Exciting Those Darlins News!!!
I’m not sure if you know this or not, but I am a pretty big fan of Those Darlins so when I received and email today from Oh Wow Dang you can bet your you know what I was going to post it! These three sassy ladies are going to be turning heads this year, and not just because of their looks!
I’ll be at their Cleveland show next week as well as be seeing them at Bonnaroo so expect me to be posting some more stuff about them soon!
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I was sent an email from Thirty Tigers / Ramseur Records over the weekend about a couple of artists who both have albums dropping on 4/28.
If you have never heard of either of the record labels, know this… Ramseur Records once were the former home of The Avett Brothers and Thirty Tigers were the ones who introduced Those Darlins to me. You might have heard me talking about Those Darlins before (perhaps HERE, or HERE), it is quite possible…
First up is Samantha Crain and the Midnight Shivers:
She’s 22 and has a voice that reminds me of Bjork at times, minus the weird of course and full of southern soul. She has a singing style I could listen to all day. Having never heard anything by her before I am intrigued now to hear more.
Here is a short bio:
With their debut full-length, Songs in the Night, Samantha Crain & the Midnight Shivers deliver a shudderingly beautiful unique batch of songs in a style that’s been described as “meshing freak folk with a deep-seated, dust-bowl soul.” The 22-year-old Shawnee, OK native’s haunting voice, well-chosen words and emotional depth ring true in a way that sets her apart from most artists of her generation. Picking up where her critically acclaimed 2008 Ramseur Records EP, The Confiscation, leaves off, we find Crain presenting each song with an unfeigned fervor as her voice rises and falls over the panorama painted by the Midnight Shivers and their roots-infused, fertile arrangements.
-DOWNLOAD THIS! – Samantha Crain and the Midnight Shivers – “Songs In The Night”
-Check out Samantha Crain and the Midnight Shivers’ MySpace page for more tunes.
-Here’s a video of her that might just very well move you:
Samantha Crain & the Midnight Shivers: “The Dam Song” @ Ramseur Records HQ from Ramseur Records on Vimeo.
The next artist is Paleface:
It’s been over ten years since this anti-folk artist has released any material mostly thanks to a personal battle that Paleface finally overcame. His previous material is folk fun goodness and after hearing just a handful of songs I am intrigued to hear his new album.
Here’s another short bio:
More than a decade since his last major label release and collapse from alcohol abuse, Paleface, a founding member of NYC’s Anti-folk movement, is back with The Show Is On The Road (Ramseur Records). The album is an intimate, 11-song diary that transcends genres with its ingenuous lyrics and deceptively unassuming style – just Paleface on acoustic guitar and harmonica and his girlfriend Monica “Mo” Samalot on drums and backing vocals, along with the occasional piano overdub. Paleface is the sort of artist who brings you into his world. His voice is sweetly ravaged and effortlessly expressive, as intimate as a friend whispering in your ear. The album is a farewell love letter to his longtime home, New York City, and an embrace of his new life in the South.
-DOWNLOAD THIS! – Paleface – “The Show Is On The Road”
-Check out Paleface’s MySpace page for more tunes.
-Here’s a fun little video of an older song I found:
So what do you think?
Last minute shows are always a good time for me. First I have to see if I can get off work early enough to go home and change from my “business casual” attire so I do not stand out like a sore thumb and then there is the planning of meeting up with friends and trying to grab a quick bite to eat. Sometimes this planning fails immediately as work beckons me to stay, meaning I can not get off that evening. Luckily for me things worked out perfectly this past Tuesday when The Gaslight Anthem came to town.
Matt from Addicted To Vinyl mentioned to me on Monday night that The Gaslight Anthem were playing the Agora Ballroom with special guests Good Old War and local rockers Redwater Rojo the very next night. I honestly did not think I was going to make it to this show and kicked myself for also forgetting about it. I was not 100% sure that I would be able to leave work early enough to head out to Cleveland to see them perform but as luck would have it I was able to.
Matt and I decided to grab a bite to eat before hitting the show and jokingly we discuss eating at My Friends in Lakewood, OH as I was once convinced he lived there because every time I ever picked him up for a show or what have you he insisted on meeting me at My Friends. I give him hell for it all the time but on Tuesday I was shocked when he told me I could pick him up from his dwelling.
Once I arrived Matt asked me if I had ever eaten at The Town Fryer, a local southern cuisine based eatery, and I stated I had not. He reminded me that the restaurant had expanded recently and opened shop in the same building as the Agora. He suggested we eat there since it was literally butted up to the venue and I agreed it was a good idea.
Now normally I do not mix food reviews with concert reviews but something happened while we were eating that involved unknown crew/friends of a band that would play later that night. It was not about the food, that was excellent (the catfish was to die for!), it was about other patrons…
I should take a moment here and clear something up right quick. Originally I thought the people seated behind me were Good Old War with a female friend. I was quick to exchange emails later in the day after writing the blog with my good pal Jonah who informed me that said girl who was associated with Good Old War was the merch girl and she, nor the band, were even able to eat at The Town Fryer as they closed shop shortly after Matt and I finished our meal. So to Good Old War band members/crew, supposed girl, her boss, and anyone else who read this blog originally…oops, my bad. Seriously, I need to stop assuming things…
Anyways…
While seated at The Town Fryer there were some folk seated behind Matt and I who were giving the waitress kind of a rough time. It was apparent the waitress was a little stressed out since she was the only one there and we later learned that she not even 5 minutes before we walked in found out she had to open shop. Apparently The Town Fryer was in the process of moving from one space to another in the building and she had been there since 6:30am.
To make a long story short these cool folk were not too kind and not too cool in my standards. I knew they had something to do with the band because they paid with meal tickets, something that is given to the band and crew only.
There was a female companion who sat along with a few guys who seemed to be making a big stink about “being vegetarian” and gave the waitress kind of a hard time about her order. Granted the restaurant lacked some of the menu items I still found it uncalled for how they were being. They were not exactly a-holes to the waitress but enough to bother me while I was eating.
Regardless of how crappy her day was and how long she had been on her feet busting her ass for a decent paycheck, our waitress gave Matt and I great service and in return we were nice to her as we both understood she was having a rough day. She was a cute girl and just looked ever so tired. I could see the long day she had in her eyes so I decided to be extra friendly and funny to her. I am pretty sure thanks to our conversations with her we put a smile on her face. I will be going there again for sure.
Something that also pissed me off was that later our waitress told us that the tip Ms. I’m A Vegetarian left her was not even $3.00 for a $60.00 bill total (I don’t give a crap if there were coupons/meal tickets/gift cards…your tip should reflect the total bill). Don’t worry friends/crew that hangs out with unknown band, I tipped heavy on account that you suck as patrons and failed to understand how rough of a time that waitress was having. I had been in the food business for many years of my life and this you should know… – respect your servers.
So let’s get back to talking about the show shall we?
The original bill for this show stated that Dayton, OH’s Heartless Bastards were playing as well but for some unknown reason they skipped Cleveland but managed to play Pittsburgh and Columbus just days before. If anyone knows why they skipped out I would love to know especially since I have been wanting to see them live for a while now and am a little bummed they passed up Cleveland. I guess I will see them this summer though as they are playing the 2009 Bonnaroo. Luckily the Agora was able to acquire Redwater Rojo to fill in last minute.
Cleveland’s Redwater Rojo took the stage to a small gathering to start off the night. I have seen their name around and even used to work with the lead singer years ago but I had never seen them live. Their performance was good with a strong mix of southern , smooth , and even at one time some progressive rock. I was shocked to hear how great the lead singer’s voice was as I was not even aware he was the front-man of the band when he told me about it years ago. I liked their music and hope to see them play again. My only complaints really were that the band kind of stood in place their entire set and lacked movement and I was unable to decipher if they were religious or not as some songs seemed to go hand in hand with a bible while others screamed F you to pretentious women.
While hanging out in the lobby of the Agora, Good Old War performed. I had never heard any material by the Langhorne, PA folk fun rockers whose songs really remind me of Paul Simon. They were entertaining and from the medium sized crowd that cheered and sang along with them I would have to say I got a kick out of them and will be checking out their release Only Way To Be Alone sometime soon.
I do need to add though at times during Good Old War’s performance, loud group cheers from the bar area of the Agora overpowered their performance and I knew why. The Cleveland Cavaliers were kicking some serious ass that night and a bunch of the attendees at the show gathered around the television to cheer on LeBron James and others towards another victory. Go Cavs! Only in Cleveland…
The Gaslight Anthem took stage after the Cavs claimed a win so everyone at the venue focused all their attention at the New Jersey quartet. Opening with “Great Expectations” the band sounded just as amazing as they do on their studio releases. All of the members were smiling and playing their hearts out and it was truly enjoyable seeing that. Throughout the show they played some of my favorites like “Old White Lincoln” and “Even Cowgirls Get The Blues” as well as “We Came To Dance” off their first release and “Blue Jeans & White T-Shirts” off the Señor And The Queen EP.
The lead singer Brian Fallon at one time explained to the crowd that they were smiling and laughing so much because of inside jokes the band had with one another. The laughs soon were shared with the fans when Brian Fallon stated that he could not having a hard time understanding what any of the guys were screaming at him but was able to hear the ladies perfectly. I found myself laughing a couple times in between songs when some of the things the guys were screaming translated into “What? Ja Rule was at a Gaslight show?” and “I heard french kissed hot dogs”.
Aside from the great rock and jokes Brian Fallon spoke about a legend of a performer who many compare the band to, Bruce Springsteen. At one time he told the crowd that he met Bruce Springsteen and they talked about New Jersey and their music. It was awesome to hear his short memories of the conversation and his attempt to imitate how the “Boss” speaks.
One statement that Brian Fallon did state earlier in the show about Bruce Springsteen kind of irked me a bit. He mentioned that Bruce Springsteen was being inducted into the Rock Hall later in the week but the truth is that there is a Bruce Springsteen exhibit being opened at the Rock Hall later in the week and that it’s been 10 years since he was inducted into the Rock Hall. I hope for the lead singer’s sake that he was just overcome at the response of the fans and not terribly mistaken.
During the encore Brian Fallon came out with guitar in hand and played a cover of Bruce Springsteen’s “I’m On Fire”. While he performed the classic I thought it would be a good time to head to the merch tables and see what goodies I wanted to pick up. I decided that it was a good idea to pick up Sink Or Swim and The 59 Sound both on vinyl to add them to my collection. I know these will be records I will listen for years to come.
Upon leaving we made a pit stop with the coolest “booking girl” ever and hung out with her for a few moments behind closed doors. I could hear The Gaslight Anthem continue their encore and the very last song they played sounded like “Stand By Me” but was morphed into a song I could not figure out. I thought they played three songs during the encore but I would not be surprised if I am mistaken. If the set list below is not accurate let me know so I can update it. Thanks.
I was really hoping that the boys that night would have played a little more material from Sink Or Swim or Señor And The Queen EP, but this night was mostly all about their latest release The 59 Sound. Regardless of their choice of the songs on the set list it was an awesome performance and I can not wait to see these guys again. I do have the feeling though that next time the show will not be as intimate as this show was. This band is going places.
The Gaslight Anthem Set List:
Great Expectations
High Lonesome
Old White Lincoln
Even Cowgirls Get The Blues
Wooderson
The ‘59 sound
We Came To Dance
Film Noir
Casanova, Baby!
Miles Davis & the Cool
Meet Me By The River’s Edge
Here’s Looking At You Kid
The Backseat
Encore (I could be off on this so if anyone has the correct set list let me know!)
I’m On Fire (Bruce Springsteen cover)
Blue Jeans & White T-Shirts
Stand By Me /I’da Called You Woody, Joe
Here’s a video a fan took of Brian Fallon signing “I’m On FIre” (no I did not take this…)
When I hear the term “Girlyman” I immediately think of a certain Saturday Night Live (SNL) skit featuring Dana Carvey and Kevin Nealon playing Hans and Franz the Austrian bodybuilders who where said to be cousins of action bodybuilder superstar Arnold Schwarzenegger. I still laugh at those skits…
The Girlyman I am referring to though is not associated with SNL or even the current governor of California. Instead I speak of a three piece folk act originally from New York City. I was introduced to them through my wife who has a love, almost obsession, for them. She shared them with me one day after saying “We’re still making payments on the cannon” and I had no idea what she was talking about. After giving her a puzzled look she told me about the Girlyman band. She sampled some songs to me and I found myself quite interested in them.
Girlyman is a trio of harmonic performers, rather best friends, who have stated they play “harmony-driven gender pop” featuring “leading edge three-part harmony folk-pop”. Consisting of Nate Borofsky, Doris Muramatsu, and Ty Greenstein, the band has a huge following with their “gender pop” music.
Gender pop? That’s right folks all of the members from this band are involved in the LGBT (Lesbian, Gay, Bisexual, Transgender) community one way or another. Don’t let that hold you back though because if you do you are missing out on some amazing harmonic folk music with heavy doses of comedic interludes, especially when seen live. Think Rupaul meets Simon & Garfunkel with more folk harmony then you have ever heard before. Where a lot of the songs are fun, many have meaning about life, love, and living but all with perfect collaborated vocals from all three members.
Recently I had the opportunity to chat with Doris Muramatsu, the “tootsie roll center of Girlyman”, who has the duties of vocals, acoustic guitar, mandolin and banjo in the band. The multi-talented musician was more than kind to answer some questions for me.
So what exactly is a Girlyman?
A Girlyman is whatever you want it to be, just someone who is nontraditional in some sort of way or like to play with gender roles or isn’t afraid to have a sensitive side.
How would you describe Girlyman to someone who has never heard of you before?
We’re a folk pop trio of almost lifelong friends who sing traditional and nontraditional three part harmonies and play multiple instruments and like to laugh and be ourselves on stage.
When you started creating music was it clear you all wanted a more folk sound? Was the harmony always there between the three of you or did it need some fine tuning? I have to admit your combined harmony is all so appealing.
Ty and I started singing harmony when we were 12 years old and have always been fascinated by the beauty of interweaving voices. Our voices blended very well and we knew we wanted to write and sing music that was harmony-based. When we met Nate his voice seemed to naturally blend with ours, so it was a go. Of course there is always fine tuning whenever harmony is involved, for instance, we have realized that if we all don’t sing a certain vowel in the exact same way it will sound out of tune, so we’re always examining how the lead person is pronouncing that vowel.
Who/what are your influences for the music you create?
Growing up, I fell in love with Simon & Garfunkel. I listened to the Mamas and the Papas a lot too as well as old Jefferson Airplane and the Bee Gees. Indigo Girls, The Story, Patty Griffin were also [other] people who influenced me.
I understand that you and Ty have been best friends since elementary school. When did the two of you decide to start your first band The Garden Verge?
We officially started up the Garden Verge out of college although we had been signing together as a duo since middle school.
How and when did you meet up with Nate?
We met Nate [during] our sophomore year at Sarah Lawrence College at a cross-dress cabaret [that was more] like a talent show with more gender-bending. He was backstage [while] Ty and I were singing an Indigo Girls song to warm up. He came [up to us] and joined us out of the blue. We were insta-friends.
How was it being cramped up in NYC trying to start a band? Where are you currently residing?
It didn’t feel cramped at first. [It was] mostly just really exciting and creative time for us all. Of course our first rehearsal for Girlyman was scheduled for September 11th [and] after witnessing the events of that day we were shocked and speechless. We didn’t really know what to do but all that felt right to do was to be together, make music, and share it. So that was the birth of Girlyman; formed in the spirit of upliftment.
After seven years of living together and touring together, however, things did start to feel small and cramped. We were basically living on top of each other with no privacy and the need for expansion, both creatively and physically, became paramount. Nate and Ty moved to Atlanta in 2007 and I chose to stay in Brooklyn [NY] for another year but [soon] joined them in 2008. We all live separately now but happily see each other practically every day.
What types of venues did you first start playing at? Did you have success from the get go or was it more of a slow start?
We played at little coffeehouses and churches as well as some lunchtime college gigs. We just kept building out audience from the get go and even though we didn’t shoot up into massive fame, we definitely started climbing slowly but steadily.
Your live shows are full of humor and fun, especially in between songs. When did live Girlyman shows turn almost into a stand up performance or has it always been like that?
I have always been a pretty shy person in front of large crowds and I think it was hard for Ty and me [as Garden Verge] to be as funny as we are in private. When Nate joined the group he added an element of humor and improvisation that allowed us all to be more relaxed and silly together. It’s a strength in numbers thing I think. I also thing it keeps things interesting for us to do or day things on stage that makes each other laugh because then every show feels like its own thing. We need to keep things light and fresh in order for the [live] show to feel fun for us too.
In 2006, OUTmusic awarded Girlyman for the OUTSong of the year for “Young James Dean”, how did this make you all feel?
We were really honored! It always means a lot when something you’ve created reaches people and speaks to them in a significant way.
What can you tell someone about OUTmusic who has never heard of the organization before?
OUTmusic is a wonderful organization that connects [the] lesbian, gay, transgender, and bisexual musicians, composers, producers, and artists [together]. It works to create opportunities and tried to raise awareness for the growing number of us [LGBT (Lesbian, Gay, Bisexual, Transgender)] out there.
I understand you are currently touring and will be performing at a couple of folk festivals as well. Having sold out venues before how exciting is it to be on the road?
We love being on the road and we love being at home too. It’s a balance but we are doing exactly what we want to do and have so much fun doing it. Sure being on the road has its challenges, like endless drives and late hours, but when we’re on stage and connecting with each other and the audience it is always worth it no matter now many people show up. It’s the energy from the audience that really helps us keep going.
How long have you actually been touring now?
We have been touring since 2001 when we first became a band.
Do you prefer festivals or venues?
I prefer venues because I find it’s easier to connect with people. Festivals are fun because there’s a feeling of celebration but I also get distracted by all that’s going on… like all the funnel cakes and hot dog stands!
Where is your favorite venue to play? Is there a favorite city you all enjoy?
I love Club Passim in Cambridge, MA, Old Town School of Folk in Chicago, Freight and Salvage in Berkeley, CA, but there are so many! We love New York City of course, and the Bay Area, but Atlanta’s pretty great too.
How are the lodging arrangements when you travel? Have you ever crashed in the van?
Thanks to Priceline.com lodging is fantastic! We often stay in three star hotels which makes us feel rich and comfortable. We don’t stay overnight in the van though we have a loft and a refrigerator set up in it. It’s too small for all of us [to sleep in].
Who usually takes up the driving duties on the road? Is there anyone in the band who is not allowed to drive?
Everyone takes turns driving although I can’t parallel park the Sprinter [van] for the life of me [as it’s] 21 feet long. Ty is not allowed to drive at night because she usually falls asleep.
Any crazy touring stories you want to share? Maybe a run in with the law or just something drunk and hilarious?
Well, the scariest thing that happened on the road was when we hit a deer at two in the morning in the middle of Wyoming and the Sprinter broke down. Nate and I didn’t have cell[phone] service but Ty thankfully did; but only when she stood a few feet from the van. We had to get towed 200 miles to the nearest Dodge dealership in Montana. When the tow truck came and started towing us it broke down too, so we had to wait until [the tow truck] got fixed.
Finally after a scary drive where the driver [of the tow truck] kept falling asleep and running [over] all [of] the rumble strips on the highway we arrived in Billings, MT at seven in the morning. We had to stay there for a couple of days while out manager found a U-Haul truck that could fit three of us in the cab. [We] then made our way though treacherous, snow-covered passes in Washington state [on the way] to Seattle. We were [all] totally traumatized by the whole experience.
You’ve been in Cleveland a few times now. Just curious what you think of the city as it is my hometown. Any favorite memories?
Our favorite time in Cleveland was when we played at Cleveland Pride. They put us up in a fancy hotel and we shared the stage with Rupaul.
Do you think the folk festivals may help recruit new fans who may not necessary be involved in the LGBT community?
Some of our fans are part of the LGBT community, but just as many are not. We have a wide range of fans of all ages and identities.
Not everyone is accepting of the LGBT community unfortunately, have you ever had problems with people while out on the road?
It’s funny, we have a lot of people who, not knowing our music, initially feel put off by our man, but then when they hear us they immediately get over it or feel surprised that they actually like our music. Other than that, I think we’ve been lucky that we haven’t had many incidents being a queer band.
Tell me about your “Girlyfans”.
Out Girlyfans are our best support network. They are the ones who help promote us and bring new people to our shows. We couldn’t tour and do this for a living without them.
Can you tell me about the Brauner VMA that many of the Girlyfans helped raise money for you all to acquire? It looks like a masterpiece of a microphone. How is it working out for you?
It IS a masterpiece of microphones. It’s a handmade microphone from Germany and sounds out of this world. We are really happy with the sound quality we’re getting out of it.
When can your fans expect some new material to be released?
We are hoping for a fall release of our new studio album, although we’ve been playing out a lot of our new stuff at shows.
What’s next for Girlyman?
More of everything! We love how life just presents us with the next logical stay and that we’re brave enough to take it.
Just one last question… Are you still making payments on the cannon?
Of course!!!
-For more information about Girlyman check out their website.
-Girlyman is still on tour and will actually be making a pit stop in Ohio at the Oberlin Folk Festival.
-Download This! (rather sample…) – Girlyman – “Young James Dean”
-Download This! (rather sample…) – Girlyman – Cannons Skit
-Here are a couple of videos:
It was an entertaining evening Thursday night fueled by heavy doses of country twang and serious rock n roll thanks to the bands that performed at one of Cleveland’s best little venues, the Beachland Ballroom. The line-up was enough to call for that simple dreadful sign stating that tickets were sold out. All who were lucky enough to obtain admittance to last night’s performance certainly are still talking about the show that Those Darlins, Hacienda, and Dan Auerbach who is known as the lead signer of The Black Keys all put on.
Having heard about the show last week I decided that it was a show not to be missed and make plans to attend. Accompanied with a couple of friends who have love for the country and the rock I was sure they would have a great time checking out all the bands. We arrived to the Waterloo Rd. venue a little early as I was not certain how long it would take to make the trek there. The Beachland Ballroom is not located exactly downtown Cleveland but just a short drive away on a sketchy yet hip part of town. We arrived with no problems and finally made way into the ballroom. One of the things I like about the Beachland Ballroom is how quaint it is. It reminds me of a gymnasium from a middle school of my past with a stage and no real distractions in the main gathering area itself.
Once we finally got in we made a pit stop at the merch tables and I dropped five dollars on Those Darlin’s Wild One EP. For three songs the five bucks was totally worth it. The main reason I even planned on attending the concert was because of the trio of ladies otherwise known as Those Darlins. I just had received a taste of their sound last week and promptly posted a blog about it. What I heard not only made my day but also made me what to see them perform live.
Normally people get excited for the main act at a concert and the openers are almost like icebreakers for the evening. For the first time in a long time this was not the case for me. I dig the Black Keys and I have seen them live before. I actually had not heard the solo release yet on Dan Auerbach yet and to be honest I was more interested in seeing the opener over the other two bands.
Nashville’s neighboring sweethearts Those Darlins took the stage to a decent sized crowd and opened with “Wild One“. I think it is safe to say that they impressed the crowd right away physically and musically with their mix of country, folk, bluegrass, and sass. Dressed to impress, the three fine-looking girls and their mustache clad drummer had an amazing stage presence and were all smiles through their set. Sipping on strong drinks in between songs the girls shared singing duties and entertained all. “I love you” was shouted more than one time, and although I admit a major crush on the three darlings, I assure you it was not me.
They played the two other tracks on their Wild One EP including the humorous “Whole Damn Thing” as well as a healthy bout of tunes to be hopefully released on their debut CD in June. At times they sounded like The Carter Family and other times reminded me of a female version of Hank Williams III but much better looking. Seeing them live on stage having such a good time really added to the attraction. I was not ready for them to finish when they did and really could have listened to them play all night with their unique sound. I can only hope for a return by the sassy ladies once their debut CD is released.
Many people were excited to see the San Antonio rock jam band Hacienda take stage. I wish I could say I was too, but honestly the only thing I knew about this band is that they were backing up Dan Auerbach during his set and that their latest album, Loud Is The Night, was recorded at Dan Auerbach’s Akron Analog . I checked out some of the set and at times was shaking my head along to the beat. It was good music, but just not what I was looking to hear at the time.
Dan Auerbach with Hacienda and friends took stage after a short break. It was at this moment that I realized how sold out the show really was as I could barely move through the crowd to find a good place to watch the headliner. With only hearing a track or two off of Dan Auerbach’s Keep It Hid I knew it was not anything Black Keys but still was not completely sure what was going to happen.
The sounds Dan Auerbach and crew put forth reminded me of early rock at it’s finest with a jam feel at times. Each member on the stage had their own specialty to make the live performance even more interesting. Guitar solos, dual vocals, and smiles ear to ear by the performers just added to the good time being had by all. I got a huge kick out of the duel drumming and especially seeing Patrick Hallahan from My Morning Jacket do his thing moving from drum set to congo and maraca and even beating upon a giant triangle. Rocking out until after midnight the band continued to electrify. I can not tell you what songs they played as I still have yet to pick up the CD but I can tell you Keep It Hid is on my “to buy” list.
It was an excellent night for new music to hit my ears thanks to all three acts playing on stage. I became a bigger fan of Those Darlins as well as gotten a good taste of what Dan Auerbach’s solo material sounds like backed with a full band. Spite the sold out crowd it was a great evening and I know I was not the only one who enjoyed it. If these three acts happen to come your way and you are looking for a night of fun and music do yourself a favor and grab a ticket before it sells out.
The tour continues for just a few more dates. Catch them if you can!
March 5 – Cleveland, OH @ Beachland Ballroom
March 6 – Chicago, IL @ Metro
March 7 – Minneapolis, MN @ First Avenue
March 10 – Seattle, WA @ The Showbox
March 11 – Portland, OR @ Wonder Ballroom
March 13 – San Francisco, CA @ Bimbo’s
March 14 – Los Angeles, CA @ El Rey Theatre
