Category Archives: Folk

Concert Review: Hot Water Music, Quicksand, Tim Barry | House of Blues | Cleveland, OH | 06/14/2024

If someone were to ask me how old I was when I first got into Hot Water Music, I would tell you I have no idea because it feels like they have been with me for most of my life. The amount of times that band hits my ears is likely excessive, but if you are a fan, you totally understand why.

I was slightly thrown back when I learned earlier this year, they were playing Cleveland in celebration of being a band for 30 years. Three freaking decades of being one of the most prolific punk bands out there. Wild.

To make things even more amazing with their anniversary tour, they announced special guests Tim Barry and Quicksand would be playing Cleveland. There was no way in hell I was going to miss that. Thanks to an old pal, I even was able to snag a photo pass to make it even more memorable by capturing the night.

Seeing Hot Water Music, Quicksand, and Tim Barry on a Friday night in downtown Cleveland was the best way to start the weekend. Outside there were boomers rocking their Rolling Stones shirts a night early to the show they probably spent more than they should have and just tons of other people were enjoying their evening with food and music on Euclid and around E. 4th.

I can tell you through that they all missed out on the best time inside good ol’ House of Blues. The best part was that it was not overcrowded and there were people of all ages in attendance. Worst part was that there was one dude doing merch for all three bands – nice dude, but come on, nothing beats not waiting in line. Back in my day we cut people to get our merch because we had the cash ready… Ok, I am done being grandpa punk.

Tim Barry started the night off to a slew of adoring fans. Armed with his trusty guitar, he came out and did what he does best. I loved that he played “Dog Bumped” with fans singing along, but the best was “Fine Foods Market” when everyone shouting appropriately how fine they were. Storytelling folk punk rock doesn’t get much more entertaining than Barry. He had a great span of tracks from his solo career, but I personally would have loved to have heard more.

Did I wish I was seeing Avail? Well yes, but seeing Barry live is one of my favorite things as I adore this dude.

Now I have been a fan of Quicksand for a long time now, but never had the chance to see them play. Seeing them rip through songs like “Omission”, “Inversion” and “Brown Gargantuan” had me in pure awe. They sounded amazing and, for a brief moment while I was in the photo pit, I just stood there and stared almost forgetting what I was supposed to be doing there for the first three songs.

I love how happy Walter Schreifels and Sergio Vega were on stage. They were just getting into their songs and eating up the crowd’s reaction. They were certainly well-received by almost everyone there.

Walter, Alan, and Sergio had no problem delivering one hell of a set. I hope some of the younger generation at that venue who may had never heard of this post-hardcore band went home and did their homework. My only complaint is I wished they were able to play a proper set. I understand they were a special guest so their time was limited, but come on, it is freaking Quicksand. Hopefully they will come back again soon.

Chuck Ragan and the rest of Hot Water Music took stage just around 10p kicking things off with “Menace”, a new track off their latest release with Chris Cresswell helping with strong vocals.

I about lost my shit when they moved into “Remedy”, perhaps my all-time favorite Hot Water Music track. Once again, I may have froze in that photo pit for a moment as the 25-yeal-old me was freaking the hell out. Needless to say, I was loving every moment of that track.

One cool part of the night was when Ragan paused and offered thanks not only to his band and stagehands but also to the entire venue crediting it not possible to have lasted this long in the business without their help.

The band played “After the Impossible” after admitting they had not played it live yet. They all took a moment to look at one another and just tore into it. I am not sure about the rest of the folk in the house, but it sounded good.

A memorable part of the evening was when Ragan started talking about reaching out for help if you are in a dark place and admitted when he wrote the song he was about to play that he was in a very bad state of mind. He encouraged people to talk about it and not hold it in. Moments later he broke into “Drag My Boy” and I got chills.

I was thrilled they played “Trusty Chords” but it was their last song that just turned a great evening, into the perfect evening.

As they were thanking everyone for coming out, a stagehand ran out with a mic stand and picked up the mic that was on the ground. They broke into “Simple Song” with Tim Barry. I am fairly certain everyone in attendance sang along. I cannot tell you how thrilled I was to hear Barry sing that Avail song. Looked like I got some of that wish that I wanted.

No lie, this was one of the best nights of music I have had in a while. Three of my favorite bands playing their hearts out. It does not get much better than that.

Here are a few photos I was able to take. I love I get to do this. Enjoy.

BHP Best of 2022

If you know me at a personal level, you know that this year was a wild one and full of challenges and accomplishments. Needless to say, I have made the best of it and can tell you I have managed to take time for myself to enjoy it.

I went to more shows this year than ever and rekindled my love for live music. I reconnected with friends and even started a side gig making lamps with some of my fav people.

Even with all that has been going on, I still have listened to music on a daily basis. I may not have done as much as I had wanted to with the site here, but I am still going to take a moment to share with you a random ass list of albums that dropped in 2022 that caught my attention.

There are plenty more I am sure I overlooked. I am sure I will add to it here and there, but the following were amazing according to me:

BHP BEST OF 2022 LIST

STS x RJD2 – Escape from Sweet Auburn

This is one of those albums that just blew me away from the moment I checked it out. I am a huge RJD2 fan, but I had no idea of the talent that is STS. These two joined forces for a reason and the outcome is amazing.

SACK – Ripper!

This band rips so hard that I caught Covid at their show when they played Cleveland. No joke. Certainly, one of my fav punk albums of the year.

Cave In – Heavy Pendulum

Per Spotify, this was my most listened to album of this year. There is a reason for that. I absolutely love what this band has turned into. This album exceeded all expectations as a fan.

Curtail – When the Sway Sets

This album is like dipping back to my teenage years. So much 90s flair with a lo-fi sound that easily sucked me in. Added bonus, this band is comprised of some amazing humans.

Pool Kids – Pool Kids

This right here is the #1 album to not listen to when you are having a relationship change. It brought me to almost tears the moment I heard it, but honestly, I needed it.

Dream Widow – Dream Widow

This album was made specifically for the cult slasher flick Studio 666 starring everyone’s fav rock band the Foo Fighters. The movie was amazing, but this album is just insane.

Frank Turner – FTHC

This album was a little harder then the last few and carried some pent up angst that I fed on during tougher times this year. “Haven’t Been Doing So Well” seemingly was my theme song this year at times.

No Trigger – Dr. Album

Easily one of the best punk rock albums to drop this year. Do not sleep on this one.

Signals Midwest – Dent

I adore this band and everything they stand for. It was no surprise how much I got into this release. I will sound like dad here, but it is what it is: I am so proud of how this band has grown as musicians. This album is a total testament to that.

Cigar – The Visitor

It’s not every day a band busts out an album 22 years after their debut. With a slight lineup change, the band sounded as amazing as ever.

Soul Glo – Diaspora Problems

This band has certainly had some challenges over the years but haven’t let anything stop them. In fact, I think they just got stronger because of it.

The Flatliners – New Ruin

Cresswell and crew simply can do no wrong. Full of anger and angst, this release at times pointed back to the younger years of the band with heavier moments.

Gospel – The Loser

17 years after their debut, Gospel dropped this album. I cannot tell you how many times I have listened to this prog heavy masterpiece.

City of Caterpillar – Mystic Sisters

I am not complaining at all how many bands from years back dropped albums after an extensive period of time, but City of Caterpillar dropped a follow-up 20 years later and needless to say, it rules a lot.

The Smile – A Light for Attracting Attention

Comprised of Radiohead’s Thom Yorke and Jonny Greenwood and as well as Sons of Kemet’s Tom Skinner, this album really reached back to a younger Radiohead sound, something I absolutely adore.

Viagra Boys – Cave World

Viagra Boys are like Ween and Electric Six on a cocaine bender. This band is a new level of fun and this album helps prove that.

Vein.fm – This World Is Going to Ruin You

This is a post-hardcore / nu-metal release that may be my favorite thing this band has done to date.

EDIT (6-JAN-2023) Shocking….I totally forgot these few too:

A Wilhelm Scream – Lose Your Delusion

Easily the catchiest punk album of 2023. I listened to this probably too much. That opening track alone…

The Interrupters – In The Wild

Solid release by a band that certainly deserves all of the attention. I almost wish Rancid would have just recorded this for themselves. Not dismissing the band at all, but def has that Hellcat love.

Cory Branan – When I Go I Ghost

Cory is easily one of the best song writers out there. This album confirms that statement.

Arlo McKinley – This Mess We’re In

Sad and emotional songs sometimes are the best. Arlo has really taken a few steps forward with this amazing release.

Birds In Row – Gris Klein

I was sucked into this album instantly. Powerful and moving I think is the best way to describe it.

Big ups to the bands, the labels, and the readers of this blog. I feel like I say it all of the time, but if it wasn’t for y’all, this blog would not be here.

Special thanks to my friends and family who have gone above and beyond in a time of need. You have no idea how much I value you all. Detail not needed, but I offer my eternal gratitude for helping me get though the low times and keeping me going.

Here’s looking at 2023. I can sit here and say this and that about the blog, but we will see what happens with it. Happy Holidays to you and yours.

BHP Best of 2020 List

If there’s anything to say about 2020, it is this: I miss live shows. I miss seeing local bands play small bars and I miss cramming into over-priced corporately owned venues to see sold out shows.

I know I am not the only one who says this to themselves daily. This year has not the the greatest by any means given the current situation.

I’ve tried hard to do things on this blog when I had some free time and want to once again thank everyone who has offered up something for review or checked out any of the posts I tossed together usually afterhours while everyone in my household was fast asleep.

I cannot end this year without pushing out a Best Of List. I know I am cutting it close this time. I feel this was the year I really tried to listen to more artists I never heard of before and honestly, I was impressed with tons of releases. I started with 10 and said screw that as all these bands that dropped impressive releases need to be shared. As usual, I will probably add to it after this goes live.

Thanks for keeping me going y’all. I do appreciate it.

BEST OF 2020

(in no particular order)

The Avalanches: We Will Always Love You Album Review | Pitchfork

The Avalanches – We Will Always Love You

I have loved this band since they started 20 years back. They have a way with mixing samples appropriately. I especially grew fond of this one because it was more of a journey than a collaboration of sound.

Get Dead - Dancing with the Curse

Get Dead – Dancing with the Curse

This release is raw, unhinged, and perfect in every way possible. I can only imagine what these dudes sound like on stage… This was probably the most listened to album of the year by yours truly. I cannot get enough of it.

Shuffle and Bang - Island Bop

Shuffle and Bang – Island Pop

Island Pop was the surprise drop of 2020 that I needed to distract me from all the bad. This is a soulful delight that I’ve gotten lost in many times and literally found myself in a better mood because of it. If there was one band I would love to see play live currently, Shuffle and Bang are my top choice.

Run the Jewels - RTJ4

Run The Jewels – RTJ4

This duo does no bad. I am not shocked that this was one of my fav releases this year. They always entertain. I am bummed I missed seeing them play with Rage this past summer and only can hope the rescheduled date stands.

Broadway Calls - Sad in the City

Broadway Calls – Sad in the City

This pop-punk release is going to be something I probably listen to for the rest of my life. No joke, this album started off as strong as it ended and became an instant favorite of mine.

The Lawrence Arms - Skeleton Coast

The Lawrence Arms – Skeleton Coast

This album is damn near perfect and I know I am not the only who who thinks this. Why go on about these guys when everyone knows how much they rule.

Hum - Inlet

HUM – Inlet

I have waited over 20 years for Hum to release new material and this did not disappoint one bit. After each listen I find a stronger appreciation for what they have created.

Maxwell Stern - Impossible Sum

Maxwell Stern – Impossible Sum

An outstanding effort by someone who I’m lucky to call a pal. I have watched him mature over the past 10 years and expect things to get even better as he continues onward. Now hurry up and drop Signals Midwest LP4 already!

Be Well - The Weight And The Cost

Be Well – The Weight and the Cost

Catchy as hell, melodic hardcore fun. With the roster in this lineup, it was not shocking how killer the entire album was and how things built up all the way to the end. This was one that made the blood flow as well as the feelings emerge.

SkyTigers - Eulorgy

SkyTigers – Eulorgy

A release by some Boston punks who’ve been at it for 10 years now. This debut clearly needed to drop during this shit year. It’s powerful, angry, and just insane. The opening track alone proves that.

Slug Fest - Animal

Slug Fest – Animal

Cleveland surf punk rock may not be something you knew existed, but I assure you it rules. This album is full of jams and guarantees a good time. This is one band I can not wait to see in-person.

the House of Wills - "true crime"

The House of Wills – “true crime’

This lo-fi release by Cleveland’s JV is everything to me. I fell in love with it upon first listen and love how they put their heart and soul into it. This is the one release that deserves all the attention. This falls somewhere between Fred Thomas and Daniel Johnston if I am being totally honest. Was JV going for that? Not sure, but it’s more real than most stuff that dropped this year.

Stolen Wheelchairs - The America

Stolen Wheelchairs – The America

These guys are about as punk as they get. If their band name is shocking to you, wait until you listen to this straight up punk rock disaster. I loved every moment of it.

Bob Mould - Blue Hearts

Bob Mould – Blue Hearts

This may very well be the best thing Mould has done in quite some time. I find comfort through Mould as he doesn’t back down as the years progress. Do not sit on this one.

Brain Cave - Stuck in the Mud

Brain Cave – Stuck in the Mud

Brain Cave’s debut rules on so many levels. I have spoken highly about this release to many folk since it dropped because it’s that damn good. This was my go to when I just could not decide with to listen to at any given moment.

I Am The Avalanche - DIVE

I Am The Avalanche – Dive

I’ve been a fan of these guys for a while now, but this album is probably my favorite to date. Punk rock at its finest.

Somerset Thrower - Paint My Memory

Somerset Thrower – Paint My Memory

This release brought back the best 90s punk rock vibes. I honestly never got into these guys prior, but clearly that changed. Excellent throughout.

Spanish Love Songs – Brave Faces Everyone

Spanish Love Songs – Brave Faces Everyone

This band can bum me out so much and I love them for it. Easily one of my fav acts out there and this release certainly showcases why.

The Dead Krazukies - Icarus

The Dead Krazukies – Icarus

I do not expect a ton of folk to know who this act is yet, but I have a feeling they will in time. All I could say to myself the first time I heard them was, “holy shit.” This is power punk rock without over-exaggerating it. You can tell the band loves playing and there wasn’t a single lull in the release. I can not recommend them enough.

Don Yoder - Everything is Nothing

Don Yoder – Everything is Nothing

This release came out of nowhere from a guy from another Cleveland band who wanted to make a country album. The result is an incredible, non-gimmicky grouping of songs that, unless you knew who wrote them, you’d think a seasoned alt-country musician wrote them.

Rope - Crimson Youth

Rope – Crimson Youth

Tossing the Tiny God Inc. released cassette cover here as they are the reason I even got into these guys. This is the post-grunge, hardcore album I needed this year. Talk about a brutal release…

Red City Radio - Paradise

Red City Radio – Paradise

This band continues to get better with each release. This one in particular was a solid listen that I’m currently obsessed with.

20/20 Vision (Anti-Flag album) - Wikipedia

Anti-Flag – 20/20 Vision

Totally forgot to add this one to the list initially. This political, punk rock stand against the government is as impactful as it is catchy. This band might be getting up there in age, but my god, they have no intention of slowing down or steering away from their cause.

TRVSS – New Distances

Grungy, noisy post-punk rage- rippers are what this release is all about. This Pittsburgh act deserves some serious attention.

Guilty Pleasure of the Year:

Machine Gun Kelly - Tickets to My Downfall

Machine Gun Kelly – Tickets to My Downfall

I won’t lie, I played the ever-lasting hell out of this. It is a pop-punk, catchy release and I am probably too old to enjoy it as much as I have. I never was a MGK fan before he collaborated with Travis Barker, but stranger things have happened.

Best Covers Album of the Year:

NOFX / Frank Turner - West Coast vs. Wessex – Fat Wreck Chords

NOFX & Frank Turner – West Coast vs. Wessex

I can not tell you how stoked I was when I learned of this concept coming to life. Two of my favorite acts covering each other’s tunes in their own style. The finished product was far from some speedy effort. Both parties did an excellent job with their own renditions.

Just check out the video below for proof:

Like I said, I am sure I will be adding a few more here and there. 2020 really was full of good music by great artists. I think I am most impressed with the fact that even though everything had to shut down because of a global pandemic, musicians did everything possible to continue creating.

With that said, artists and bands are still struggling financially because of not being able to tour. I know they are not the only ones, but if you have the means to, support musicians by buying their physical or digital release and skip the popular streaming services. You know damn well they don’t make shit from streaming.

Hell, one up yourself and get some sweet swag while you are at it. If one of the bands I spoke about sounds interesting, check them out, and if you love it, buy it. Anything helps right now.

Thanks for reading and I sincerely hope that I enlightened you to 1 or 2 new bands that you will adore just like I did. Happy New Year y’all!

Album Review: NOFX / Frank Turner – West Coast vs. Wessex

It’s not the first time a couple of artists decided to drop a split release for shits and giggles, but it’s probably the first time one to this character was done.

When I learned NOFX and Frank Turner were working on a split, I have to admit I was excited as hell because I knew both sides would try their best to emulate each other.

It’s been a long time since NOFX did a split with another band.  I am sure you older punks recall the last NOFX / Rancid split that dropped some 18 years ago.  This time though, it was not really a punk band covering a punk band but rather a punk band covering a punk-turned-folk-singer band.

West Coast vs. Wessex is a 10 song split released by Fat Wreck Chords featuring two of the most important acts out there.  I was not sure how this was going to play out seeing how their styles are a little far-fetched, but I’m a fool for even dismissing the idea of greatness this album could be.

Leave it to Fat Mike to change up the lyrics to become a tad more personable on “Substitute”.  Less proper and more pervy, the track honestly could pass as a classic NOFX song had Turner not penned it so many years back.

“Thatcher Fucked The Kids” was a two-town-jam cover that I could not imagine was even possible until I heard it.  This was a great take on a killer Turner track.  Full of guest vocals, the only way this could have gotten better was if El Hefe busted out some of his impersonations at the end for the hell of it.

“Glory Hallelujah” was an intense, serious cover that probably will continue to upset those who engage in worship and magic bearded man in the sky.  At first I thought it was just exorbitant, but after a few listens I couldn’t agree more with how it was carried out.

Turner covering “Scavenger Type” was just brilliant.  I have to admit it did not fully carry how I was anticipating it, but it worked so well.  I was expecting a more folk take, but not on this track and that was fine by me.

The take on “Bob” was a perfect jaunt complete with some harmonica and just chill vibes.  The rendition did not require an upbeat undertaking, but when Turner belted out at the end, I was singing along just as I did when I first heard the original in the 90s.  The music video for this is pretty freaking hilarious too.

“Falling In Love” stole the split if you ask me.  As far as I am concerned, NOFX traveled to the future to steal this song from Turner and tossed it on an album when Turner was just a kid.  It has been a long time since I have heard an interpretation sound better than the original.

The cool thing about West Coast vs. Wessex was how well each band took an idea of covers and put absolute thought into it. Both sides took it seriously, well as much as they could, and took their time perfecting their versions of a handful of each band’s earlier material.

Some of me was hoping for more classic NOFX humor at times, perhaps even a continuation where a hilarious Minor Threat cover left off.  Still, plenty of innuendos were tossed in by Fat Mike as well as a huge Fat entourage of guests.

Frank Turner fans need to hear this even if they do not take NOFX serious at all.  NOFX fans will appreciate the continued creativity in taking other work’s and tossing their own style around it.  This idea just worked well and it had nothing to do with luck.  Fat Mike has had a few good ideas you know…

Visit the Fat Wreck Chords site to snag a copy for yourself.

Album Review: Sam Russo – Back to the Party

Being cooped up because of some asinine virus has not been my favorite thing as of late.  I really shouldn’t complain though, as I know many pals of mine are hurting severely because of this pandemic.  If I could help everyone, I would.  Trust me on that.

I offer a distraction to anyone who needs it right now via music.  It’s the least I can do.

My pal Toby from that punk label out there called Red Hair Bimbo Trees or something sent me a message today reminding me that the great Sam Russo has new material that just dropped and encouraged me to stop sitting there and do something.

Who is Sam Russo you ask?  He’s a UK punk rocker who honestly could put his back up these days to a young Frank Turner when it comes to musical style and craftsmanship, but that’s being a little lazy for comparison.  Said differently, if you love when punk lead singers do their solo thing and get all Revival Tour on your ass, you’ll love this dude.  I guarantee it based on his storytelling ability.

Russo has actually been around for a while now and Back to the Party is his third release on Red Scare Records.  I was lucky enough to get a good taste of him thanks to 2015’s Greyhound Dreams and have really been waiting for the day he dropped some new tunes.

“I took a lot of risks on this record and I’m so glad I did because it came out sounding really original and totally true to what I was trying to say for so many years.” – Sam Russo

“Purple Snow” started off the album a little personal and a tad incoherent in terms of the story within the song.  I adored this track upon first listen.  Russo honestly has never sounded better.  Perhaps a personal memoir, this track carried enough emotion to have me thinking of some of my past history.  I am curious though, was the snow purple from Mad Dog 20/20?  One can hope…one can hope.

“Good and Gone” I think was taken from my own personal memory of most of 2009.  This song hit the heart hard, as it sung of hurt and triumph.  These are the tunes that make me happy exist because the show me where I’ve been, where I can from, and what I’ve become.

“Darkness” followed and continued to tug on forced-in feelings with an apologetic excuse on interpersonal communication, or the lack thereof.  Wholesome and pure, this track probably will be relating to a lot of folk.

There’s so much that can be said about “Young Heroes” based on how the listener took it in.  Given the current situation, this track speaks volumes to those who are working harder than ever based on some stupid pandemic.  Not trying to sound cliché at all, but there’s a lot of heroes in my book right now.

I can not really talk about a certain track on here in great detail, but if you know me, you know it totally kicked my ass by the title alone.  The past will always sting back when you least expect it.  Maybe I need to appreciate it more than I give myself credit for seeing how it shaped me, but still, that shit hurts.  Nice job Russo, you jerk – I might have had a tear or two let loose…

Just when you think there’d be a slight let up of sorrow on the album, “Tears” kicked in.  This really was a beautiful track overall, but not to be reckoned with if you’re trying to lift them spirits high.  I mean, that chorus alone gave me chills.  Add lap-steel guitar playing that sparked a slight country feel made for my favorite track of the record.

“The Basement” ended the album with symbolism at its finest.  Russo came to terms with life due to rummaging around and only could sit back and reflect on where things went wrong.  Putting a lid to the album with this track just made so much sense.

Russo is a storyteller as much as he is a musician.  Personal tales might make you want to hug your drink a little harder when you listen to this album, but let’s be real – sometimes it is nice to remember you’re human.

Back to the Party is a must listen for any music fan.  Although some songs were full of ache, there really was a  silver lining in terms of hope.  I feel like I am trying to be motivational here, but let’s face it, times are weird as hell right now.  We can all use a distraction.

Hang in there folks.