Category Archives: Emo

Emo, Music, Music News, Music Video, Post-Hardcore, Rock

Get Involved with Get Involved!

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Recently members from Thursday, From Autumn To Ashes, Glassjaw, and Judge announced a new project in the works called Get Involved!
Inspired by their shared influences of punk, hardcore, new wave and metal, Get Involved! came together to create an entirely new group, unlike any of their previous endeavors.  Brian Deneeve (From Autumn to Ashes), Todd Weinstock (Glassjaw), Tucker Rule (Thursday), Lars Weiss (Judge) and Derrick Karg each bring a unique style to the band, resulting in a sound that’s dark and heavy yet accessible and memorable. With a release in the works to be dropped later this year, Get Involved! is asking for your help through their Kickstarter Campaign.  You all know how Kickstarter works.  Head on over and help out if you care to.  I know I already pledged $20.  I am stoked to see what this band creates!

Support music, support art, and Get Involved! Back Get Involved!’s Kickstarter Campaign now.  With just 2 weeks left, the band is just over 40% to their goal.  Help out if you can!!!
Emo, New Release, Pop, Punk, Review, Rock, Vinyl

7-Inch Review: State Lines – Self-Titled EP

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I am one of those guys out there who has no problem admitting that they like the band Brand New.  Yeah, I can be a little sensitive when I need to be and sometimes pop-punky emo rock is all I need to soothe my nerves.  I am beyond the point in life where if you question me about this confession that I will challenge you to a duel with fists and a spiked club, but you get my drift.  Point is, I like all sorts of music and it was no surprise to me when I first heard State Lines and immediate dug them.  They sound relatively close to a younger Brand New and I am sure they are completely aware of that.

Earlier this year, State Lines, with help of Tiny Engines, released a 4 song self-titled 7-inch EP.  The result is a quick listen, but those four songs beg to be played over and over again.  They may have formed in 2010 and were probably born right around the time I was kicking ass in high school, but they do not sound very novice at all.

Speaking of high school…that guy on the cover of this 7-inch reminds me of Rotor Man.  Unless you grew up in Cleveland and went to Geauga Lake in the 90s, chances are you have no idea who I am talking about.

Anyways…

“5’s On The Elephant” started things off and was hands down the best track of the four.  This song that reminded me of the all the bands I started branching out to once I became a late fan of poppy punk  thanks to a girl who used to work with me at a record store back in the day.  It was almost a blend of Brand New and Taking Back Sunday and I completely was sucked into it.  Pounding drums matched up with catchy guitar playing just carried along a fun vibe throughout.  “Plenty Of Time” followed, but was not nearly as powerful as the opener.  Still, it was a good track that sped up halfway though.  B-side “Win Free” was another solid track to listen to.  I loved hearing the raspy voice of Dimitri met with Werring’s harmonic singing throughout the track.

Here’s hoping that this EP is just a sample of what they have in store for their next release which should be coming up shortly.  So what if they sound like Brand New? They sound amazing and I think that hey are well aware of that and plan on acting upon it.  Here’s hoping that their follow up LP drops very soon. I am stoked about this young act and can’t wait to see where their talent takes them next.

Check it out for yourself and see what I am taking about:

90's, Alt Rock, Emo, Grunge, Indie, Music, Music Video, New Release, Pop, Post-Hardcore, Punk, Review, Rock

Album Review: The Fake Boys – Pig Factory

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Massachusetts threesome The Fake Boys have somehow taken 90s indie rock and mashed it up with a little DIY pop punk as well as post-hardcore in a good good way on their debut album Pig Factory.

Released by Animal Style Records, Pig Factory was recorded by the great Jay Maas (Title Fight, Transit, Polar Bear Club) and pretty much kicked ass from start to finish.  I will admit, I was super hesitant before listening to this album, but am stoked I checked it out.

“This Is Our Band” opened up the album with the lead vocalist having a very Billy Corrigan singing style (as well as a Ravishing Ride Rude resemblance), but not that “despite of my rage I’m still just a rat in my cage” annoyance.  “This Is Our Sound” followed making this listener think back to the alternative / grunge days, especially with that J. Mascus-like guitar playing.

The sound kept consistent through and didn’t get old at all.  “Don’t Live” might have had some deep lyrics that I could not crack, but the song was great.  “You’re A Loser” followed with a perfect grunge to post-hardcore ratio making for an impressive listen.

“Best Post” had this Five Man Electrical Band sound at first that was completely off from the rest of the tracks.  Don’t get me wrong, it was a good listen with acoustic guitars and such, but that only lasted a moment as the rest of the band kicked in making for a good ol’ 90s alt-rock listen.  I found myself really digging that track a lot.

I really enjoyed the 90s alt-rock-heavy “Hi Friend”.  There’s nothing quite like a fun, friendly song that   just makes you gently rock your head.  Hands down, this was my favorite cut off the release, well at least I thought it was until the next track came on…  Just wait till that distorted bass kicks in, and you will most likely agree with me – “Realist World” ruled.  Lots of emo and post-hardcore going on the track.  I’m sold.

The Fake Boys sounded like a punk rock Smashing Pumpkins with a gracious nod to 90s rock.  I caught hints of Jawbreaker, Briad, and even Texas Is The Reason as well  as Dinosaur Jr.  Spite what I think they sound like, the truth is, this band knows how to deliver their own style and the result is a pretty solid listen.  There’s nothing fake about these guys at all and I am sure they are fully aware of that.  Do you like 90s rock?  Yes?  Go listen to The Fake Boys now.

00's, Cleveland, Emo, Indie, Music, Music Video, New Release, Punk, Review, Rock

Album Review: The Jealous Sound – A Gentle Reminder

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About three years ago, LA’s The Jealous Sound posted “there is hope for us….” on their MySpace page.  It was a subtle hint to their fans that they would be still working as a band after constant rumors of  the band breaking up and with no real material being released in years.  Later that summer, The Jealous Sound kept their word  to the fans and announced that the indie rock band would be touring with Sunny Day Real Estate on their reunion tour.  A couple more years would pass before anyone heard if The Jealous Sound would be dropping new material and finally in October of 2011, the band announced an all new album would be dropping in 2012.  A Gentle Reminder would be the bands first full length release in almost 9 years.

The album was well overdue, but is absolutely incredible to listen to and was made possible by the band being refueled after touring with Sunny Day Real Estate back in 2009.  Once that tour wrapped up, The Jealous Sound kept putting ideas together that would mold into A Gentle Reminder.   With the addition of a new bassist, the band still grasped onto their 90s post-rock sound influences that really helped define their sound.

What’s more impressive about this release is that it does not sound much askew from their 2003 release Kill Them With Kindness.  The emo-y pop rock sounds that this band put out turned heads back then and easily will now.

“Beautiful Morning” opened the album off with no hints of a 9 year break between albums.  Blair Shehan’s vocals are the same emo-y / indie sound I was expecting and it was more than welcome to my years.  This was a strong opening track with choice vocals that almost seem as Shahen was hiding personal thoughts in them “We all get by when we have to.  We all can change when it’s time to change and I think I know what they’re after” clearly was directed to the fans.

The following track, “Change You”, just continued to impress.  This chill yet slightly haunting track sounded almost as if it were too good to be a Jealous Sound song, but then again the band did have a few years worth of time on their hands to write it.  “Your Eyes Were Shining” easily was my favorite cut off the album with catchy guitar playing behind Shehan flowing smoothly.

“Here Comes The Ride” was a slow, emo-y track that seemed to put the breaks on things until “Equilibrium” rejuvenated things instantly.  The energy in this track was worth the earlier lull.  I love how the band just seems to completely let loose on this track.  It was a fun surprise to listen to.  “Perfect Timing” really needs some radio play.  I have the feeling people will really get a kick out of that song.  The title track “A Gentle Reminder” took a couple steps back for a moment but soon Shehan was quick to jump back towards the microphone and belt out some great singing.

I will admit, I thought that The Jealous Sound was done for years back and I was ok with it.  I will say though that I am beyond stoked that they decided to give it a shot again as a band and dropped A Gentle Reminder. Not trying to compare them to a Neutral Milk Hotel thinking style, but I am kind of glad this band took its time releasing an album and more so am thrilled they recorded it because they wanted to and not because they had to.  The hiatus may have not been what many fans were hoping for, but the return should be all that more rewarding for anyone who calls themselves a band and the payout, this album, was something far worth waiting for.

The Jealous Sound is currently touring in support of A Gentle Reminder and will be making a stop in Cleveland on February 17th.  You would have to be a damned fool to miss out on this show.  It is going to be that show that everyone talks about for the rest of this year.

Acoustic, Country, Emo, Folk, Indie, Music, Pop, Punk, Review, Rock

Rapid Reviews: Brett Detar, JuiceheaD, Transit, Coffee Project, The Flatliners and I Am The Avalanche

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Let’s face it, this site is a one man show for the most part and as of late I have been living quite the busy life.  I am continually presented with amazing music for review consideration and sadly there is not enough time in the day for me to not only get through work and school, but to also write nice things about all these awesome bands.

So today I decided to throw out a few quick reviews on a couple of bands that have been sitting in my “cool” stack.  I wish I had more time to go into complete detail as I hate writing little reviews on bands, but I am thinking this might be a good idea to just spread the word out.  If you like what I said about the band, check them out, support them, share their music and help them continue to do what they love to do.

This week proves to be a busy one for me with tomorrow’s Strike Anywhere / Dead To Me / Menzingers / Holy Mess / Signals Midwest show as well as Wednesday’s NOFX / Anti-Flag / Old Man Markley show.  I thought perhaps I should be proactive and hammer out a few reviews while I had a moment.

Enjoy and as always, thanks for wasting some of your day on my site.

Brett Detar – Bird In The Tangle

With having the history of being a former guitarist/bassist of metalcore act Zao and also the lead singer of The Juliana Theory, it came as a great surprise to me when I was told that Brett Detar recorded a country / folk album.  The solo attempt by Detar, titled Bird In The Tangle,is actually a damn good listen too (it was released almost a year ago).  Hearing this album, you would never think that Detar, who grew up in PA, could have so much outlaw in his blood.  The moment the album started with “Empty House On A Famous Hill”, I was completely overtaken by his singing and music writing abilities.  “The Devil’s Gotta Earn” was my favorite cut off this album and “Cocaine Whiskey and Heroine” was a close second.  Following the likes of Nick 13 and Tumbledown, this genre jump from a guy who used to provide fast paced ear-pounding music has captured a style of outlaw country that is welcomed in my world.  Detar reminds me a lot of Justin Townes Earle but with more of a folk feel as well as had some Murder By Death tendencies.  Want to check it out?  Head over to Brett Detar’s website and download it for free!

JuiceheaD – How To Sail A Sinking Ship

Chicago punk rockers JuiceheaD has been off the charts for a bit but have recently dropped How To Sail A Sinking Ship. This is their second full-length release since their 2007 debut The Devil Made Me Do It. Sure, 7 years is a long time in between albums, but in their defense, there are 20 songs on this new release, a rarity in today’s punk rock recordings.  Not familiar with their sound, I gave it a listen hoping for the best.  The album started out a little slower than anticipated, but things picked up during “Lorraine” and brought back an old school punk rock vibe that I enjoyed.  “Deadly Nightshade” was an entertaining track that had some nice 80’s punk rock vibes contained within.  Hoping that the rest of the album would spark my interest, sadly it did not.  It’s not a terrible listen by any means, it just lacked that extra “oomph” my ears were hoping for and was more rock n roll throughout with a good drum beat that sounded a tad under-produced.  I won’t lie, I was not stoked to see that their album was released on Misfits Records (it should be called MISFIT Records as it’s solely owned by Jerry Only) as most of their releases do not entertain me at all.  Melodic punk rock would be how I would describe How To Sail A Sinking Ship.  It is nothing beyond that to me and I really was hoping for something a little more from these guys.

Transit – Listen & Forgive

Boston’s Transit could be classified as just another pop-punk act, but there is just something about them that makes them stand out over other similar acts.  They have a tougher sound on a few of their songs that proves to me that they have the ability to attack if threatened, but overall have a soft side to them that stands out.  Regardless of how they are viewed by others, I dig this band and I really enjoyed their recent Rise Records release Listen & Forgive. Think Taking Back Sunday meets Saves The Day meets a calmed down New Found Glory.  “You Can’t Miss It” opened the track with a memorable track.  I could have done without Patrick Stump offering vocals on “All Your Heart”.  Seriously, that song did nothing for me.  “Cutting Corners” was, on the other hand, a track I dug a lot with “make every song your anthem and every night your last”, a lyric that pretty mush defined me growing up.  “Long Lost Friends” was a more aggressive track that stood out over the rest.  This band may be unknown to most music fanatics out there, but I have the feeling that will not be for long.  I hope just it has nothing to do with that song Stump was on…

Coffee Project – Concrete Boots EP

Love them or hate them, Coffee Project is a catchy and unique act that many have been talking about recently.  What you need to know about this is this: They are a duo consisting of trombonist Buddy Schaub and Rehasher’s Jake Crown, they are fun, they are catchy and they specialize in brassed out punk pop acoustic rock.  Recently the band dropped an EP titled Concrete Boots that includes their version of “Little Boxes” , the Malvina Reynolds written song turned Weeds intro that has been recorded over and over by all sorts of bands, as well as 4 brand new songs.  The opening track “”Shenandoah” was more of a bluegrass boot-stomping jam that seeming proved the duo has been taking this project seriously.  The accompanying female vocals on the title track was enjoyable although I have no idea who it was.  “Exit Stage Left” was more of an indie rock track that was not half bad while “Laid Up” led back to their standard sound – singing with acoustic guitar and a trombone.  Regardless on how far this band plans on moving in the music scene, they are fun and enjoyable to listen to.  This EP hopefully is just a sample of what they have up their sleeves for their next full length release.

The Flatliners – Count Your Bruises EP

The Flatliners are a Fat Wreck Chords band that I have adored since their early days.  Hailing from Ontario, Canada, they have this great punk rock sound that I appreciate and always seem to release the catchiest punk rock albums.  Seeing how much I dig this band so much, I am shocked to have missed the memo that they released an EP back in August.  Titled Count Your Bruises, the three song EP (also available as a 7″) straight up rules from start to finish.  The title track glided past me quickly as I immediatly found myself trying to memorize the lyrics so I could sing along.  “Sticky Bastards” really sounded like a gritty Gaslight Anthem  song but was in no was a ripoff.  The final track, “This Guy Reads From A Card”, was just as amazing as the first track and by the song’s end I just wanted more.  I suppose I will have to wait though and I will be sure to follow this band and their future releases.  The EP may have been just three songs, but they were all kick ass tracks.  Now all I can hope for is a new full-length from this great band and pray that the next time they roll through my neck of the woods I can see them live.  I caught them briefly at SXSW earlier this year, but it just was not enough.  Wishful thinking right?

I Am The Avalanche – Avalanche United

After 6 long years, Brooklyn’s I Am The Avalanche has dropped their all new album titled Avalanche United. There is no point asking what took so long for Vinnie Caruana and crew to release new material.  All you need to do is listen to Avalanche United once and it is perfectly clear that no explanation is needed as the band has dropped a superb follow-up.  With a mostly positive attitude throughout, the band references NYC and has lyrics that almost coach their friends to embrace the life they life especially heard in opening track “Holy Fuck”.  With that said, there are a couple dark spells throughout like “Amsterdam” that seemingly carries a couple of references to personal separation.  “Brooklyn Dodgers” was an anthem of awesomeness.  I loved this track start to finish.  It was a fist pumping sing along that was just refreshing to listen to.  The beer chugging invite “This One’s On Me” probably sounds a little better mixed with friends – and beers.  Bayside’s Anthony Raneri may have jumped in with some vocals on “The Grave Digger’s Argument”, the the song still just was missing something.  Perhaps I am just more into the tougher singing throughout the album.  Closing track”Gratitude” threw me for a curve at the beginning as it sounded like a 90s alt-rock song but soon picked up and continued on with a good jam that ended this album in a good way.  If you are looking for a catchy album to listen to that leans a bit on the heavy side, check these guys out.