All posts by Brian Mc

Cleveland, Live Shows, Metal, Music, Punk, Review, Rock

Album Review: SACK – Ripper

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Party thrash punkers SACK rip so hard that I got Covid when I saw them live.

No seriously, they played Cleveland at the end of June at a local BBQ joint/bar/venue and I went with a few pals. Two days later, I tested positive for that stupid bastard virus and was knocked off my ass for a week. Totally worth it though, it was one of the better shows I went to this year.

Disclaimer: Not everyone who sees this band is guaranteed to contract a virus.

SACK hails from the Denver area and honestly have had changes in their lineup since they started making music in the early 2000s, but have always entertained the hell out of me.

Currently, Kody of The Lillingtons and Teenage Bottlerocket fronts the band along with a couple of dudes from Peru, some gym teacher, and apparently a local electrician.

Ripper is a 12 song banger of sorts that was recorded at The Blasting Room and released earlier this year on Red Scare Records. This album is for the drunks, the punks, some more drunks, and anyone looking to just rock the hell out. From start to finish, Ripper absolutely slays, slaps, shreds…shit like that.

“I Hate The Beach Boys” has zero love for that surfer boy band your mom and grandma probably batted lashes at in their younger years. The distaste for the band is evident with Kody just screaming out reasons why he hates them.

“The Return of Mr. Bong” is definitely to be adored by all the stoner heavy metal lovers. Clearly a tale of a party encounter with a superior water pipe taking on everyone.

True story real quick: I was driving somewhere with my windows down blasting “I Tried Suicide” recently and stopped at a light and looked over just in time to see that the song offended another driver enough to make a face of disapproval while rolling up their window. This song is about ending it all with no buffer.

“I Used to Give a Shit” has been my theme song lately. All about not caring and just living life sometimes is the best logic to carry in this day and age. Take it from SACK, caring is stupid.

“Night Shift” for whatever reason reminded me of something that should have been playing in Repo Man when Otto and Bud were driving around L.A.

I loved “The Thesis”, even if it was just a complete train wreck that clocked in at 0:43. I guess I just appreciated the raw, insanity of the track. I could see it as paying homage to a few 80s punk acts.

“Turf War” was upbeat, but clearly tied gangs maintaining their hood. I kind of wish SACK did a music video for this one. It could be like Warriors meet Grand Theft Auto or some bullshit like that.

Ripper was just that when describing the sound held within the album. I literally listened to this for weeks on end over and over. It is fun, raw, and just aimed at having a good time. Sure, if you like Teenage Bottlerocket you will likely be into these dudes especially since “Headbanger” was originally a SACK track. Kody really gives it his all with this band vocally and there is no doubt about that.

Also if you like Guttermouth, FEAR, or even Zeke, chances are you will eat up SACK. Yes, I wrote that on purpose.

No LP yet for Ripper (hint hint), but the album is out all all $treaming $iteS or you can snag a CD from Red Scare if you still rock that compact disc life.

If SACK happens to play a show by you, go. Seeing Kody try and pound a 12-pack during their set was impressive as hell. Just make sure you let the man hit the bathroom after because chances are, he is going to need to relieve himself after that feat.

Cleveland, Music

I’m Still Around

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Hey all, I will be the first to admit I have neglected the hell out of this site.

I am going through some life changes currently and have every intention of rebooting this blog very soon. I promise y’all, I am ok. Been a rough start to the year, but the future is looking to be just fine.

Aiming to cover this summer’s Punk in Drublic festival at Nautica (it will always be Nautica). I also have a handful of albums I need to review so stick around and see if I hold myself to this.

Thanks for caring!

Alt Rock, Grunge, Indie, Music, New Release, Punk, Review

Album Review: Big Nothing – Dog Hours

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Bands like Big Nothing are hard to come by. I first learned of them back in 2019 and have been a fan since. Their style then was something that was just so enticing to my ears. Said release became one of my favorites and to this day is still in regular rotation.

Featuring Liz Parsons (bass/vocals), Matt Quinn (guitar/vocals), Pat Graham (guitar/vocals), and Chris Jordan (drums), Big Nothing has this distinctive charisma all in thanks to how they share vocal duties that coincides with the music they create. Their overall style, which clearly shows strong appreciation for various genres of music, results in an unique sound that teeters between indie punk and alt-country without missing a beat.

“Always On My Mind” opened up this 10-track album with an impactful yet chill song about inhibitions around courtship. I loved their regressed sound that the band managed to produce outside of traditional studio sessions all in thanks to stupid Covid.

I loved everything about “A Lot of Finding Out.” With so many proper Westerberg similarities, this track sucked me in immediately. It was personal and wholesome and catered directly to the listener.

“Still Sorta Healing,” all in thanks to Parsons, reminded me of early Juliana Hatfield in the best way. This track brought me back to the days when I shook off the grunge and started expanding on my musical tastes

The damper “Curiosity” was an alt-country stumble that truly hit at somber feelings. I’m almost afraid to know what this one was about. Truly a personal battle with the loss of great impact.

I feel the band came together the most in “Dog Hours.” This track was just great in every way. Without being overly complex, it carried a good sound throughout.

“Make Believe” had Parsons taking over lead vocals once again changing the dynamic of the album without distraction. I honestly look forward to this shift as it showcases the true talent of this band.

“Accents” just ruled. The hook on this track was so memorable it had me singing along at first listen. This track is going to get this band a lot of attention I feel. Seriously, scroll down and listen to this one.

In true alt-country form, “What I Wanna Say” closed down the album with a good story backed by harmony and twang. I loved the laughing and someone saying “done” at the end, but it just left me wanting more.

Dog Hours continued where Chris left off for listeners like myself who just simply wanted more jams from their debut. There was a clear in change in tempo and style for the benefit of the band. With a more intimate, pure sound, I feel more connected to this band. As much as I adore their debut, Dog Years is equally as impressive.

Call me corny, but they really should have called themselves Big Everything. Dog Hours without a doubt is one of my fav releases of the year.

Big Nothing links:
Bandcamp / Twitter / Instagram / Facebook / Lame-O Records

Hardcore, Metal, Music, Punk

Album Review: The Decayed – Corrupt Politicians Will Never Set You Free

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I am probably a little overdue for a review, so allow me to take a few moments to talk about a ripper of an album that was sent to me a couple months back by Jake from The Decayed .

I promise y’all it was listened to upon release, the delay on my end came from carving out some time to talk about it.

Hailing from South Chicago, The Decayed manage to smash punk and thrash together making for a unique, full of angst listen. The foursome are working class dudes with vocal opinions and zero filter. Their debut Corrupt Politician Will Set You Free dropped almost a year to the day, so apologies on my end for the delay of this post.

The album cover clearly has a They Live feel with a money-hungry politician surrounded by brute force that more than compensates for the album’s title. Before even listening to this, I had a feeling it was going to have tons of raw energy.

“Piece By Piece” had me slightly nervous that the back was nothing more than a Jackyl spinoff with the chainsaw, but boy I was dead wrong. These dudes just jumped right into it and got to business. Think street punk mixed with thrash and a steady bass lick keeping it all together.

“Abandon Hope” was the prominent song off this album with a powerful metal / punk collaboration enjoyable throughout. Loved the riffs on this one that tore into solitude and escape.

“Desolate” to me is what Bleeding Through would have sounded like if they skipped the metalcore and fell towards hardcore. This was a brutal track all surrounding gut feelings about propaganda and failed states.

Sounding like and angry early AFI sans emotion came “A Fire Inside”. I laugh about this one because it was not until a few minutes into writing that comparison did I line up that AFI is abbreviation for, yeah, you guessed it. Coincidence? Perhaps. The track is a good listen.

“The Old & The Dead” easily was one of my choice cuts all in thanks to angry old man punk with Matt Fremon-like bass playing. This song isn’t cookie-cutter at all and just blatantly tells you how it is and I for one appreciated the hell out of it.

“One Last Ride” was a working class, do-or-die punk rock track. I have to hand it to them, hearing “I got a perfect view of heaven from my front row seat in hell” was quite appealing to me. This wasn’t a happy-ending by any means and was more so a vision of extremities when all else is lost.

The Decayed are on the same page as Anti-Flag but far heavier. If you carry the same ideals and need something to just get your blood pumping as you question this reality built around, I’d consider checking out Corrupt Politicians Will Never Set You Free. If you are on the other side of the tracks, I hope this offends the shit out of you.

The debut was pressed on a black & white splatter LP which just looks awesome and sounds amazing when played loud. You can snag one for yourself on their Bandcamp page. It is also steaming on all of those platforms that will never pay artists what they truly deserve, except for Bandcamp. Here, I will make it easy on you, check them out:

Acoustic, Alt Rock, Hardcore, Metal, Music, New Wave, Post-Hardcore, Punk, Rap, Rock, Ska, Solo

BHP Best Of 2021 List

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Oh look, the year is about up already. Guess that means it is time to drop my fav releases of yet another messed up year.

The good news about 2021 is that I went to exactly one show, but it was a great show with amazing humans all around.

Anyways, I am busy as shit with the paying gig and that dad life, so I am going to try and keep things short and sweet this year. With any luck, I will add to this some content on why these hit me the most. To be continued I suppose.

Check out the albums in no particular order that caught my attention throughout the year:

BHP BEST OF 2021 LIST

Turnstyle – Glow On

Heart Attack Man – Thoughtz & Prayerz

Lars Fredericksen – To Victory

One Step Closer – This Place You know

Johnny Dynamite and the Bloodsuckers – Sleeveless

Kali Masi – [Laughs]

Haunt – Beautiful Distraction

Neighborhood Brats – Confines of Life

Shitty Neighbors – People I Know

Heart & Lung – Twistin’ The Knife Away

Joystick – I Can’t Take It Anymore

Descendents – 9th & Walnut

Jeff Rosenstock – SKA DREAM

Lucero – When You Found Me

Jonathan Richman – Want To Visit My Inner House?

Sincere Engineer – Bless My Psyche

Juice Newson – Suburban Soul

Needles//Pins – Self-Titled

Brain Cave – Log World

Section H8 – Welcome to the Nightmare

Fiddlehead – Between The Richness

Bands: Thanks for doing what you do.

Labels & Promoters: Thanks for helping out the bands to their thing and release their music be it physical or digital and for supporting them while trying to tour in these most uncertain times. Also, thanks for the consideration when pimping them out. I am a lucky guy for this opportunity.

Finally: Thanks to YOU (yes, you). If you are even looking at this. I struggle every year if I want to keep blogging, and honestly I figure if someone out there can take some time to log in and look, then I can at least try and do my thing.

Here’s to 2022. See y’all soon.