All posts by Brian Mc

Henry Wagons Checks In…

It’s no secret, Broken Headphones loves Henry Wagons and his band Wagons (two consecutive posts might hint at that…).  The guy beyond hilarious and his band dishes out some of the best outlaw country/rock I’ve heard in a long time. 

I just hammered out a review of the latest Wagons release the other day for your reading pleasure and decided I might as well touch base with Henry through the magical forces of email.  Currently Henry and his band are touring North America in support of their new release titled Rumble, Shake and Tumble.  Here’s what he had to say:

Henry, what brings you back to the states?

My global brainwashing mission is in full effect! I eventually want to take over the world with one of those swirly patterns on a TV transmission. Playing music with my band is the first step.

Were you able to bring your band along this time?

I have brought 3 stinky dudes with me.

How has the tour been so far?

It’s been great. Pretty much Seattle and Canada so far. I’m still bracing myself for the rest. I want to try as many weird burgers as I can.

I understand you flew to Toronto Monday night in a small plane with old men. How did that go?

It was a little bumpy and a little grumpy (old men).

How’s the tour been this round? Did that stupid hurricane affect you at all?

The only hurricane style event we have faced was the powerful massage shower in our Toronto hotel room.

What can someone expect to see at a Wagons show?

A lot of pent up energy expressed from many hours in the van and in airport customs queues. All the bodily fluids that are retained within our bodies from a aeroplane pressurised cabin come out on stage in the form of blood sweat and tears.

Most importantly, are you rocking the headband?

You know it.


Wagons are actually playing the Beachland Tavern this Sunday! Tickets are only $8.  As I have mentioned previously in posts, Wagons are already big deal in Australia.  8 bucks…do it!

Wagons ‘Rumble, Shake and Tumble’ USA/Canada Tour
Sep 03 | Bumbershoot Festival – Seattle
Sep 04 | Railway Club – Vancouver
Sep 06 | Horseshoe Tavern – Toronto
Sep 07 | Zaphod Beeblebrox – Ottawa
Sep 08 | Rockwood Hall – NYC
Sep 09 | Union Hall – NYC
Sep 10 | World Café Live – Philadelphia
Sep 11 | Beachland Tavern – Cleveland
Sep 13 | Hide Out – Chicago
Sep 14 | The Basement – Nashville
Sep 15 | Hangar 9 – Carbondale
Sep 16 | Off Broadway – St Louis
Sep 17 | Hi-Tone – Memphis
Sep 19 | At the Earl – Atlanta
Sep 21 | Hotel Café – LA

Album Review: Wagons – Rumble, Shake and Tumble

Henry Wagons and I met by chance one day last September.  He was an opening act for Those Darlins that night and I remember the tall Aussie armed with a headband and acoustic guitar impressed me beyond belief.  His set filled up the tavern that night with outlaw folk/country jams making me an instant fan.  After his set I learned that Henry Wagons hailed from Melbourne, Australia, and actually left his band, Wagons, back home as it was too tough to fly everyone to the states.  Even though they were a pretty big deal back home, Henry Wagons took it upon himself to spread their music to the states.  I left that night with a copy of a Wagons CD titled Rise and Fall of Goodtown, a sweet towel and new love for an Australian band.

I tried my hardest to see Wagons play at SXSW in Austin, TX, this past spring, but thanks to a botched flight, I did not get there in time.  Rumor has it, Wagons turned a bunch of heads with a memorable set in which they played new material off a new album.  Needless to say, I was bummed out that I missed my chance to see Wagons and hear some of the upcoming tunes.

Luckily for me and many other fans, Wagons dropped their fourth all new release titled Rumble, Shake and Turn on Thirty Tigers toward the end of the summer.  The album is country, it’s rock, it’s even a little cabaret and sure as hell is full of outlaw tendencies.  When listening to Wagons, you get a sense you have heard the music before not just from your father’s collection, but also from your grandfathers collection you might have been exposed to at a young age.  The band takes generations of music and blends it perfectly into their own style guaranteed to turn some heads.

Opening track “Downlow” is very Tom Petty sounding from the get go with lyrics that almost could emulate Wagons’ very own wit and charm.  “I Blew It”, a quite addicting track to listen to, immediately followed full of outlaw country styles as well as some Elvis-sounding growling within.  The music video as seen below is pretty damn amazing as well.  “Moon Into The Sun” was about as country twang as any track on the album gets with a more sensitive Wagons declaring “my life has been a fucking mess without you.”.  Wagons’ singing on this track easily brought the listener back to the days of Twitty, Williams, Jennings, Haggard, and even a starving young Cash and seemingly did not sound like he was even trying to.

The ever catchy tribute to Willie Nelson,  properly titled “Willie Nelson”, deserved multiple plays on account of how fun it was to listen to.  Comparing Nelson to other greats, I loved how Henry Wagons shifted his accent  (“Willie Nel-sun!”) in a clear comical attempt to mess with the listener yet pay a homage to a country great.  “He likes some salt and pepper with his evening meal” is repeated over and over by Wagons about his favorite musician in the country music business and as much of a tribute the song was, it was just hilarious to listen to.  I would love to know what Nelson’s reaction was about this track.

“Love Is Burning” was an unexpected track on the album that was more rock and roll than anything.  “My Daydreams” was a thoughtful track spanning around romance that easily has the ability to swoon.  Wagons’ had no problem recalling the outlaw greats throughout the track as the band backs him up.  “Save Me” was a simple upbeat tune with easy sing-a-long qualities, more of that country twang and even a little blues thrown in.  “Follow The Leader” moved along with almost a train track rhythm only to jump rail and turn psychedelic for a moment.  i did not know what to think about this song.  It definitely strayed away from the rest.  “Marylou” ended the album and at the very end, Wagons closes out the album with a sigh making me wonder how personal that track really was to Wagons.

Rumble, Shake and Tumble was a great album from start to finish full of American genres with a modest Australian twist.  Wagons and company pull off yet another impressive release that more people need to check out.  Wagons has quite the fan base back home and I am pretty sure before long, we Americans will be picking up on their talent.

Wagons is actually back on a US tour in support of the new release and will be stopping at the Beachland Tavern in Cleveland this Sunday Sept. 11th.  Tickets are only $8 and if you fathom yourself a folk/country/rock fan, you would be doing yourself a favor seeing them live.  Not only is the music good live, but Wagons himself is a pretty candid guy.  Don’t be lame.  Get up there Sunday night.

Concert Review: Daytrotter’s Barnstormer Tour 5 – Akron, OH – 08/31/2011

It was a beautiful night this past Wednesday at the Conrad Botzum Farmstead located in the Cuyahoga Valley National Park just outside of Akron, Ohio.

Thanks to Sean Moeller of Daytrotter, the Barnstormer Tour 5 took over the farmstead for the night and turned it into one of the more unique venues that I have attended in quite some time.

What normally is a place for people to gather for parties and weddings showcased five unique bands including Wildlife, Princeton, Doug Paisley, White Rabbits and Hacienda within the walls of a giant barn.  Each band set up on one side of the barn throughout the evening hours turning it into their very own stage. The atmosphere was perfect for such an event.

Having been to the 100-plus year old barn at the Conrad Botzum Farmstead before, I knew it was going to act as a beautiful landscaping for a great idea. Daytrotter for the last five years has done something different in means of live music performances by creating the Barnstormer Tour with one idea in mind – live music in barns.  Sure, it may sound a little hick-ish, but it is more personable and traditional than any other type of live performance out there.

Daytrotter did the Barnstormer Tour mostly on their own and kept costs down. Tickets were sold on their website for a reasonable $20 exclusively to fans or they could be purchased at the day of the show for a few bucks more. There were no food vendors littering the grounds with $10 beers and $14 pretzels, no security telling you to bend over and spread ’em before you entered the area, and there was really only one rule: smokers please smoke by the firepit. In fact, this was a BYOB event (or BYOP for those who brought pretzels), and all who did maintained their trash and showed the utmost respect to the grounds.

Arriving much earlier than anticipated, bands were busy unloading their gear from white vans and transporting it up six steps to the large wooden porch that led into the giant barn. All who arrived for the show immediately marveled at the barn and explored the scenery. Some hung close to the stage area in the bard while others frolicked in the grass. One black and white striped pants wearing female was even seen skipping about in the fields of grain that reached beyond the fence.

The music started just before the sun began its departure into the western sky at around 6:30 pm. While in the barn, the sun actually made its way into the windows of the barn as Wildlife played their set opening up the evening. The pop-rock band from Ontario, who were all dressed in black, were actually quite impressive to watch even though the barn was just a tad too warm thanks to the sun pounding on the barn walls.  “What a great idea” said one of the band members as they told the crowd they dressed alike on purpose forgetting about the sun.  Whoops!

Princeton followed shortly after to a slowly increasing crowd. Perhaps it was the temperatures cooling down, or the fact that many of the fans, including myself, had a few beers in them, but everyone seemed very relaxed. Reminding me a lot of Phoenix, the band was heavy on the keyboards and encouraged the crowd to move a little.  After seeing them live, I am intrigued by their sound and will be checking them out a little more in-depth shortly.

Doug Paisley, also from Ontario, took a more intimate approach and played to the decent sized crowd unplugged. This could be a misconception on my end, but I was not even aware he was playing in the barn while I was sitting by the campfire. It was only until I heard a loud uproar of clapping did I realize I was missing a performance. I quickly made way back into the barn and moved up front to take in Paisley’s set.  Soft-spoken yet powerful songs came from that man and I have to say, I really enjoyed what i heard and if any artist should have played in that barn, it should have been Paisley.  Oh, I should also mention the near assault of Paisley by a resident barn bat.  No one was injured in the event.

White Rabbits stole the night as far as I am conderned.  The UK band played song newer songs at the beginning of their set and by the end returned to a more falmilular rhelm.  People were loving what they had heard and were jumping and dancing about.  Luckily for everyone crammed in the barn, the floors never gave out.  Having just gotten into White Rabbit a couple of week prior to the show, I was excited to hear a couple of the songs I remembered digging. 

Hacienda closed out the night with some wholesome and soulful Texas rock-n-roll.  The band, who recently just finished up recording at local native Dan Auerbach’s (Black Keys) Nashville studio, played a few new selections to the hyped up crowd.  I was lucky enough to catch them support Auerbach as his backing band a few years back when Auerbach went on his solo tour.  I knew well in advance that  I was going to get into their set, and that I did.

The Barnstormer Tour was simple and fitting. It was the bands, the fans, and a whole lot of scenery for all to enjoy. It was indeed one of the more unique concerts I have attended, and it was only 5 minutes away from my residence – bonus.

The Akron Barnstormer stop was the first time Daytrotter invaded northeast Ohio and proved to be a successful display of live music for all who attended. I know there was concern on poor ticket sales for the Akron stop, but from what I saw, there was a good number of folk who attended and appeared to be having a good time.  Of course it would have been nice to see thousands of people standing in and around the barn, but I suppose there is always next year.

Sean Moeller’s vision of taking live music literally to its roots in turn was a memorable experience I was happy to say I was a part of.  I was stoked years ago when Moeller found an original idea to share bands by having them record sessions at his studio also known as the Daytrotter Session.  I really feel he’s outdone himself by making the Barnstormer Tour more than a one time idea. 

Here’s hoping that next year’s Barnstormer Tour considers returning to northeastern Ohio again.  I’ll also be excited to see what bands he picks to have play out regardless if Ohio is a stop or not.  I’d even be willing to travel to attend another Barnstormer Tour, it was that enjoyable.

CBS Radio Kicks Cleveland’s Music Lovers In The Pants By Yanking Radio 92.3 From FM Radio

I figured I might as well talk about the 92.3 change while I had a moment.  I know that many of my friends are all sorts of excited for the sports radio station to take over.  Honestly I would be happy too if I were into sports as much as they are. 

I guess I look at the change a little differently and not even because I think Cleveland needs to have  crappy music like Paramore and My Chemical Romance played along with even worse music like Audioslave and Staind.  Oh, dare I mention Sublime???  (It was not that bad, they played the hits of Bad Religion, Rise Against, and Rancid too sometimes…)

The rumors are true.  92.3 is now called The Fan.  Its Cleveland’s first sports radio station.  Rejoice!!! 

The logo looks….well…you decide:

Seriously, how many people that you know actually have HD radio?  I know I don’t know anyone who has one of those, and if they did, they never told me because it just is not anything worth mentioning about.  I honestly think that not many people are going to listen to the iPod on shuffle, I mean, HD-2 92.3.

Yes, HD-2 will still play music, list shows, and keep listeners informed, but it is not going to be the same.  I have no desire at all to even jump onto the HD station’s website and stream music.  Done.  Maybe me recall the time I bought a portable XM radio player thinking it was a good idea. 

92.3 has been around for as long as I can remember and it was always music related until now.  There was 92 RQCK, Jammin 92.3, 92.3 The Beat when I was younger, and then the more memorable 92.3 Extreme Radio, K-Rock, and of course Radio 92.3. 

I know that not everyone out there was a fan of Radio 92.3.  A lot of the music they played was not really my thing and sometimes repeated one too many times, but every once in a while they would throw a gem in there.  They took the liberty to cater to as many people as they could, and that is no easy task.  They kept the community informed on what was going on and even threw together some awesome shows.  One in particular was the impressive Kuyahoga Fest that K-Rock threw together years back at Blossom.

There were a couple people who worked for the FM station I felt owe a shout out to.  Not only were they entirely too cool to me, but they also supported this dinky little website of mine.

Nard, the man behind the curtain, really gave it his all when it came to that station.  Not just inside the studio, but also during promotions and events.  It’s tough to please one person, but he managed to keep the attention of all of the surrounding communities of Cleveland that set their dials to 92.3. 

The regular Sunday night locally focused Inner Sanctum, featuring Pat The Producer and Matt Wardlaw, just celebrated 18 years as a continual program only to have to find a new home.  Luckily WNWV 107.3 FM Cleveland was quick to pick them up and they will not even skip a beat sharing the local music scene with Cleveland every Sunday.  There’s some good news for some good people who I have had the pleasure to call friends for a few years now.  If you have not checked out Inner Sanctum yet, you should.  They play a lot of good quality tunage by some amazing local talent.

Will there be a new radio station to jump in and take over? Is the HD-2 92.3 going to stick around, or will CBS ax that too?  Does it matter really anymore?  How many people really listen to radio these days as much as they did 10 years ago?  I know I do not.

The fact of the matter is that Cleveland has lost another alternative rock station and good people have lost their jobs because of it.  Where as I did not listen to the station daily, I did have the pleasure of making friendships with many of the staff that CBS released.  Regardless of how shitty some of that music was on that radio station at times, the people I knew there were incredible and I am happy I was able to network with many of them.

Good luck to everyone from 92.3 that CBS took a giant Cleveland steamer on.  Thanks for all you have done for me (and the rest of the city for that matter) with music.  I am sure you will have no problem finding something else soon.  I have no problem if you all collaborate and decided to make a radio station that played all punk rock and Clutch.  In fact, I would totally be ok with that.

RIP Radio 92.3…

Friday Night At The Gurley House

Once again, the Gurley House in Akron, OH, has proved for a great evening of music.  There is nothing quite like seeing a show in the basement of a house that just makes it that much more personal.

Tonight I got to see four bands, some of which I have heard of and some who I have been wanting to check out after hearing about them through friends.  The result was four performances by different genre bands all of which caught my attention in various ways.

My resident pal Roscoe started off the night with an electric acoustic solo performance.  He played some of his material, some of which I really think needs to be recorded.  Seriously, it was good shit and even though he hardly plays solo shows anymore, he had no problem jamming out a few tunes.

The Ohioans followed with an acoustic set.  The last time I saw them is when they opened for Jeff Rowe in the very same basement a few weeks back.  I was really impressed by their initial set and really enjoyed the acoustic session.  If you like folky rock you need to check out this up and coming local act.  Head on over to their BandCamp page and download their  self-titled album for free and see why I dig these guys so.  Check out the track  “512”, one of my favs off the album.

Michigan’s Protected Left were supposed to be the headliners of the night, but one of the bands was running late due to a previous commitment.  The threesome had no problem shifting slots and just rocked out hard to the gathering of music loving people.  This band seriously rocked.  Mixing punk, metal, and thrash (sweet sweet thrash…), the band got all technical at times when playing reminding me of shit Strung Out likes to pull yet kept a melodic pop-punk feel throughout.   I loved this band’s sound and really hope to see them push out a full length one day.  Until then, head on over to their BandCamp page and download their 3-song EP titled Songs Of The Doomed for free.  Check out “At Least I Didn’t Cut My Ear Off” and tell me it is not catchy and just bad ass to listen to.  Not only do they play good tunes, but they are also a bunch of cool peoples to hang out with.  Really stoked I had the opportunity to meet them and see them play.  Can’t wait thill them come back to Ohio again.

The last band to play the night was a local act I had heard of through friends but had never seen (or heard) before.  The band, Cherry Cola Champions, not only has a great name for their two man act, but also pretty much blew me away with their set.  Just download the Cherry Cola Champions EP for free and see what I mean (check out “Fievel Goes Midwest”).  I honestly did not think I was going to be able to get into them after their first song, but suddenly I was hooked.  It was experimental at times and very post-hardcore.  I look forward to seeing these guys again.

So that was my Friday night.  What did you do?  Never mind telling me, I’m too tired now…  Just do me a favor and check out the bands I just talked about.  They are all free downloads and worth listening to.