All posts by Brian Mc

Album Review: Fact To Face – Laugh Now, Laugh Later

I am seriously in an old school punk rock overload as of late these days and could not be happier. It seems as if all these bands I used to adore as a kid are coming out of the woodwork and are releasing albums as well as touring in support of them.  In the last week alone I have seen live performances by some amazing bands from the 80s and 90s including Bad Religion and Strung Out. There is one band though that I was most excited for, a band that I was more or less obsessed with in my high school years.

Seeing Face To Face live completely blew me away.  I saw them last summer at the Warped Tour and they sounded great, but their set was so short it was almost depressing.  For more on the show check out the review I posted last week.

Let’s talk about Face To Face…

Trever Keith and company may have stated that Face To Face was done back in 2004 due to indifferences, but just four years later the band decided to regroup but had no plans on releasing new material.  Featuring Keith (the only original member), Chad Yaro, Scott Schiflett, and Danny Thompson, the California punk rock act is back in the scene.  Not only have they been hitting the roads, but they have also decided to drop an all new album titled Laugh Now, Laugh Later on Antagonist Records. This is the band’s first album release in almost eight years.

“Should Anything Go Wrong” opened the album off strong and almost sounded as if the band never took a break.  With a catchy chorus and fierce guitar playing, the song reminded me why I have loved this band for so long.  “It’s All About You” follow and was a little less intense, but Keith’s lyrics just made the song as well as the fun guitars throughout, especially midway through.  Just two songs in on the album and I was already impressed.

“The Invisible Hand” was an instant classic to my ears.  With lyrics of trying to grasp on to what you can not have, the track immediately was lodged in my mind.  Although I liked the bass lines in “Bombs Away”, I felt the song was a little too Ignorance Is Bliss for me and I just could not get into it.  “Blood In The Water” was a good track though and begged for another listen as was “What You Came For”.  “I Don’t Mind And You Don’t Matter” really could have been left off the album as it just did not fit in with the rest.

“Stopgap” was a nice harsh track with Keith repeating  “you got something you want to say to me / so what’s your story better get it straight / don’t waste my time with your apologies” throughout carried by some great guitar work and drumming.  In a more positive feel, “All For Nothing” was a decent love song that had a couple Social D-sounding notes thrown about.

“Pushover” tried hard to hang on to the old school Face To Face sound.  While the track sounded great, I felt the bass riffs could have been faster and heavier.  They seemed to hide behind a lot of the track on the album, especially this one.  The track was also incredibly short and just dropped off leaving “Under The Wreckage” to close things up on the album.

interviewed Keith a few years back and remember him saying that they missed playing shows and he had no intentions on recording new material.  It did not sound like he was that excited to create a new album as much as he was with playing older material, but I am pretty sure the tables have turned.  Laugh Now, Laugh Later may not be the best thing I have heard come from Face To Face, but there are a couple gems in there.  I am just more thrilled the band is back and doing their thing.

As previously mentioned, I saw them live about a week ago and they killed it on stage.  Throughout their set their played three of the new tracks and, to me, they fit in just fine with all of the classics they created years ago.  The one thing though that impressed me the most though was how happy Keith and crew were on stage.  They were having a good time doing what they love best and as a fan, I could not ask for anything more.

Album Review: Swingin’ Utters – Here, Under Protest

I am sitting here trying to figure out how to start this review about an Oi!/Street Punk/Folk band that has been around for over two decades.  They are one of the O.F.W.C. (Original Fat Wreck Chords – I made that up) members and have been a huge influence to my punk rock ears ever since I was a teen.

The band I speak of is none other than the Swingin’ Utters and after eight years, the band has dropped Here, Under Protest, perhaps the best thing I have heard ever from the San Francisco band.  Seriously, I can not stop listening to this album, it is amazing.

Where do I start?  Could it be that the band sounds more polished than ever?  Could it be that Johnny Bonnel, Spike Slawson (Me First & The Gimme Gimmes), Daris Koski AND Jack Dalrymple (Dead To Me) share singing duties throughout the release without any sort of conflict?  With all the elements making up the Utters these days, one would think they are a modern day punk rock superband, one I should add that is not a complete joke.

Orson Welles is heard at the beginning of the CD saying “here under protest is beef burgers.”  This line comes from the historic film icon when he was narrating a advertisement for a British company called Findus.  Yes, I searched the internet to find that out.  I knew it was his voice the moment I heard it, but wanted to know more.

“Brand New Lungs” started off the album and I knew right then that the album was going to be an instant gem.  Granted I already had heard the song last summer when the band dropped a 3-song 7″ to tide fans over till the full-length released, the fact of the matter is that the song is solid and perhaps the catchiest track on the entire album.  Bonnel’s raspy voice has never been more welcomed to my ears during this song.

“Taking The Long Way” followed and just kept that great sound continuing to impress me.  The lyrics were interesting as they spoke of basically planting your feet.  “Kick It Over”, featuring Koski on vocals, was a great track that shied away from the usual Utters sound and hinted back to the earlier days of punk rock.  “Good Things” was a little heavier with Bonnel just giving reasons throughout to get hammered.  They don’t call him Johnny “Piss Pants” for nothing you know…  “Heavy Head” was just a smooth track – Nothing more, nothing less.

“(You’ve Got To) Give It All To The Man” was the heaviest, old-school Utters sounding track on the entire album.  Fast paced and to the point, this song screamed 90’s punk rock all the way through.  “Time On My Own” had Koski back on lead vocals and continued with that fun punk rock vibe that took me back to a teen.

The folky “Scary Brittle Frame” may have sounded like nothing else on the album, but it was my favorite track.  I really wish the Utters would just drop an all folk album one of these days.  They do such a great job creating songs here and there that can be found throughout their catalog it would just make sense a full length.

The final track on the album, “Effortless Amnesiac”, was another catchy as hell punk track with Dalrymple taking over vocal duties.  After hear this track I really hope, should he stick around with the band, that he be featured on more future tracks seeing how his singing fit in so well with the music.

It amazes me that a band that has been in the game for so long still has no problem creating such a great release.  Here, Under Protest is good, wholesome punk rock from a group of guys who know exactly what they are capable of.

This new Utters mateiral may not be as Oi!/Street Punk/Folky as they used to be and rub off more as Filthy Theiving Bastards at times, but that is ok by me.  Here, Under Protest, hands down, is one of my favorite punk rock albums so far in 2011.  20 years in the business is never an easy feat, but the Utters have no problem continuing onward.

Swingin' Utters - Taking The Long Way

Music Video: Alexander “A Million Years”

This is a great video from Alexander, you know, that bearded happy guy in Edward Sharpe & The Magnetic Zeros

Very unique video if I do not say so myself. The song is amazing too.

Alexander released a solo album back in March titled Alexander. I have yet to dig into the entire album but did check out the song “Lucky” as well as “A Million Years” and really enjoyed what I heard.  Check them out:

Alexander - Truth

Alexander - Truth (White Arrows Remix) - Song

Album Review: Thursday – No Devolución

I remember the first time I heard the one time post-hardcore/screamo outfit Thursday.  They were of a genre of music I swore I would never get into, but there was something about them I really was attracted to.  Over the years I have watched them mature into phenomenal musicians and it’s no surprise that they decided to try something differently on their sixth studio release.

No Devolución is perhaps the band’s most involved album to date.  It is not like any of their previous material and at times and really feels like a well put together work of genius.  Geoff Rickly still does wonders with his signing ability while the rest of the band seems to have really mellowed out this round.  This is the bands second release under Epitaph Records.

“Fast To The End”, a catchy rock jam, opened up the album.  Rickly and crew seemed to keep to that known Thursday sound intact with some screaming thrown in around.   

“No Answers” without a doubt was my choice track thanks to the catchy synths that easily could be compared to MGMT.  The song flowed so well throughout with very poignant lyrics talking of relations with Rickly singing “No answers, no answers when you’re around” at the end of the track.  Sad track, but beyond amazing to listen to.

The piano playing throughout “Sparks Against The Sun” made for a nice, gentle feel throughout.  The song itself was easy on the ears with the synths and distorted bass lines backing calm singing. 

“Open Quotes” on the other hand had a more aggressive approach.  Hinting back at some of older Thursday material, the track had a couple shouts and screams and a little added distorted guitar playing, but overall really could have been a tougher track.  It just seemed to dissolve by the end.

Starting slow was “Past And Future Ruins”, a killer track with heavy Muse matching guitar riffs as well as xylophone both over a steady floor tom beat.  Rickly had no problem showcasing his vocal ability throughout and even tosses it in a distorted mess a couple of times giving for a very loathing tone.

“Empty Glass” was a sad, sad song.  Although beautifully put together, the track was gloomy as hell and easily could bring the happiest person down to a whimpering lull.  The electronic driven music along the pitch-shifting singing was haunting yet almost comforting to listen to.

“A Gun In The First Act” was a darker sounding track with very NIN simular synthesizers in the background.  The more I listened to it, the more I heard NIN’s version of “Dead Souls” originally performed by Joy Division in it.  Overall the track was amazing and was one of my favorite cuts off the album.

“Turnpike Divides” brought the energy back with a old school Thursday feel to it.  The track is a no-place-like-home tribute to good ol’ New Jersey.  I loved the Bruce Springsteen reference, “it’s hard to sleep when you’re born to run.”  This was another song I enjoyed a lot and just stood out over all the other tracks.

Putting an end to the masterpiece called No Devolución was “Stay True”, a motivational track aimed at just about anyone who wants to give it a listen.  The Rollins-esque lyrics were quite stern yet compelling to follow along to.  Aimed at a novice in life, this song has the ability to shed guidance on those who are looking for answers.  Sometimes all it takes is a song for someone to guide them in the right direction.

No Devolución has made me a bigger Thursday fan.  Over the years, my music taste tends to change and I find myself getting discouraged sometimes are bands who never challenge themselves.  Sometimes the outcome is a disaster, but I have to hand it to Thursday, they put together an outstanding release without forgetting who they once were, and still are.

Thursday will be coming back to Cleveland on 7/23 during their tour with Taking Back Sunday at the House Of Blues.  Tickets are $27.50 and are on sale now.

Concert Review: Face To Face / Strung Out – Peabody’s – Cleveland, OH – 05/10/2011

Last night was a blast to the past, specifically 1996, thanks to punk legends Face To Face and Strung Out who made a stop in Cleveland at Peabody’s.  The fact that the show landed on a Tuesday night meant nothing to all who filled up the venue to almost sold out proportions.  Fans generally were a little older at the show seeing how the main bands playing ruled the punk scene in the mid-nineties.  It was actually refreshing to be surrounded by such a crowd as I was in their company 15-years ago at random shows.  There were so many familiar faces, it was like a punk rock reunion of sorts.

The Artist Life opened the show but I did not get into the venue in time to see them.  My friends really did not have much to say about them, but after checking out their MySpace profile, I would not have mind to have taken them in.  The Toronto foursome kind of reminds me of a mix of some of the newer punk acts I have been digging recently like Menzingers mixed with AM Taxi.

Long Beach, CA’s The Darlings took the stage to a full crowd and did their best to impress.  The crowd was just not into them at all.  They did not heckle the band or anything, but there was not that much cheering or crowd response at all.  In fact, the old time the band got the crowd riled up was not when they played a Misfits cover, but when they played “Cruel World”

Strung Out, on the other hand, had no problem what so ever getting the crowd going.  Taking the stage, the band dropped into “Too Close To See” and  basically just hammered through an impressive set.  Fans went wild when they played “Firecracker” followed by “Mind Of My Own” with Jason Cruz sounding better than ever on vocals.

During “In Harms Way” the band decided to reline the 90s a little more and did a nice little breakdown of Pantera’s “Walk” to which the fans all sang along to.  Even though they were all hard at work, Strung Out also decided to do a live audition for a new guitarist for all to see and invited Jim Blowers from Pulley to fill in on a “Speedball”.  Needless to say, Blowers proved he has what it takes to play in Strung Out.

My pal Chewy said it best about Strung Out’s set when he turned to me while we both took in the show and said that “this is one of those bands you listen to on CD thinking – wow, I wonder if they sound this awesome live?”  He paused, turned his head to watch the show for a couple more seconds and looked back at me with a huge grin on his face and happily said “yup.”

He was right.  Strung Out is one of the more technical punk rock acts out there and even though the band is going on 20 years, they sounded amazing if not better since the last time I saw them.  Rocking through tracks old and new, the band finally thanked Cleveland for allowing them to play for them and finished off their set with “Bring Out Your Dead” and “Matchbook”.  The crowd of course wanted more, and I am sure the band wanted to play more, but everyone knew they would have to wait till the next time they rolled through town.

The headliners of the night, Face To Face, finally took the stage to an adoring crowd.  The band was all smiles as they broke into “You Lied”, a punk rock classic followed by “You’ve Done Nothing”.  About four songs into the set, Trevor Keith announced that his voice was finally coming back and without hesitation started throwing out snark remarks to the crowd in good fun.  The crowd took it well and realizing that he had everyone’s attention, Keith announced that the band would be playing a new track titled “It’s Not All About You”.

I am not sure the crowd really was into the new track played, but I can tell you that the following three songs the band played including “Ordinary”, “I Won’t Lie Down”, and “Blind” was a whole different story.   Everyone, including myself, had their eyes on the stage and sang along every single lyric to those songs.  Keith and company looked impressed and Keith even mentioned hoe he was feeling an “old school punk rock vibe” in the venue and liked how there was not a line of bouncers in front of the stage.

He continued how he wanted everyone to have a fun time and wished for no one to get hurt.  He invited fans on stage one to two people at a time as they played and told them to do their thing and jump back in the crowd, just like the good old days.  Keith also warned that anyone acting like an ass would have to face the bouncers located on both sides of the stage.  After noticing some of the smaller folk in the crowd he even went so far as to inviting a handful of girls to watch the show on the side of the stage.  Keith was looking out for the fans last night, that is for sure.

After laying down the rules, the band continued with “Pastel”, another new track titled “All For Nothing”, and one of my favorites “A-OK”.  Honestly this might have been the best performance I have ever seen by Face To Face.  They looked so happy to be playing on stage again after being on hiatus for about 8 years (minus last year’s 30 minute Warped Tour set).

With minimal breaks between songs, the bad kept moving on with “Velocity” and “Complicated”, perhaps my favorite Face To Face track ever.  Hearing it live just made me love it even more.

When fans threw beers towards the stage, Keith avoided acting like a Weasel and laughed saying “I Don’t Want That!”  He was having a good time and that made the show that much more entertaining.  Just for kicks, the band decided to play a country song, more specifically “Keep Your Hands To Yourself” by the Georgia Satellites.  Keith was amazed when the entire crowd sang the chorus in unison and admitted that he thought Cleveland was amazing.

Putting an end to the night, the bad played “Big Choice” and treated everyone to “Disconnected”, perhaps the band’s most commercially friendly song.  Popular or not, I loved hearing it live and practically lost my voice singing along with.  The band thanked everyone for coming out and exited the stage only to return for a two song encore, one new track, and one old track.

Seeing Face To Face and Strung Out play live together in one night was a dream come true.  I felt like a kid all over again seeing both of the 90s acts take the stage.  I was impressed with how both bands sounded live and how excited they were to be performing to the crowd.  They were both top notch throughout and I could not ask for a better punk rock show.