Category Archives: Download This!

Frank Turner – Poetry Of The Deed – CD Review

Folk/punk/rock has never sounded so good thanks to former UK post-hardcore singer Frank Turner who took elements of the genres and self-formed it into something simply wonderful on his latest release.  Not to be considered a solo attempt this round, it is clear throughout the album that he has an amazing backing band that helped him and perhaps even added a little of their own style to it.

Having been in multiple bands over the years and working non-stop while doing so, Frank Turner continues his desire to be an amazing musician.  After what seemingly felt like an eternity since I first heard word of the release, the hardworking Frank Turner has finally dropped Poetry Of The Deed in the US thanks to Epitaph Records.  How hardworking you ask?  This will be his third release in three years.

“Live Fast Die Old” starts of the album full forced with more so of an indie rock that immediately captured my attention.  As if his singing was not an attraction enough, the supporting music from the full band including keyboard and back up harmonies just seemingly invited me into his world and I must say I felt welcomed.  It’s the type of song you tap you foot to and bop your head as well.

“Try This At Home” had a slight upbeat feel that exploded with great, well thought out lyrics about the real DIY musicians in the world who care and work for what they believe in and called out the superficial money hungry performers.  One line in particular that stood out over the rest to me declared that there is “no such thing as rock stars, they’re just people who play music, and some of them are just like us, and some of them are dicks.”  Well said Mr. Turner.

“Dan’s Song” is the type of song I could only wish was written about me.  The reminiscent jam goes from past history to future with sick harmonica playing. “Poetry Of The Deed” to me sounded like a heavy Avett Brothers song with Frank Turner repeatedly bolting out “life is too short, to live without poetry, if you’ve got soul darling, now come on and show it me” at the end of the track.

“The Road” was a sing along favorite of mine on the album.  Heavy on the folk and added country twang made for a catchy and happy listen.  I especially enjoyed the end of the song that almost sounded like and excited Frank Turner was not done recording the track when everyone else was.

“Our Lady Of The Campfire” had some fun percussion backed with strings reminding me of the folk that helped Frank Turner make this album what it is. The song is well thought out lyrically and musically and there was just so much going on but it fit so well.

Some of the songs seemed to slow up towards the conclusion of the CD as compared to the first half but they were still great listens.  The soothing keyboard playing and acoustic strumming were enjoyable especially during “Sunday Nights” and the album ending “Journey Of The Magi”.

I’m serious when I tell you I got a good feeling throughout when hearing this release, the kind of feeling that keeps me going back for more.  I remember the first time I heard bands like the Avett Brothers, Gaslight Anthem, Ben Folds, Joe Strummer, and Wilco (just to name a couple) who I knew instantly I would love and cherish for the rest of my music listening years on this planet because of what they created and how they executed it.  I can now add Frank Turner to that list because his music just had such an amazing effect on me.

I admit, I had never heard of Frank Turner until just before this album was released.  When I started hearing about the hype about him from various musicians and music fans, my curiosity led me to a YouTube video (see below) of him playing an after-party in someone’s house.  Just by seeing that one acoustic jam he played surrounded by singing and screaming fans I understood why so many have been talking him up.  He is that talented and with help from an amazing backing band Poetry Of The Deed was worth all the hype.

I expect big things from Frank Turner in the following months even years to come.  Slated to be touring with the Gaslight Anthem this fall as well as just finished a tour with The Offspring I think it is pretty clear he is starting to make a bigger name for himself here in the US and very quickly at that.

This is one act fans of music need to at least extend an ear out to even if punk or folk is not your thing.  It is that damn good.

DOWNLOAD THIS! Frank Turner – “The Road”

Sans Label: Taxicab Racers (Chattanooga/Nashville)

Today’s Sans Label band comes from the beautiful Tennessee city of Chattanooga.

I know Matt is snickering right now.  Adam may be too.

Why?  (Story time…)

I am not sure if any of you remember but back in June I along with Matt and Adam ventured to Tennessee to attend Bonnaroo.  You can read about the Bonnaroo adventures here, here, here, and here if you would like to know the whole deal of the trip.

The thought of Chattanooga puts a sneer on my face and it has nothing to do with the attractive city at all.  It has to do with a major detour that was endeavored on the first day of Bonnaroo thanks to Matt and a band called the B-52’s.

It’s my fault, really it is.  If I was not such an ass to Matt this little detour never would have happened.

You see, while enjoying a free breakfast at the glorious Holiday Inn located in Kimball, TN I spotted a Chattanooga newspaper that had a picture of the B-52’s on the cover.  Knowing that Matt is an uber fan I pushed the paper in front of him and poked fun at the band.

I have nothing against the B-52’s by the way.  They are not my type of music but they happen to be one of Matt’s favorite bands ever.

So putting this paper in his face was a terrible mistake because his eyes lit up.  To make a long story short I dropped Matt’s ass off in Chattanooga and took myself and Adam to day one of Bonnaroo.  Some eight hours later I returned to Chattanooga and picked up Mr. Rock Lobster.

It’s true I was annoyed.  Anyone would be annoying to drive out of the way especially since it was really out of the way.  As annoyed as I was though I knew I made his day if not his summer by dropping him off by the river so he could see his band.

So when I hear the city of Chattanooga brought up in any conversation or read it in an email immediately my memories go back to the day where I was a taxicab driver for Matt.  It was worth it to see him happy and if I really did not want to do it, I would not have.  You can’t blame me Matt for putting up a fight.

Where am I going with this story you ask?

Well a couple weeks ago I received an email from a Chattanooga band called Taxicab Racers.

I laughed out loud when I read it.  Not because of their content or because they had a funny song.  Just seeing the words Chattanooga and taxicab in the same sentence was beyond hilarious to me.

Without hesitation I checked out the attached MP3.  I wanted to make sure that they had nothing in common with the B-52’s and they did not.

Taxicab Racers is a electronic / rock act started by Michael Roddy who later was joined by his friends Nathan, Adam, and Josh turning the mostly one man idea into more of a pop rock electronic act that heavily hints on New Order and Phoenix which in my book is perfectly ok with me.  I love electronic rock acts so to hear the similarities made me that much more interested.

The first song they sent me titled “Turnpike” comes from the four song EP the band recently released titled Turnpike.  The song not only has a great flow throughout but the thoughtful lyrics in the song almost become a little dreary to listen to as it’s clear the song is about confusion in relations.  This is a good chill out song to listen to when you are just having one of those days.

“Time And Place” did not strike me as hard as the previous track but still kept a happy vibe full of uptempo creating danceable qualities.  The remaining two songs proved that the band has come a long way from being a solo project to a four man team.  “Take It Easy” was almost techno at times with heavy synthesizers but kept the balance down enough where it was not a repetitious annoyance to listen to.  “Houses” had hints of Postal Service at times with the signing and simplicity to the song and I especially loved the drawn out ending.

With the band recently relocating to Nashville I have a good feeling that these guys will be taking their Turnpike EP and utilizing it in a positive way to create a full length debut album worthy of talking about.  Fans of indie rock with an electronic edge will be digging these guys in no time.

DOWNLOAD THIS!Taxicab Racers – “Turnpike”

Visit the band’s MySpace Page to check out the rest of the EP.

What’s So Great About The Grates?

I love it when I hear a song that I have to listen to over and over again because I like it so much.  I put it on replay so that each time it plays though I can find something else about that song, perhaps a certain beat or a lyric that I might have missed around the first time.

This is the case with a song titled “Burn Bridges” that my pals over at Thirty Tigers sent me this afternoon to check out.  The song is by an Australian band called The Grates who will actually be releasing their sophomore album titled Teeth Lost, Hearts Won through Thirty Tigers.

One listen to this song and there is a pretty good chance you are going to think The Grates are great too.  It has this Mates Of State positive-makes-you-want-to-smile feel while at the same time being edgy and aggressive.  I can hear hints of female driven 90’s bands as well as current indie rock style providing for a great listen.  With the lead vocalist Patience sounding a lot like a young Gwen Stefani (before the solo crap) this band exempts a lot of energy and aggressive raw fun.  I am really looking forward to hearing the rest of Teeth Lost, Hearts Won.  The album drops on September 15th.

To add to my excitement the band is actually going to be playing some shows with my favorite ladies Those Darlins.  Sadly they will not make it to the Cleveland show next week when Those Darlins return but I guess I will live.  Hopefully they will make a stop here sometime soon.  They sound like they would be a lot of fun to see live.

DOWNLOAD THIS!The Grates – “Burn Bridges”

So seriously, did you dig that song as much as I did?  Do you want more?  Well head over to their MySpace page for a bunch of other tracks.

Better yet, have some fun and watch their videos:


The Grates Live (More Dates TBA):
September 3rd – Boston, MA – The Middle East Upstairs w/ Viennagram
September 4th – New York, NY – The Mercury Lounge w/ Tiger City
September 13th – Morrison, CO – The Monolith Music Festival at Red Rocks
September 18th – Phoenix, AZ – The Rhythm Room w/ Most Serene Republic
September 19th – Los Angeles, CA – Spaceland w/ Most Serene Republic
October 8th – Little Rock, AR – Whitewater Tavern w/ Those Darlins
October 9th – Norman, OK – The Opolis w/ Those Darlins
October 10th – Lawrence, KS – Jackpot Music Hall w/ Those Darlins
October 14th – Salt Lake City, UT – Kilby Court w/ Those Darlins
October 16th – Seattle, WA – Sunset Tavern w/ Those Darlins
October 18th – Eugene, OR – Sams Bonds Garage w/ Those Darlins
October 20th – San Francisco, CA – The Rickshaw Stop w/ Those Darlins
October 27th – Albuquerque, NM – Launch Pad w/ Those Darlins
October 29th – Dallas, TX – The Cavern w/ Those Darlins
October 30th – Austin, TX – The Continental Club w/ Those Darlins

Band info:

Australia’s The Grates are set to release their anticipated sophomore album Teeth Lost, Hearts Won on September 15th via Thirty Tigers/Dew Process. The 13-song album was produced by Peter Katis (Interpol, The National) at Tarquin Studios in Connecticut and features guest appearances by Kori Gardner of Mates of State (vocals on “Milk Eyes“) and Tim Fite (vocals on “Not Today”). On this album, the follow up to their 2006 Interscope Records debut, Gravity Won’t Get You High, The Grates have brought a depth and density to the songwriting – the lyrics are raw and poignant and the sonics more biting and aggressive.

“If Teeth Lost, Hearts Won was a beast, I imagine it’d be like something from Where The Wild Things Are,” lead singer and front woman Patience says. “They’re big and scary, but they’ve also got this sensitivity, and pick up the little kid and protect him.” Drummer Alana adds, “Or maybe like the griffin In Alice In Wonderland. He’s like a lion and eagle together, but a really gentle creature.”

The band, who have recently relocated to Brooklyn, NY in order to make American touring easier, have confirmed a co-headlining tour with Those Darlins in October. Fresh off a completely sold out residency in New York City and various dates supporting Passion Pit, the band have also confirmed a performance at the Monolith Music Festival at Red Rocks on September 13th (Yeah Yeah Yeahs, Phoenix, Mars Volta, etc) with additional live dates with Most Serene Republic.

In Australia, The Grates have played numerous sold out headline tours, played major festivals such as Big Day Out, Homebake, Falls Festival, Southbound and stole the show at Splendour In The Grass. Gravity Won’t Get You High has gone Gold in Australia while Teeth Lost, Hearts Won is well on its way to Gold status as well.

The American record release follows a highly successful trip to the U.S. for the SXSW Music Festival in March. While in Austin, the band played five buzzed about shows in four days and gained a massive amount of recognition for their highly energetic performances.

My Hero: The Indie/Undie Performer Har Mar Superstar

If you have never heard of Har Mar Superstar and claim to have a sense of humor as well as hold an appreciation towards those who work hard at the music they create, you are missing out.

I will say though, Har Mar is not for everyone.

Born Sean Tillman, Har Mar Superstar can be defined as a singer/songwriter with major indie(undie)-pop / R&B / dance qualities.  He is a performer like none other and has made a huge name for himself in the UK in past years.  In 2004 he released The Handler and in October he will be dropping an all new album titled Dark Touches.  Not only does he write his own music, but he also writes for others making this guy one of the harder working artists out there.

On Dark Touches, Har Mar will take his dance club pop style to a whole new level thanks to his dedicated work to his moniker and will feature a huge roster of special guests including P.O.S., The Faint‘s sick beat creators Clark Baechle and Jacob Thirle, and even is joined by John Fields who has produced many acts including Andrew WK and Rooney.

To make things even more interesting Dark Touches will include a track that Har Mar co-wrote that was originally intended for pop superstar Britney Spears.  Rejected by Britany Spears’ management for unknown reasons, Har Mar decided he keep the track “Tall Boy” and include it on his upcoming album with unchanged lyrics and his added style making for an interesting listen.

DOWNLOAD THIS!Har Mar Superstar – “Tall Boy”

I can still remember the first time I had the pleasure of checking out Har Mar Superstar.  It was 2001 and the then unknown artist was the opening act for Tenacious D.  Har Mar came to the stage all by himself and performed to the crowd his material while slowly stripping throughout to his tighty whities.

The crowd was speechless.

I was cheering as loudly as I could. All the silent folk around me turned their heads from the stage and looked at me with the same puzzled look.  Others in the theater were cheering too but I am pretty sure that not all of the applause was sincere.  Mine was.

I cheered for a couple of reasons.

One being for his performance.  It was good.  He sang pop like songs sometimes heavy on the R&B over pre-recorded material.  He danced about the stage in his own style and proved to have better moves that many people who frequent over priced dance clubs.

I also cheered because this guy had the balls to take the stage and do his thing without hesitation.  There was a lot of heckling and plenty of booing during the show but Har Mar just blew it off like it was nothing.  He believed in himself and even if his performance included scrapping his attire, I appreciated his performance.

Since the night I made sure to check out all that he has released and I not once was disappointed.  “DUI”, a track from The Handler is a track that still remains in heavy rotation in my musical listening choices.

It’s been five years since I last heard from Har Mar and it’s true, I am excited to hear what is to come from this insanely talented performer.  Look for the new album to drop in the states on October 13th.

Here is the video for “DUI”:

Press info found on Har Mar Superstar’s website:

After a five-year proper-album break since 2004’s The Handler, Har Mar Superstar, sexy as ever, is ready to unleash Dark Touches on the masses. On Dark Touches, Sean Tillmann – the singer, songwriter, and producer behind the Har Mar moniker – delivers his most club-friendly collection of jams yet. Tillmann’s silky smooth croon and tongue-in-cheek lyrics lead a nonstop dance party that blends everything from synth-pop to R&B, with ample hooks around every corner.

Dark Touches builds a bridge between the worlds of indie and Top 40 dance music, thanks in part to an eclectic group of collaborators. The album’s many guests include John Fields (Andrew WK, The Jonas Brothers, Rooney), The Faint’s beatmakers Clark Baechle and Jacob Thiele, singer-songwriter Adam Green, P.O.S. of the Rhymesayers collective, Neon Neon’s Boom Bip, Flowers of Doom, and Samaire Armstrong. The Bird and The Bee’s Greg Kurstin, who has also produced tracks for Britney Spears, Kylie Minogue, and Lily Allen, co-wrote and lent his studio wizardry to “Tall Boy.” The track was originally intended for Spears and, with the unchanged lyrics, takes on a vibrant new life in the hands of Har Mar.

Of course no Har Mar song is complete without Tillmann’s signature lyrics, which are both outrageously absurd and witty. “I Got Next,” which features The Bird and The Bee’s Inara George, details Tillmann’s practice of asking women to sign contracts that put him next in line to date if they ever leave their current boyfriend. He has also penned an anthem for the ladies with “Girls Night,” a track that was once intended for The Cheetah Girls, and like “Tall Boy,” maintains the original lyrics, written from a female perspective.

Tillmann is also getting ready to dip his toes into the world of Hollywood with the release of Whip It, a film directed by Drew Barrymore. As if he isn’t wearing enough hats already, Tillmann is actively developing his own movie scripts and sitcom pilots. Along with his golden pipes, the ability to juggle multiple creative outlets is sure to win him entry into both the hearts and undergarments of women and men everywhere.

Get ready, everyone. Dark Touches is coming!

As always, if you are on Facebook, please stop by the page, become a fan, and say hi:
HAR MAR SUPERSTAR FACEBOOK PAGE.

You can also follow Har Mar on TWITTER & listen to his music at MYSPACE.

Sans Label: Brooklyn’s Monogold

I have a new feature I will periodically post here about up and coming artists and I call it simply Sans Label.  I was trying to think of a wittier name for this category but apparently I am suffering from brain-melt.  I just can not think of something clever regarding independent unsigned artists.

How often I post Sans Label entries will depend on the alignment of the sun and the moon or simply whenever I am wowed by an independent or underground act.  I will be sure to post a little something something up on this here site along with a MP3 to share with the band’s permission of course.

I am doing this out of the love for all music out there.  I receive so many emails from folk asking me to check out their work.  I feel this will be my thank you to all of the acts out there that spend day after day self-promoting their band.  These bands are unsigned acts trying to get their name out there with a D.I.Y. attitude.  I respect all genres of music so expect to see a variety of acts posted.

So without further delay here is the first Sans Label post:


A few weeks ago a Brooklyn based band named Monogold reached out to me via a simple email asking me to visit their MySpace page to check out their music.  Always looking for something new I clicking on the link in the email and checked out a song titled “Feel Animal”.  I was completely floored by how great it was.  The upbeat dramatic indie rock song was such a pleasant track to hear.

In fact just listen to it for yourself.

DOWNLOAD THIS! – Monogold – “Feel Animal”

The song alone in my opinion is proof this band is going to be going places. Of course I don’t want to jinx them but imagine my surprise of hearing such a track and instantly loving it.  I immediately asked the band for more.

The band kindly sent the rest of the EP to me titled We Animals.  Just as I had hoped the other six tracks that were self recorded, self produced, and self released  by the three members have a very likable feel to them.  The harmonous singing and catchy guitar playing is perfect for a soundtrack to a warm summer evening drive.  Trust me, I speak from personal experience.

The fact that this band is only a three piece amazes me.  Honestly when you hear their sound in the rest of the EP you would like it would take more than a trio to perform such tunes. I thought so highly of this band I decided that I wanted to take their music a step further to help them get their music heard.

Recently I was appointed by my good friends over at Sexy Photo Trip (SPT) as their music director.  I decided that I wanted to use one of Monogold’s songs for an episode of SPT.  Monogold was thrilled I asked them to use their song in the video and honestly so was I.  It fit perfectly.

You can see that episode by clicking HERE (warning all SPT material is NSFW so view at your own 18+ risk).

Look for Monogold to release the amazing We Animals EP next month.  I am hoping they are able to tour as well in support of this sure to be a hit release.

Here’s a video from an earlier track titled “Leaves”:


One a side note, I plan on continuing this trend of using unsigned bands  here in the Sans Label posts as well as in future episodes of SPT so if you know of anyone out there that is unsigned or independent and listenworthy, send them my way.  I would love to hear them and maybe even get one of their hard worked songs into a fun episode on SPT.