I just downloaded “Last One To Die”, Rancid‘s latest release from their upcoming Let The Dominoes Fall. You should too:
Normally I would just include a link to download the MP3 but that has not been made available to me yet so just enter your email address and they will send you a link for a download of the song. That is all you have to do, I promise.
I am pretty sure you will dig the song as much as I have too if you are a Rancid fan. The song is catchy and maintains the Rancid standard, meaning it will not shock you and it keeps with the sound you expect to come from Tim Armstrong and crew.
It’s been over 5 years since Rancid pushed out an album. Good things come with time and I am honestly glad they were not putting together a mess of a release just so they could offer something for their fans. I have high expectations from this CD. I also have a feeling that this is NOT going to be their last effort. Some people are thinking it might be time for these punk rockers to hang up their guitars and take a seat but I really have the feeling that these guys are going to be cranking out material for years to come.
I was just sending messages to my awesome friends Pete and Mary Alice who seemed to have both reconnected with the love for NOFX. Well you two, this is for you:
I was reading my Twitters this morning and came across once from Alternative Press. The Tweet had a link to AP’s site where they were offering a new NOFX song for download. The song “The Quitter” is from their upcoming release called Coaster due out April 28th on Fat Wreck Chords. What an awesome way to start my day!
When I hear the term “Girlyman” I immediately think of a certain Saturday Night Live (SNL) skit featuring Dana Carvey and Kevin Nealon playing Hans and Franz the Austrian bodybuilders who where said to be cousins of action bodybuilder superstar Arnold Schwarzenegger. I still laugh at those skits…
The Girlyman I am referring to though is not associated with SNL or even the current governor of California. Instead I speak of a three piece folk act originally from New York City. I was introduced to them through my wife who has a love, almost obsession, for them. She shared them with me one day after saying “We’re still making payments on the cannon” and I had no idea what she was talking about. After giving her a puzzled look she told me about the Girlyman band. She sampled some songs to me and I found myself quite interested in them.
Girlyman is a trio of harmonic performers, rather best friends, who have stated they play “harmony-driven gender pop” featuring “leading edge three-part harmony folk-pop”. Consisting of Nate Borofsky, Doris Muramatsu, and Ty Greenstein, the band has a huge following with their “gender pop” music.
Gender pop? That’s right folks all of the members from this band are involved in the LGBT (Lesbian, Gay, Bisexual, Transgender) community one way or another. Don’t let that hold you back though because if you do you are missing out on some amazing harmonic folk music with heavy doses of comedic interludes, especially when seen live. Think Rupaul meets Simon & Garfunkel with more folk harmony then you have ever heard before. Where a lot of the songs are fun, many have meaning about life, love, and living but all with perfect collaborated vocals from all three members.
Recently I had the opportunity to chat with Doris Muramatsu, the “tootsie roll center of Girlyman”, who has the duties of vocals, acoustic guitar, mandolin and banjo in the band. The multi-talented musician was more than kind to answer some questions for me.
Doris + Ty + Nate = Girlyman
So what exactly is a Girlyman?
A Girlyman is whatever you want it to be, just someone who is nontraditional in some sort of way or like to play with gender roles or isn’t afraid to have a sensitive side.
How would you describe Girlyman to someone who has never heard of you before?
We’re a folk pop trio of almost lifelong friends who sing traditional and nontraditional three part harmonies and play multiple instruments and like to laugh and be ourselves on stage.
When you started creating music was it clear you all wanted a more folk sound? Was the harmony always there between the three of you or did it need some fine tuning? I have to admit your combined harmony is all so appealing.
Ty and I started singing harmony when we were 12 years old and have always been fascinated by the beauty of interweaving voices. Our voices blended very well and we knew we wanted to write and sing music that was harmony-based. When we met Nate his voice seemed to naturally blend with ours, so it was a go. Of course there is always fine tuning whenever harmony is involved, for instance, we have realized that if we all don’t sing a certain vowel in the exact same way it will sound out of tune, so we’re always examining how the lead person is pronouncing that vowel.
Who/what are your influences for the music you create?
I understand that you and Ty have been best friends since elementary school. When did the two of you decide to start your first band The Garden Verge?
We officially started up the Garden Verge out of college although we had been signing together as a duo since middle school.
How and when did you meet up with Nate?
We met Nate [during] our sophomore year at Sarah Lawrence College at a cross-dress cabaret [that was more] like a talent show with more gender-bending. He was backstage [while] Ty and I were singing an Indigo Girls song to warm up. He came [up to us] and joined us out of the blue. We were insta-friends.
How was it being cramped up in NYC trying to start a band? Where are you currently residing?
It didn’t feel cramped at first. [It was] mostly just really exciting and creative time for us all. Of course our first rehearsal for Girlyman was scheduled for September 11th [and] after witnessing the events of that day we were shocked and speechless. We didn’t really know what to do but all that felt right to do was to be together, make music, and share it. So that was the birth of Girlyman; formed in the spirit of upliftment.
After seven years of living together and touring together, however, things did start to feel small and cramped. We were basically living on top of each other with no privacy and the need for expansion, both creatively and physically, became paramount. Nate and Ty moved to Atlanta in 2007 and I chose to stay in Brooklyn [NY] for another year but [soon] joined them in 2008. We all live separately now but happily see each other practically every day.
What types of venues did you first start playing at? Did you have success from the get go or was it more of a slow start?
We played at little coffeehouses and churches as well as some lunchtime college gigs. We just kept building out audience from the get go and even though we didn’t shoot up into massive fame, we definitely started climbing slowly but steadily.
Girlyman
Your live shows are full of humor and fun, especially in between songs. When did live Girlyman shows turn almost into a stand up performance or has it always been like that?
I have always been a pretty shy person in front of large crowds and I think it was hard for Ty and me [as Garden Verge] to be as funny as we are in private. When Nate joined the group he added an element of humor and improvisation that allowed us all to be more relaxed and silly together. It’s a strength in numbers thing I think. I also thing it keeps things interesting for us to do or day things on stage that makes each other laugh because then every show feels like its own thing. We need to keep things light and fresh in order for the [live] show to feel fun for us too.
In 2006, OUTmusic awarded Girlyman for the OUTSong of the year for “Young James Dean”, how did this make you all feel?
We were really honored! It always means a lot when something you’ve created reaches people and speaks to them in a significant way.
What can you tell someone about OUTmusic who has never heard of the organization before?
OUTmusic is a wonderful organization that connects [the] lesbian, gay, transgender, and bisexual musicians, composers, producers, and artists [together]. It works to create opportunities and tried to raise awareness for the growing number of us [LGBT (Lesbian, Gay, Bisexual, Transgender)] out there.
I understand you are currently touring and will be performing at a couple of folk festivals as well. Having sold out venues before how exciting is it to be on the road?
We love being on the road and we love being at home too. It’s a balance but we are doing exactly what we want to do and have so much fun doing it. Sure being on the road has its challenges, like endless drives and late hours, but when we’re on stage and connecting with each other and the audience it is always worth it no matter now many people show up. It’s the energy from the audience that really helps us keep going.
How long have you actually been touring now?
We have been touring since 2001 when we first became a band.
Do you prefer festivals or venues?
I prefer venues because I find it’s easier to connect with people. Festivals are fun because there’s a feeling of celebration but I also get distracted by all that’s going on… like all the funnel cakes and hot dog stands!
Where is your favorite venue to play? Is there a favorite city you all enjoy?
I love Club Passim in Cambridge, MA, Old Town School of Folk in Chicago, Freight and Salvage in Berkeley, CA, but there are so many! We love New York City of course, and the Bay Area, but Atlanta’s pretty great too.
How are the lodging arrangements when you travel? Have you ever crashed in the van?
Thanks to Priceline.com lodging is fantastic! We often stay in three star hotels which makes us feel rich and comfortable. We don’t stay overnight in the van though we have a loft and a refrigerator set up in it. It’s too small for all of us [to sleep in].
Who usually takes up the driving duties on the road? Is there anyone in the band who is not allowed to drive?
Everyone takes turns driving although I can’t parallel park the Sprinter [van] for the life of me [as it’s] 21 feet long. Ty is not allowed to drive at night because she usually falls asleep.
Girlyman
Any crazy touring stories you want to share? Maybe a run in with the law or just something drunk and hilarious?
Well, the scariest thing that happened on the road was when we hit a deer at two in the morning in the middle of Wyoming and the Sprinter broke down. Nate and I didn’t have cell[phone] service but Ty thankfully did; but only when she stood a few feet from the van. We had to get towed 200 miles to the nearest Dodge dealership in Montana. When the tow truck came and started towing us it broke down too, so we had to wait until [the tow truck] got fixed.
Finally after a scary drive where the driver [of the tow truck] kept falling asleep and running [over] all [of] the rumble strips on the highway we arrived in Billings, MT at seven in the morning. We had to stay there for a couple of days while out manager found a U-Haul truck that could fit three of us in the cab. [We] then made our way though treacherous, snow-covered passes in Washington state [on the way] to Seattle. We were [all] totally traumatized by the whole experience.
You’ve been in Cleveland a few times now. Just curious what you think of the city as it is my hometown. Any favorite memories?
Our favorite time in Cleveland was when we played at Cleveland Pride. They put us up in a fancy hotel and we shared the stage with Rupaul.
Do you think the folk festivals may help recruit new fans who may not necessary be involved in the LGBT community?
Some of our fans are part of the LGBT community, but just as many are not. We have a wide range of fans of all ages and identities.
Not everyone is accepting of the LGBT community unfortunately, have you ever had problems with people while out on the road?
It’s funny, we have a lot of people who, not knowing our music, initially feel put off by our man, but then when they hear us they immediately get over it or feel surprised that they actually like our music. Other than that, I think we’ve been lucky that we haven’t had many incidents being a queer band.
Tell me about your “Girlyfans”.
Out Girlyfans are our best support network. They are the ones who help promote us and bring new people to our shows. We couldn’t tour and do this for a living without them.
Can you tell me about the Brauner VMA that many of the Girlyfans helped raise money for you all to acquire? It looks like a masterpiece of a microphone. How is it working out for you?
It IS a masterpiece of microphones. It’s a handmade microphone from Germany and sounds out of this world. We are really happy with the sound quality we’re getting out of it.
When can your fans expect some new material to be released?
We are hoping for a fall release of our new studio album, although we’ve been playing out a lot of our new stuff at shows.
What’s next for Girlyman?
More of everything! We love how life just presents us with the next logical stay and that we’re brave enough to take it.
Just one last question… Are you still making payments on the cannon?
Of course!!!
-For more information about Girlyman check out their website.
-Girlyman is still on tour and will actually be making a pit stop in Ohio at the Oberlin Folk Festival.
P.O.S., born Stefon Alexander, is a hip hop artist from the city of lakes many refer to as Minneapolis. P.O.S. can mean a lot of things, but in this instance it is an abbreviation for “Pissed Off Stef,” something he was referred to long before the days of his hip hop career. Growing up a punk rocker, P.O.S. was not originally a fan of hip hop until he learned it was more of an alternative form of expression over a glorified music genre.
Recently putting out his fifth release, Never Better,once again on Rhymesayers, P.O.S. produced over half of the CD himself. The album was also released in a limited, custom, do-it-yourself edition, featuring 16 solid picture inserts with six plastic overlays, allowing the owner to create their own cover art combination. I admit to having some fun with this prior to checking out the CD.
Taking his love of punk rock, P.O.S. chose to try a new way of expressing himself and soon was creating rhymes and beats that elaborated into a style of his own. It’s hip hop fueled with punk rock suggestions, personal journeys, and accomplishments, making for a striking release.
Already making a name for himself in the underground hip hop world with Doomtree, P.O.S. is slated to be touring a city near you this summer at the Van’s Warped Tour. Keeping himself occupied until then, P.O.S. will soon will be appearing with label mate, Atmosphere, in the Spring for even some live shows before the Summer kick off.
“Sorry I took so long” is stated by P.O.S. on the beginning track “Let It Rattle.” This introduction track really proved P.O.S. has something to say with an array of statements fornicated into a rap track with excellent intense drumming. My first taste of P.O.S. was exactly what I was expecting.
Following the impressive opening was even more insane drum heavy track “Drumroll (We’re All Thirsty)”. Accompanying P.O.S. was Doomtree making for a thrilling collection of words and beats. In addition to this track a video that blew my mind accompanies it. The video is like watching an urban war with people running for their lives while being attacked by… well I think it would be best if you just checked out the video for yourself to come to that determination. I have my own ideas.
Continuing the CD was the intriguing “Savion Glover,” with P.O.S. taking a lyric from Fugazi‘s “Five Corporations,” and adding it to the already heavily referenced track that seemed like a non-stop expression. “Purexed” really had a Sage Francis flow style throughout leading up to even more impressive drumming backing the chorus. I loved the energy and personable, friendly feel throughout the track. “Graves (We Wrote The Book)” was a little more urban hip hop sounding mixed with some guitar jams. Again, choice words added together with clever rhymes kept me entertained throughout the song.
“Get Smokes” was a freestyle of sorts, with P.O.S. stopping and laughing for a brief moment here and there in between his determined flow, speaking out on everything from Iggy Pop to the disturbed nation. The beats backing him were a unique mix of funk, and even at times had a record-scratching Kid Koala resemblance. “Been Afraid” was a little more serious than the previous tracks, speaking of the misfortune of a girl caught up in a violent relationship.
“Low Light Low Life” stood out with the catchy beats, accompanied by horns and keyboard, with the sweet female flow of Dessa from Doomtree adding to the excitement of the track. This song not only was one of my favorites on the CD but will get the party moving for sure with amazing RJD2 like beats and Blueprint reminding flows.
The CD seemed to start mixing things up with “Optimist (We Are Not Meant For Them),” as it started out very plain and organic sounding, with beat produced by slapping hands on inanimate objects, perhaps cups. P.O.S. concluded with a screaming and hollering refrain of sorts.
“Terrorish” mixed the rapping some more with a little hard screaming, courtesy of Jason Shevchuk of None More Black. The quick bass line kept me rocking my head along to the quick track, with P.O.S. spitting out words as fast as he possibly can. Can you say freestyle group sing-a-long lyricism?
“Never Better” continued with a stray away from the hip hop and more so an indie rock, alt rock approach, reminding me of Cooper Temple Clause mostly from the highly distorted guitars, as well as Judah Nagler, of The Velvet Teen, lending his calm dreary singing. Closing down the CD was “The Brave And The Snake,” a track that left me wanting more – and thanks to a secret track, I got my craving. The secret track was a stunning bonus and seemed to calm me down after such an exciting dose of a real hip hop release.
Never Better really grew on me throughout as I listened to the CD. It was like during each track I was reading a Choose Your Own Adventure book because I had no idea what was coming up next. The genre combination, especially the punk rock and hip hop, kept things ever so interesting to the point where I have listened to this CD over and over.
P.O.S. does not sound like he is full of himself at all during any of the tracks, and when you add that to his amazing beat creations and genus writing skills, I have nothing bad to say about this release or P.O.S for that matter. Drums, bass, a constant flow, and a serious widespread talent for expressing himself make me a fan of P.O.S. and I am pretty sure it will for you, too, if you appreciate expression and real hip hop.
-Need something to do? Head over to Make It Better, a do-it-yourself album cover maker. The site was inspired by the DIY Never Better CD artwork concept. You can also check out the entire album while messing around with the fun little program.
-Are you wondering waht the DIY CD artwork is all about? Check this out:
-Check out the powerful video for “Drumroll” – seriously, this video is insane:
Before you even start thinking bad things let me say that LeATHERMOUTH is not My Chemical Romance nor is their sound remotely close. Don’t judge this band until you pop the CD in and hear it for yourself as it has nothing to do with happy times or even emo pop punk. XO is brutal and has the anger of Gallows combined with the outspoken reflection on the world like the Dead Kennedys, a nice combination I might add. Add some fuming hate that has been building up for years and you have yourself one pissed off release.
Having not researched the band prior to my first listen, the only thing I knew about LeATHERMOUTH was that they, according to the CD booklet, were “bass, drums, two electric guitars, and vocals.” After some research I learned that they are a hardcore band formed almost out of pure bottled up anger by the guitarist of the chart topping wonders My Chemical Romance.
The band was actually formed by friends of Frank Iero who finally joined them after the band stated that their initial lead singer failed to write lyrics for the songs they created. Hearing this disappointing news, Frank Iero took the reigns as the lead singer of the band and wrote all the lyrics for the songs.
I still was not convinced of the idea of an almost pop punk band member being in a hardcore side project and almost passed on listening to the CD until I read what Frank Iero told Epitaph.com:
“There’s too much bad hair and white belts. Sometimes it nice to turn your brain off and just listen to someone sing about girls. I’m not knocking it. I do think there is a time and a place. ButLeATHERMOUTH isn’t like that… it’s about hate. Hate that boils up inside and eats away at you, if you don’t vomit it up you know it will eventually destroy you.”
After reading that I quickly grabbed my copy of XO and threw it in my CD player and the result was enough anger to make any smiling face turn to a stern frown. Fans of My Chemical Romance, you should stop reading now; LeATHERMOUTH has nothing to do with that happy high school punk rock music you cherish.
The opening song “5th Period Massacre” set the mood by talking about the overflowing sad amounts of suppressed anger from bullied youth only to explode into a shooting at an education institution. The music was heavy, the lyrics were graphic, and the anger was all so tempting.
Following the impressive opening track was “Catch Me If You Can” a hardcore melee full of breaking the law and causing chaos and rebellion. The song was actually created from letters written by serial killer Jack The Ripper making for an even more interesting track.
The mortal “Murder Was The Case That They Gave Me” was far from Snoop Dogg and more so The Bronx with pure hate energy throughout. “Sunsets Are For Muggings” not only humored me by the title but seemed to reach back to the 80s hardcore punk sound. “My Love Note Has Gone Flat” seemed to just strangle any decent thought in my head. “Bodysnatchers 4 Ever” was chaotic, ruthless, and very suggestive of old school horror flicks again with the energy simular to the Bronx.
For Frank Iero’s first attempt at being a lyricist and lead singer I think he nailed it. His raspy scratchy voice lies perfect with the hardcore feel the rest of the band provided. Their music will make you angry and that seems to be LeATHERMOUTH’s soul intention and with that, they have provided a serious impression on me with XO.
Angry, loud, and hardcore is all you need to know about this CD. If you like horror movies, being angry at the world, and fast furious hardcore music with exceptional force this CD is for you. If you like songs about girls in high school and mild mischief don’t even bother.
