Category Archives: Music Video

Interview: Steve Smith of Dirty Vegas

This interview is actually over a year old.  It posted on 02/07/2008 on Blogcritics.org.  Rather than archive it I decided to share it with you today:


Steve Smith
Steve Smith

It wasn’t so long ago that a British house rock/pop trio took the world by storm.  The band was called Dirty Vegas and released their debut album including a track named “Days Go By”.  This track soon made its way into the clubs and onto airwaves gaining lots of attention.  The band consisted of three gentlemen who formed the group in 2001 thanks to a little love song that vocalist Steve Smith wrote for someone special.  The song, originally an acoustic track, took a twist and was transformed into a dance club hit.  The song even earned the trio a Grammy in 2003.

The band earned gross amounts of fame but due to low sales on Dirty Vegas’ sophomore album the hype simmered down and soon two of the trio called it quits.  Steve Smith however did not have any intentions of quitting the music scene and recorded his own music.  He actually had been recording music all of his life and now found it the right time after a break to release it.  This Town was recently released as a solo project by Steve Smith who relocated from the UK to Boston with his wife.  The CD is more of a personal project to Steve Smith, his best work yet.

I recently had the opportunity to talk with Steve Smith.  In between changing guitar strings and baby diapers (he and his wife just had a newborn) Steve Smith took some time to answer some questions about the past, present, and future of his musical career.

Why such the long hiatus?

Well, when Ben and Paul left in 2005, I decided to have some time away from music to really get my head around what I wanted to do.  I moved to the US in early 2006 and began to feel really inspired. I started to write a lot of music and spent the year collecting songs for my solo album.  I also began my dream of writing music for film by scoring the brilliant movie, Boys and Girls Guide to Getting Down and for the FOX show Standoff.

Why did the band disband?  I know everyone was growing  mature and going their own ways but were there any other reasons?

Well, we we’re in a bad situation with our record company and Ben and Paul felt that we had taken the band as far as we could, but I truly felt there was more to come.

The band Dirty Vegas took the world by storm.  You wrote a song “Days Go By” that was transformed from an acoustic track to a techno hit.  What were your original thoughts on manipulating your original cut?

I have always loved the idea of taking a song where you wouldn’t necessarily expect it to go!

Steve Smith
Steve Smith

So who was “Days Go By” exactly written about?

My then girlfriend Charlotte, who is now my wife (songs always win a girls heart!)

Any plans ever of maybe creating another Dirty Vegas release in the future?

Who knows!

Once the band split up you got back together with your long time girlfriend (now wife) and moved to Boston.  Why Boston?  I know it is an amazing city but I am just curious.

I have always felt that Boston has a very European feel to it.  It has a great music scene and I have discovered a lot of creative people live/work here.

How was the transition from London to Boston for you?

Very smooth!  The people of Massachusetts have been great to us.

How long before you decided it was time to release a self-titled album?

It kind of happened when I started to play friends some of the songs.  The more I played them, the more people said I must get this stuff out there!

Is there a possibility you may tour in support of this release?

Absolutely! I cannot wait to get out there and perform the songs in front of people.

Can we expect a follow up to This Town sooner than later?

Anything is possible.

Who would you say are your musical influences?

I would say that growing up it was everything from Pink Floyd to Marvin Gaye.  I was always listening to the Top 40 and raiding my brothers and sisters record collection.  So I got to hear Joan Armatrading and Neil Young [because of them]. When I heard Neil Young’s After the Goldrush album it blew my mind.

I am still amazed that the actor John Savage from the Deer Hunter agreed to perform a spoken word on the first track of your CD.  How did he get involved?  He is the last person I would ever expect to speak on an album, yet it seemed so perfect once I heard it.

Every guest on the record was someone that naturally came along. My manager was in a furniture store and spotted John. She told him about the song and he agreed to come along and we just spoke about his life experiences and the message of the song. That was one of many incidents that happened with the recording of the album.

Speaking of incidences, you were also able to recruit a violinist for the track “Smile” who in turn wrote a piece that was the favorite of your father.  Do you think that was pure coincidence or a calling?

That was another one of those natural moments with the record.  I still cannot believe that the actual guy that performed the solo parts of my late father’s favorite pieces of music, came and performed on a song about him!  A calling I’d say. And my old man is looking down laughing.

Can you tell me a little about your father?  Was he a music lover as well?

My dad was never a professional musician but my mother told me he had a beautiful voice as a young man, and people would often ask him to sing in pubs and parties.

You are definitely a multi-talented individual with the ability to play acoustic guitar as well as spin house sets.  Which do you prefer over the other?

I am a very lucky person that gets to experience the buzz of a dance floor move to a pumping bass line as well as sing with an acoustic guitar in a small folk club.  Both have amazing energies that I find complete polar opposites but have the same rewards!

When did you learn to play guitar?  Was it before or after you learned percussion?

I learned to play the guitar quite late, I was around 21. I had been playing percussion, but needed to learn a melodic instrument to craft the songwriting.

In your spare time you continue to guest DJ.  What is different these days about the club scene as opposed to yesteryear?  Are there things you miss about the overseas club scene?

I think with the way the internet is now, you can hear a brand new track played in Ibiza (Spain) and [in] Kansas on the same night!  Gone are those days of the kid in the middle of nowhere ordering a track from a record store 6 months after it was first heard in NYC.

Do you still communicate with any of the DJs from the past you once toured with such as Sasha or Paul Oakenfield?

Sometimes you see DJ’s/Musicians that you have worked with over the years, I have been going to Ibiza for many years and there is always a familiar face there.

Do you think the DJ / techno genre will make a comeback in the states?

I think all genres of music will have exciting times ahead,  just look at the festival line-ups now, Rock Bands, DJ’s… there all there.
The song “Late Nights and Street Fights” was the main theme for Fox’s now defunct Standoff.  How were you able to land that?

The music supervisor for that show had used Dirty Vegas music before and heard I was recording my solo album, and asked if I had a rock song that could suit.  I played them “Late Night” and they loved it.

You won a Grammy while in Dirty Vegas for the song “Days Go By”.  I am just curious if you display it in your home or use it as a paperweight?

It’s on the mantle-piece

Any plans for the future?

Well, I want to head out and play live shows to support the solo album, and then I am looking at scoring a musical with the director of Boys and Girls Guide and of course Dirty Vegas.

Why should people check out This Town?

Because it is the best piece of work I have ever done.


Steve Smith’s This Town is available on G.A.S. Records.  For a sneak peak at his self titled release and to see if he’ll be touring in your area you can visit his website or his MySpace page.  Word is Steve Smith and Dirty Vegas are working on new material.  More to come about that…

Until then, here are some videos to keep you entertained:

The song that started it all… Still love this video too:

Bleeding Through – Declaration – CD Review

Photo by Cindy Frey
Photo by Cindy Frey

Straightedge metalcore sensations Bleeding Through continue their mission to rock your face off and implode ear drums while doing so with their latest release Declaration. Combining heavy metal, death metal, punk rock, and even a little black metal, Bleeding Through has their own unique style that is just brutal, and that is an understatement. Having been around since 1999 the band was labeled one of SPIN’s 2003 “Artists To Watch” as well as have been featured in a Revolver “Future of Metal” article. This is the band’s third release once again on metal label Trustkill Records.

Formed by members of other heavy acts such as Eighteen Visions and Throwdown, the band caught my ears when I heard This Is Love, This Is Murderous, the band’s first release with Trustkill Records. I will never forget that day as my ears were introduced to just pure fury. I had just finished up a day at the record store and I was cleaning up getting ready to go. My friend asked if I wanted to hear something heavy and of course I told him to go for it. The moment he hit play on the CD player I was hooked.

This Is Love, This Is Murderous was in heavy rotation on my playlist for years. I was highly disappointed with their next release on Trustkill called The Truth as perhaps I was expecting more from such a strong intro to the band in This Is Love This Is Murderous. I can not say I was that pumped to hear Declaration as I was afraid that their sound may still not compare to taste I enjoyed but that all changed once I finally checked out the CD.

The opening of the CD “Finis Fatalis Spei” was a black metal, evil circus sounding, melodic introduction that set me back for a second until a quote from the movie 300 ended the intro with “Tonight we dine in hell!” From there the CD was an all out mugging on your ears with “Declaration (You Can’t Destroy What You Can Not Replace)”. Death metal, heavy metal, black metal, and even speed metal combine for a powerful first song on this album with Pantera guitar hammering moments thanks to help from As I Lay Dying’s Tim Lambesis.

“Orange Country Blonde and Blue” followed continuing a insane death punch to my ears. Again I can not help me being reminded of Phil Anslemo and crew in this track as well as 90’s metal bands with the chorus. “Germany” really reminded me of Bleeding Through’s earlier years with just non-stop drumming and almost so much guitar that I felt as if the song flew by way too fast.

“There Was A Flood” slowed things down a notch at the beginning with a track that really set well with me. Musically the song was something along the lines of a slower Cradle Of Filth song but I assure you as soon as the song started it seemed to put me in place. Lyrically the song spoke about checking on a mistake from the past and reiterating the high hate for that mistake. For the first time on the CD lead vocalist Brandon Schieppati sings for a moment on the track but is fast to get back to Mastodon-like vocal shredding.

“Reborn From Isolation” has it’s head banging moments until the song actually started making me want to swing my arms carelessly about and attack the air with my fists. It’s songs like these that make me happy I no longer stand in the pit at live shows because I am pretty sure others feel the same way about this track.  “Death Anxiety” had that same fight everyone and everything around you feel.  If you were a fan of This Is Love, This Is Murderous, you agree that this song sounds like it was left off that album.

“The Loving Memory Of England” took a break from the others and had kind of a Pantera “Planet Caravan” moment. The song not only gave me a chance to let your heartbeat settle but it also proved the band has a softer side. “Beneath The Grey” soon dismissed any chance that the CD was going to end mellow with a full blown hard beginning that made me take a second listen when I discovered that the song that had a guitar solo from No Use For A Name’s Dave Nassie.

Closing the CD was “Sister Charlatan” one of my choice cuts on the CD. With a well orchestrated introduction the song still kept with the heavy and has a It Dies Today similarity with a nice mixture of death screaming and harmonious singing. Add intense guitar solos, double bass drumming from hell, and even some beautiful piano playing over a thunderstorm, the song made me feel like I was a schizophrenic with the change ups.

Declaration is everything I was looking for in a Bleeding Though CD including the loud screaming, forceful drumming, and vicious guitar playing combined with enough force and hate to push you down to the ground. Don’t look for this band to clot or heal up anytime soon as there is just too much flowing out right now. If you like your metal loud, heavy, and most of all fast Declaration needs to be in your collection.

Here is the video for “Death Anxiety”:

Did you know that Bleeding Through was featured on Inside Edition report years ago?  It’s true.  The band was on tour and was involved in an accident while traveling.  The band was on their way to a show in Colorado when the bad’s van hit ice and crashed into an already disabled vehicle.  The whole accident was captured on a police cruiser dash-cam as police were on location tending to the previous accident.  Luckily no one was hurt.

Interview: Doris Muramatsu of Girlyman

When I hear the term “Girlyman” I immediately think of a certain Saturday Night Live (SNL) skit featuring Dana Carvey and Kevin Nealon playing Hans and Franz the Austrian bodybuilders who where said to be cousins of action bodybuilder superstar Arnold Schwarzenegger.  I still laugh at those skits…

The Girlyman I am referring to though is not associated with SNL or even the current governor of California.  Instead I speak of a three piece folk act originally from New York City.  I was introduced to them through my wife who has a love, almost obsession, for them.  She shared them with me one day after saying “We’re still making payments on the cannon” and I had no idea what she was talking about.  After giving her a puzzled look she told me about the Girlyman band.  She sampled some songs to me and I found myself quite interested in them.

Girlyman is a trio of harmonic performers, rather best friends, who have stated they play “harmony-driven gender pop” featuring “leading edge three-part harmony folk-pop”.  Consisting of Nate Borofsky, Doris Muramatsu, and Ty Greenstein, the band has a huge following with their “gender pop” music.

Gender pop?  That’s right folks all of the members from this band are involved in the LGBT (Lesbian, Gay, Bisexual, Transgender) community one way or another.  Don’t let that hold you back though because if you do you are missing out on some amazing harmonic folk music with heavy doses of comedic interludes, especially when seen live.  Think Rupaul meets Simon & Garfunkel with more folk harmony then you have ever heard before.  Where a lot of the songs are fun, many have meaning about life, love, and living but all with perfect collaborated vocals from all three members.

Recently I had the opportunity to chat with Doris Muramatsu, the “tootsie roll center of Girlyman”, who has the duties of vocals, acoustic guitar, mandolin and banjo in the band. The multi-talented musician was more than kind to answer some questions for me.

Doris, Ty, & Nate = Girlyman
Doris + Ty + Nate = Girlyman

So what exactly is a Girlyman?

A Girlyman is whatever you want it to be, just someone who is nontraditional in some sort of way or like to play with gender roles or isn’t afraid to have a sensitive side.

How would you describe Girlyman to someone who has never heard of you before?

We’re a folk pop trio of almost lifelong friends who sing traditional and nontraditional three part harmonies and play multiple instruments and like to laugh and be ourselves on stage.

When you started creating music was it clear you all wanted a more folk sound? Was the harmony always there between the three of you or did it need some fine tuning? I have to admit your combined harmony is all so appealing.

Ty and I started singing harmony when we were 12 years old and have always been fascinated by the beauty of interweaving voices. Our voices blended very well and we knew we wanted to write and sing music that was harmony-based. When we met Nate his voice seemed to naturally blend with ours, so it was a go. Of course there is always fine tuning whenever harmony is involved, for instance, we have realized that if we all don’t sing a certain vowel in the exact same way it will sound out of tune, so we’re always examining how the lead person is pronouncing that vowel.

Who/what are your influences for the music you create?

Growing up, I fell in love with Simon & Garfunkel. I listened to the Mamas and the Papas a lot too as well as old Jefferson Airplane and the Bee Gees. Indigo Girls, The Story, Patty Griffin were also [other] people who influenced me.

I understand that you and Ty have been best friends since elementary school. When did the two of you decide to start your first band The Garden Verge?

We officially started up the Garden Verge out of college although we had been signing together as a duo since middle school.

How and when did you meet up with Nate?

We met Nate [during] our sophomore year at Sarah Lawrence College at a cross-dress cabaret [that was more] like a talent show with more gender-bending. He was backstage [while] Ty and I were singing an Indigo Girls song to warm up. He came [up to us] and joined us out of the blue. We were insta-friends.

How was it being cramped up in NYC trying to start a band? Where are you currently residing?

It didn’t feel cramped at first. [It was] mostly just really exciting and creative time for us all. Of course our first rehearsal for Girlyman was scheduled for September 11th [and] after witnessing the events of that day we were shocked and speechless. We didn’t really know what to do but all that felt right to do was to be together, make music, and share it. So that was the birth of Girlyman; formed in the spirit of upliftment.

After seven years of living together and touring together, however, things did start to feel small and cramped. We were basically living on top of each other with no privacy and the need for expansion, both creatively and physically, became paramount. Nate and Ty moved to Atlanta in 2007 and I chose to stay in Brooklyn [NY] for another year but [soon] joined them in 2008. We all live separately now but happily see each other practically every day.

What types of venues did you first start playing at? Did you have success from the get go or was it more of a slow start?

We played at little coffeehouses and churches as well as some lunchtime college gigs. We just kept building out audience from the get go and even though we didn’t shoot up into massive fame, we definitely started climbing slowly but steadily.

Girlyman
Girlyman

Your live shows are full of humor and fun, especially in between songs.  When did live Girlyman shows turn almost into a stand up performance or has it always been like that?

I have always been a pretty shy person in front of large crowds and I think it was hard for Ty and me [as Garden Verge] to be as funny as we are in private. When Nate joined the group he added an element of humor and improvisation that allowed us all to be more relaxed and silly together. It’s a strength in numbers thing I think. I also thing it keeps things interesting for us to do or day things on stage that makes each other laugh because then every show feels like its own thing. We need to keep things light and fresh in order for the [live] show to feel fun for us too.

In 2006, OUTmusic awarded Girlyman for the OUTSong of the year for “Young James Dean”, how did this make you all feel?

We were really honored! It always means a lot when something you’ve created reaches people and speaks to them in a significant way.

What can you tell someone about OUTmusic who has never heard of the organization before?

OUTmusic is a wonderful organization that connects [the] lesbian, gay, transgender, and bisexual musicians, composers, producers, and artists [together]. It works to create opportunities and tried to raise awareness for the growing number of us [LGBT (Lesbian, Gay, Bisexual, Transgender)] out there.

I understand you are currently touring and will be performing at a couple of folk festivals as well. Having sold out venues before how exciting is it to be on the road?

We love being on the road and we love being at home too. It’s a balance but we are doing exactly what we want to do and have so much fun doing it. Sure being on the road has its challenges, like endless drives and late hours, but when we’re on stage and connecting with each other and the audience it is always worth it no matter now many people show up. It’s the energy from the audience that really helps us keep going.

How long have you actually been touring now?

We have been touring since 2001 when we first became a band.

Do you prefer festivals or venues?

I prefer venues because I find it’s easier to connect with people. Festivals are fun because there’s a feeling of celebration but I also get distracted by all that’s going on… like all the funnel cakes and hot dog stands!

Where is your favorite venue to play? Is there a favorite city you all enjoy?

I love Club Passim in Cambridge, MA, Old Town School of Folk in Chicago, Freight and Salvage in Berkeley, CA, but there are so many! We love New York City of course, and the Bay Area, but Atlanta’s pretty great too.

How are the lodging arrangements when you travel? Have you ever crashed in the van?

Thanks to Priceline.com lodging is fantastic! We often stay in three star hotels which makes us feel rich and comfortable. We don’t stay overnight in the van though we have a loft and a refrigerator set up in it. It’s too small for all of us [to sleep in].

Who usually takes up the driving duties on the road? Is there anyone in the band who is not allowed to drive?

Everyone takes turns driving although I can’t parallel park the Sprinter [van] for the life of me [as it’s] 21 feet long. Ty is not allowed to drive at night because she usually falls asleep.

Girlyman
Girlyman

Any crazy touring stories you want to share? Maybe a run in with the law or just something drunk and hilarious?

Well, the scariest thing that happened on the road was when we hit a deer at two in the morning in the middle of Wyoming and the Sprinter broke down. Nate and I didn’t have cell[phone] service but Ty thankfully did; but only when she stood a few feet from the van. We had to get towed 200 miles to the nearest Dodge dealership in Montana. When the tow truck came and started towing us it broke down too, so we had to wait until [the tow truck] got fixed.

Finally after a scary drive where the driver [of the tow truck] kept falling asleep and running [over] all [of] the rumble strips on the highway we arrived in Billings, MT at seven in the morning. We had to stay there for a couple of days while out manager found a U-Haul truck that could fit three of us in the cab. [We] then made our way though treacherous, snow-covered passes in Washington state [on the way] to Seattle. We were [all] totally traumatized by the whole experience.

You’ve been in Cleveland a few times now. Just curious what you think of the city as it is my hometown.  Any favorite memories?

Our favorite time in Cleveland was when we played at Cleveland Pride. They put us up in a fancy hotel and we shared the stage with Rupaul.

Do you think the folk festivals may help recruit new fans who may not necessary be involved in the LGBT community?

Some of our fans are part of the LGBT community, but just as many are not. We have a wide range of fans of all ages and identities.

Not everyone is accepting of the LGBT community unfortunately, have you ever had problems with people while out on the road?

It’s funny, we have a lot of people who, not knowing our music, initially feel put off by our man, but then when they hear us they immediately get over it or feel surprised that they actually like our music. Other than that, I think we’ve been lucky that we haven’t had many incidents being a queer band.

Tell me about your “Girlyfans”.

Out Girlyfans are our best support network. They are the ones who help promote us and bring new people to our shows. We couldn’t tour and do this for a living without them.

Can you tell me about the Brauner VMA that many of the Girlyfans helped raise money for you all to acquire? It looks like a masterpiece of a microphone. How is it working out for you?

It IS a masterpiece of microphones. It’s a handmade microphone from Germany and sounds out of this world. We are really happy with the sound quality we’re getting out of it.

When can your fans expect some new material to be released?

We are hoping for a fall release of our new studio album, although we’ve been playing out a lot of our new stuff at shows.

What’s next for Girlyman?

More of everything! We love how life just presents us with the next logical stay and that we’re brave enough to take it.

Just one last question… Are you still making payments on the cannon?

Of course!!!


-For more information about Girlyman check out their website.

-Girlyman is still on tour and will actually be making a pit stop in Ohio at the Oberlin Folk Festival.

-Download This! (rather sample…) – Girlyman – “Young James Dean”
-Download This! (rather sample…) – Girlyman – Cannons Skit

-Here are a couple of videos:

Bo Burnham, not to be confused with Bull Durham

I got an email today regarding a young comedian / musician who I had never heard of.  The email asked me to “please post” the email so here ya go:

Internet phenomenon Bo Burnham is about to release his first full-length album, simply titled Bo Burnham. With a CD of 13+ of the best of his hilarious, irreverent, and craftily-worded songs and a full DVD of his internet videos, a Comedy Central Presents, and other performances, this is the package that the fans have been waiting for.

Before he reached his 18th birthday, Bo entered the mainstream consciousness with internet videos (that have been viewed well over 20 million times) of him playing uproarious songs with ingenious wordplay and bad puns.

Bo was also just tapped by Judd Apatow to write and perform in various upcoming films, and when Bo isn’t on set, he will be touring the country selling out shows from coast to coast.

Bo’s Comedy Central Presents special will air on March 27th. Check your local listings for times and channels.

This kid is only 17 years old.  Crazy… So how did he get his start? Well I checked out his website and found out:

Ever since his first temper tantrum, Bo knew he wanted to perform. After an awkward “athletic” phase, he started dedicating his time to school theatre. He continued to nurture his love for performance, receiving rave reviews from countless relatives. Bo chose to attend an all-boys catholic high school, thus giving his nickname “theatre queer” some additional validity. During the fall of his junior year in high school, Bo started teaching himself how to play piano and guitar. Soon after, he wrote and composed autobiographical songs, such as “My Whole Family Thinks I’m Gay,” as non-fictional jokes between him and his friends. On December 28th 2006, Bo recorded two of his songs as videos, and posted them on YouTube. Eight months and seven songs later, Bo’s videos have been seen over ten million times worldwide, generating literally hundreds of thousands of laughs. The songs, recorded in Bo’s bedroom with a camera resting on a stack of books (couldn’t afford a stand), have been remixed, rated, and reviewed thousands of times. Now amongst such elites as “The Chocolate Rain” guy and Chris Crocker, Bo hopes to capitalize on his “success” and share his stories with the world.

Here’s a few videos of the young crude dude:

For more info check out:
www.boburnham.com
www.myspace.com/boburnham
www.youtube.com/boburnham

Bo Burnham on tour:
3/19/2009 – Case Western University – Cleveland, OH
3/27/2009 – Comedy Central Presents: Bo Burnham Premiere –
4/04/2009 – Michigan State University: The Wharton Center for the Performing Arts – East Lansing, MI
4/11/2009 – Wilbur Theater – Boston, MA
4/17/2009 – Norwich University – Northfield, VT
4/19/2009 – 04/27/2009 – Melbourne Comedy Festival – Melbourne
5/01/2009 – University of Miami – Coral Gables, FL
10/16/2009 – Aladdin Theatre – Portland, OR
10/17/2009 – Moore Theatre – Seattle, WA

P.O.S. “Optimist” Video

I know my last blog was about P.O.S. and I feel I am starting to sound like a super fan, but when artists release videos like this…

…you have to talk about it and share it with others.

I’m not sure if you read my review of the P.O.S. CD Never Better but I did state how organic sounding the beginning of “Optimist” was and how I thought it was cups.  I had no idea he created the beat from the game that combines cups and stacking skills…very original!

I was lucky enough to receive an email today on how the song was actually created:

P.O.S. describes how “Optimist” was created:

I made the beat to this song after my friend Alegra taught me how to play a game she learned when she was young. Based off of taking a few upside down cups and tapping on them and swooshing them around. The main rhythm of the beat was made by setting up some mics and playing the game. (You see it clearly at the top of the video) I added the organs and pads to kind of soften up the hard noise of the clapping and cups. I wrote the words while listening to the beat in my car, driving around mpls (Minneapolis) trying not to sweat how it came out. This was one of the last songs I wrote for the record and I was just not about feeling any pressure. Not from the label, not from my fans, no pressure no stress. That’s where the inspiration came from for this song I think. Not worrying about what anyone has to say about anything, ever. Doing my own thing and expecting the same from everyone else. That’s where the refrain comes from, “We make our own and if they don’t feel it, then we are not for them”.

I loved the idea of this video as well as how P.O.S. created the song and just had to post it here.  I hope you all enjoyed it.