and over for years to come.

joe-mcmahon
Joe McMahon – Another Life
-This is another one of my favorite albums this year.  McMahon shared with the world an outstanding collection of tunes that everyone needs to check out.  His solo material is a lot different from his Smoke or Fire days and that is not a bad thing at all.

Bob Mould
Bob Mould – Patch the Sky
-Mould recorded a masterpiece with Patch the Sky.  If you have not had the chance to listen to this album, you are missing out.  This album is perfect to listen to any day.

Jonathan Richman
Jonathan Richman – Ishkode! Ishkode!
-I am kicking myself for not putting this on my list initially.  Richman is one of the most prolific songwriters out there and put out quite the release.  I loved how song his songs were fun at times while others were just complex and reached across borders.  He really showcased his musical abilities on this release.  This guy has been writing music for longer than I have been alive and still is able to put out quality albums.

Dinosaur Jr.
Dinosaur Jr. – Give a Glimpse of What Yer Not
-I have been a fan of this band for over 25 years now, so it only makes sense that this release made my list.  Oh, it also kicks so much ass.  Lou Barlow singing on it made it that much better.

All Dinosaurs
All Dinosaurs – Total Dissatisfaction
-Where do I even start with this one?  It’s like listening to the Bronx, but better, and from Cleveland.  I love this album so much that I literally just bought the LP from their bandcamp page.  No lie.

Useless ID
Useless ID – State is Burning
-This band will always be one of my favorites and this release continued to keep me a fan.  With a much more harder approach, they really killed it on this one.  I also adored the nod to the late Brandon Carlisle of Teenage Bottlerocket.

pulley
Pulley – No Change in the Weather 
This band was a huge favorite of mine in the late 90s and I thought they were done in the mid-2000s, but low and behold, they came back with an album that seemingly continued where they left off without missing a beat.  “Sometimes” is such a great track.

Beach Slang
Beach Slang – A Loud Bash of Teenage Feelings
-James Alex (and former crew) have created a timeless album for music fans of all ages.  Catchy yet poignant, the album has been on a weekly rotation to my ears since the album dropped.  It may clock in at around 30 minutes, but it is a hell of a ride from start to finish.

Worship This! - Mint
Worship This! – Mint
-So what if these guys are my pals, their sophomore release blew me away.  I can not say enough good things about this album.  It is poppy, punky, and addictive.  More people need to check this album out as these Akron/Cleveland boys really know how to make sweet jams.  They are the next big thing in my mind and I love them all dearly.


Descendents – Hypercaffium Spazzinate 
-Having one of my all time favorite bands release something new in 2016 was pretty rad.  Having one of my all time favorite bands stick to their sound from start to finish and have no indication of slowing down made it that much better.

Nothing
Nothing – Tired of Tomorrow
-I never thought I would like shoegazing.  To be honest, I really never knew what shoegaze was until I heard this album and I am still not quite sure.  Indie rock and neo-psychadelica mixed with plenty of distortion and emotion made for an album that I could not get out of my head for weeks.  That’s a good thing.

Mean Jeans
Mean Jeans – Tight New Dimension 
-Mean Jeans are probably one of the most underrated bands out there right now.  This album further proved that.  A modern-day Ramones-like banger.  I loved it.


Bouncing Souls – Simplicity 
-The Souls are like a fine cheese or wine to me.  With age, this band seems to just get better.  Their latest release was just full of punk rock fun.  When I started singing along to the first song during my first listen, I knew I was going to love this album and play it over and over.

Blink 182 - California
Blink 182 – California
-I can’t help it, I got sucked in to the new Blink and I know why…  Matt Skiba.  He was the perfect addition to reinvent this band.

The Avalanches
The Avalanches – Wildflower
-16 years after their debut, The Avalanches came back with an all new release that very well probably took all 16 years to create.  I know some of my pals were not digging this release fully, but I adored it.  It probably helps that the likes of Danny Brown and Biz Marke helped make this album what it is.

Arms Aloft
Arms Aloft – What a Time to be Barely Alive
This is the one album I really need to do a proper review on, but I keep getting sidetracked.  I listen to it all of the time and it is freaking amazing.  Punk rock from the 80s perfectly blended with punk rock from the mid 2000s is one way I can describe these fellows.  The music is infections, the lyrics are fun, and from what I hear the band is pretty cool too.  This kind of sounds like a review, but it is not.  This is just me telling y’all that this album was impressive.

Signals Midwest
Signals Midwest – At This Age
-This is their third release and probably their most tied together, mature material I have heard them create.  They have pushed their limits from a one time local band and are more or less prepping themselves for what’s next to come.  I am proud of these dudes.

Arilss Nancy
Arliss Nancy – Greater Divides
-This band really should be at Lucero levels by now.  They are exceptional at what they do and it can be heard throughout their latest release.

har-mar-superstar
Har Mar Superstar – Best Summer Ever
-Har Mar continues to put out incredible material with each release.  This man is so talented that he drops albums that cover various genres and avoids any and all gimmicky sounds.

NOFX
NOFX – First Ditch Effort
-After all this band has been though, it only makes sense that they dropped a more personal album.  It took me a couple of listens to truly appreciate.  Don’t worry, it’s still crass at times as well as hilarious, but man, that Tony Sly tribute song will put tears in your eyes.

Harvey Pekar
Harvey Pekar – The Astral We
-This Cleveland hardcore band is just that…  This album was insane yet intelligent, and I loved every moment of it.

the-falcon-gather-up-the-chaps
The Falcon – Gather Up the Chaps
-I love that Dave Hause was on this album.  I love that he had to play ska riffs knowing how much he hates ska because Brendan Kelly decided it was a good idea.  This album was far from serious and a good time all around.

NOTE: I promise you, Red Scare did not pay me for putting so many albums on this list.  They just had a hell of a year with releases…  Toby, I take plastic btw.

I wanted to throw a couple of EPs on here as well:

Jonathan Richman
Jonathan Richman & Tommy Larkins – That’s All We Need at Our Party
Blue Arrow Records and the creative vinyl masters Wax Merge teamed up to put out an insane variant of this 7″.  I was lucky enough to score #100 out of 100.  It’s a thing of beauty plus the tunes on it kick ass.  I love me some Jonathan Richman.  I am sure there are a few left, so snag one if you can.

Throw Shade
Throw Shade – Self-Titled
-I have talented friends who make beautiful music.  This EP is absolute proof.


Nine Inch Nails – Not the Actual Events
-I really did not know what to expect from Reznor and crew with this EP seeing how I just lost interest in their material for the last 10 years.  Man, was I pleasantly surprised.  This EP brought me back to 90s NIN and I can not wait for their full-length to drop in 2017.

bracket
Bracket – The Last Page
-At just over 70 minutes, this is one long-ass song and it’s amazing.  The track keeps it together for the listener and takes them on a punk rock voyage.  My first listed was distracted thanks to my paying gig, but my second listen with headphones on was incredible.

Finally, I know this is a best of list, but it would not be right if I did not make mention of this:

RIP Dag House…
Dag HouseIt goes without saying, sometimes you find yourself in the right situations by chance.  Thanks to an amazing batch of pals who kept Dag House going for years.  Not everyone gets to experience basement shows, and some of that could be by choice, but goddamn, if you are a music fan, basement shows are the best shows.  Dag House threw together a hell of a rager for their last show, and I was happy to be a part of it.  Thanks for the memories Dag.

2016 was a crazy year.  If you’ve made it this far in my post, thanks for sticking around and being so rad.  It is people like you and the bands above that keep me doing what I do.  Be well.