Category Archives: Cleveland

Album Review: Wagons – Rumble, Shake and Tumble

Henry Wagons and I met by chance one day last September.  He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief.  His set filled up the tavern that night with outlaw folk/country jams making me an instant fan.  After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states.  Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states.  I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.

I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time.  Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album.  Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.

Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer.  The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies.  When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age.  The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.

Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm.  “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within.  The music video as seen below is pretty damn amazing as well.  “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”.  Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.

The ever catchy tribute to Willie Nelson,  properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to.  Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent  (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great.  “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to.  I would love to know what Nelson’s reaction was about this track.

“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything.  “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon.  Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up.  “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in.  “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment.  i did not know what to think about this song.  It definitely strayed away from the rest.  “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.

Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist.  Wagons and company pull off yet another impressive release that more people need to check out.  Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.

Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th.  Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live.  Not only is the music good live, but Wagons himself is a pretty candid guy.  Don’t be lame.  Get up there Sunday night.

CBS Radio Kicks Cleveland’s Music Lovers In The Pants By Yanking Radio 92.3 From FM Radio

I figured I might as well talk about the 92.3 change while I had a moment.  I know that many of my friends are all sorts of excited for the sports radio station to take over.  Honestly I would be happy too if I were into sports as much as they are. 

I guess I look at the change a little differently and not even because I think Cleveland needs to have  crappy music like Paramore and My Chemical Romance played along with even worse music like Audioslave and Staind.  Oh, dare I mention Sublime???  (It was not that bad, they played the hits of Bad Religion, Rise Against, and Rancid too sometimes…)

The rumors are true.  92.3 is now called The Fan.  Its Cleveland’s first sports radio station.  Rejoice!!! 

The logo looks….well…you decide:

Seriously, how many people that you know actually have HD radio?  I know I don’t know anyone who has one of those, and if they did, they never told me because it just is not anything worth mentioning about.  I honestly think that not many people are going to listen to the iPod on shuffle, I mean, HD-2 92.3.

Yes, HD-2 will still play music, list shows, and keep listeners informed, but it is not going to be the same.  I have no desire at all to even jump onto the HD station’s website and stream music.  Done.  Maybe me recall the time I bought a portable XM radio player thinking it was a good idea. 

92.3 has been around for as long as I can remember and it was always music related until now.  There was 92 RQCK, Jammin 92.3, 92.3 The Beat when I was younger, and then the more memorable 92.3 Extreme Radio, K-Rock, and of course Radio 92.3. 

I know that not everyone out there was a fan of Radio 92.3.  A lot of the music they played was not really my thing and sometimes repeated one too many times, but every once in a while they would throw a gem in there.  They took the liberty to cater to as many people as they could, and that is no easy task.  They kept the community informed on what was going on and even threw together some awesome shows.  One in particular was the impressive Kuyahoga Fest that K-Rock threw together years back at Blossom.

There were a couple people who worked for the FM station I felt owe a shout out to.  Not only were they entirely too cool to me, but they also supported this dinky little website of mine.

Nard, the man behind the curtain, really gave it his all when it came to that station.  Not just inside the studio, but also during promotions and events.  It’s tough to please one person, but he managed to keep the attention of all of the surrounding communities of Cleveland that set their dials to 92.3. 

The regular Sunday night locally focused Inner Sanctum, featuring Pat The Producer and Matt Wardlaw, just celebrated 18 years as a continual program only to have to find a new home.  Luckily WNWV 107.3 FM Cleveland was quick to pick them up and they will not even skip a beat sharing the local music scene with Cleveland every Sunday.  There’s some good news for some good people who I have had the pleasure to call friends for a few years now.  If you have not checked out Inner Sanctum yet, you should.  They play a lot of good quality tunage by some amazing local talent.

Will there be a new radio station to jump in and take over? Is the HD-2 92.3 going to stick around, or will CBS ax that too?  Does it matter really anymore?  How many people really listen to radio these days as much as they did 10 years ago?  I know I do not.

The fact of the matter is that Cleveland has lost another alternative rock station and good people have lost their jobs because of it.  Where as I did not listen to the station daily, I did have the pleasure of making friendships with many of the staff that CBS released.  Regardless of how shitty some of that music was on that radio station at times, the people I knew there were incredible and I am happy I was able to network with many of them.

Good luck to everyone from 92.3 that CBS took a giant Cleveland steamer on.  Thanks for all you have done for me (and the rest of the city for that matter) with music.  I am sure you will have no problem finding something else soon.  I have no problem if you all collaborate and decided to make a radio station that played all punk rock and Clutch.  In fact, I would totally be ok with that.

RIP Radio 92.3…

Don’t Miss The Inner Sanctum 18th Anniversary Concert On The Pier This Saturday!!!

Tomorrow, Inner Sanctum (as heard on Radio 92.3) will be celebrating 18 years of Pat The Producer and friends pimping out local music to Cleveland by throwing a huge festival downtown. 

Featuring live music by a bunch of great Cleveland musicians/acts like the Suede BrothersPrisoners,  Craig Ramsey, Leah Lou & The Two Left Shoes and many more, this is going to be one hell of a day-long fest!!! 

The fun starts at 1pm on Saturday the 20th at The E. 9th Pier located next to the Rock Hall.  There will be plenty of local food vendors to keep your stomachs full and even an on site tattoo shop if you care to get that tramp stamp you always wanted (I actually told Pat that I would get Pat The P tattooed on me if someone else paid for it…).

Tickets are $8 in advance and $10 at the door.  If you would like to purchase tickets now, click HERE and grab one!!!

See you there tomorrow!!!

Free Show Tonight @ The Rock Hall w/ Murder By Death & The Buried Wires

Created by Aaron Seachrist at OKpants.com

Summer is coming to an end folks, but that does not mean it is over just yet.

Tonight the very talented Indiana rock/country act Murder By Death will be playing a FREE show at the Rock and Roll Hall of Fame Museum.  This show will take place outside in front of the Cleveland staple and is open to everyone who attends. 

I just checked the weather and it looks like it is going to be the perfect evening for an outdoor show.  I have been getting in to Murder By Death over the years after being introduced to them through some friends of an ex of mine.  At first I was not entirely sold, but the more and more I listen to them, the more I really appreciate their style.  This is a band that I have been wanting to check out live for a while now.  Looks like that will happen tonight.

Local rockers The Buried Wires will be opening the night off around 7pm.  Make sure you get there in time to see this up and coming act.  Named by Scene Magazine as a “Band To Watch” in 2010, it is safe to say they will be putting on a great show.

The FREE show is part of the Rock Hall’s Summer In The City Series and sadly, this is the last one of the year. Summer in the City is sponsored by Ohio Natural Gas, Magic Hat Brewing Company, Amtrak, KeyBank and Jim Beam.

Interview: Darius Koski of Swingin’ Utters

Every once in a while, I’ll have a day where I feel like I am just getting too old to love what I love.  I wonder if I should turn it down a notch.

Face it, a lot has changed in 20 years since I was an adolescent teenager just looking for my piece in life.  I picked my crowd, chose my music, and did not have one single regret about any of it.  Hell, I still don’t.

For those of you who really know me, you can see that not much has changed with me in two decades.  I dress the same, act the same and listen to a lot of the same music I did back when I was a teen.

Still, every once in a while I just feel like I am starting to slow down.  Then I think about the bands that have carried me along my punk rock path who are still alive and kicking and suddenly, I stop feeling sorry for myself.  These bands I speak of have been around as long, if not longer than my appreciation for music has, and year after year they release new material and tour.  They’ve aged, become family oriented, made sacrifices and still are able to do what they love to do the most.

Then there’s little ol’ me feeling sorry for myself…  I should kick my own ass right now.  I should be stoked I haven’t lost my own roots and continue on with what makes me who I am.

One of those bands I speak of is Cali’s Swingin Utters.  An O.F.W.C (Original Fat Wreck Chords) band, the Utters decided to drop an all new album last year called Here, Under Protest (check out my review HERE) after a 7 year hiatus.  They may have taken a time out and done their thing for a while, but they jumped right back onto their 20 year career without missing a beat proving age does not mean a damn thing and it’s all about the attitude and passion, you know the things that make you happy.

I got to see the Utters last year at a small (read: tiny) venue in Cleveland last summer and had an absolute blast.  I felt like a kid all over again.  I was happy to be hanging  with good friends while surrounded by great music.  It was a reminder to me that it does not matter how old you are or feel, you are who you are and never should question or change that.

Recently I had the chance to chat with Darius Koski, one of the bands vocalists/guitarists of the Utters.  Darius was kind enough to answer a few questions for me:

BHP: I guess the first question would be, what took so long to drop new a Swingin Utters album?

D.K.: Raising our kids, working, some of us not interested in touring anymore… it was part burnout, part apathy, and partly just kind of losing track of time. We sat down and talked about what we wanted to be: a band that played long weekends here and there, mostly in California, and didn’t do much recording; or more like the band we used to be, which was a touring band that came out with records every couple of years at least… so we chose the latter.

Whose idea was it to throw in Orson Welles saying “here under protest is beef burgers” at the beginning of the first track on Here, Under Protest?

That was Spike’s idea. We’re kind of obsessed with “Celebrities at their Worst” CDs.

Was there a lot of material in the last 7 years previously written that was to be used on the new album or was this all newer songs?

There were a few older ones… “Kick It Over”, “Good Things”, “Time On My Own”, “Blindness Is Kind” and “Effortless Amnesiac” were written maybe 5-6 years ago, and “Heavy Head” was, for the most part, written about 20 years ago–I kind of messed with that one a little bit, with the lyrics and melody, etc. but it’s basically the same song I wrote back then.

Seems as if everyone took turns writing songs this round on the album more so than past releases. Can we expect to see that as a trend to continue with future releases?

Sure! We don’t really plan stuff like that, but I always encourage people to write. I know Jack’s writing a lot right now, and has a lot of stuff waiting around to be finished; I’ve got a load of stuff, and Johnny does as well. I need to work on Spike a bit, and then we’ll all have some songs on the next one. I think that’d be great, to have 4 different writers on the next one. It’s usually mostly me and Johnny.

How did it feel to get the band back together and on the road last year for a more long range tour?

It’s been great, and I’m really happy we’ve started up again. I’ve missed it. It’s a lot harder now that we’re older, though.

I am sure hitting the road these days is a lot harder now that you have a family. Are they cool with you touring?

My relationship with my wife has always incorporated touring–we got together while we were recording Streets of San Francisco, and went on our first US tour 2 months into our relationship, so we know the drill. My kids have gotten relatively used to it as well, but it’s a little bit tough for them at times I think. My wife’s got a lot more shit she has to do when I’m gone as well, so that sucks for her, but we manage.

Here, Under Protest was an impressive release. I was stoked to hear another folk jam thrown in towards the end of the album. Have you guys ever thought about just dropping an all folk-heavy album?

Not at all, really… That’s what me and Johnny started Filthy Thieving Bastards for.

So when can we expect a new Filthy Thieving Bastards release?

As soon as the Utters decide to take a little break. We’ve got plenty of songs for an album.

What’s going on with your solo material?

Not much. I need to work on it. I need to do something with those fucking songs.

20 years on the scene… Wow, seriously that is impressive. Did you think you would last this long?

Never really thought about it, but it’s pretty crazy that we’ve lasted this long, been as successful as we’ve been. Just to put out a record was a big deal for us, so we’re pretty lucky.

I know you have said in other interviews that you really do not listen to a lot of new punk bands these days. Is there anyone that has caught your ear lately?

Punk-wise, I like the Spits (not new, I know), Modern Action, Sharp Objects… I think the Cobra Skulls are good… Off With Their Heads.

What are some of your all time favorite punk bands?

Black Flag, Sex Pistols, Buzzcocks, Generation X, Stiff Little Fingers, the Clash, Ramones, X, Wire… I don’t know about a million others. Those come to mind pretty quickly…

What is the term “punk” to you these days, if anything?

Just doing what we know how to do, living our life… I don’t know. I’m punk rock, but I’m not a preacher. I don’t really like talking about “punk rock” and how it “changed my life”, or anything like that. As far as being any sort of real movement, or being “shocking” or anything… I think those days are over. It’s just about doing/saying what you want, DIY, etc.

Was there any certain time that you think back to in the scene that you will never forget? Maybe a favorite show?

Just the early days of our own band. Those were really fun times. Ahhhhhh, to be young again…

How did you get Jack from One Man Army / Dead To Me to jump on board with the band? I think he is a great fit.

I just waited for him to disband One Man Army, then I asked him. I knew he’d say yes, because we’d talked about it… I just didn’t want to be partly responsible for ending One Man Army or anything… He was done with the band and it seemed like he was kind of looking for a way out, but I wasn’t gonna be the one to give it to him! Yes, he’s a perfect fit.

Any comments about Ben Weasel’s blowup at this year’s SXSW?

I think he sounds like a little piece of shit that needs to be punched in the fucking face. I’ve always kind of thought that, though.

What’s next for the Utters? Can Cleveland expect to see you return soon?

I’d love to be back in Cleveland sometime next year, maybe in the spring? We’ll be back soon. Europe in September, some Dropkick (Murphys) dates in October, and a little Texas/west coast thing in November. I’d like to record again within the next year as well.

Any last words you care to mention?

Buy our record!