Category Archives: Emo

Album Review: Xerxes – Collision Blonde

Xerxes - Collision BlondeI was waiting for an album to drop this year that would completely steal my undivided attention.  Xerxes has just done that to me.

If any of you know me, chances are you know my love for bands like the Refused, Murder City Devils, Gallows, Thursday and At The Drive-In.  The vocal styles of all those acts is one of the main reasons I have such an appreciation for them.

Xerxes’s new album Collision Blonde seemingly took queues from all those acts and more throwing them together into one killer release.

I love it.  I adore it.  Thank you Xerxes and thank you No Sleep Records for throwing their album on your label.

This young post-punk act from Louisville, KY mixes in so many different musical styles in their jams, I almost hate to classify them into one genre.  With elements of punk,  post-hardcore, goth rock and more, this avant-garde act blew me away the moment I heard their sophomore release Collision Blonde.  

This album overflows with plenty of mental anguish guaranteeing to satisfy any emotional train wreck out there.  Pain, love, and drugs seemingly fueled this release and I’m pretty sure anyone who hasn’t always been in a positive path through life will totally get into Collision Blonde.

Once “I Was Wrong” started I knew this was going to be one of those albums I listened to all the way through with no interruptions.  Calvin Philley just destroys his voice throughout with plenty of distortion that would make Trent Reznor proud.

“Criminal Animal” appealed to me with a garage rock start quickly morphing to something a little more hardcore.  I got a huge kick out of Philley switching to almost a furious spoken word only to start singing again.  “Knife”, toned things down for a moment and clearly was about some object being stuck into one’s back.

“A Toast” had this Cure-like melody and bass line hiding behind intermittent hard riffs and screaming vocals making for a great listen.  The transitions from the singing to the spoken word throughout this track made it even better to listen to.

“Collision Blonde” was beyond a daunting track with Philley just spilling his guts out on top of a melody that easily could be mistaken with The Jesus And Mary Chain or even Bauhaus.  Although dark and lonely, this track really was amazing in so many ways once you got past the emotion and pain.

“Nosedive” ended the album with Philley screaming “just make it stop” over and over.  It was almost like this entire album was a brutal nightmare and it needed to come to an end.

I am not sure if this album was a revelation of pain or a public cry for help.  Regardless, it is powerful lyrically and musically making  Collision Blonde easily one of my favorite releases of 2014 so far.

Perhaps I took in this album a little differently from others.  Having grown up listening to darker styles of music in the 80s and 90s like The Cure and Jesus and Mary Chain, I always wished it were heavier back then.  I loved the music but craved more vocals.  Xerxes seriously captured some of my favorite band styles and added their own harsh twist on it satisfying that younger request.  The result is just insane and I adore it.

Collision Blonde drops on Oct. 21st.  You can pre-order it now over at No Sleep Records.

Check It Out: Panucci’s Pizza

Don't Tip the Delivery Boy by Panucci's PizzaPunk rock and pizza?

Awesome.

Downingtown / West Chester, Pennsylvanians Panucci’s Pizza are an emo-ish punk rock duo with a heavy appreciation for pizza and straight up ridiculous song titles.

Not only were the track names entertaining, the music itself was pretty bad ass to listen to.  I liked the mix of acoustic demos and just full blown chaotic jams.  I did not know what to expect with each track and by the end I just wanted some more.  Funny, that is exactly how I feel about pizza sometimes…

Panucci’s Pizza re-released their 2013 full length Don’t Tip the Delivery Boy on CD via Songs from the Road Records. You can order the pizza-decorated CD here.  Scroll down a bit to check it out via Bandcamp.

I can not help but be reminded of my homies Cherry Cola Champions and Two Hand Fools a lot though this release.  It’s definitely worth checking out.

Track Listing:

1. Holy Diver Pt. 2
2. Ladies, Welcome to my Swaggrokrag
3. You know when the Trojans got that horse and they were all “Yeah this is totally a gift” Thats how sure I am
4. Pokemon Cards and an Empty Bottle of Grape Juice
5. The World’s greatest Bowler is the World’s worst anything else
6. Nicholas Cajun (Stole the Declaration of Pizzapendence!)
7. Wait, you know who Frankie Muniz is right?
8. I still haven’t seen “Almost Famous”
9. My Imaginary Friend is STILL addicted to Pornography

The Ataris Announce So Long, Astoria Reunion Tour

The Ataris

The Ataris made a huge announcement yesterday.  They have decided to get the old band back together to play live So Long, Astoria.

Old man moment.  So Long Astoria was released 10 years ago.  And to think, I thought I was old then… yikes.

Spite me feeling sorry for myself, I am absolutely THRILLED to hear that The Ataris are getting the original lineup together to perform So Long, Astoria in its entirety. This will be a show not to be missed.

The Ataris - So Long, Astoria

For one tour only, Kristopher Roe, Mike Davenport, Chris Knapp and John Collura will hit the road and play So Long, Astoria.  Supporting acts include: Authority Zero, Drag The River, Versus The World and Gasoline Heart.  Tickets for the upcoming tour will go on sale to the public on December 20th.

And yes, there is a Cleveland show.  March 24th at the Agora.

I don’t remember the last time they played Cleveland.  No seriously, I do not remember a single thing.  Someone apparently snuck up on me that night and got me drunk.  I think his name was PBR.  Lucky for me, I have some good friends who put up with me for the night and made sure I make it home safely.

Additionally, rumor has it that there may be a re-press of So Long, Astoria  thanks to Kung-Fu Records

As if that was not enough, The Ataris also released on their BandCamp page 50 demos and unreleased tracks from So Long, Astoria for “pay what you want”.

Check it out:

The Ataris’ So Long, Astoria Reunion Tour Dates:
Feb 28 – Scottsdale, AZ – Pub Rock (w/Versus The World)
March 1 – Las Vegas, NV – Backstage Bar (w/Versus The World)
March 2 – Fresno, CA – Strummer’s (w/Versus The World)
March 3 – San Luis Obispo, CA – SLO Brewing Company (w/Versus The World)
March 5 – Los Angeles, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 6 – Anaheim, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 7 – San Diego, CA – House of Blues (w/Authority Zero, Drag The River, Versus The World)
March 8 – San Francisco, CA – Bottom of the Hill (w/Authority Zero, Drag The River, Versus The World)
March 11 – Portland, OR – Hawthorne Theatre (w/Authority Zero, Drag The River, Versus The World)
March 12 – Seattle, WA – The Showbox at the Market (w/Authority Zero, Drag The River, Versus The World)
March 13 – Boise, ID – Knitting Factory (w/Authority Zero, Drag The River, Versus The World)
March 14 – Salt Lake City, UT – In The Venue (Club Sound) (w/Authority Zero, Drag The River, Versus The World)
March 15 – Denver, CO – The Summit Music Hall (w/Drag The River, Versus The World)
March 16 – Kansas City, MO – Riot Room (w/Authority Zero, Drag The River, Versus The World)
March 18 – St. Louis, MO – Old Rock House (w/Authority Zero, Drag The River, Versus The World)
March 20 – Minneapolis, MN – Mill City Nights (w/Authority Zero, Drag The River, Gasoline Heart)
March 21 – Chicago, IL – House of Blues (w/Authority Zero, Drag The River, Gasoline Heart)
March 22 – Indianapolis, IN – The Vogue (w/Authority Zero, Drag The River, Gasoline Heart)
March 23 – Detroit, MI – The Shelter (w/Authority Zero, Drag The River, Gasoline Heart)
March 24 – Cleveland, OH – Agora Ballroom (w/Authority Zero, Drag The River, Gasoline Heart)
March 25 – Pittsburgh, PA – Altar Bar (w/Authority Zero, Drag The River, Gasoline Heart)
March 27 – Philadelphia, PA – Theatre of Living Arts (w/Authority Zero, Drag The River, Gasoline Heart)
March 28 – Silver Spring, MD – The Fillmore (w/Authority Zero, Drag The River, Gasoline Heart)
March 29 – Boston, MA – Brighton Music Hall (w/Authority Zero, Drag The River, Gasoline Heart)
March 30 – New York, NY – The Gramercy Theatre (w/Authority Zero, Drag The River, Gasoline Heart)

Escapist Records Offering Up Free Downloads Until The End Of 2013!

This is too good to not share.  From now until you pass out in public on New Years Eve, Cleveland’s very own Escapist Records are offering up all their goodies for free download.

Escapist Records

This is your opportunity to snag fresh and free tunes by such amazing acts as:
Harvey Pekar
Sweet Weapons
Light Years
Foxfires
+ plenty more killer releases…

You can also grab the awesome tribute to Integrity for zero cents!  Of course you can name your price too, but I am sure most of us are broke right about now…

Head over to http://escapistrecords.bandcamp.com and thank me later.

 

Album Review: Worship This! – Tomorrow, I’ll Miss You

I always told myself that I would never review bands who were also my friends, but I’d be a fool not to review the debut release by Northeast Ohio’s very own Worship This!.  Having just signed to A-F Records, Worship This! is about to drop Tomorrow, I’ll Miss You next week, and let me tell you, this is one impressive debut.

Consisting of Josh Taylor (vocals, bass), Jeremy Provchy (vocals, guitar), Aaron Novak (vocals, guitar) , and Jeff Hart (drums), Worship This! has definitely put in their time since then band’s formation in 2010.  Hailing from the Akron / Cleveland area, Worship This! are not new to the scene as all of the members have been involved with various local bands for the past 15 years.  Forming through friendships and mutual acquaintances, the boys of Worship This! were almost meant to be.

“I, Human” started off with Taylor screaming “I don’t wanna be human” at the top of his lungs making for any music fan to turn their head and pay attention.  Full of energy and ideals that slightly reminded me something Propaghandi might make mention of, I really liked how I could hear an immediate chemistry throughout the band members.  The moment I heard that opening song, I knew it was in for something good.  “Jen, with 2 Ns” continued to fuel that feeling

I adored “Indifferent” for so many reasons.  Not only was the track catchy as hell, but it carried  the feelings of being too old for the scene, contemplating giving it all up, and then coming to a realization to move on without care.  This song was solid start to finish and one of my favorites on the entire album.  Full of catchy riffs, infectious drumming, and just an overall sense of pride of current state of being.  It is no wonder the band chose this song to make a music video.  Seriously, the following lyrics from this track have been stuck in my head for weeks:

“I’ve given my all, maybe its about time that I hang it up.  There’s so many things I never did, and I life I never lived. Maybe I’ll stop getting dirty looks from all these kids.”

I swear, I have had those same thoughts in my head numerous times over the last couple of years.  Look for the video to be dropped around the time of the album.

“Summit Tower” really was put together flawlessly.  Provchy took over vocal duties primarily while the rest of the band just jammed out alongside.  I may have caught myself signing along to this one the first time I listed to it.  The upbeat “Springs and Levers”,  moved along well thanks to Novak and Provchy exchanging lines throughout.

The lyrically deep “Purpose and Meaning” flowed directly into “The Fear Of Missing Out”.  The songs were like a masterpiece, but different.   Seriously though, these two combined songs were addicting from start to finish.  You can just hear years of hard work put into both tracks and they last less than 3 minutes total.  Secretly, I wish those tracks were of a “November Rain” length.

Novak painted a pretty vivid picture as he sang at the beginning “Bike Ride”.  The song, which told the story about a neighboring house that suffered a grim demise, really carried well throughout.  “This house is my reminder of what we have and and who we live for” bellows towards the end of the track with “our lives carry on” ending it.

“Whatever Happened To You Melissa” reminded me of Dinosaur Jr. at the beginning, but only because of how the lyrics started off.  The song, clearly reaching back to a torn relationship, had a strong effect while listening to.  Listening to Novak and Taylor sing “I’ve lost all hope, in everything I know…and everything I loved” just brought back some of those memories you can’t ever get rid of.  This was another track on the album that blew me away.

“Momophonbe” has radio playable qualities.  The chorus alone reminded me of, dare I say, Gaslight Anthem, sans the whole I’m-from-New-Jersey-and-love-Bruce-Springsteen-feel.  Taylor and Provchy made this song even better thanks to their singing styles bouncing back and forth.  “Anathema”, the closing track, started off melodic with singing that did not impress me, but moments later that all changed.  I loved the group signing on this track that eventually laid the album to rest.

Take everything you know and love about punk rock from the 90s onward and you can hear it in what Worship This! has brought to the table throughout the album.  This is far from a pop-punk band and anyone who labels them that needs to really reevaluate their opinion.  This is a band that successfully manages to merge all of their unique influences from over the years and package them into one great style.  We’re talking seasoned here folks, not young blood.

Fans of all of the current bands filling up the punk scene in basements, various self-funded punk fests, and even online should take note at this talent.  I could sit here and label off tons of bands, but why bother?  A-F Records has something good on their hands and I am sure they know it.  Add the fact that all four members are just genuine dudes who play music for the sake of playing music.

Friends or not, Worship This! has got my vote for album of the year with Tomorrow, I’ll Miss You.  Just like the Menzingers, Cheap Girls, Masked Intruder, and Luther wowed me back in 2012, Worship This! has done the exact same for me this year.  I can not stop listening to this album.  I can only image how crazy the kids are going to go for this release.  This is one album you should not sleep on.  Trust me when I say that.  Don’t believe me?  Head on over to PunkNews.Org and hear it for yourself.  You can thank me later.

The CD drops this Tuesday and a vinyl pre-order should be announced through A-F Records soon.