Category Archives: Folk

Download This!: Suburban Home Records Mixtape Volume 5 – Someone’s Gonna Die

Download Suburban Home Records Mix Tape Volume 5, Someone’s Gonna Die

Step One: DOWNLOAD THIS! – Suburban Home Records Mixtape Volume 5 – Someone’s Gonna Die

Step Two: Enjoy it.

Step Three: Share it with as many people as possible.

Why?  Because I said so. Don’t believe me? Check out what the good folk of Suburban Home said in their latest blog:

Suburban Home Records Mix Tape Volume 5, “Someone’s Gonna Die” marks a new approach to our Mix Tape series. Partly because it costs less money and partly because we found so many songs we had to put on this mix (putting the running time at over 100 minutes), Mix Tape Volume 5 is available as a free download and not a physical compact disc. While we will miss the physical, tangible qualities of the past volumes, I won’t personally miss having to burn thousands of CDrs and hand-packing every one of them. Let me know your thoughts on this approach.

“Someone’s Gonna Die” was inspired by I Can Lick Any Sonofabitch In the House’s new album, “The Sounds of Dying”. Our own Andy Thomas helped me put together the track listing for this mix. The first two songs are from the new album which will be up for pre-order on Thursday, July 15th. The 2nd of Sonofabitch’s songs is a cover of Two Cow Garage’s “Postcard and Apologies” and their version is absolutely fantastic. We figured it only fitting to put Two Cow’s version on right after and while keeping with this mindset, we put a Townes Van Zandt cover by Michael Dean Damron (of ICLASOBITH) followed by the original song. The rest of the mix finds a number of Suburban Home tracks from the likes of Austin Lucas (new demo), Tim Barry, The Takers, Armchair Martian, Jr Juggernaut, Jon Snodgrass, Drag the River, and Look Mexico alongside some of our favorite tracks by new and old bands. We took submissions for this mix by bands who thought their music would work on this volume of our Mix Tape and while we had only planned on putting 1 or 2 songs from these submissions, we put like 6 or 7 songs. We apologize to those of you who submitted tracks that were not selected, but we hope you understand that it was impossible to put all the submissions on. Additionally, I picked a few of my favorite newer bands like The Evening Rig, Arliss Nancy, and John Moreland and the Black Gold Band. We put a number of oldies but goodies from the likes of Lucky Old Sun (Ben Nichols old band), Slobberbone, the Replacements, and more. I think that this could be my favorite Mix Tape yet. I haven’t stopped listening to it since we finished it.

Please download this mix. If you run a blog, please post it on there. If you are in a band on this Mix, please post the mix for download on your Facebook/Twitter/Myspace pages. After downloading the zipped folder, send it out to everyone you know. If our yousendit link expires, just email me or post a comment and I will replace the link with a new one. We really hope you enjoy this mix and if you find some new bands that have caught your ear, please consider buying a record from them or their label and make sure you mark their tour dates on your calendar.

If you could take anything home from our previous mix tapes, it would be great if you downloaded the mix and shared it with at least 4 other friends. I would love to see this mix reach people all over the world. As I always say, music is meant to be shared.

Download hi-resolution cover art and back art if you want to print your own covers in the event you want to burn this onto CDs (it would have to be 2 Audio CDs or 1 Mp3 CD since there is over 100 minutes of audio). Artwork done incredibly by Brandon Proff.

Sage Francis – LI(F)E – CD Review

Hip-hop artist Sage Francis recently returned with LI(F)E, an all new album on ANTI- Records.  This time around the lyrical genius has tried a different approach to his music by asking for assistance from various musicians who provided personal selections for him to work with.  Skip the bass heavy beats and typical hip-hop soundtracks that have gone with many of his previous works, this time around LI(F)E proves to be Sage Francis’ most sundry work to date.

Having been a fan of Sage Francis since about the time Y2K seemed a threat, I have only gotten more thrilled in anticipation with each of his releases.  I never listened to his albums as much as I studied them.  The man always impressed me with his ability of taking words and formulating them into something intriguing all while accompanied with sometimes self-made hip-hop and even jazzy beats.  This comes from the guy who bought a Sage Francis hoodie from Sage himself a couple years back at one of his shows and did not even realize it was him until mid-way though our conversation.  Oops.

I had to admit I was stoked to see the album cover for LI(F)E was drawn up by contemporary street artist Shepard Fairey.  A young Sage Francis graces the cover and I later found out that it was a dated photo of Sage Francis reminding him of the harder times in life when he slept on the floors at his friend’s houses and just lived day by day.  Not getting down by this things have obviously changed for the better over the years.

“Little Houdini” opened up the album featuring music written by ex-Grandaddy turned solo artist Jason Lytle.  The music, previously written as an instrumental by Lytle, originally had no lyrics to go along with.  Once obtained Francis worked his magic and created a song focused around a fugitive who escaped custody to see his dying mother based from actual events.  Francis had no problem putting his flair on top of the music and one would think both were written at the same time.  The song was one of the better cuts on the entire album.

“Three Sheets To The Wind”, featuring music by Chris Walla of Death Cab For Cutie continued with a appealing track but it just did not match up to the opening track  The questionable “I Was Zero” started out great until Sage just inserted a weak refrain repeating  “when I came out my momma, I was zero”. For a seasoned hip hop artist that holds many wins on freestyle challenges in the past I felt more effort could have been put forth in this track lyrically.  Perhaps my expectations were set high for Sage and I should include that some of the lines he flows out during the song contained amazing selections of words but the music provided perfect for a rap of sorts with a generic chorus killed it for me.

I enjoyed “Slow Man”, a slow folky track summing up the thoughts in many aging individuals, if not Sage himself.  If Sage’s voice had more baritone in it on “Diamond’s & Pearls” I swear I would have been listening to Everlast.  The impressive “The Baby Stays” was a profound story based around the results of a redundant establishment called life only to succumb to the new outlook at the result between an unlikely pair.  The folk soundtrack, courtesy of Tim Rutili, aided Sage to the very ideal story about an unwanted life turning into the greatest thing ever.

Screaming children assist Sage in “London Bridge” a fun track full of random wonders and events in the world.  The song was fun and I think that is all it was meant to be featuring Sage, a bunch of kids, and once again Chris Walla.  Without looking too deep into it I left it at that and enjoyed it.

The late Mark Linkous (Sparklehorse) collaborated with Sage on “Love The Lie”, perhaps my favorite cut on the entire CD.  It was chilling to hear this song knowing that Linkous ended his life for reasons that will never be known.  The track was upbeat from start to finish and almost inspiring yet clearly full of sarcasm.  This is the kind of song you had to actually listen to in order to understand how Sage works.

“The Best Of Times” was another track on LI(F)E that I admired over the others.  The more spoken word track recalled personal stories of Sage making for a powerful close to an impressive release.  As if sitting there listening to Sage was not great enough the musicthat accompanied Sage’s verbal memory was created by Yann Tiersen.

I loved how the album ended as strong as it began.  Sure there were a couple head scratching tracks in there but overall LI(F)E was a pleasure to listen to.  It’s not a hip-hop album by any means but more of a carefully premeditated project from a guy who happens to be good at rapping.  It’s easy for anyone who is familiar with his older material to just not get it – it’s different.  Taking written music in favor of generated beats this round, Sage has created a branch off of what he loves to do and I honestly admire his doing.  Without sounding too cliché, give LI(F)E a chance.

The Fermented & Flailing Tour Featuring NOFX, Teenage Bottlerocket, & Tony Sly – Madison Theater – Covington, KY – 04/30/2010 – Concert Review

Punk rockers of all shapes, sizes, and age filled up the Madison Theater last Friday night to see the Fermented & Flailing Tour in Covington, KY.  The tour, featuring long time independent punkers NOFX with special guests Teenage Bottlerocket as well as Tony Sly of No Use For A Name (NUFAN), did not make it to Northern Ohio during this tour as much as I would have like it to have, but I did the next best thing and drove 4 hours to the tour and do not regret it one bit.

I was highly bummed out when I arrived to Covington in the afternoon as I found out first hand that another band that has been touring with them, The Menzingers, were cancelling their performance that night due to food poisoning.  I was actually on the phone with Greg, the guitarist of the band, trying to set up an interview with them before the show when he informed me that they were behind in schedule and considering going to a hospital as their drummer, and friend, was not in good shape.  As much as I wished I could have seen this amazing up and coming band I understood the situation and wish them luck.  There is always a next time.

The Madison Theater was packed by the time I got there and after scoping out the area and seeing how inconvenient the photo area was I decided to forfeit the idea of getting up close and snapping some shots of the bands.  As much as I wanted to it just was not a good idea.  The stage overlapped the sectioned off area and there was hardly enough room for the bouncers to stand there and do their thing.  Not to mention this venue did not have adequate isles or areas where people could move freely around the sides.  I made my choice and was ok with it.  I was still able to snap off a couple shots but more importantly I still was going to enjoy the show.

Locals Loudmouth opened the night with their impressive 90’s inspired pop punk / ska sounds.  There were a ton of fans in the house that were very aware of who this act was who hail from the Cincinnati / Covington areas.  Their lead singer admitted that he had “whiskey hawk” in between songs and pointed at the green mat of hair on his head promising that he tried to get it up over and over.  The band clearly was stoked to be sharing the stage with members of the Fat Wreck Chords family and put forth a great set.  I am kicking myself still as I missed their merch table after the show but I plan on looking into these guys some more very soon.

Tony Sly, seasoned punk rocker and front man of NUFAN, took the stage with his acoustic guitar in hand and informed the crowd he wanted to play some songs.  The response some of the crowd gave him was disrespectful as they booed him.  Sly did not let that bother him and played songs off this new album such as “Keira” and “Already Won”.  I know I was excited to hear “Toaster In The Bathtub” and “Soulmate”, a NUFAN cover that I could not help but sing along with.

I cannot say that everyone in house was rude to him but there were enough drunk fools around where I was that just went overboard making fun of him to make my blood boil.  Perhaps an acoustic set was not what those concert goers were looking for that night but I think what pissed me off the most was that all the folk who were mocking and booing him literally had no idea who he was.  This guy helped pave the punk rock road that these kids were standing on and they had no idea who he was – I guess I just wish those coming to early conclusions could have been a little more educated.

The brave Sly continued through his set and thanked everyone for listening to him.  An intimate performance down the street at Molly Malone’s may have been more appropriate for his set but honestly I was not complaining and was thrilled to have finally seen him live on his own.  Still I could not believe how many so-called punk rockers booed him…

Power pop punks Teenage Bottlerocket (TBR) delivered a killer set opening with “Skate Or Die” and pretty much did not  break until their last song.  Their punk rock thrash assault on the crowd had the tightly packed venue going insane with tracks like “Bigger Than Kiss”, “I Don’t Wanna Go” and of course brought more calamity when they announced they were going to play “30 Seconds Of Rad” and commanded all to a pogo throw-down.  Their set was fun, fast, and just what was needed to get the fans ready for the headliner.  Most folk there that night may have solely came to see NOFX but I am positive that they left glad they were there in time to see Teenage Bottlerocket do their thing.

The venue seemed much warmer once TBR left the stage and was filled with smoke from cigarettes and other substances.  I decided to head up to the balcony area and I did so just in time as NOFX emerged on stage.  The foursome clearly was pre-gaming it a bit before performing that night but did not hesitate to play for all who paid to see them.  Greeting the crowd Fat Mike noticed a fan in a wheelchair and asked her to be brought onto stage.  After words were exchanged between band and bouncer the girl finally emerged to the left of the stage and had the best seat in the house.  The band said they had a song they were going to play her later as she reminded them of someone they once wrote a song for.  Fans all over cheered in approval.

The rest of the night was just a blur of NOFX tracks from their lengthy catalog, insults from the band to the crowd, and just overall madness.  At one brief moment Fat Mike hinted that the band was thinking about playing “The Decline” but a fan in the crowd told him that he played it last time they were in Covington so not wanting to repeat himself Fat Mike said never mind and then joked that the band was thinking of playing Heavy Petting Zoo in it’s entirety.  Sadly that did not happen either and I was rather  bummed out as I have always wanted to hear “The Decline” live.

Poking fun at the crowd, they yelled at fans for waving erratically at them and even pointed out a couple ICP Juggalos who apparently were not ashamed to show up in painted faces.  The fans took the insults just fine and some chose to throw their drinks on stage soaking Fat Mike more than once.

The band did play tons of tracks including “Bob”, “Linoleum”, “Murder The Government” and even “Cokie The Clown” with Eric Melvin lending his pipes.  At one moment El Hefe picked up his trumpet and started playing the opening notes to “Arming The Proletariant With Potato Guns” and I honestly felt privileged as this was the second time I had seen NOFX play the song in less than a year.  They may have had a hard time getting through the jokes this time around but it was still hilarious.

Other tracks the band played included “Kill All The White Man”, “Franco Un-American”, the tear jerking “My Orphan Year”, “Bottles To The Ground”, and even “The Brews” which was the perfect sing along for a Friday night punk rock show.  After a quick encore which included the highly anticipated “She’s Nubs” dedication to the girl who had been on stage all evening the band slowly left the stage while Eric Melvin serenaded the crowd with his accordion skills.  Dodging their stagehand/keyboardist Melvin kept playing songs to everyone for what felt like ten minutes before finally giving up his instrument and calling it a night.

The band may have screwed up on a lot of their songs, were off key more than once, and did not look entirely thrilled to be playing that night but I would never expect anything else.  It was NOFX, they can do whatever the hell they want to do during their show and I would leave satisfied.  Having seen them tons of times in span of 15+ years I know what to expect from the foursome who just do what they want and don’t care what you think.  I can admit that as long as they continue to tour I will be making my best effort to see them live because a NOFX show is just that damn entertaining.

The Avett Brothers To Play w/ John Mayer @ Blossom Music Center

Looks like my summer will be that much more enjoyable thanks to The Avett Brothers (TAB) who will be making a stop at Blossom Music Center this summer.  Having seen them once this year already I have no problem seeing them again.

Just announced, TAB will join John Mayer on his Battle Studies World Tour for a couple of dates and Ohio happens to be one of them.

A message from the Avetts:

Hey Everyone,
Just announced: We are hitting the road with John Mayer this summer!

We are joining John as special guests on The Battle Studies World Tour, for the dates listed below:

Jul 31 Bristow, VA Jiffy Lube Live
Aug 13 Cuyahoga Falls, OH Blossom Music Center
Aug 14 Tinley Park, IL First Midwest Bank Amphitheatre
Aug 15 Noblesville, IN Verizon Wireless Music Center

Thanks,
The Avett Brothers

Tickets go on sale April 17th through Live Nation

Tony Sly – 12 Song Program – CD Review

After 20 years of fronting well known punk rock act No Use For A Name (NUFAN), Tony Sly continues his passion for music with a different approach by releasing his first full-length solo album.  Last month 12 Song Program dropped thanks to Fat Wreck Chords who have been associated with Sly for most of his career.

Having teamed up with Joey Cape on the 2004 split release Acoustic this is not a new territory for the seasoned punk rocker but is something that he has wanted to do for a couple of years now.  Writing songs in the past that did not fit the NUFAN slot, Sly took recent down time from his band and started recording original material that ranges from folk to pop all with help from his trusty acoustic guitar.

Not going at it all alone on the album Sly received some help from other Fat Wreck musicians/friends including Fat Wreck owner himself Fat Mike as well as Dance Hall Crashers’ Karina Denike who lent her vocals to many of the tracks.  The more mature approach was stripped down and not over produced full of many songs that would be perfect for an unplugged show at a local bar.  With sing along qualities and in depth lyricism this album has a repeat playability written all over it.

Opening track “Capo, 4th Fret” brought back memories of my obsession I had when I first heard the split album with Sly on his acoustic guitar.  The track emulates that of a NUFAN song but of course slowed down and more personable with Sly almost giving reason why he is doing what he does.  “I would live for the sake of others so they could do the same” finished the very lonesome track.

The more upbeat “Via Munich” carried along happy tune about feel good  relationship while away.  Quick and to the point, the track featured Swingin’ Utters‘ Darius Koski on violin.  “The Shortest Pier” jumped back to a miserable feeling of hopelessness.  “AM”, featuring Fat Mike, was one of the songs that stuck in my mind after hearing it.  The song strayed away from sounding like the other tracks on the album with Sly singing at perhaps his most sincere.

“Expired” was an acoustic plucking jam that easily could aid in a drinking problem.  Denike’s beautiful voice matched up with Sly’s towards the end followed by a sample taking from Taking Arizona all surrounded with piano.  This was one of those tracks that deserved another listen immediately.

“Keira” was a likable whisper of a lullaby written by Sly for his daughter.  “Toaster In The Bathtub” was full of witty comparisons to assist in cheering up a certain someone.  This is one of those songs that is best sung with friends loudly whether Sly himself plays it or if it pops up on the jukebox.

“Love, Sick Love” was another choice track of mine on the album even if it was about going different ways.  I could not tell if it was a flute or an organ but whatever instrument was used in the background just kept a certain chill throughout the song with Sly and Denike’s singing.  The lyric in the song “putting out a fire with a flamethrower is strange” might be one analogy I should reference to more often.

Joey Cape helps Sly with vocals on “Amends” and as good as it sounded I was so disappointed with how quick the track was.  At just over 2 minutes I was kind of hoping for a more extended cut of this track as I love hearing the two sing together.  Honestly thinking about it, that would be my only complaint with the entire album; it was too short.

Closing song “Fireball” showcased Sly singing his loudest and perhaps most heartfelt over the other tracks.  The sad song reflected hardship on someone who clearing was without home and had a void in their heart.  The singing matched with the heavy strummed acoustic guitar playing made for one powerful song.  If only there were more tracks on the album to keep that momentum going.

If you were a fan of the Sly/Cape split Acoustic, you will be a fan of 12 Song Program but if you are looking for an extension of NUFAN chances are you will not appreciate this album one bit. It is a punk rocker making music but to a different caliber.

Sometimes punk rockers who grow up trade in their beat up electric guitars and mellow out for a good reason.  It’s not because they are giving up, it’s because they refuse to quit on all the talent they are capable of even if it means slowing down a bit.  Case and point with Tony Sly who dropped a really great release start to finish.  One needs to remind themselves that this is a personal Sly project full of his likable melodies and will rub off a little more unique than when he is with his band that finds a name not that important.

Download This! Tony Sly ‘Via Munich”
Download This!Tony Sly “The Shortest Pier”

Look for Tony Sly to be touring throughout the spring with other Fat Wreck Chords alumni including Teenage Bottlerocket and NOFX.

03/20/10 Austin, TX – SXSW Music Festival w/ Riverboat Gamblers, Teenage Bottlerocket, Cokie The Clown, Dead To Me, Smoke Or Fire, Banner Pilot, Cobra Skulls
04/21/10 Eugene, OR – McDonald Theater w/ NOFX, Teenage Bottlerocket
04/22/10 Spokane, WA – Knitting Factory w/ NOFX, Teenage Bottlerocket
04/23/10 Billings, MT – Shrine Auditorium w/ NOFX, Teenage Bottlerocket
04/25/10 Saskatoon, SK Canada – Odeon Events Center w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/26/10 Winnipeg, MB Canada – Burton Cummings Theater w/ NOFX, Teenage Bottlerocket ****SOLD OUT****
04/27/10 Fargo, ND – The Venue w/ NOFX, Teenage Bottlerocket
04/29/10 Milwaukee, WI – The Riverside Theater w/ NOFX, Teenage Bottlerocket
04/30/10 Covington, KY – Madison Theater w/ NOFX, Teenage Bottlerocket
05/01/10 Sauget , IL – Pop’s w/ NOFX, Teenage Bottlerocket
05/02/10 Kansas City, MO – The Beaumont w/ NOFX, Teenage Bottlerocket
05/04/10 Fort Collins, CO – The Aggie w/ NOFX, Teenage Bottlerocket
05/05/10 Albuquerque, NM – The Sunshine Theater w/ NOFX, Teenage Bottlerocket
05/06/10 Tucson, AZ – Rialto Theatre w/ NOFX, Teenage Bottlerocket
05/07/10 Las Vegas, NV – Sunset Station Amphitheatre – PUNK ROCK BOWLING w/ NOFX Teenage Bottlerocket, Fucked Up, Youth Brigade, Guilty By Association
05/19/10 Perth, Australia – Amplifier w/ Joey Cape
05/20/10 Adelaide, Australia – Fowlers Live w/ Joey Cape
05/21/10 Hobart, Australia – The Brisbane Hotel w/ Joey Cape
05/22/10 Melbourne, Australia – Corner Hotel w/ Joey Cape
05/23/10 Wollongong, Australia – Uni Bar w/ Joey Cape
05/26/10 Sydney, Australia – Annandale Hotel w/ Joey Cape
05/27/10 New Castle, Australia – Cambridge Hotel w/ Joey Cape
05/28/10 Caloundra, Australia – Kings Beach Tavern w/ Joey Cape
05/29/10 Brisbane, Australia – The Zoo w/ Joey Cape
06/02/10 Wellington, New Zealand – Bar Bodega w/ Joey Cape
06/03/10 Auckland, New Zealand – Thirsty Dog w/ Joey Cape