Category Archives: 90’s

00's, 90's, Cleveland, Folk, Good Times, Live Shows, Music, Photography, Punk, Review, Rock, The Awesome

Concert Review: Frank Turner / Flogging Molly / The Architects – House of Blues – Cleveland, OH – 03/05/2010

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It was a sold out kind of night last night in Cleveland thanks to a couple of events that were going on.  First there was the sold out Cleveland Cavaliers game going on at the Quicken Loans Arena.  It was Sunggie night after all so you know everyone and their mother wanted to get a glorified Cavs robe and cheer on the hometown team.  Apparently a new Guinness World Record was set for the most ridiculous looking people all in one place at one time. I’m sorry but being part of “largest gathering of people wearing fleece blankets” is not something that I want to think about in Cleveland on a Friday night.

Luckily for me and many other folk there was something much better going on just around the corner at the House Of Blues sans the Snuggies.  UK artist Frank Turner and some Celtic punk rock band called Flogging Molly were playing a sold out show and I was a part of it.  There was Guinness there too, the kind that is best served in pint glasses.

With many shows I attend I usually focus on the headlining act.  Where I am a fan of Flogging Molly and always will be, this night was all about me seeing Frank Turner live for the first time.  I am pretty sure I am the only person who was more excited for the one time punk rocker turned folk rock musician over the Irish punkers.

Opening act The Architects from Kansas City, MO started off the night with a bang.  Having never heard of them before they grabbed my attention with their straight forward rock n roll styles.  The foursome had great stage presence and the crowd rewarded them with constant approval.  I later learned that three of the members of the band used to be in the ska act The Gadjits. featuring the three Phillips brothers.  After hearing the Architects’ set I never would have fathomed them being in a ska band prior.  Great set by a great band I hope to hear more from in the future.

To say I was excited when Frank Turner and his nameless band took the stage would be an understatement.  With smiles on all of the band member’s faces they broke into “The Road” which just sounded amazing live.  I am sure it is safe to say not a lot of the people packed into the House Of Blues knew who Turner was but after just a couple songs in the crowd soon learned about the UK sensation who openly admitted that it was his first time in Cleveland as well as offered apologies if the set sucked at he was fighting a nasty cold.

Pointing to the crowd for a volunteer Turner chose a young fan to play harmonica on “Dan’s Song” knowing fully that the kid never played the harp in his life.  With a quick lesson Turner played the song alone on acoustic guitar and gave the honorary band member of the night “the look” when it was time for him to play.  Sure it did not sound like the recorded version or anything close to it but it was hilarious.

Armed with his acoustic guitar Turner continued the night along with his band playing like it was his most important show of his career.  He proudly yelled “Hello, Cleveland” to the crowd and fought his illness through each song.   It was apparent how ill he was feeling but he kept trucking along through the set that included “Poetry Of The Deed” as well as “Love, Ire, & Song” as well as “Back In The Day”.

From where I planted my feet the fans around me all seemed to enjoy Turner who let many in on a little secret telling them all that is was not actually a folk artist but a punk rocker who plays folk music.  Closing the night out with “Photosynthesis” I could only hope for a headlining show the next time Turner and crew come back to Cleveland.  They put on a great show and I am thrilled to be able to say I saw Turner live finally.

Without a doubt everyone was Irish for the night as Flogging Molly is notoriously known for spreading the Irish cheer around with their likable Celtic punk rock sing along jams.  Once the seven-piece took the stage it was clear how many people were packed into the venue to see them.  Fueled mainly on Jamison and Guinness the crowd showed no sign of calming down throughout the set.  Entertaining as always, Dave King pranced around the stage with Nathan Maxwell slapping the bass and the rest of the crew just playing a solid strong set.

I stayed for about the first half of the set and will try and post Flogging Molly’s set list on here the moment I find it.  Remember, I was there for Frank Turner, so once things started getting really crazy I packed up and headed towards the exit.  I have nothing against Flogging Molly at all but I have seen them multiple times and really am used to the good times they exhume.  Being a proud Irishman myself I know all too well what an evening of Irish music and stouts can do to my body so I chose to play it safe.  I am pretty sure not many followed my idea and are still battling the Irish flu today.

Speaking of flu it was reported by Frank Turner himself on Twitter that he had to pull from the Detroit show tonight so I am even more pleased I was able to see him last night.

Here is his Tweet he posted:

@fthc – MotherF***ER. Very sad to say I’ve got to pull tonight’s show in Detroit. Sick as a dog, no voice. A thousand apologies.

Get well soon Frank Turner and thank you for fighting through your amazing set last night in Cleveland.  It was a highlight to my year.

Frank Turner Set:
The Road
Try This At Home
Dan’s Song
Reasons Not To Be An Idiot
Sons Of Liberty
Poetry Of The Deed
Love, Ire, & Song
Back In The Day
Photosynthesis

(I may have missed a song or entered the wrong one.  Corrections always welcomed.)

00's, 90's, Cleveland, Indie, Live Shows, Music, Photography, Punk, Review, Rock, The Awesome

Concert Review: Alkaline Trio / Cursive – House of Blues – Cleveland, OH – 03/04/2010

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Pop punk rockers Alkaline Trio paid the House of Blues in Cleveland a visit on Thursday with special guests indie rockers Cursive as well as rock act The Dear & Departed.  This was the second stop for Alkaline Trio who just started touring in support of their new release This Addiction.  The line-up of the evening was an interesting mix but still it looked to be a great evening of music for all who filled up the venue.

Most commonly known as the guy who tattoos along side Kat Von D on the reality show LA Ink, Dan Under and his band did their best to warm up the crowd with their straight forward rock music.  The crowd gave them the respect they deserved but it really did not look as if too many were really getting into them.  A couple fans sang along and gave support but the energy level was still rather low.

Nebraska’s Cursive on the other hand played a solid, yet interesting, set  that eventually caused a lot of cheer by the set’s end.  Hammering through “Some Red Handed Sleight Of Hand” as later playing “Art Is Hard” the band threw on an absolutely amazing show.  I especially enjoyed hearing “From The Hips” off their latest release Mama, I’m Swollen.  Digging deep into their catalog the band even played “Mothership Mothership, Do You Read Me?” which absolutely floored me.  It was clear though that not everyone around me was enjoying the indie, almost experimental, performance with a very vocal Tim Kasher but I will admit that there are some folk out there today looking into who exactly this Cursive band is.

Alkaline Trio took the stage in full force and started the night off with “This Addiction” off their latest release.  The band looked so comfortable on stage and Matt Skiba and Dan Andriano shuffled about on stage as Derek Grant beat the hell out of the drums.  Skiba announced in the middle of songs that he was at a photo shoot earlier in the day for some magazine called High Times admitting that “if it seems like I’m really stoned, it’s because I am.”   Needless to say the crowd went berserk.

Adding to the energy of the night the band carried onward with an amazing set playing old and new songs.  Seeing Andriano pick up the horn on “Lead Poisoning” was one of the highlights of my night for some reason.  I really enjoyed that track off their new album but seeing it live just made me appreciate it even more.  If that was not good enough, once the band finished that more poppy track they jumped back a few years and played “Mr. Chainsaw” only to return to new material again with “Dead On The Floor”.

Throughout the night I was continually impressed to see what song the band would play next.  Hearing “Fuck You Aurora” and later the Manson inspired “Sadie” the set list just kept getting better and better and the band just hit every song head-on with almost everyone in the house singing along.  Just when I thought think things could not get better the band played “’97”.  At that very moment I was completely contempt with Alkaline Trio’s set.

The band exited the stage with fans pleading for one more song.  I decided this might be a good time to make way to the back of the venue and to call it a night.  As I was walking back the crowd exploded in cheer as the band did a little switch up with Skiba on drums, Andriano on guitar, and Grant on bass and vocals.  The band appeased me by playing one of my favorite Misfits songs ever, “Attitude”.  All I could say was “are you kidding me” and stopped dead in my tracks and started singing along with everyone else.  It was the perfect way to end an amazing performance.  I was a happy concert goer.

Alkaline Trio’s Set List
This Addiction
Armageddon
Emma
Dine, Dine My Darling
We’ve Had Enough
Lead Poisoning
Mr. Chainsaw
Dead On The Floor
Fatally Yours
Crawl
Fuck You Aurora
Goodbye Forever
In Vein
Continental
100 Stories
Sadie
Nose Over Tail
’97
Encore:
Attitude

00's, 90's, DIY, Live Shows, Music, Music Video, New Release, Pop, Punk, Review, Rock, Watch This

Alkaline Trio – This Addiction – CD Review

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Punk rock threesome Alkaline Trio (AK3) recently released their seventh studio album entitled This Addiction on their newly established independent record label properly called Heart & Skull. The label actually is a joint-venture with help from legendary punk record label Epitaph Records. AK3 stated that they took a step back into their punk roots this time while recording This Addiction and have also taken a lot of their personal ventures and incorporated them into this more DIY sounding solid release.

Starting off the album is the title track “This Addiction”, a pop-punk heavy track talking about love being more like an easily addictive drug such as heroin. The track is super catchy and keeps with the AK3 style that they have held over the years.  Following was “Dine, Dine My Darling” a track clearly titled in favor of The Misfits.

Moving along with clearly  somber theme was “Lead Poisoning” that featured an almost NOFX horn style solo that made the song stick out over others.  “Dead On The Floor” was a dreary track speaking of high hoped love falling apart.  Having been in the situation before of a blinded happiness I really took this song in and at the end was actually a little bummed out. Continuing the darker mood was “The American Scream”, a story about sadness and suicide with likable music throughout the track but just chilling to absorb.

Changing things up a tad was “Eating Me Alive” a more upbeat track with interesting synthesizer playing.  “Fine” may have been a slower jam on the album but with lyrics like “it’s ironic that I drink to make my insides stop hurting” it was clear how personable the song about shrugging off the pain was.  “Those Lungs” was a little heavier at the beginning but mellowed out into a tender track guaranteed to make a special someone swoon.

At just over forty minutes the album is enjoyable throughout but one would always appreciate more AK3 right?  Luckily for fans who want more such as myself, the band also released a deluxe edition featuring acoustic tracks of “This Addiction”, “Dine, Dine My Darling”, “Dead On The Floor”, and an awesome version of  “Fine” which to me sounds better than the original.  A DVD is also included in the deluxe version showcasing a live performance of AK3 at the House of Blues in Las Vegas.

If you are a fan of AK3 and were not feeling with their last release Agony & Irony you might be surprised what the guys have to offer this time around.  This Addiction is a worthy AK3 release and can easily be played over and over.  With that said I might as well add that the album debuted at #11 on the Billboard Top 200 so obviously I am not the only one who has been digging This Addiction.

AK3 just embarked on a US tour with indie rockers Cursive as well as The Dear & Departed.  Be sure to check them out when they hit a town near you.  I’ll be there tonight in Cleveland and you can say that I am a little excited about being there!

Alkaline Trio Tour Dates:
03/03/10 – Columbus, OH – Newport Music Hall
03/04/10 – Cleveland, OH – House of Blues
03/05/10 – Pittsburgh, PA – Club Zoo
03/06/10 – Toronto, CAN – The Phoenix Concert Theater
03/08/10 – Clifton Park, NY – Northern Lights
03/09/10 – Hartford, CT – The Webster Theater
03/11/10 – Philadelphia, PA – Trocadero SOLD OUT
03/12/10 – New York, NY – Nokia Theatre Times Square SOLD OUT
03/13/10 – Sayreville, NJ – Starland Ballroom
03/14/10 – Providence, RI – Lupos Heartbreak Hotel
03/16/10 – Towson, MD – Rocher Theatre
03/17/10 – Charlotte, NC – Amos’ Southend
03/18/10 – Charleston, SC – Music Farm
03/19/10 – Atlanta, GA – Masquerade
03/20/10 – Jacksonville Beach, FL – Freebird Live
03/22/10 – Orlando, FL – House of Blues
03/23/10 – Fort Lauderdale, FL – Revolution
03/25/20 – New Orleans, LA – House of Blues
03/26/10 – Houston, TX – Warehouse Live
03/27/10 – Dallas, TX – The Palladium Ballroom
03/28/10 – Austin, TX – Emo’s
03/30/10 – Tempe, AZ – The Marquee Theater
04/01/10 – San Diego, CA – House of Blues
04/02/10 – West Hollywood, CA – House of Blues
04/03/10 – Las Vegas, NV – House of Blues

Clothing giants Hurley just released some special edition AK3 apparel.  Check it out by clicking HERE.

Here are some of my favorite AK3 music videos:

90's, Alt Rock, Columbus, Festival, Live Shows, Metal, Music, Music News, Punk, Road Trip, Rock

Where Does Rock Live? Columbus Apparently…

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Ok so that is not entirely true.  Rock lives everywhere.  Rock is where the heart is?  Ok, I will stop.

Now you can buy rock in Columbus, not that I know that personally or anything, but you can also rock out hardcore for a weekend thanks to Rock On The Range returning to the Columbus Crew Stadium on May 22nd and 23rd.  This will be the festival’s fourth run in the center city of Ohio and the lineup caught my attention more so this year than any other year before.

When I see that Coheed & Cambria, The Deftones, Helmet, Rise Against, Mastodon, and Killswitch Engage are all playing over one weekend I immediately want to go.

Other bands appearing at the festival are Godsmack, Rob Zombie, Three Days Grace, Limp Bizkit, Seether, Slash, Papa Roach, Five Finger Death Punch, Bullet For My Valentine, Theory of a Deadman, Puddle of Mudd, Sevendust, Drowning Pool, Skillet, Apocalyptica, Halestorm, Airbourne, Mushroomhead, Adelitas Way, Escape the Fate, Cold, Anberlin, Nonpoint, 2Cents, Violent Soho, Janus, Shaman’s Harvest, Year Long Disaster, Taddy Porter, Like A Storm, and Noise Auction

I can tolerate some of the acts but others I just can not stand and I fear if I go I am going to be punished…

Couple other personal comments in regards to the line up:

  • Who the hell are half of these bands?
  • Cold is still together?  So is Puddle Of Mudd?
  • Five Finger Death punch is still the stupidest band name I have ever heard next to The Prisoners.
  • Matt from Addicted To Vinyl (also a ROTR veteran) pointed out there is a possibility that Mushroomhead may play a bigger stage than Helmet.  If that is true I will be a sad panda.
  • Why no Jimmie’s Chicken Shack?  While I am at it, why no Monster Voodoo Machine and are they still a band?
  • Is it worth the $120 for the field general admission tickets???
  • Furthermore is anyone else planning on going?

I’ll be thinking about this heavily over the next few weeks.  I would hate to miss the opportunity of seeing a couple of my favorite bands but I do not know if I have it in me to sit though the whole weekend.  We shall see.

If you are interested in the festival head over to Rock On The Range’s website for ticket information as well as other info in regards to the weekend rock-out.

00's, 90's, Alt Rock, Live Shows, Music, New Release, Review, Rock

Mike Doughty – Sad Man, Happy Man – CD Review

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(*Editor’s Note – Thanks to my reliable laptop crashing this was postponed for quite sometime.)

Before I even start I would like to publicly kick myself in the ass for not attending last night’s Mike Doughty concert at the Beachland Ballroom (Oct. 10th).  I know I missed a good time and I am the one to blame for missing it.  I just had too much going on and not enough green paper in the wallet so I decided to sit it out and today am regretting it.  I also had the flu of sorts so it just was not happening.

Luckily I got my hands on his new album so at least I have something to listen to and talk about.

I always admire the musicians out there in the world that have overcome hardship and feed off the fan reaction rather than make music for pure financial purposes. One performer in particular that comes to mind when I think about a hard working true music maker is Mike Doughty.  Doughty, as many know, was the lead man of the 90’s alt rock act Soul Coughing.  Sadly the band called it quits thanks to constant battles with drugs and also financial hardship but Doughty kept going on doing his own thing.

He started recording solo material and soon had a cult following who worshiped his every word and sang along with to every song.  I was one of those folk who took a huge liken to him.  I loved seeing Doughty on stage alone with guitar in hand singing folky and rocky songs to an ever loving crowd.

Doughty took his fan’s reaction to his 2008 solo release Golden Delicious and used it to mold his next release titled Sad Man, Happy Man.  Some of the fans loved the rock pop heavy Golden Delicious while others hated it.  Perhaps the dis-likening came from the more upbeat fun styles that were bursting from the tunes over former albums.

Having such a huge step up from his widely known solo material was credited with Doughty’s “dude theory”, an idea of recording music that sounds like a bunch of dudes playing music for the fun of it. The result of his dude music won new fans and also caused some of the more so diehard fans to go so far as calling him a sellout for doing what he did. Not taking the negative reactions personal he used it to his benefit and began a different approach when creating new material.

In fact he used the responses as a fuel of sorts to making something better in his current release and admitted that his previous album sparked an array of feelings by saying:

“…some hated it, some loved it better than Soul Coughing.  I tend to take sharp left turns. Every time I put out a record, the audience seems to like what I did two years ago better. You’d think I could shrug it off because that’s what always happens, but it always gets to me.”

As a fan of everything Doughty has done since the days of Soul Coughing I have to admit that I was one of the fans who liked Golden Delicious. It was a change in his style but still catchy to my ears.  Just check out my review I did on it.  I was happy from start to finish and the album is still played here and there when I am looking for something fun to jam out to.

When I heard that Doughty was going back to his roots when recording Sad Man,Happy Man I was eager for the release.  After hearing listening to it (over and over I might add), it is clear that Doughty reached back to his solo roots as well as the days when he was in the popular 90’s act and pushed aside that poppy feel Golden Delicious had going on.  This time around there is more of a Soul Coughing vibe and less of the more pop rock he achieved previously.

“Nectarine (Part II)” sequel to song on Golden Delicious was acoustic with a brief add of Irresistible Bliss horns. “(I Keep On) Rising Up” continued with Doughty’s signature raspy hypnotizing voice moving through a more personal jam (he wrote it during hardship in a relationship).  Just after a couple of tracks and it was perfectly clear he was stripped down and focused on the acoustic.

“(You Should Be) Doubly (Gratified)” was a nice smooth rock song with long time touring pal Andrew “Scrap” Livingston taking bass duties.  I should add that this album is just Doughty and Livingston with Doughty providing not just the singing and guitars but also the drum programming and keyboards as well.

“(I Want To) Burn You (Down)” was a poignant acoustic jam reminiscent to the days when Doughty would play shows and would sell CDs himself from the stage after wards when he was trying to get back on his feet. “Pleasure On Credit” clearly reached back to his witty Soul Coughing days. I don’t think it was possible for me to enjoy this song more so than I did the first time I heard it.

Ending the CD with a Daniel Johnston cover completed this album for me. Hearing Doughty’s take on “Casper The Friendly Ghost” had me smiling.  The version was not nearly as depressing as the original schizophrenic take but still held on to Daniel Johnston’s eerie original.

It’s great to see that Mike Doughty keeps on going and Sad Man, Happy Man shows no form of slowing down.  It sounded throughout the album as if he was just having fun without getting too serious and to me that is what I admire him most for.  With all the hell the man has been though he never seemed to stop having fun doing what he loved – play music, and loving it while doing so.

Not just a musician but also an outspoken blogger.  Check out Mike Doughty’s blog site.  He’s not just a clever song writer you know…


Looks like I missed out on a little Q&A at the Beachland…  The tour was called the Question Jar Tour.  Looks like they took it very literally.  Damn me for getting sick!