All posts by Brian Mc

Indie, Music, Music News, New Release, Punk, Review, Rock

Album Review: Various Artists – Todd Is My Co-Pilot

8 January, 2015 Brian Mc Leave a comment

Just before the end of 2014, Dirt Cult Records head honcho, Chris Mason, decided to drop some tunes for all to hear on a comp called Todd Is My Co-Pilot.

Apparently a few years back, Mason and his pal Walker decided that someone needed to make a Todd C. comp for all to hear.

What once was a booze-fueled conversation between pals turned into reality as Mason reached out to tons of bands and many of them sent in covers to be included. Maybe it did not go as quickly as he and Walker had intended, but one day Mason realized he had more than enough to make their idea a reality.

So who exactly is Todd you ask? He’s actually Todd Congelliere, the founder of Recess Records and also the one-man show / front-man for bands such as The Underground Railroad To Candyland, F.Y.P. and Toys That Kill.

I am sure if you are a fan of punk rock, you now know who I speak of. Even if you are not, you should check out this comp and become familiar with Todd C. This dude packs tons of talent.

Todd Is My Co-Pilot features covers by amazing acts like The Brokedowns, Iron Chic, Low Culture, Sundowners, and even Mike Watt and the Secondmen.

Vacation did a great rendition of “Dead Inside” while Iron Chic put their own twist on Toys That Kill’s “White Lies”. I loved the fuzzy bass on this track. Apocalypse Meow’s clean cover on “Illegitimate” was very close sounding if not a little slower but still awesome.

Full Sun was an act on this comp who I have not really gotten to know, but after hearing them cover Toys That Kill’s “31 Year Old Daydream”, I realize that needs to change. The very 80s female driven punk rock sounds were perfect for this take and invited me to check out their original material.

Hearing The Plurals cover Todd C’s “You’ll Hear My Voice” instantly reminded of the very interesting video I saw for this song that was full of Kewpies. Check it out here.

Of course I need to talk about Mike Watt & the Secondmen’s take on “No One”. I was so stoked to see Watt and crew on this comp and to be honest, their version of the track was….well…experimental-ish. It was like Primus meets Ween meets Toys That Kill. I still dug.

This is not just some half-assed idea when you look at who all contributed. The best part about this comp? Dirt Cult released it for free. Zero cheddar. Nada.

So what the hell are you waiting on? Either head over to the Dirt Cult Band Camp page, or click below and proceed to download. It’s pay what you want, so do your thing and hope no one finds out how much of a cheap ass you really are. More importantly, enjoy.

Alt Rock, Garage, Grunge, Music, Music Video, New Release, Punk, Review, Rock

Album Review: Purple – (409)

18 December, 2014 Brian Mc Leave a comment

2015 has not even started yet and here I am listening to a band I’ve never heard of before thinking to myself how deserving they are to drop on my best of 2015 list.

I know, I know, maybe I need to chill out a bit. In all honesty though, I am dead serious about how much I enjoyed this act.

What would happen if you took Brodie Dalle (Distillers) and asked her to join the White Stripes with the soul purpose of mimicking 90s Sub Pop acts prior to the turn of the century?

Purple.

I speak not of the color, but of the boy-girl-boy Texas trio that literally has caught me off guard in a good good way. They call their sound party rock and I could not agree more.

In January, Purple drops their debut (409) on Pias Recordings. It is tough for me to even think that this is their first album given how well put together it sounds.

“Wallflower” started things off with a Detroit rock sound. It was tough to gauge this band until about the halfway mark and suddenly I was loving what I heard.

“Leche Loco” carried an amazing similarity to 90s acts like Dinosaur Jr. and Bikini Kill as well as even good ol’ Jane’s Addiction.

“Beach Buddy” was a catchy track that was like a morph between Used Kids, The Strokes, and Edward Sharpe and the Magnetic Zeros. This fun beach jam was amazing. I loved the back and forth singing between Hanna Brewer and Taylor Busby only for them to join together.

“Thirteen” was like Joan Jett met a hardcore version of The Faint. Damn, this song was nuts. I loved it. The quick breakdowns and the heavy guitars with distorted vocal notes. The video for it was even more insane.

“Target” had Brewer singing like a young Gwen Stefani and Juliana Hatfield but not without adding her own force in. “Head On The Floor” continued with I am hoping the next song to be plastered all over the radio. This track reeked of 90s alt-rock and was extremely enjoyable thanks to that Weezer bass riff.

With more of a blues rock feel, “Newborn” slowed things down a bit. I felt this track proved how much talent this band holds. Dan Auerbach, maybe you need to hit these kids up over Danger Mouse next time. Seriously though, this tune was impressive.

“I like to party and ear a bikini” started off the final song “DMT”, a gritty punk jam that was heavy on the distortion and reverb. Not sure how this will come off but, it is so nice to hear new music take queue from classic punk and alt-rock sounds from my younger years.

This album was full of wholesome pop-garage-punk-rock goodness with some psychedelic flavor and even a little riot grrl-ish making for a truly refreshing listen. If anything though, most of all, it was freaking fun.

This band is going places. I know it.

The best part about this release? It drops on my birthday.

Music, Music Video, New Release, Pop, Punk, Review, Rock

Album Review: The Brokedowns – Life Is A Breeze

16 December, 2014 Brian Mc Leave a comment

Lots can be said about punk act The Brokedowns by this music lover.

First, The Brokedowns released an amazing album years ago that I still listen to often, so chances are, this review may show light favoritism. Secondly, they rule…tons. Lastly, they have not released an album in at least 4 years, so this is something worth getting excited about.

I learned of The Brokedowns back in 2009 when I was flipping through 45s at Blue Arrow Records. I picked up a split 7″ with them and Turkish Techno on it and totally made a blind buy having no idea what to expect. I remember spinning the crap out of that 45. I loved what both bands had to offer.

The Brokedowns hail from Elgin, Illinois and have been creating their own melodic punk rock since at least 2002. They have definitely matured over the years and have mastered their sound throughout their time but without losing their unique charm.

“Joliet, The Maui Of The Midwest” started the album off with a gracious and humorous nod to their hometown area. This song was a straight up jam with a heavy dose of gang vocal opportunities at the end.

Title track “Life Is A Breeze” was a drum hitting, screaming, killer song that was ever so poppy and melodic yet kept that punk edge to it. I loved how this song was just about dealing with the surroundings and admitting things are not that bad.

“Murder Junkie/CPA” was a pop punk jam that to me sounded like a mix of Low Culture and Iron Chic. There was a garage rock sound with the punk vibe that just made this track stand out over the others.

“Everything Is Immoral” was brutal. I loved everything about this track, especially the group harmony just past the halfway mark. It fit so perfectly. I just wish I knew what that intro clip was from. Anyone? Bueller? Bueller?

Without trying to talk about every track on this album, I have to mention how much I loved “Born On The Bayou Too”. The track alone was one of the best on the album. I loved the quick breakdowns and just 90s reminiscant guitar playing.

“Cash For Gold” was a quick fun track, but the video for it was beyond freaking hilarious. The music video titled GG and Merle Get Jobs was more of a short film with “Cash For Gold” playing throughout. A true ode to not only crust brothers GG and Merle Allen, but also to Looney Tunes. The black and white was a nice touch, especially with assisting removing the brown. Scroll down to see what I am talking about. The song was bad ass thanks to the typical Brokedowns flavor throughout I have grown to dig.

For a second there I thought “God Hates Math” was a lost Ween track as it extended from the prior track “I Respect Your Right To Always Be Wrong About Everything” but soon just ignited.

I hope “Keep Branson Weird” was about Sir Branson. I met that dude once in Baltimore. True story. He was nice, but so weird.

Anyways…

Closing the album down was “A Child’s Guide To Black Metal”, a song that may have been toned down a bit versus the others starting ups, but still just awesome, especially once things picked up.

The end of this track left me wanting a copy of the vinyl as backwards lines repeated over seagulls and I am just dying to play the record backwards just to make out what is being said. A true cliffhanger if you ask me.

This is one memorable album by an amazing group of dudes throughout. I really hope more people than me are so over-excited about what I just heard. It rules and is not to be missed.

Head on over to Red Scare Industries and pick up a copy or two.

As promised, here is the video I made mention of earlier. It’s not exactly a safe for work video. To make it tamer, let’s just say them boys have really oily hands… Don’t say I did not warn you. Enjoy!

Acoustic, Folk, Music, New Release, Punk, Review, Watch This

Album Review: Tim Barry – Lost & Rootless

11 December, 2014 Brian Mc 2 Comments

It’s no lie, Tim Barry just dropped one of my favorite albums of 2014.

After hearing it just one time through, I had no choice but to make an immediate edit to my best of 2014 post. I was blown away.

Lost & Rootless, Barry’s fifth studio release as a solo artist, is the best thing I’ve heard from him to date.

The Richmond, VA folk crooner is one of the most talented music writers I consider myself a fan of and he just further proved that to me with his latest effort. To say he is on top of his game is a complete understatement.

Barry, on his website, said the sound to his latest release could be described as “Wooden.” He stated “that’s the feel that I was going for when I picked the songs. There’s violin, voice, a wooden resonator guitar…there’s a very subtle electric bass on one track, but otherwise I wanted to do a wooden record.”

“Wooden” is the perfect description when you think about it.

Hiding out in a backyard shed with his sister and pal Josh Small, Barry recorded Lost & Rootless with no time frame and no worries at all. The result is a tireless release that I have listened to over and over and found myself enjoying more so than the last listen.

One thing I adore about Barry is his storytelling abilities. In Lost & Rootless, Barry doesn’t hold back with his tales that do not necessary have a theme to them but certainly reach back to other stores of past albums. There is no concept to be heard and to be honest, I think Barry and crew just recorded whatever was on their mind.

Starting the album off was “No News From North”. This was actually taken from Barry’s Laurel Street Demos, but re-recorded just as he has done with other selections. I loved the rendition of this song from its original. It sounded so much more homely and emotional.

“Poppa’s Porch” had me thinking of Barry on his front porch with his wife and kids singing to them on a weekend morning. This song told a story about the neighborhood that surrounds said porch full of fisticuffs and shenanigans. This was overall such a friendly track to listen to. It was like Cheers, but different.

“All My Friends” painted such a beautiful picture of who Barry surrounds himself with. This was a very old-timey sounding story about people who took to the streets for entertainment and communication.

I can honestly say I know exactly what “Breathe Slow Let ‘Em Pass” was all about. My rebel youth recalled those days when the law passed me by and I turned into stone until they were far away only to release a tightly held in breath. This track was amazing based on the idea of it.

The cover of “Clay Pigeons” by the late and great Blaze Foley was just amazing to listen to. Having just learned about the Austin musician myself, I can understand why Barry chose to record his own version of the song.

The somber story told in “Solid Gone” reflected hard times with family and finances and the outlawed methods to make things manageable resulting in further calamity. I can not say I have heard a song quite like this before and found myself captivated throughout it. This is one track I think everyone needs to check out on this album.

“Lela Days” was clearly written for Barry’s daughter. I have the feeling she loves it when he sings this song to her. It is a fun folky jam with real life expectations hidden within.

I can not tell you the number of times that I thought to myself how much I enjoy Tim Barry’s music. This is coming from a aging punk rocker who has matured just a bit but still has a lot of growing up to do. It’s nice to see that I still get excited about things.

By now, it shouldn’t matter that Tim Barry once was in Avail. Even though his former punk act will always be one of my favorites, it is perfectly clear why Barry has moved on and started something he can call his own.

It’s no wonder he has no plans of ever getting Avail back together, his new direction just makes so much sense and does not seem to be going off track. He has been going strong for 10 years and I hope to hell he has no intention of slowing down.

Acoustic, Alt Rock, Country, Experimental, Folk, Garage, Hardcore, Hip Hop, Indie, Listing It Up, Metal, Music, Pop, Pop Rock, Post-Hardcore, Punk, Rock, Screamo

Best Of / Worst Of / Whatever Of… 2014

3 December, 2014 Brian Mc Leave a comment

Well folks, it’s that time of the year. We are wrapping up 2014.

This means I get to share my top albums of the year (with anyone who has any interest in what I have to say).

There were tons of great releases this year and honestly, I know I passed up a few. In fact I’ve even added a few names to the below list numerous times while pondering what all caught my attention in 2014. (NOTE: I have even added a few more to my list that I overlooked and feel need to be included – perks of running your own blog I suppose.)

I am not putting any limits on my best of list this year as no artist should be left out. I’m am just sharing the albums that really impressed me this past year and maybe even reasons why.

I’m not sorry for how long this post has become. I’m actually quite pleased with what I have come up with. It really proves that 2014 was a great year for music. I’ve also decided to add a list of albums that just did not do it for me.

Best Albums Of 2014:

Tim Barry – Lost & Rootless
-I just listened to this album in full this morning and instantly had to add it to my list. This is the best thing he has ever done in my opinion. Music writing doesn’t get more real than this.

Mastodon – One More Time Round The Sun
-This album blew me away and continued to do so over the course of the year. I really was not sure what to expect after hearing The Hunter, but they managed to keep their style and improve it resulting in one of my favorite albums of 2014.

Cheap Girls – Famous Graves
-I love everything about this band. I think the best part is that they are just all quality dudes who are extra loaded on talent. I really need to snag a copy of this album on vinyl. If you have not heard of this band, you need to change that. This album was perfect.

Ryan Adams – S/T
-This album was thoroughly enjoyed by this music lover many times. I can’t say I’ve been into all of his past material, but as of late I am finding myself becoming a bigger fan.

United Nations – The Next Four Years
-It was only a matter of time before U.N. released new material. This super-group of musicians really outdid themselves with their sophomore release. In fact, I favor this release more and more with each listen.

Murder City Devils – The White Ghost Has Blood On Its Hands Again
-I never thought the day would come when MCD came out with new material. After seeing them in 2011 at Fun Fun Fun Fest, I knew it was only time before they recorded new material. The result was yet another classic album full of plenty of jams that I’ve listened to over and over without growing tired of one bit. I just wish it were a little longer.

Xerxes – Collision Blonde
-This band slays. So much. I was not ready initially when I checked this album out and was literally just taken by surprise. Best feeling ever.

Chris Stowe – Hollow
-This heartfelt album tops my list when it comes to one man and his guitar. When I say heartfelt I mean sad but with true emotion. He is the emo of emo and a class act dude as well. This album really impressed me.

Chuck Ragan – Till Midnight
-This album was intensified so much more thanks to his special pals he recruited to play with him throughout the album. As big of a fan of Hot Water Music as I am, I can honestly say I am a bigger fan of his solo material.

Banner Pilot – Souvenir
-It’s Banner Pilot. Enough said. This band never disappoints.

Cory Branan – The No Hit Wonder
-If you have not heard this album yet, stop reading right now and find it. This was one of my favorite releases of the year. Amazing songwriter.

Chris Cresswell – One Week
-Intense album by a guy who usually is known to scream loud in the Flatliners. Subtle tracks with Joey Cape helping along made for such a beautiful release. I love that this was recorded at Cape’s house in just one week.

The Afghan Whigs – Do To The Beast
-No lie, I was nervous about this album when I heard it was going to be released. I am not sure why. Lucky for me, it was solid from start to finish.

The Black Keys – Turn Blue
-This album was a little more Broken Bells sounding than I was hoping for thanks to Danger Mouse’s touch, but overall it still ruled. I have found myself listening to it a lot again after taking a few months off. It is still catchy as hell and those guitar jams are still amazing.

Mariachi El Bronx – III
-How can you not like this album? It is so good. I loved how it just was not even so much a concept anymore as much as just a new direction for a talented group of dudes.

Swingin Utters – Fistfull Of Hollow
-This band refuses to slow it down. This is their 3rd release in 3 years and is the best stuff I have heard by them in a long long time.

Needles//Pins – Shamebirds
-DIY punk garage rock excellence is the best way I can describe this album. I can not even tell you how many times I have listened to this release over and over. If you dig the Ramones, I guarantee Needles//Pins are right up your alley.

J Mascis – Several Shades Of Why
-I have few heroes in my life. Mascis is one of them. This may be the most amazing thing I have ever heard him do aside from that Mazzy Star cover he recently performed.

Baby Ghosts – Maybe Ghosts
-Pop-indie-garage-rock-fun-fueled-goodness. I may be falling out of the scene these days and miss out on a lot of the DIY music that completely rules, but I can honestly say I am glad I did not miss out on this album.

The Menzingers – Rented World
–Chamberlain Waits will always be my favorite release by The Menzingers, but this album is a very close second. Very close…

Against Me! – Transgender Dysphoria Blues
-I know this album got a lot of attention due to Tom exiting and Laura entering, but aside from that, this album is just sick. I hated to see such a revolving door of members in the band over the years, but they still have managed to keep it together and produced an intense album.

7 Seconds- Leave A Light On
-I am a huge fan of 7 Seconds and am ok with that. To see them regroup and drop an all new release made this aging punk rocker very happy. This album was tougher and harder than some of their past releases and did not sound forced one bit. This album was probably the best punk record I listened to all year. Suddenly getting old doesn’t seem so bad.

Sage Francis – Copper Gold
-Sage returned and delivered. I can still recall the day this album dropped and how excited I got. I was live tweeting my feelings for all to read, including Sage himself. I was having a fanboy moment.

Run The Jewels – Run The Jewels II
-EL-P and Killer Mike dropped the surprise album of the year and pretty much gave it away for free. This should be at the very top of my list as I can not stop listening to it. I was lucky enough, thanks to a good pal, to obtain a physical copy that I know I will spin over and over.

Tilts – Cuatro Hombres
-This band is the definition of rock music or at least what I think it should sound like. Remember when Queens of the Stone age were cool? Tilts are better.

Pup – Pup
-This is the one album I sat on for too long in 2014. I am glad for whatever reason I decided to check it out. This is one notable debut.

Restorations – LP3
-Take all of the music I was into in the 90s, and I guarantee you this album would have fit in perfectly. This is one of the best bands out there. I know they have a good fan base already, but I seriously think that not enough people are aware of how talented this band really is.

Best of EPs of 2014:

Beach Slang – Who Would Ever Want Anything So Broken?
-Without a doubt, this is the greatest band out there right now and they have yet to release a full length. They are not young kids and are perfectly ok with that. They are just here for the tunes and these tunes are exceptional.

Beach Slang – Cheap Thrills On A Dead End Street
-So gooooooooooooood. Yes. I adore them. Deal.

Low Culture / Iron Chic – Split
-2 of my favorite bands on one EP. Nothing tops that, except maybe pizza or tacos.

Low Culture & Needles//Pins – Split
-Garage rock maximus. Both bands are incredible and it only made sense for them to release a split together.

Ryan Adams – 1984
-Surprise release of the year. I loved what he did on this EP and wished it were a full length. Adams really is a man of many talents when it comes to music and I have a fonder appreciation for him now. 1984 carried quality similarities to so many SST and Discord bands.

The Public – Shibuya Crossing
-These guys could be the next big thing to come from Cleveland if they keep it up. Dead serious.

Remainders – Fine Exits
-These guys could be the next big thing to come from Pittsburgh if they keep it up. Dead serious. (yes, I did that on purpose)

Signals Midwest – Wherever I Might Land
-Hearing these dudes cover Iron Chic’s “Time Keeps Slipping Into The (Cosmic) Future” pretty much made my year. This was a download only release, but I hope that I can find a bag of money so that this can be pressed on vinyl. I would need to title it SGNLS MDWST though as all the cool bands lose the vowels.

The One That Got Away In 2014:

Of Us Giants – Nova Scotia
-Seriously, what the hell was up with this band? They started 2014 off in a good good way with their debut and disbanded before even hitting the road to tour. It seemed almost as if they worked harder selling their merch to their adoring fans making up for lost product over keeping it together as a band. I am sure they had their reasons, but Novia Scotia was a solid release and I really thought Of Us Giants was going to make it big.

Whatever Of 2014…

Death Grips – The Powers That B
-I liked this album. A lot. I did not like how this band went out. Kind of pompous if you ask me. Luckily, most folk moved on with their lives.

Rancid – Honor Is All We Know
-I honestly hate that I am admitting this, but I only liked about 45% of Rancid’s latest offering. I even listened to it again today and felt the same. I just was not been overly impressed with the entire album and I really wanted to be. There were a couple instant classics in there but some of the tracks just didn’t hit me well. Rancid will always be one of my Top 5 bands. Don’t you worry boys. I still love ya.

Gaslight Anthem – Get Hurt
-I tried, I really did, to enjoy this album but just could not get into it at all. At first I thought I appreciated the lyrics and just needed to get into the music, but in reality I think the Gaslight fanboy in me was just in shock on what I was hearing. It was just too chilled out for me. I will give it a chance again soon.

Weezer – Everything Will Be Ok In The End
-No it won’t. Two songs in on this album and I turned it off. Sorry guys, I’ll stick to your older albums. I could not get into this at all.

Damon Albarn – Everyday Robots
-I love Blur and the Gorillaz. I can not say the same for this album. It is different and just not what I was expecting. I appreciate anyone who does their own thing, I just can’t say I will like it.

Pixies – Indie Cindy
-I did not have the highest expectations for this release. Maybe it was due to Frank Black saying that “there’s been a shift in the lineup, big woop-dee-doo…as far as we’re concerned it ain’t that big of a deal.” Yes it is Frank. It sure was a big deal. It was a Kim Deal. You should have quit when she did and stated something else.

Wu Tang Clan –A Better Tomorrow
-I hate to have anything negative about Wu Tang Clan, but after hearing “Ruckus In B Minor”, I thought this album was going to be the greatest thing in 2014. Sadly the single was the strongest track on the album with a couple of other tracks that came close. Do not get me wrong, this was a good album but I was hoping for way more hip-hop and less R&B.

Masked Intruder – M.I.
-Sorry dudes…your first album was so much better than your follow-up. I dug it for maybe a week and just lost interest. It is not terrible by any means. My review was sincere and I initially liked it but not for long. I know not everyone will agree with me on this. The band has major talent. Perhaps I am old and just don’t get it. Get off my yard!

Worst Albums Of 2014:

U2 – Songs Of Innocence
-Jerks. Rolling Stone was paid off. Apple was paid off. This album was not that good and I am still pissed that the Apple sponsored commercial had so many punk rock heroes in it. I am entitled to my opinion. Nothing like jumping on Google to learn how to remove an album from my iTunes that I never wanted.

The Flaming Lips – With A Little Help From My Fwends
-No. Just….no. Maybe if I was on a lot of drugs and was just an eccentric individual I might get it. My ears were bleeding with this. Quit trying so hard and bring back Yoshimi. I know some people adored it. I did not. These Beatles covers were terrible.

I hope you all enjoyed this list/rant/babble. I know I had a good time putting it all together. Seeing how awesome 2014 was with music, I can not wait for 2015 to start.

Happy holidays suckers!